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Lot 288
A Royal Worcester miniature cabinet jug, painted with a study of a Kingfisher signed Powell on an ivory ground, 3.5cm high, a Royal Worcester box and cover of tapering circular form painted with birds in flight on a blush ivory ground, date code for 1912, 5.5cm diameter and a Royal Worcester small bulbous jug painted with a pheasant, date code for 1908, 6.5cm high (3)
Lot 495
A Victorian walnut collector's chest, formerly used for birds eggs, of square section, containing twelve graduated drawers with glass tops (one top missing), most with divisions and each with two knob handles, the cabinet with moulded top, panelled sides and platform base (lacking door), 61.5cm wide 102cm high 61.5cm deep
Lot 503
A fine Edwardian mahogany display cabinet, with satinwood cross-banding, stringing and marquetry floral panels, the removable top section with carved and inlaid pediment over a moulded cornice forming a mirror-backed canopy supported on four turned columns, on an inverted breakfront cabinet, the central fully glazed door with classical style glazing bars, flanked by a pair of inlaid doors with oval convex glass panels and conforming convex panels to the sides, enclosing velvet covered fixed shelves with mirrored back panels, on base with six square tapering legs, spade feet and boxwood strung undertier with raised back rail, 137.5cm wide 219cm high 45cm deep
Lot 505
An Ercol light elm side cabinet, with rounded oblong top over a two door cupboard with drawer below flanked by a cupboard door enclosing a pull-out cutlery tray and shelf with inset wooden handles, on conforming rounded oblong base with turned legs and stretchers, 114cm wide 82cm high 48cm deep
Lot 162
* An Aynsley blue ground tapering vase, 18cm high; a Worcester leaf moulded twin handled vase; a set of four Doulton Lambeth gilt decorated vases, 12cm high; two Royal Doulton cabinet cups, signed C Heart, depicting Kurstmonceaux and Ludlow Castle; together with a Staffordshire floral decorated salt
Lot 168
* A 19th century cabinet plate, decorated with orange and green foliage, 20cm diameter; a 19th century blue ground bottle vase, 6cm high; pair of Wedgwood Jasper vases, 9cm high; a Wedgwood Jasper small beaker; Wedgwood small jar and cover; Coalport figure of a snake; Royal Worcester oval panel depicting swans, signed James Stinton; Continental figure of two cockerels; a pair of Sevres style porcelain panels; Coalport box and cover; Royal Doulton pink lustre vase; silver mounted salt; egg cup; cloisonne small coffee can and saucer (qty)
Lot 144
László Hoenig for LAHO, London, a carved walnut and copper model of an antelope, realistically modelled and mounted to a brass base, stamped marks 35cm (14in) Other Notes: László Hoenig was an Austro-Hungarian architect, interior designer and cabinet maker who studied at the Bauhaus in the late 1920s and practised in Berlin until 1933 when he relocated to England. Within a few years, he had opened his London design studio and showroom in Mayfair, and continued a successful career as an interior designer and maker of bespoke furniture, for mostly private and some corporate clients, until his death in 1971. During his career, he is also believed to have carved for Hagenauer in Vienna.
Lot 249
Howard & Sons, a late 19th century Gothic taste parquetry decorated oak centre table, the octagonal top on knopped column supports and chamfered legs 72 x 121 x 121cm (28 x 47 x 47in) Other Notes: One of the most successful and fashionable furniture companies of the 19th century, Howard & Sons was founded in 1820 by John Howard. They moved to premises in Berners Street London W1 in 1848, trading as "cabinet makers, upholsterers and decorators". In 1865 they obtained patents for wood veneer used for parquet flooring and the following year a patent for an "elastic seat", a re-design of traditional upholstery for sofa and armchairs. Their furniture won medals at International Exhibitions throughout Europe and notable commissions included Elton Hall, Stokesay Court and Mr Vanderbilt's yacht. They worked in a variety of fashionable styles, neo-Renaissance, Anglo-Japanese and Louis XVI. The present table belongs to the firm's Puginan range of Gothic Revival furniture for which they produced a series of tables with parquetry tops using the patents they had established in 1865. Examples of their furniture can be found in the Victoria and Albert Museum.
Lot 1245
An Edwardian mahogany Chippendale influence display cabinet With a dentil cornice above a blind fretwork frieze, two astragal glazed doors enclosing three lined shelves, the canted corners with blind fretwork raised on a base also with a blind fretwork frieze on tapering legs of square section with spade feet, 116x175x38cms.
Lot 1246
A French satin wood bonheur du jour, the glazed cabinet with two oval shaped glazed apertures above two similarly glazed cupboard doors, overall inlaid with trailing leaves and bows, the associated lower part centred with inlaid musical instruments and with a gadroon border, above two frieze drawers and raised on tapering legs of square section joined by a shaped under shelf and inlaid with trailing hare bells, 82 x 144 x48 cms.
Lot 1253
An elegant late Victorian mahogany open armchair, by Cornelius V.Smith The canted back with carved flowerhead upper pediment, inlaid with central laurel garland, tied with ribbon swags before fluted back supports, 'X' frame, the swept armrest with lion head terminals, the red upholstered open seat supported on four cabriole supports and terminating at claw feet,impressed mark C V S 91cm high. NB: Cornelius V.Smith was a renowned London cabinet maker who operated at Marshalls Yard, Hampstead, London in the late 19th/early 20th Century.
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