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12 Flaschen Weißwein. Deutschland. 1956 Rüdesheimer Berg Bronnen, Riesling Cabinet von Schloss Groenesteyn Kiedrich, Originalabfüllung, Rheingau, eine halbe Flasche 0,35 l. 1959 Kiedricher Turmberg Riesling, Spätlese, Rheingau, von Johann Valt. Schwed, Originalabfüllung, eine Ganze Flasche 0,7 l. 1959 Abstein's Vogelsang, Spätlese Rheinhessen, Jahrhundertwein, eine ganze Flasche 0,7 l. 1975 Obermmeler Altenberg, Riesling Auslese Trocken, von A. Schmitt, Mosel-Saar Ruwer, eine ganze Flasche 0,7 l. 1975 Dirmsteiner Herrgottsacker, Ortega Beerenauslese, Erzeugerabfüllung von Johanneshof, Pfalz, eine ganze Flasche 0,7 l. 1989 Rauenthaler Rothenberg Riesling Beerenauslese, Erzeugerabfüllung Norbert Faßbinder, Rheingau, 0,5 l 16,5 % vol. 1992 Alsheimer Frühmesse, Gewürztraminer Auslese, Rheinhessen, Erzeugerabfüllung Elisabethenhof Herbert Kohlheyer, 0,75 l 11 % vol. 2002 Oppenheimer Sackträger, Riesling Auslese, Rheinhessen, 2 halbe Flasche à 0,375 l alc. 9,5 % vol. 2006 Willtinger Kupp, Riesling Auslese, Gutsabfüllung von Othgraven VDP, 375 ml alc. 7,5 % vol. 2016 Lieserer Rosenlay, Riesling Spätlese, Feinherb, von Hugo Hower, Steillage, 0,7 l 10,0 % vol. Ohne Jahr, Deutz & Geldermann, deutscher Sekt, Sec, Goldmedaille Monde Sélection 1970, eine halbe Flasche 0,375 l. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. 12 bottles of white wine. Germany. 1956 Rüdesheimer Berg Bronnen, Riesling Cabinet von Schloss Groenesteyn Kiedrich, Originalabfüllung, Rheingau, eine halbe Flasche 0,35 l. 1959 Kiedricher Turmberg Riesling, Spätlese, Rheingau, von Johann Valt. Schwed, Originalabfüllung, eine Ganze Flasche 0,7 l. 1959 Abstein's Vogelsang, Spätlese Rheinhessen, Jahrhundertwein, eine ganze Flasche 0,7 l. 1975 Obermmeler Altenberg, Riesling Auslese Trocken, von A. Schmitt, Mosel-Saar Ruwer, eine ganze Flasche 0,7 l. 1975 Dirmsteiner Herrgottsacker, Ortega Beerenauslese, Erzeugerabfüllung von Johanneshof, Pfalz, eine ganze Flasche 0,7 l. 1989 Rauenthaler Rothenberg Riesling Beerenauslese, Erzeugerabfüllung Norbert Faßbinder, Rheingau, 0,5 l 16,5 % vol. 1992 Alsheimer Frühmesse, Gewürztraminer Auslese, Rheinhessen, Erzeugerabfüllung Elisabethenhof Herbert Kohlheyer, 0,75 l 11 % vol. 2002 Oppenheimer Sackträger, Riesling Auslese, Rheinhessen, 2 halbe Flasche à 0,375 l alc. 9,5 % vol. 2006 Willtinger Kupp, Riesling Auslese, Gutsabfüllung von Othgraven VDP, 375 ml alc. 7,5 % vol. 2016 Lieserer Rosenlay, Riesling Spätlese, Feinherb, von Hugo Hower, Steillage, 0,7 l 10,0 % vol. Ohne Jahr, Deutz & Geldermann, deutscher Sekt, Sec, Goldmedaille Monde Sélection 1970, eine halbe Flasche 0,375 l. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht.
A pair of walnut veneered bedside cabinets each raised on four supports, with protective glass tops, originally purchased from Harrods, approximately 73 cm x 41 cm x 40 cm. [2]. For other items from the same bedroom suite see lots 313, 314, 315, 316 and 318.Condition Report: No apparent structural problems, supports are secure, a split approximately 12 cm (l) to the side of one piece, some veneer loss, predominantly affecting one cabinet, general surface scratching, knocks throughout.
