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Lot 9
CLARKE, Wm. & MURRAY, J. et al. (pub.) 'The Antiquarian Itinerary, comprising specimens of Architecture', London, 1815. 12mo. numerous engrd. plts. 7 vols. Tog.with 'Antiquarian & Topographical Cabinet', London, 1807. engrd. plts. 10 vols. plus 'Ancient Reliques, or, Delineations of Monastic...Architecture', London, 1812. engrd. plts. T.e.g. 1/2 marbled bds. uniformly bd. x19. (see illustration).
Lot 101
HARRISON, Joseph, 'The Floricultural Cabinet and Florist's Magazine', Whittaker, 2nd. edn. 4 vols. in 2. (1833- 34. 1835-36) cold. illus. 1/2 clf. scuffed. Tog.with LEE, Mrs. R. 'Trees, Plants, and Flowers', Grant & Griffith, 1854. cold. illus. by James Andrews. 8vo. glt. cl. worn 7 marked. Plus similar interest. 6 (see illustration)
Lot 1097
A Victorian Walnut Butterfly Cabinet of Thirteen Drawers, circa 1890, of square section, the richly figured door revealing glazed drawers containing an assortment of European butterflies, many with data, including Wood Whites, Swallowtails, Large Tortoiseshell, British and European Purple Emperor, Heath Fritillary, Glanville Fritillary, Pearl Bordered Fritillary, High Brown Fritillary, Marsh Fritillary, Adonis Blue, Large Blue, Silver Studded Blue, Scotch Argos, Small Mountain Ringlet, Large Heath, Black Hairsteak, Brown Hairstreak, White Letter Hairstreak, Duke of Burgundy, Silver Skipper, Lulworth Skipper, Chequered Skipper, 94.5cm high, 51cm wide See illustration. With WCA Sch 5/Habitats licence
Lot 1206
A Tunbridgeware Table Cabinet, circa 1850, predominantly rosewood, of rectangular section, the top inlaid with a view of a castle gate amongst trees, two doors with floral panel to the fascia revealing four graduated drawers with banded fronts and turned mushroom handles, on a canted plinth on bun feet, 20.5cm wide, 18.5cm high
Lot 1260
Follower of Francis Torond: A Pair of Reverse Painted Glass Profile Family Groups, circa 1900, one depicting an elegant couple, she stands holding a fan, an Italian greyhound at her feet, he stands resting his left hand on a walking cane, divided by a tripod table, beneath a tasselled pelmet, in a parcel gilt ebonised wood decorative frame, image only 25.3cm by 28cm; and Another Similar, depicting two ladies wearing crinoline dresses, both holding fans, one seated and one standing, by a chinoiserie cabinet, beneath a tasselled pelmet (2) See illustration
Lot 1425
A 19th Century Louis XV Style Kingwood, Tulipwood and Gilt Metal Miniature Cabinet, the superstructure of graduated form with two shaped glass shelves above a mirrored back, the base with two cupboard doors inset with two oval Sevres type porcelain panels with ribbon tied mounts enclosing a blue velvet lined interior, on conforming base, 47cm by 14cm by 61cm See illustration
Lot 1495
A Painted and Stained Pine Side Cabinet in 17th century style, probably 19th century, the rectangular top above a central cupboard door depicting warships, flanked by two cupboard doors depicting portraits of a lady and gentleman with two frieze drawers below, named JACOBUS MAERTENS and ISABELLA DE VLIEGHE, the base with arcaded apron, the ring turned cupped tapering legs united by an understretcher, on compressed ball feet, 114cm by 50cm by 126cm
Lot 1539
An 18th Century German Writing Cabinet, veneered in walnut and plumwood, the drawers and doors panelled with stained burr wood inlaid with black strapwork, the upper section with a central bowed door flanked on each side by four small drawers, over a shallow slope and three long serpentine drawers below, on compressed ball feet, 135cm by 73cm by 182cm See illustration. Provenance: Sir Rudolph von Slatin, thence by descent through the family.
