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Lot 17
Pieter Neefs (Antwerp, circa 1576 - 1656/1661) "Antwerp Cathedral" Oil on panel. Cradled. 100 x 120,5 cm.Pieter Neefs was the head of the family of painters with this surname and specialized in the representation of lit, nocturnal interiors, particularly of churches. He entered the painters' Guild of Saint Luke around 1609 or 1610.As the Prado states in their file on Neefs, “the soft tones and the sophisticated transitions between spaces of light and shadow are the main characteristics of his style”. The museum goes on to point out that "the exact date of his death is not known, but it must have been between 1656, the last year for which there is data on him, and 1661 when Cornelis de Bie speaks of him in the past tense in his 'Het gulden cabinet'”Neefs probably trained with Hendrick van Steenwijck. The painter and art theorist Vredeman de Vries and his studies on perspective had a great influence on the artist. He collaborated with important painters such as Frans Francken II, his son Frans Francken III, Pieter Brueghel the Younger and Sebastian Vrancx, among others.Highlights among his preserved paintings, are the panel "Church of Flanders" or "The Mass" (inv. 1605) from 1618, currently exhibited in the Prado; “Viaticum inside a church” (inv. 1600) from 1636, signed together with Frans Francken II, also in the Prado; as well as another panel also signed by both painters, "Evening Mass in a Gothic Church" (inv. 640), in the Kunsthistorisches Museum in Vienna.Reference bibliography:- Museo del Prado (s.f.). “Neefs el Viejo, Pieter”. https://www.museodelprado.es/aprende/enciclopedia/voz/neefs-el-viejo-pieter/e80c4aed-d88c-4942-b7c1-41204d674c2f- Neefs I, P. (1618). “Church of Flanders” or “The Mass” [Oil on panel]. Museo del Prado. https://www.museodelprado.es/coleccion/obra-de-arte/iglesia-de-flandes-o-la-misa/8b309599-6fd5-4f8f-b08b-d5514fae1ab7- Francken II, F.; Neefs I, P. (1636). “Viaticum inside a church” [Oil on panel]. Museo del Prado. https://www.museodelprado.es/coleccion/obra-de-arte/el-viatico-en-el-interior-de-una-iglesia/c5b32d46-c4fe-4c29-b51a-de6cfe1d1eae- Francken II, F.; Neefs I, P. (First half of the 17th century). “Evening Mass in a Gothic Church” [Oil on panel]. Kunsthistorisches Museum in Vienna. www.khm.at/de/object/1270/
Lot 553
Late Victorian Aesthetic influence walnut and gilt ebonised music canterbury or salon cabinet, the moulded rectangular top and fluted frieze above single cupboard door with a bird and dragonfly amidst flowering foliage, enclosing shelved interior, flanked by open shelves and turned and fluted uprights over Canterbury divisions on ceramic castors, 64cm x 39cm x 109cm high
Lot 542
20th Century Chinese black lacquer cabinet, the twin doors finely decorated with a scene of Imperial Court figures with silvered faces, holding attributes including ruyi sceptre, between pavilions, enclosing shelves and base drawers, the red and black lacquered side panels decorated with flowers and birds, 91cm x 40.5cm x 152.5cm high
Lot 655
Chinese or Korean hardwood and brass mounted cabinet on stand, the rectangular top with six hinged compartments over an arrangement of drawers and cupboards to the front and back and cupboards to the sides, over shaped apron raised on shaped scroll supports on stretchered base, 113cm x 53cm x 80cm high
Lot 531
Mid-20th Century glazed light oak haberdashers cabinet, the top section with double sliding doors enclosing four banks of four open fronted drawers, the middle section with an identical arrangement over single shelf section with further double sliding doors, 183cm x 51cm x 178cm high (32 drawers in total)
Lot 677
Manner of Shapland & Petter, inlaid mahogany cabinet, the breakfront top over frieze drawer and twin glazed doors enclosing velvet lined shelved interior flanked by open recesses over open shaped lower tier, raised on splayed square section supports, the whole with stylised flower and tendril inlay, 122cm x 38cm x 113cm high
Lot 188
Churchill (Sir Winston Spencer).- Stoneman (Walter) Photographic portrait of Sir Winston Churchill, showing Churchill at the Cabinet Table, half length, facing the camera, corner mounted, signed by Churchill on mount, small patch of soiling at foot of image, mount with old tape and surface abrasion to verso, 160 x 115mm. (image), 235 x 185mm (mount), [1941].⁂ A classic wartime portrait of Churchill, taken on 1 April, 1941. This was the photograph usually given by Churchill to those who served under him during the war.
Lot 428
AFTER GIUSEPPE BRACCI AND OTHERS Antiquités Etrusques, Grecques et Romaines, tirées du cabinet de M.Hamilton Three plates, coloured engravings Framed and glazed, Swans plate 99 frame 37.5 x 39cm; Boar hunt plate 29 frame 42.5 x 77.5cm; The Hamilton Vase plate 55 frame 66.5 x 90.5cmProvenance: The Rowse Collection With Schuster Gallery, London., 1987 Condition Report: These look to be 20th century examples- possibly on handmade paper. The print surrounds are relatively 'white' compared to period examples of the same. Generally the condition of prints and frames is goodPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description Condition Report Disclaimer
Lot 541
Y A PAIR OF NAPOLEON III GILT METAL MOUNTED, EBONISED, TORTOISESHELL AND BRASS MARQUETRY PIER CABINETSIN THE MANNER OF ANDRE CHARLES BOULLE, THIRD QUARTER 19TH CENTURY The glazed doors opening to a baize lined interiors fitted with two adjustable shelves, the inlay incorporating ivory, mother of pearl, pewter, and enamel elements each 119cm high, 89cm wide, 36cm deepPlease note: Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: GA7U6WLM)Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: the ebonised finish marked and scratched; lacking some sections of gilt metal borders; unusually the boulle decoration includes yellow and green composition and mother of pearl; lacking some sections of boulle, some lifting; some bowing of the tops so that there are gaps between the top and the base; some cracks to some veneers including to the sides; there is one key that operates the lock of one cabinet; the other cabinet without a key, the lock is open; a screw missing to one mount; lacking some sections of brass inlay, some lifting; the backboards are ebonised. Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
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