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A late Victorian aesthetic movement light ash wardrobe compactum and dressing table by Shapland & Petter, the wardrobe having centre moulded cornice and gallery sides, the central fitted mirror door having press drawers over three solid and flanked by rosette and moulded panel doors with period brass handles, the dressing tables having a dentil moulded mirror with bevel plate, side drawers with wrythen taper supports, line scored decoration and a combination of drawers and platform base, stamped S&P of Barnstaple to the locks, the wardrobe 220cm high, 186cm wide, 53cm deep, the dressing table 137cm wide. Henry Shapland had been apprenticed to a cabinet maker in Barnstaple, before travelling to America in 1851 to learn about a wave moulding machine. When back in England he was joined by Henry Petter. By 1888 the Raleigh Cabinet Works were employing hundreds of workers from Raleigh and the surrounding areas when on 5 March 1888 a fire destroyed the factory. The new factory was restarted at a new site on the River Taw, a former shipbuilding yard known as Bridge Wharf. Working together as Shapland and Petter they were to become one of the town's largest employers. They employed craftsmen but also used the most up-to-date machinery available for their products. Henry Shapland was a time-served cabinet maker and Henry Petter was an amazing salesman who found the market for their products.
Christmas Greetings Cards. Miscellaneous cards, 19th-20th c, including a mid-Victorian embossed paper, moiré silk and satin card, n.d. [c. 1860-70], enclosing mixed media depictions of country flowers, folding flaps, 14 x 9.5cm, another Victorian embossed paper card, printed in polychrome with flowers, a fairy and a butterfly, inscribed, 12.5 x 8cm, three Gothic Revival cards, inscribed with the monograms A.M.T. and S.T., presumably those who commissioned the design, one dated 1881 within the print, chromolithographs, two with gilt, mixed sizes, 4pp card published by Marcus Ward & Co., dated 1876, enclosing 'illuminated' leaves printed in chromolithography, a humorous card by Samuel K. Cowan, some further humour, a card printed with an Indian maharajah, [postal history] a card from the S.S. Friedrich der Grosse, inscribed, a Victorian half penny post card inscribed and illustrated with a Christmas message, an embossed card with seashells, c. 1870, a Christmas cabinet card with a boating photograph, another, similar, with a photographic print souvenir of Egypt, two advertising novelty keepsakes, Hutton & Co.'s Perfumed Almanac, 1874, and Mazawattee Tea Leaves, n.d. [19th c], etc., (approx. 120)
China. Breton de la Martinière (Jean-Baptiste Joseph), China: its Costume, Arts, Manufactures, &c. &c. Edited Principally from the Originals in the Cabinet of the late M. Bertin. Embellished with Plates, two volumes, London: Printed by W. Lewis, n.d. [1812], volume II with title-page only, illustrated with 80 hand-coloured engraved plates, of which 41 are in volume I and 39 in volume II, accompanying unpaginated letterpress leaves in 12s, contemporary green morocco gilt, rubbed and with some slight losses, volume II rebacked preserving almost all of the original binding, now somewhat stiffened when handling, all edges gilt, renewed endpapers, 12mo, (2) Provenance: John Adam Milne, 19th c armorial bookplate to each pastedown.
A mid 18th Century early English coin balance dial by Anscheutz & Schlaff & Co. the silvered dial stamped 'Anscheutz & Co., No.891', 13cm x 11cm within a fitted leather covered case lined with salmon silk with papered edges Anschutz scientific instrumentValentine Anscheutz (working 1761-died 1796), clock case & cabinet maker. In partnership with John Schlaff 1771-1781 as merchants in Denmark St. They made the Index balance patented by their clock-making neighbour John Sebastian Clais, patent No.1014 of 1772. Each one was numbered individually. Sold in 1773 throughout the country by retailers, including by Benjamin Martin & Christopher Pinchbeck.The case worn to the edges and with a 3cm linear hole at the top, The hinged and elbow clasp intact. The lining torn and with losses. The dial with some corrosion, scratches and wear. The back apparently with one strengthening plate missing
A Vernis Martin style rosewood and ormolu mounted corner cabinet, 20th century, the upper section with a Rococo brass crest, above an arched glazed door enclosing a velvet lined interior with two glass shelves, the lower cabinet section with a panelled door painted with a scene of two lovers in a landscape enclosing a green velvet lined interior, on brass mounted cabriole legs, 75cm wide, 52.5cm deep, 191cm high75cm x 189cm
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306845 item(s)/page