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Tray comprising a set of six Doulton Burslem Madras cabinet plates and two trays of 19th century floral and gilded foliate plates and two-handled dishes. Probably English. Together with two boxes of assorted china various, to include pair of Japanese, shell-shaped dishes, delphatic blue plates, continental pottery items etc. (5) (B.P. 21% + VAT) Doulton Burslem set: Plates crazed. Very grubby. One plate badly broken on edge.
Two boxes of assorted china and other items to include; Doulton stoneware water jug, Royal Doulton 'Twilight Rose' bread board, blue and white cabinet plates depicting Robert Burns and William Shakespeare, Spode Christmas tree dish, Royal Doulton 'The Snowman' gift collection collectors plates, specimen egg, hardstone and quartz study of a tree etc. (2)(B.P. 21% + VAT)
A GEORGE III SATINWOOD AND TULIPWOOD CROSS-BANDED PAINTED SIDE CABINET, C.1790, the shaped rectangular top with concave fore corners, painted with putti leading a classical chariot, within feathered leaves and floral swags, the body with twin glazed panel doors bordered with painted flower trails, concave side panels and supported on turned tapering legs. 124cm wide; 88cm high; 45.5cm deep
A GEORGE III SATINWOOD, ROSEWOOD, AMARANTH AND MARQUETRY SECRETAIRE BREAKFRONT DISPLAY CABINET, the arched pediment centred by a draped urn flanked by foliate scrolls above four glazed crossbanded doors, enclosing shelving against paper lining, over a fall front secretaire section with fitted interior and flanked by deep side drawers, over four marquetry panel cupboard doors on outset plinth base, 133cm wide; 227cm high; 94cm deep
THE KILDARE HOUSE CHAIRS A PAIR OF CARVED GILTWOOD CHAIRS, c.1759, in the fashionable rococo style of the period, the shaped moulded backs with floral cresting, the seat frames similar, on accentuated cabriole legs with out-scrolled feet, re-gilded and upholstered in the green silk damask Provenance: Kildare (Leinster House) Dublin, commissioned by Emily, Countess of Kildare, (later Duchess of Leinster) from John Trotter of Frith Street, Soho, London. Removed either to Carton or Kilcrea Castle. Acquired (or donated to) Loreto Abbey, Rathfarnham in the 20th century. A collection removed from Loreto Abbey; sold Hamilton Osborne King, 6th June 2000, lot 613 Literature: David Griffin & Caroline Pegan, Leinster House I.A.A and O.P.W, Dublin, 2000, where it is stated (the furnishing of Leinster House) about which little is known. No inventory of the contents has so far been found The I.A.A collection has some drawings of mirrors; a set of dining -room chairs were illustrated in Country Life (1926) but 'are now untraceable', chairs similar to the present lot are shown in an early photograph of the hall at Carton (I.A.A archive 1/94 CS14) 'but their present whereabouts is unknown' . The present lot was obviously part of a large set. An armchair appears in a photograph of the sitting room of Kilcrea Castle and these seem to be the same as a pair sold at Christies and which reappeared in Glin & Peill, Irish Furniture and categorised as Irish. It has not been possible to identify these chairs from the various sale catalogues which dispersed the Fitzgerald collections. The likely answer is that by the early 20th century, furniture such as the present lot was inevitably catalogued as 'French'. A George III suite of seat furniture with the same provenance as the present lot, with a Carton provenance is in the Bishops Palace Museum, Waterford. The re-discovery and reidentification of these chairs was made possible by the publication of a letter from Lady Caroline Fox to Lady Kildare dated 21 February 1759. I saw Mr Trotter to-day who says the chairs will be ready immediately but begs to know if you will have them gilt now.... With the letter is a sketch of an open armchair and a single chair, inscribed 'Mr Trotters Chair' serendipitously the measurements have been noted (presumably to help Lady Kildare ascertain the amount of silk required) and by conforming to the dimensions of the present lot confirm its Leinster House provenance. James Trotter (c.1730 - 1799) a Scot was a cabinet maker well established in Soho, London. As a major receiver of royal commissions during the 1750's, he was an obvious choice for the Countess of Kildare, no doubt recommended by her brother, the Duke of Richmond, and her sisters obviously supervised her commissions reporting to Emily in Ireland. His command of such a distinguished clientele lay, no doubt in his ability to interpret the latest fashionable taste.
