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Lot 1743
FINE EDWARDIAN MAHOGANY AND SATINWOOD DISPLAY CABINET stepped pediment with dentil frieze over a satinwood band painted with floral garlands over a glazed door and sidepanels with moulded astragals, the interior lined with oyster velvet, raised with tapered ballister shaped pillars and a mirrored panel, the base section with a drawer, the front and curved sides painted with winged figure head and scrolling floral designs above a pair of glazed doors and curved sides, on short ballister feet, 40cm deep x 122cm wide x 231cm high
Lot 1093
An Edwardian mahogany sideboard or side cabinet, the top with plate glass above a pair of panelled cupboard doors with brass drop handles opening to a fitted interior, flanked on either side by further bowed panels and raised on legs of square tapering section terminating in castors. Width 42 ins.
Lot 1026
A continental marquetry side cabinet, the superstructure with pierced gallery and rounded corners, with open shelves to either side and pair of crossbanded panelled doors with oval foliate inlaid medallions with gilt metal frames, the base with vase and cornucopia foliate scrolling inlay, with crossbanded edge and fitted with two frieze drawers, raised on four turned tapered fluted legs with brass mounts. Width 36 ins (see illustration).
Lot 539
A Continental 800 standard silver Canteen of Cutlery with rococo pattern by Martin Meyer engraved initial S in oak cabinet with hinged lid above seven drawers viz: 12 table spoons 12 dessert spoons 12 jelly spoons 12 teaspoons 12 coffee spoons 11 dinner forks 12 dessert forks 12 fish knives and forks 12 dinner knives 12 dessert knives pair of fish servers 2 butter knives 4 serving spoons 2 sauce ladles 2 large serving spoons
Lot 28
GEORGE WALTON (1867-1933) (MANNER OF) DISPLAY CABINET, CIRCA 1910 ebonised wood, the cabinet of semi-bowed form with projecting cornice above twin astragal glazed doors and with astragal glazed panels to the sides, enclosing a white overpainted interior with single shelf, the whole raised on square tapering legs linked by stretchers 92cm wide, 142cm high, 33cm deep Literature: Studio Yearbook, 1907 Note: This cabinet is closely based on Walton`s `Holland Cabinet` which is pictured in the Studio magazine yearbook of 1907 and pictures the cabinet along with a `Brussels` chair at Cresham Hall.
Lot 65
ERNEST ARCHIBALD TAYLOR (1874-1951) FOR WYLIE & LOCHHEAD, GLASGOW MAHOGANY BEDROOM SUITE, CIRCA 1900 comprising a wardrobe, the projecting cornice above a frieze carved with Glasgow roses in bas relief, above two central doors each inset with two stained and leaded glass panels depicting Glasgow roses, over two short over two long drawers and flanked by mirrored doors raised on a plinth base, 222cm wide, 64cm deep; also a MATCHING WASHSTAND, with tiled rectangular top above twin panelled doors with corresponding carved Glasgow roses, 121cm wide, 77cm high, 56cm deep; a BEDSIDE CABINET, with three quarter gallery above a single panelled door on square legs linked by stretchers; and a WALL MIRROR, to match (formerly from a dressing table), 67cm wide x 106cm high (4) Note: E.A. Taylor was born in Greenock, Scotland, one of seventeen children. He was initially apprenticed as an engineer and designer in the shipbuilding firm Scott and Co, working there until 1898. He then began studying at the Glasgow School of Art, where his fiancée, Jessie Marion King, was also a student. Taylor began work as an interior designer, being particularly influenced by the stained glass and furniture designs of Charles Rennie Mackintosh. He gained employment with the Glasgow cabinet-makers, Wylie and Lochhead, winning great acclaim for his furniture at the 1901 Glasgow International Exhibition. This brought him two major commissions, where he made prominent use of stained glass in his interiors. In 1902, Taylor and King worked together on a series of stained glass panels for the Turin International Exhibition of Modern Decorative Art and, by 1907, Taylor was working as head of furniture design at Wragge and Co, marrying King the following year. The couple then began concentrating on art, moving to Paris where they established an art school known as the Shieling atelier. Prior to her marriage, Jessie M King had purchased a house at Kirkcudbright, and at the outbreak of World War I she and Taylor returned there. Here, they became involved in the Kirkcudbright art community, which was seen as the “Scottish St Ives.” Taylor continued to play a major part in the Kirkcudbright art scene until his death in 1951
Lot 857
An Edwardian "Sheraton Revival" mahogany chiffonier with floral marquetry inlay, swags and musical instruments, the raised back with swan neck pediment, circular bevelled mirror and serpentine bijouterie cabinet, over frieze drawer, 2 shaped cupboards and undershelf, on square tapering splay legs, width 52", height 72"
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306845 item(s)/page