EDWARDIAN MODERN STAINED MAHOGANY GEORGIAN-STYLE CABINET ON STAND, 146cms high and 19th Century mahogany corner wash stand with china accessories and a mahogany two-tier cupboard with slide (3) COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)
ASSORTED FURNITURE comprising Italian walnut marquetry oval dining table, set of six continental style carved dining chairs with green velour, Edwardian bedroom chair, large Victorian standing corner cabinet, small Georgian-style standing corner cabinet, set of eight Regency-style dining chairs, Jacobean-style carved oak hall chair, two modular bookcases with sliding glass doors, oak gateleg dining table COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)
LATE 19TH CENTURY LIGHT OAK CABINET DRESSER, ogee cornice and pollard oak frieze above triple glazed doors on a chest base, fitted with cushion and regular drawers and cupboards with glass handles, stained bun feet, 172 x 52 x 219cms COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)
AN IMPRESSIVE LACQUERED WOOD CURIO CABINET, LATE QING China, late Qing dynasty (1644-1912). Beautifully lacquered in red and decorated in the front with fine images of court ladies and children. The two hinged doors reveal storage space for small antiques, below are two drawers, the handles formed by two dragon-headed jade belt hooks. The entire cabinet stands on a base with flared feet. The sides are decorated with birds and flowers and the back is of plain black lacquer. Condition: Very good condition, only very minor wear. Provenance: German private collection. Dimensions: Size 107 x 66 x 41 cm
I: Briot, Warin and Rawlins, England, Charles II, Coronation, 1661, a struck silver medal, unsigned [by T. Rawlins], crowned bust left wearing Collar of the Garter, carolvs ii d g mag bri fra et hi rex coronatvs, rev. dixi cvstodiam xxiii april 1661, Charles as a shepherd tending his flock, edge pastore ovat ovile coronato, 33mm, 22.78g (MI I, 473/78; E 220). Good very fine, old cabinet toning, very rare £600-£800 --- Provenance: Greta Heckett Collection, Sotheby Auction, 25 May 1977, lot 165; A Very Fine Collection of British Historical and Commemorative Medals, Sotheby Auction, 9-10 March 1989, lot 85; An Important Collection of Stuart Badges and British Commemorative Medals, Spink Auction 120, 9-10 July 1997, lot 416. This piece is unsigned, but of the same group as other dies, some of which are signed ‘R’ for Rawlins. Rawlins died in 1670 but had been nominal chief engraver since 1660. This is a highly professional and finished medal, probably made in 1661 and for the Coronation, as opposed to commemorate it later. However, it was not the ‘official’ medal approved for general circulation as was Simon’s. (Note the portrait in comparison with Simon’s halfcrowns in his hammered issues along with the Simon warrant; an amazingly close similarity. Did they perhaps originate from the same painting or drawing? And if so, which?). What is also surprising is the lettered edge made with a collar; there is a vertical witness line, and the letter bases are flat. Presses were still available, and of course Simon had access to them, as would Rawlins. However, the appearance of collars are unexpected. The thick Ramage coins of 1651 used them, so the knowledge existed, very possibly having originated with Briot. David Ramage was still at the Mint until his death before August 1662 and could have been involved with the mechanics – remembering his competent work in 1651. However, the ‘R’ signature could not be his, for he is not known to have any portraiture ability, but of course Rawlins did. Blondeau did not return to England until the end of 1661
III: Commonwealth Coins of 1651, Patterns, Pattern Halfcrown, 1651, by T. Simon and P. Blondeau, in silver, mm. sun on obv. only, shield within wreath of oak and palm, the commonwealth of england, rev. god with vs, conjoined shields, mark of value above, edge in · the · third · yeare · of · freedome · by · gods · blessing · restored · 1651 ·, 15.07g/232.8gr/6h (ESC 62 [443]; Nathanson p.17; N 2731; cf. DNW 75, 331). Very fine, old cabinet toning over lightly reflective fields, very rare £3,000-£4,000 --- Provenance: With G. Hearn 1974; W. Lothian Collection, Spink Auction 62, 19 November 1987, lot 35 [from J. Corbitt]; bt W. Lothian January 1989. Pierre Blondeau came from Paris to England in September 1649, highly recommended for both his honesty and his ingenuity. The most innovative device he had to offer was an edge-marking process which consisted of two metal strips or bars, one fixed to a bench and the second, parallel to it, moved by a wheel. Blondeau’s device offered the prospect of a major improvement in the art of coining in England because its adoption would make possible for the very first time the relatively rapid and uniform edge-marking of mass-produced coins. Wisely, Blondeau kept his method of working secret and sought to give his cause the maximum exposure by publishing, in June 1650, his proposals to Parliament of how he would like to proceed. In 1651 fortune seemed to smile on him for the Mint committee reported in his favour, but the Mint interest, which Blondeau himself claimed included master-worker Aaron Guerdain as well as the moneyers, fought back and the upshot was a competition between the two parties. Since the dozen pieces produced by David Ramage on behalf of the moneyers proved nothing, either in quantity or quality, compared to the 300 specimens edge-marked by Blondeau, there can be no doubt as to the victor in this competition was. Nonetheless, Blondeau could claim no real victory: while the Commonwealth lasted, he remained without formal employment at the Mint (cf. Challis, 1992, pp.329-30)
III: Commonwealth Coins of 1651, Patterns, Pattern Halfcrown, 1651, by T. Simon and P. Blondeau, in silver, mm. sun on obv. only, from the same dies as previous, edge petrvs : blondævs : inventor : fecit : trvth : and : peace : 1651 · , 15.08g/232.9gr/6h (ESC 63 [444]; Nathanson pp.16-17; N 2732; cf. DNW 113, 75). Some very minor surface scratches on reverse, otherwise nearly extremely fine, old cabinet toning, very rare £4,000-£5,000 --- Provenance: V.M. Brand Collection; Norweb Collection, Part III, Spink Auction 56, 19 November 1986, lot 958
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306894 item(s)/page