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Lot 104
A Gothic revival grey painted cabinet on standThe castellated cornice above pierced trefoil panelled doors enclosing two adjustable shelves on cluster column supports, 98cm wide x 34cm deep x 188cm high, (38.5in wide x 13in deep x 74in high)This lot is subject to the following lot symbols: TP
Lot 588
Victorian Pier cabinet with matching mirror, mahogany and thuya wood panelled veneers, arched mirror standing on single door cabinet base, decorated with blue and white ceramic classical panels, interior with two fixed shelves, decorated all over with brass beading, width 81cm (32"), height 208cm (82").Condition report: Very high standard of cabinet making, approximately 9" of brass beading missing to left hand side of pedestal, original mirror.
Lot 589
Edwardian mock Sheraton mahogany display cabinet on table, top section with swan neck pediment above single glazed door covering two fixed shelves, base with single drawer, square section tapering legs, the whole cabinet inlaid with classical urns, trailing stylised vines and other classical whimsies, width 59cm (23"), depth 47cm (18"), height 170cm (67").Condition report: Overall good, very small half inch section of chequered inlay to glazed panel retaining mould missing.
Lot 623
Mid 19th century Dutch mahogany veneered floor standing double corner cupboard, dome top above single glazed door covering two fixed shelves, base with bow front single panel door, all standing on bracket feet, the whole cabinet decorated with marquetry inlay birds, flowers, vases of flowers etc., width 81cm (32"), height 195cm (77").Condition report: Glazed door locked, key missing, block to dome pediment possibly replaced, otherwise good colour and finish.
Lot 569
A late 19th / early 20th century French oak and ormolu display cabinet, with a green variegated marble top above a shaped top, pair of glazed doors and glazed sides on scrolling feet, with ormolu mounts including masks, leaves and swags, 118cm wide x 162cm high x 42cm deep CONDITION REPORT: One rear leg needs re-gluing, colour is flat, otherwise in reasonable condition
Lot 700
A City of Cardiff Visitors' Book, 1941-1942, Alderman James Hellyer, J.P. in a blue leather including Cardiff Incorporated Chamber of Commerce, Royal Indian Army Tea, New Zealand Football Team, Visit of Belgian Cabinet Ministers, Visit of the Secretary of State For War, Visit of Lord Kindersley, Her Royal Highness the Princess Royal, etc
Lot 1
A William & Mary walnut, ebonised and marquetry decorated cushion framed wall mirror, circa 1690, attributed to Thomas Pistor, the rectangular plate within the moulded frame, each corner decorated with floral marquetry incorporating green stained bone, 55cm high, 49cm deep Thomas Pistor was a joiner and cabinet-maker at The Cabinet, Ludgate Hill from 1694 until about March 1711 and is considered to be an important cabinet maker of the period.Furniture featuring closely related marquetry was supplied by Thomas Pistor to Colonel James Grahame of Levens Hall, Cumbria. A highly important kingwood fall front cabinet inscribed by Pistor is known to have been part of the furnishings of Buxted Park but currently remains untraced. Please note: this description should state: ‘A William & Mary walnut, ebonised and marquetry decorated cushion framed wall mirror, circa 1690, possibly attributable to Thomas Pistor’ and not as originally printed in the catalogue.
Lot 114
A George III mahogany cabinet or clothes press, circa 1770, the swan neck pediment incorporating pierced fretwork detail, and stylised flowerhead terminals, the moulded frieze with dentil detail, above a pair of astragal glazed doors opening to sliding trays, the chest section an arrangement of drawers, on ogee bracket feet, 215cm high, 128cm wide, 63cm deep
Lot 116
A George III chestnut, burr yew and laburnum semi elliptical side cabinet, circa 1800, decorated with crossbanding throughout, the top decorated with a central fan marquetry motif at the rear edge, the pair of quarter veneered and banded doors opening to a shelved interior, on square section tapering legs, 96cm high, 101cm wide, 45cm deep
Lot 145
A George III satinwood and purple heart banded secretaire cabinet, attributed to Gillows, circa 1800, the upper section with shaped three quarter gallery, above a further open shelf, flanked on each side by a small cupboard door, the fall front secretaire drawer opening to an arrangement of arched pigeon holes and an arrangement of six small drawers, above three further long graduated drawers, on slender tapering bracket feet, 153cm high, 88cm wide, 47cm deep For a closely related design by Gilows see Lindsay Boynton, Gillows Furniture Designs 1760-1800, The Bloomfield Press 1995, page 148, figure 7.
Lot 15
A William & Mary mulberry or field maple and marquetry chest of drawers, in the manner of Coxed & Woster, circa 1690, decorated with bands of tesselating foliate marquetry, the rectangular top quarter veneered and banded, above two short and three long graduated drawers, on turned bun feet, 92cm high, 99cm wide, 58cm deep Provenance: Private Collection, London Purchased: L. Lowenthal, St James St. London (28th October 1958).Late 17th and early 18th century pieces richly veneered in stained maple or stained burr-elm are often catalogued as 'in the manner of' or attributed to the cabinet-makers George Coxed and Thomas Woster (d. 1736). The partnership of Coxed and Woster began around 1710 when they succeeded John Coxed at the 'White Swan' in St Paul's Churchyard. By 1723, Thomas Woster was probably trading alone as he submitted invoices without mention of a partner and as no labels featuring simply Thomas Woster have been discovered, it may be assumed that the Coxed and Woster labelled pieces date from between circa 1710-1723. John Coxed and Coxed and Woster are the only known cabinet-makers to have used this type of stained veneer, although the technique must surely have been used by other cabinet-makers.
