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Unknown - A 1930s walnut and mahogany cross-banded cocktail or drinks cabinet of stepped architectural form, fitted with a central revolving door panel enclosing a demi-lune mirror topped serving shelf with bottle carousel below and with a further sliding demi-lune door to the rounded end section, height 105cm and width 157cm.
An Edwardian mahogany side cabinet with four mirrored plates in a shaped foliate applied upper top section above a two drawer two door base with open centre shelf and undertier - all raised on cabriole legs - Height 205 cm x 125 cm x 36 cm Condition report: Damage to undertier, one handle broken, damage to applied carving, moulding missing
An American Ebonized, Gilt and Paint-Decorated Dresser, c. 1845, Philadelphia, attributed to Hart, Ware and Co., later cartouche form mirror and uprights, variegated marble top, frieze drawer over a pair of cabinet doors, ogee molded plinth containing a blind drawer, bun feet, the whole decorated with birds, flowers and arabesque borders, height 71 1/2 in., width 34 1/2 in., depth 22 in. Provenance: Neal Auction Company, 2002.
A Fine Paris Porcelain Cabinet Plate, c. 1820, with a Classical maiden embracing a statue of Athena and chastising Cupid, café-au-lait ground with sepia Gothic Revival tracery border, gilt banding, inscribed in black script "Les Reproches & la menace" and "C[ont]e de Gxxx", pseudo Sèvres mark, diameter 8 5/8 in.
A Fine American Neo-Grec Gilt Bronze-Mounted, Ebonized, Gilt Decorated and Inlaid Rosewood Parlor Cabinet, c. 1870, Pottier & Stymus, New York, bronze mounts marked and numbered "4738", reverse of cabinet numbered "4738", stepped shaped top, conforming case fitted with two paneled doors centering bronze plaques, birdseye maple shelf interior, fluted and blocked uprights, plinth base, height 51 in., width 55 1/2 in., depth 22 3/4 in. Note: The sophisticated design of this cabinet incorporates a theme of marital fidelity and domestic harmony. The two large plaques on the doors depict Penelope attending her weaving while awaiting the return of her husband and Ulysses seated with his devoted hound. The bronze plaques are likely from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier & Stymus. A cabinet with "Penelope" plaques marked "Gúerin" related to those here was offered by Neal Auction Company as lot 81, September 10, 2011. An important rosewood parlor cabinet with collared stiles and bust mounts marked "P&S" very similar to those placed on this cabinet was sold by Neal Auction Company as lot 742, May 1993. The use of a four and five-digit numbering system by Pottier & Stymus before 1888 is well-known and documented in Kristin Herrons` article on Glenmont, the Thomas Edison Residence in West Orange, New Jersey. The digits on a Pottier & Stymus example could be impressed, stenciled, or inscribed in ink, as seen here. Herron notes that the numbers were probably assigned chronologically, low digits, an "3924" on an Egyptian Revival chair at the Metropolitan Museum of Art dates from 1870, an1882 wardrobe at Glenmont is marked with a higher number "66595". The inked number on this cabinet, "4736," indicates manufacture in the early 1870s. An 1888 fire in the manufactory destroyed the firms` records, and probably terminated use of the numbers in subsequent work from Pottier & Stymus. Reference: Laux, Barbara. "The Furniture Mounts of P.E. Gúerin," Magazine Antiques (May 2002) p. 140-149 and Herron, Kristin. "The Modern Gothic Furniture of Pottier and Stymus." Magazine Antiques. (May 1999) p. 765, 768, pl. XIII-XIV, note 15, and p. 769, note 17.
A Pair of Diminutive American Classical Carved Mahogany Pier Tables, c. 1840, Boston, Egyptian marble top, straight frieze, foliate pendants, scrolled supports, mirrored back, plinth base, height 33 in., widths 24 in. and 27in., depth 15 1/4 in. Note: The distinctive "C" form supports on these tables may derive from a design in John Hall`s Cabinet Maker`s Assistant, (plate 18, fig. 91). The differing widths, yet identical ornament on these tables, indicate that they were made to fit specific architectural spaces. The finely carved ornament, well matched veneers and restrained form seen here would be found on commissions in important Beacon Hill townhouses.
An American Rococo Carved Rosewood Cabinet, mid-19th c., attributed to J. & J.W. Meeks, New York, molded marble top, lamb`s tongue molded frieze with drawer, paneled doors flanked by rounded paneled corners, plinth base, molded feet, height 37 1/4 in., width 43 in., depth 20 in. Note: This cabinet exhibits many similar features to a J. & J.W. Meeks cabinet with a stenciled label from the Stanley Weiss Collection (no. 00335). Reference: www.stanleyweiss.com
An American Aesthetic Carved and Inlaid Mahogany Cabinet, c. 1880, attributed to Associated Artists, New York, stepped pedimented top with reticulated brass gallery, frieze with bands of scrolled bellflowers, the whole with arched niches, turned supports, blocked base, height 52 3/4 in., width 54 3/4 in., depth 13 1/2 in. Provenance: This cabinet was part of a suite of furniture given as a wedding present in 1882 to Emily M. Whitney and Amory Leland, residents of 692 Park Avenue, New York. Descended in the family. Thereafter acquired by the present collector from the Lelands` granddaughter. Note: An aesthetic "spider" table, also from the Leland home and made en suite with this cabinet, was sold by Neal Auction Company as lot 417, September 10, 2011. The lot offered here has inlay identical to that on the Leland "spider" table, which was inspired by a design from E.W. Godwin. Reference: Soros. The Secular Furniture of E.W. Godwin, pp. 149-151. Another Godwin table is conserved by the Victoria and Albert Museum (acc. W54.1980). The Magazine Antiques (January/February 2012), p. 80.
A Dutch Rococo-Style Burled Walnut and Marquetry Cabinet, early 20th c., upper case with serpentine bonnet cornice centering a foliate cartouche, conforming paneled glazed doors, serpentine shelves, canted sides; conforming base, two serpentine drawers, turned legs, shaped stretchers, bun feet, oak secondary wood, height 89 in., width 79 1/2 in., depth 15 1/2 in.
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306845 item(s)/page