Lot 1551
A Mahogany Metamorphic Drinks Cabinet, in the Chippendale Style, 20th century, twin rectangular flaps opening to reveal a fitted interior of decanter and glass holes, the base with gadrooned edge and leaf carved scrolling cabriole legs joined by a square platform, on claw and ball feet, 119cm extended by 59cm by 79cm See illustration. Bears brass plaque of ALEXANDER CLARK MANUFACTURER & CO, 188 OXFORD STREET, PATENT NO.1635466
Lot 1552
A Victorian Walnut and Marquetry Music Cabinet, the upper section with turned finial mounts between fret cut moulded supports, on ringed turned and carved columns, the base with glazed cupboard door enclosing three shelves, named Songs, General Music and Dance, between recessed column supports and a moulded platform base with toupie feet and brass castors, 62cm by 40cm by 102cm See illustration
Lot 1555
A Dutch Mahogany and Marquetry Bombé Display Cabinet, early 19th century, the domed shaped top above two arched glazed doors enclosing two fixed shelves, between angled corners with shaped trusses, the base with serpentine shaped top over four long frieze drawers and shaped apron, raised on heavy carved claw and ball feet, 104cm by 56cm by 193cm
Lot 1596
A 19th Century Giltwood Hanging Display Cabinet, the rectangular glazed door within a leaf carved and moulded frame flanked by two angled glazed sides with scrolling leaf decoration, the top centred by a foliate scrolling shell shaped cartouche flanked by acanthus and flowered ears, 90cm by 30cm by 120cm
Lot 1724
A Colin "Beaverman" Almack Panelled and Glazed Oak Display Cabinet, the upper section with two doors enclosing three glass shelves, the lower section with two doors enclosing two glass shelves, with turned Yorkshire Rose handles, carved beaver signature, 91.5cm by 34.5cm by 138cm (modern) See illustration
Lot 1729
A Gordon Russell Mahogany and Bombay Rosewood Dining Room Suite, designed by W H Russell FSIA, No.X7120, cabinet maker D T Agg, comprising extending dining table, the shaped rectangular top on two triangular supports joined by a stretcher on four shaped legs, with label dated September 1964, 177cm by 95.5cm by 72cm, and A Set of Six (4+2) Mahogany and Rosewood Dining Chairs, upholstered seats and backs, unmarked, 86cm (7)
Lot 28
Nine Royal Crown Derby Porcelain Cabinet Plates, Cuthbert Gresley, 1906, 1910, 1911 and 1939, each centrally painted with fish swimming amongst reeds within variously decorated shaped gilt rims and borders, all but one signed C Gresley, red printed marks, date cypher, and impressed marks, the largest 23.5cm diameter (9). See illustration
Lot 29
A Coalport Fruit Painted Cabinet Plate, Frederick Chivers, circa 1920-30, shaped circular, painted with a bunch of purple grapes, a peach and blackcurrants on a mossy and ivy clad bank, signed, within a broad midnight blue border enriched with gilt scrolls, dentil rim, blue printed crown mark, gilder's number 5351/R and impressed 18A23, 27cm diameter. Frederick Chivers (1881-1965) fruit and flower painter, who worked for the Royal Worcester Porcelain Company, but by 1906 worked at the Coalport Pottery specialising in fruit studies. The background on his work was achieved by working the ceramic colour with a matchstick, giving a stippled effect. For further details about this artist see Wilkinson (Vega) A Dictionary of Ceramic Artists, Landmark Publishing, p.44.
Lot 79
A "Vienna" Porcelain Cabinet Plate, Venus Wird von Den Gracien, circa 1880, circular, with puce banded cavetto and lilac acanthus scroll formalised borders punctuated by urns, title in red script and beehive mark in underglaze blue, 24.8cm diameter; and Another, untitled, depicting two figures, one enthroned, in a classical interior, within typically formalised borders in duck egg blue and pink, beehive mark, 24.5cm diameter (2) See illustration
Lot 80
Three "Vienna" Porcelain Cabinet Plates, circa 1880, each circular, comprising a pair, each painted with a version of The Three Graces, entitled Grazien in black script on the reverse, each within formalised panelled borders enriched with plant forms and enamels and gilt, 25cm diameter, and another with four women making an offering at an altar with midnight blue and gilded border, 24.3cm, beehive marks in underglaze blue See illustration
Lot 81
A German "Vienna" Porcelain Cabinet Plate, Amor und Psyche, circa 1880, circular, the central mythological scene set in a Turkish interior, within gilt dentil frame and typically complex panelled border enriched in gilt, 24.2cm diameter; Another, Una Gitana, painted by Wagner, circa 1880, circular, the brown long haired beauty within a complex panelled lavender border enriched in gilt, signed Wagner, 24.8cm diameter (chipped), both with blue painted pseudo beehive mark and titled in black script (2) See illustration
Lot 82
A German "Vienna" Porcelain Plate, Lady Smythe & Children, signed Wagner, circa 1880, circular, three children gathered around their mother wearing feather plumed hat, signed, within Art Nouveau floral broad border enriched in gilt, blue printed pseudo Vienna beehive mark, titled in black script, 24.5cm; and A French Porcelain Cabinet Plate, Tour de Marlborough, circa 1880, of bracketed circular shape, centrally painted with a view of the river with figures in a row boat near a swan, within midnight blue border enriched with floral swags in gilt, bearing blue enamel painted crossed Ls mark and DD, title in black script, 24cm diameter (2) See illustration
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306894 item(s)/page