Lot 155
A George IV mahogany side cabinet, circa 1825, attributed to Gillows, of rectangular form with outset corners, the top with a reeded edge, above a frieze drawer and pair of cupboard doors decorated with moulded detail, opening to a shelved interior, flanked overall by turned tapering pilasters incorporating reeded detail and incorporating tapering feet, 83cm high, 101cm wide, 55cm deep
Lot 169
A Regency pollard oak and brass marquetry circular table, by George Bullock, circa 1815, the top decorated with brass marquetry depicting repeating foliate designs, the turned stem with ebonised detail, above a shaped triangular plinth decorated with further foliate brass marquetry, and three downswept legs surmounted by ebonised roundel terminals and on ball feet, 73cm high, the top 75cm diameter For a table by George Bullock that is almost identical in overall design and scale to the current table being offered (but adopts alternate marquetry also based on the Wilkinson Tracings) see Christie’s Important English Furniture, 27th November 2003, Lot 160 (£65,725). The table sold by Christie’s also had firm provenance to Great Tew Park. Bullock had supplied the table with various other items of furniture to M. R. Boulton (d. 1842) and by descent to Major Eustace Robb, Tew Park, Great Tew, Oxfordshire (sold Christie's house sale, 27-29 May 1987, lot 33) The remarkably similar table supplied for Tew Park was made for the Drawing Room and invoiced in 1817 as '1 Circular Oak Loo Table richly inlaid with Holly & white mouldings £28'. George Bullock's 'sketch' for the centre table for Matthew Robinson Boulton's Drawing Room is likely to have been the pattern sent in January 1816 following his December visit to Tew 'with the view to the preparations of the furniture'. Named a 'Loo table' after a card-game, its circular 'altar' form on Grecian-scrolled 'claw' evolved from the monopodium table illustrated in Thomas Hope's Household Furniture and Interior Decoration, 1807 (pl. XXXIX). The inlay patterns survive in the 'Bullock' tracings executed by Thomas Wilkinson from George Bullocks designs in 1820 (preserved in the Birmingham City Art Gallery) as they do also for the main marquetry elements of the current table. Another remarkably similar centre or ‘Loo’ table is illustrated in George Bullock: Cabinet-Maker. London: John Murray Ltd., 1988, page 100. The illustrated example has identical marquetry to the example currently being offered at the centre of its top, however the illustrated example lacks the outer border of ‘etruscan laurel’ marquetry that the current example is decorated with. A sofa table attributed to George Bullock, decorated with Etruscan laurel marquetry banding closely relating that which decorates the current table was offered at Christie’s, London, Important English Furniture, 6th April 2000, Lot 123 (£44,650). Other pieces firmly attributed to or known to be by George Bullock also feature the same or very closely related design of marquetry. This includes a tripod table (also incorporating brass inlay) supplied in 1814 by Bullock to John, 4th Duke of Atholl for Blair Castle, Perthshire (illustrated in C. Wainwright, George Bullock, Cabinet-maker, 1988, p.67, fig.8.).
Lot 174
Ï’ A Regency rosewood side cabinet, circa 1815, the rectangular top above a two pleated silk and glazed doors opening to a shelved interior, on a plinth base, 91cm high, 99cm wide, 36cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 181
A Regency mahogany breakfront side cabinet, attributed to Gillows, circa 1815, the pierced gilt metal three quarter gallery, above the moulded frieze decorated with patera terminals, the central pair of panelled cupboard doors opening to an arrangement of sixteen solid mahogany lined drawers, flanked on each side by a further panelled cupboard door opening to five sliding trays, on a moulded shallow plinth and turned feet, 95cm high, 158cm wide, 47cm deep For a closely related example but with interior shelves rather than fitted drawers, see Christie's London, Important English Furniture, 9th June 2005, Lot 271 (£26,400).The form and specific carved and moulded detailing to this rare model of library cabinet demonstrates a design of cabinet introduced by Gillows circa 1810. Closely related library furniture was supplied by Gillows for the Library at Tatton Park, Cheshire, and also to neighbouring Mere Hall in 1815 (see Christie's House sale, Mere Hall, 23 May 1994, lots 188-192).
Lot 236
A walnut chest of drawers, by Edward Barnsley, designed in 1938, the rectangular caddie top above three short and three long graduated drawers, on moulded bracket feet, 96cm high, 105cm wide, 52cm deep. A walnut chest of drawers, by Edward Barnsley, circa 1938, the rectangular caddie top above three short and three long graduated drawers, on moulded bracket feet, 96cm high, 105cm wide, 52cm deep. The design for this chest of drawers was executed by Edward Barnsley in 1938 (see detail of the drawing inset). The year of manufacture also explains why the current chest is not stamped with the BARNSLEY mark, as signed craftwork was exempt from purchase tax at that time.Barnsley is seen as one of the most important British cabinet makers of the 20th century. The legacy of Barnsley continues today with the Edward Barnsley Workshop continuing to make furniture of the highest quality. For a closely related chest of drawers (with virtually identical handles) designed by Edward Barnsley see Christie’s, South Kensington, Arts & Crafts, 9th December 2003, lot 143 (£4,700).
Lot 49
Ï’ A Flemish walnut, ebonised and ivory inlaid cabinet on stand, possibly Antwerp, the cabinet 18th century the stand later, the central door incorporating ebony, rosewood and ivory inlaid compass dial motif, surrounded by ten short drawers each decorated with ivory stringing and ripple moulded edges, the stand on barley twist supports joined by a rectangular peripheral stretcher, and on turned bun feet, 149cm high, 104cm wide, 41cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 700
A late 19th Century Chinese cabinet, interior accessed by multiple sliding panels and drawers, profusely decorated with Shibayama style mother of pearl inlay depicting traditional scenes and motifs, warriors, rural scenes, insects, butterflies etc, raised on elaborate plinth, approx 122cm in width, 49cm in depth, 120cm in height
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