A REGENCY ROSEWOOD AND BRASS INLAID COLLECTOR'S SIDE CABINET, the rectangular top with ropetwist rim, the frieze inlaid with central brass panel and floral motifs at each end, above central grille panel door, flanked either side by eight graduated shallow drawers, raised on short spiral fluted supports. 97cm high, 202cm wide, 47cm deep
A GEORGE III MAHOGANY SECRETAIRE CABINET, the architectural top with broken triangular pediment and key pattern dentil moulding, above a fluted frieze and twin panelled doors, opening to reveal a sliding shelved interior, the base with fall front drawer, fitted with pigeon holes and stationary compartments, above two long drawers, and raised on bracket feet. 253 x 127 x 65cm deep
AYNSLEY ORCHARD GOLD TEA & CABINET WARE, 29 pieces to include a 25.5cms diameter fruit bowl, 6 cups, saucers and side plates, sweetmeat dish, milk jug, fruit basket and other items along with two Royal Worcester fruit decorated plates, a Kingsley enamel pill box, No 78 from a limited edition of 250 in cobalt blue with hand painted fruit, signed 'CREED' ETC
JAPANESE LACQUER WORK SINGLE DOOR CABINET & MIRROR ENSEMBLE, a pair, the cabinets with inverted curve detail, all in high gloss black lacquer with painted gilt detail and applied shibayama type figurines, 77.5cm heights, 43cm widths, 30.5cm depths the cabinets, 101cm heights x 36cm widths the mirrors
JAPANESE RED SIMULATED LACQUER WORK, single door cabinet and mirror ensembles, a pair, the cabinet with inverted curve detail, all pieces with gilt painted decoration and shibayama type applied figurines, 76cm heights, 43cm widths, 30cm depths and 101.5cm heights x 35.5cm widths, measurements respectively
MIXED VINTAGE & LATER FURNITURE PARCEL to include a formica top pine table, 73cms H, 108.5cms L, 70cms W, two painted bedside chairs, a wrought iron glass top hall stand, reproduction mahogany two door cabinet and a modern lightwood document cabinet locking with key, 75cms H, 50cms W, 45cms D
Postcards. Collection comprising: cartoon/humour, several by Mabel Lucie Attwell, including a framed Valentine's "Bijou" greeting; Raphael Tuck cartoon cats postcard by Louis Wain; mechanical Christmas card, 'High Kicker' (lady kicks leg in air when card is opened); small quantity of WW1 silk postcards; several die-cut Christmas cards (including one of Father Christmas, as found); a Lucky Black Cat Perfumed Calendar card, 1932; a chromolithographic Bournville advertising card for Cadbury's Cocoa; a Robinson Crusoe story book card; six cabinet cards (theatrical portraits by Downy, Bassano, and Alfred Ellis); a "squeaker" postcard of anthropomorphic cats; a few real photographic (including General Booth addressing the children of Easingwold, 1908); three original watercolour illustrated postcards, two signed 'E. M. W.', 1907; a Camp Silhouette "Lights Out" postcard; plus shoebox-full of general greetings/topographical/resorts, early- to mid-20th century. Together with an album containing 13 WW1 silk postcards and 40 Christmas/greetings postcards (embossed chromolithographic designs), mounted on sheets, to include one hand-coloured design, 'A Budding Suffragette', and Dolls and How to Make Them, by Winifred M. Ackroyd, c.1940, in publisher's illustrated paper covers
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306845 item(s)/page