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Lot 361
DEBORAH JONES (1921-2012); oil on canvas, 'Cupboard with porcelain barrel', the interior shelves of a corner cabinet with assorted ornaments, signed lower-middle, dated MCMLXXIII, 76 x 51cm, gilt-framed. †CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit .There are no obvious signs of significant damage or repair. The frame is gold-coloured metal and canvas.
Lot 532
A vintage wooden British Railways no.3 Standard first aid cabinet from passenger break van, width 44cm, a British Rail first aid no.3 St Johns Ambulance Association first aid box, with some original contents, and an LMS vintage standard type ambulance equipment first aid box, with monogrammed interior and partial original contents, 12.5 x 44 x 31cm (3).
Lot 67A
A Stag dark wood five-piece bedroom suite comprising a twin-door wardrobe, 177 x 90cm, a mirror-back dressing table with four frieze drawers over two lower drawers, on bracket supports, 105cm, a pair of chests with two drawers over three small drawers, over two long drawers, on bracket supports, 112 x 80cm and a four-drawer bedside cabinet (5).
Lot 302
*Laurie (Robert & Whittle James, publishers). A collection of twenty-one engravings, circa 1800, uncoloured engraved caricatures, including 'The Watchful Farmer', 'Modern Bull Fighting or Cuckolds Quarrels', 'Russian Nuptials', 'The Yorkshire Concert', 'Raising Evil Spirits', 'A Spouting Club', 'Meeting in a Narrow Lane', 'Whipping Tops and Bottoms', 'A Touch at the Times', 'The Curate on a Visit', ' Claiming the Flitch of Bacon', ' Light Summer Travelling - only Six inside, Children half price', 'A Scolar, a Bald man and a Barber', 'A Grave Physician & Lively Cobler', 'Blindmans Buff' and 'The Meeting at the Church Door', margins frayed and chipped, some adhesion scarring to verso, mostly 250 x 200 mm, together with Woodward (George Moutard), A collection of twenty-one caricatures, circa 1800, uncoloured etched caricatures, including 'Jolting Preventives', 'An Itinerant Theatrical Sketch', 'A Fancy Sketch to the Memory of Shakespeare', 'Shewing the family pictures', 'A Country Farmer & Waiter at Vauxhall', 'Clerical Politeness', 'The Cabinet Council', 'Antiquarians viewing Queens Cross' and 'The Effect of Imagination', occasional duplicates, occasional marginal closed tears, each approximately 250 x 185 mm (42)
Lot 95
The Copper Plate Magazine, or Monthly Cabinet of Picturesque Prints, consisting of sublime and interesting views in Great Britain and Ireland, beautifully engraved by the most eminent artists from the paintings and drawings of the first masters, volume 1 only (of 5), London: Harrison and Co., [1792], engraved title, 60 engraved plates with tissue guards, advertisement leaf at rear, spotting and toning mostly to margins, slight creasing to last few leaves of text, 20th century quarter calf gilt, retaining original red morocco title label, oblong 4to The complete work was originally issued in 125 parts, each consisting of two plates and two leaves of letterpress. This first volume contains the initial 30 parts. (1)
Lot 234
A George III harewood and marquetry lady's travelling writing cabinet, inlaid with fruitwoods with a basket of flowers and further leaves and flowers, with a tambour shutter revealing a silk lined drawer with divisions for pens and possibly originally a writing surface and with three drawers, above a further drawer with embossed floral cast brass ring handles, 14cm high, 20.8cm wide, 18.6cm deep. click here to view the page turning catalogue
Lot 297
An early Victorian Anglo-Indian ebony library table to a design by Richard Bridgens, after a design by Richard Bridgens, the rectangular moulded edge top with a burr amboyna segmented panel, above pierced Gothic style trestle ends united by a central stretcher, with turned column supports, on leaf carved bun feet, 72.8cm high, 121.8cm wide, 61cm deep.This present lot was designed by the 19th century architect, designer and artist Richard Bridgens and was published in his 'Furniture with Candelabra and Interior Decoration' of 1838. It was labelled as Elizabethan style and Bridgens is famous for his work in the Baronial style inspired by Scottish Renaissance architecture. Many of his designs were made by the Liverpool cabinet maker George Bullock and he worked with various architects including James Watt. See Jeremy Cooper, Victorian and Edwardian Furniture and Interiors, fig. 58 for a design for the present lot. click here to view the page turning catalogue
