The Draftsman Collection Two Drawer Bedside Cabinet The Combination Of Raw And Organic Textures Of A Solid Pine Body And Cast Iron Accents Has Been Used In The Draftsman Collection. This Is The Draftsman Collection Two Drawer Bedside Which Is 63cm High, 59cm Wide And 42cm Deep With Two Drawers Making It A Handsome Storage Addition. The Combination Of Wood And Gun Metal Grey Label Handles Is Key Look For On Trend Interiors Which Unites Function And Understated Styling To Create Timeless Pieces With A Nonchalant Design Attitude. In Keeping With The Casual Style, The Pine Body Features Two Tone Colouration While The Gun Metal Grey Legs, Feet And Handles Bolden The Industrial Feel. Built To Last For Years To Come, This Collection Would Be A Welcome Addition In Any Interior. 42 × 59 × 63 Cm (5050140952597)
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Argente Mirrored Four Door Sideboard This Is One Of The Larger Pieces In This Glamorous Range, Offering Good, Practical Cupboard Capacity. Useful Glamour Is Not A Contradiction In Terms. With Its Four Doors And Three Major Compartments, One Potential Use For This Piece Is As A Cocktail Cabinet Either Way Its A Stunning Piece 136 X 40 X 92cm (5050140690291)
A SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRSCIRCA 1810, IN THE MANNER OF THOMAS CHIPPENDALEEach with vertical splats with central bullseye, the supports united by x-stretchers Literature:F. Bamford, 'Weston Hall, Northamptonshire - II: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 29 January 1976, p. 235, fig. 4.Catalogue Note:Part of this set of mahogany chairs was photographed in 1976 by Country Life at Weston Hall, in the Dining Room, formerly the Great Parlour (F. Bamford, 'Weston Hall, Northamptonshire - II: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 29 January 1976, p. 235, fig. 4). The chair backs of these chairs are closely related to those on a set of twelve satinwood side chairs from Harewood House, Yorkshire, 1790s, attributed to Thomas Chippendale Junior (J. Goodison, The Life and Work of Thomas Chippendale Junior, London and New York, 2017, p. 309, plate 101). Another mahogany set with tapering baluster legs formerly at Normanton Hall, Rutland, comprising two armchairs and eighteen single chairs was described by Christopher Gilbert as possibly by Chippendale Senior or Junior, c. 1775-80 (C. Gilbert, The Life and Work of Thomas Chippendale, vol. II, London, 1978, plate 171; chairs from this set now in a private collection have more recently been re-attributed to Chippendale Junior (Goodison, ibid., plates 102-4).The design of these chairs may have been inspired by designs in Thomas Sheraton's The Cabinet Maker and Upholsterer's Drawing Book, 1st Edition, 1793 - see part III, plate XXXIII for a design for a parlour chair with upholstered circular seat (ed. E. White, Pictorial Dictionary of British 18th Century Furniture Design: The Printed Sources, Woodbridge, reprinted 2000, p. 93). This influential publication featured a number of designs for pierced splat chair backs, which presumably could be modified at will by the furniture-maker (ibid., p. 94, plate XXXVI, p. 95, plate XXVIII). Condition Report: There are some marks, scratches, chips, splits, abrasions consistent with age and use, some to the extremities and edges including the legs and feet.Some sections of repairs and losses to include a repaired crack to one crest rail; some traces of glue, some later blocks to the underside of the seat rails; some later seat rails, various dowelled and other repairs to the turned x stretchers; some repairs where the legs meet the seat rail; one chair lacking a section of wood to the crest rail.There is evidence of old worm including some visible to the seat rails.The velvet upholstery is aged, worn and faded with some moth spots, the seats sagging. Some of the chairs have cloth nailed to the underside of the seats. The back legs in the area of the seat rails have marks suggesting that this area was, at some stage, upholstered with brass studs.Please note we have not inspected the frame beneath the upholstery and can't comment on the condition and originality of this area.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
A WILLIAM & MARY BURR WALNUT CABINET ON CHEST CIRCA 1695With moulded cornice and cushion frieze drawer above a pair of cupboard doors enclosing a fitted interior with eight drawers around a further cupboard itself enclosing secret doors, the stand with arranged of drawers, the interior of one door with 18th century handwritten label describing how diamonds and other valuables were found in one of the drawers after a dream157cm high, 99cm wide, 46cm deep Provenance: Sir Edmund and Lady ProbynElizabeth Blencowe at Hayes, Middlesex, until sold Bought by Mary Barnardiston and thence by descent at Weston Hall Literature: Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, p. 33.F. Bamford, 'Weston Hall, Northamptonshire - I: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 22 January 1976, p.175, fig. 4.Catalogue Note: The romantic story that surrounds this late 17th century burr walnut cabinet-on-chest makes it one of the most intriguing pieces of furniture from Weston Hall, a mansion owned by seven successive women from the early 18th-century, and, in particular, Susanna Jennens (1688-1760), who lived there from 1714 to 1760 (F. Bamford, 'Weston Hall, Northamptonshire - I: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 22 January 1976, p.175, fig. 4). Formerly in the collection of Lady Anne Probyn (née Blencowe), widow of Sir Edmund, Lord Chief Baron of the Exchequer, and sister to Susanna, the cabinet-on-chest came to Weston following Lady Probyn's death in 1749. However, a year earlier, and as Susanna recounted to her companion Mrs. Welch, she had dreamt that an express arrived with an account of her sister's death, that her niece, Elizabeth Blencowe, would inherit the cabinet-on-chest, and that she would be appointed sole executrix and residuary legatee (Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, p. 33). In her vivid dream, Susanna was shown how to find the secret drawers in which Lady Probyn kept her most valuable jewels. When the dream came true, Lady Probyn's jewels and valuables were later given to Susanna's youngest daughter Anne Peareth (d. 1801). This cabinet-on-chest was subsequently included in the sale of Elizabeth Blencowe's furniture at Hayes, Middlesex, where it was bought by Mrs. Jennens' eldest daughter, Mary (d. 1788), who had married Arthur Barnardiston, Esq., of Brightwell Hall, Suffolk, and sent to Weston.Condition Report: There are some marks, scratches, chips, cracks and abrasions consistent with age and use.Some sections of replacement and losses including some mouldings and veneers.The locks are replaced. Some sun fading. Some repairs probably including the front feet.There is evidence of old worm including to the top, one back foot in particular and elsewhere.The door does not hold fast; the long drawer fronts are slightly bowed.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
A Collection of Various 19th Century and Later Ceramics to Include Set of Six Late 18th/19th Century Ribbon Plates having Hand Painted Garland Decoration and Weaved Green Stylised Border, Belleek Sugar and Milk Jug, Coalport Green, Gilt and White Cabinet Cup and Saucers, Noritake Cup and Saucer etc
Motor Trade Register A four drawer cabinet containing reference cards for most British and foreign motor car makes from ABC to Wolseley. Each card giving details of specifications for each model, quoting years (mainly late veteran and vintage period) with build specifics about chassis, prices to included address, a wealth of information. This was given to M.J.W-W by the late Cecil Bendal. Also, a similar single drawer cabinet and contents. (2)
An Indian painted cabinet form table box, the top with four seated figures and floral border over two Mughal style arched doors with a male and female figure within colourful banded borders, all set over two small drawers with detailed floral motif and repeating borders, both side panels also contain painted figures within floral and banded decoration, over bracket feet, 15 x 8¼in. (38 x 20.9cm.), 19in. (48.2cm.) high.
A 19th century porcelain cabinet plate, impressed mark and painted '1865', painted with a spray of violets and heather within puce, turquoise and gilt borders, shaped rim, 9in. (22.8cm.) diameter; together with a later Continental floral painted cabinet plate, 8 7/8in. (22.5cm.) diameter. (2)
A set of six Royal Worcester ornithological 'jewelled' coffee cups and saucers, impressed factory marks and painted pattern no. 8292 in red, finely painted with garden and exotic birds amidst flowers and berries, within gilt jewelled borders, together with one additional cup and a 9in. cake plate; plus a pair of Royal Doulton cabinet cups and saucers painted with birds. (18)
A Chinese lacquer table cabinet, 19th century, the pair of cupboard doors enclosing an arrangement of four drawers with turned bone handles, the chinoiserie decoration depicting figures in landscapes and floral and foliate scrolls, raised on four feet, 9¾ x 5½in. (24.8 x 14cm.), 9in. (22.8cm.) high. * Loss of decoration to top, slight rubbing to other panels, nibbles to corners of main carcass and doors, top drawer missing handle.
An Edwardian mahogany breakfront glazed display cabinet by Maple & Co., crossbanded with ebony and boxwood stringing, the shaped raised back and rectangular top over glazed sides, the front with two astragal glazed panels flanking a single glazed door, enclosing two shelves, with inset panels over a shaped apron raised on swept legs, 53¼ x 24½in. (135.2 x 62.2cm.), 62in. (157.4cm.) high
A 20th century mid oak side cabinet by Archer & Smith of Swindon, of small, court cupboard form, the moulded rectangular top over two cupboard doors with conforming drawers below, a shaped apron and turned legs united by plain undertier raised on block feet, 37¾ x 17in. (95.8 x 43.1cm.), 38¾in. (98.4cm.) high.
A Chinese hardwood and ivory inlay table cabinet, c.1900, panelled top with shaped apron above a pair of rectangular doors enclosing an arrangement of two drawers and ten pigeon holes with elaborate pierced boxwood frieze, the front doors and apron with inlaid ivory decoration, depicting dragons amidst clouds, phoenix, bats, figures amongst pavilions and pagodas in garden landscapes, figures on horseback, fisherman, scrolling tendrils etc., the side panels with inlaid wooden scenes depicting storks and plants, raised on four shaped scroll feet, 16 1/8 x 8¼in. (41 x 21cm.), 23 5/8in. (60cm.) high. * Please note that this lot is subject to international CITES regulations. Ivory cannot be exported to the USA. It will be the buyer's responsibility to check that their country of residence will permit import with the correct documentation before bidding. It is also their responsibility to obtain a valid CITES import permit from their country of residence before the item can be released. Payment will still be required within our usual terms and all bids will be binding. ** In very good condition with minimal loss to inlays, tiny amount of surface scratches, mainly around door openings and hinges, two screws missing from brass hinges, no key.
An impressive mahogany museum / shop display glazed cabinet, F. Sage & Co, early 20th century, the stepped top over two glazed doors with brass drop handles, enclosing adjustable shelf rails, raised on plinth base, 33½ x 14½in. (85 x 36.8cm.), 102in. (259cm.) high. * No brackets included for shelf rails.
Indie / Punk 7" Singles, approximately fifty-five 7" singles of mainly Indie, Punk and New Wave with artists including The Damned, Magazine, Ramones, The Lurkers, The Monochrome Set, Morrissey, Cocteau Twins, Evol Twin, Gang of Four, Freshies, Elvis Costello, The Cabinet, London Cowboys, The Nightingales, The Loved One, Bog-Shed, Stump and more - various years and conditions
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