Lot 309
λ A 19th century Japanese lacquered Shibayama style table cabinet, with seven pull-out drawers, two sliding doors and a compartment, decorated with birds, bats, flowers, reishi, landscapes and musical instruments in mother of pearl, stained bone, soapstone and coral on a black lacquer ground, the inner part of the drawers in nashiji lacquer, the back with flowering prunus branches before a full moon, 54cm high, 56.7cm wide, 29.4cm deep. click here to view the page turning catalogue
Lot 350
λ A Regency rosewood side cabinet, with nulled decoration, the raised top with a gilt brass gallery and leaf decorated supports, the pair of panelled doors enclosing three adjustable shelves, flanked by two further doors, one side with a shelf, the other with a shelf and two later cutlery trays, the back with a metal trade label for 'JOHN KEIL LTD 51 PARK STREET BRISTOL' 126.9cm high, 176.2cm wide, 41cm deep.click here to view the page turning catalogue
Lot 355
A 19th century painted pine and parcel gilt side cabinet, the top decorated with a lattice design, above a pair of arched cupboard doors painted to simulate pleated silk, flanked by pilasters enclosing a shelf, 76.3cm high, 87.8cm wide, 36.3cm deep.click here to view the page turning catalogue
Lot 356
A George IV mahogany bookcase cabinet, with a dentil cornice, above a pair of astragal glazed doors, enclosing adjustable shelves, the base with a pair of glazed and pleated silk doors, enclosing further shelves, on turned feet, 230.6cm high, 118cm wide, 53cm deep.click here to view the page turning catalogue
Lot 386
A Victorian ebony and Tunbridge ware table cabinet by Edmund Nye, decorated with micromosaic panels of flowers, with geometric borders, with a pair of doors enclosing three conforming drawers, on disc feet, the underside with a trade label inscribed 'EDMUND NYE, Manufacturer, MOUNT EPHRAIM AND PARADE TUNBRIDGE WELLS', 17.7cm high, 21cm wide. click here to view the page turning catalogue
Lot 510
An early Victorian ebonised cabinet on stand, with nulled, flower, leaf, scroll and paterae mouldings, with a pair of glazed doors, enclosing a paper lined interior, the brass hinges stamped 'HORNE PATENT', above two drawers with gilt brass drop handles, the stand with a fret carved frieze, with birds and beasts flanking a central angel mask, applied with brass Latimer crosses, on spiral twist legs and a shaped undertier, with two paper labels inscribed in ink 'ABERDUNANT 1871', 160.7cm high, 91.2cm wide, 56.5cm deep.The design of this cabinet is based directly on the series of cabinets commissioned by William Beckford to furnish the St. Michael's Gallery at Fonthill Abbey. The Latimer cross illustrates William Beckford's descent from William, Lord Latimer of Corby (d.1302). It was one of his most favourite heraldic emblems and he employed it in his decorative schemes at Fonthill. click here to view the page turning catalogue
Lot 517
An early Victorian mahogany piano top Davenport, the formerly rising top, now stuck, with a brass baluster gallery above a hinged lid revealing a pull-out leather lined writing surface on a ratchet, with divisions for pen and ink and with two drawers, the right side with four drawers, one with a gilt brass trade label inscribed 'DRUCE & CO. UPHOLSTERERS & CABINET MAKERS BAKER STREET PORTMAN SQUARE', with leaf scrolled cabriole front legs, on castors, 99cm high, 58cm wide, 60cm deep. click here to view the page turning catalogue
Lot 555
λ A late Victorian rosewood and painted side cabinet in the manner of Collinson and Lock, the raised top with a kingwood crossbanding, above a pair of astragal glazed doors, enclosing an adjustable shelf, above three drawers, the centre one marquetry inlaid with ivory dancing figures heightened with penwork, on an Adam style base, with parcel gilt decoration and with a frieze drawer, 134.5cm high, 75cm wide, 39cm deep.click here to view the page turning catalogue
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306894 item(s)/page