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Lot 146
Teaware - a set of five Paragon teacups and saucers, printed with roses on a claret ground, picked out in gilt; a Rosina China part tea service, printed in colours with English country flowers, comprising shaped sandwich plate, milk jug, sugar bowl, cups, saucers and tea plates, c. 1930; a Royal Albert Old Country Roses teacup, saucer and tea plate; an Aynsley cabinet cup and saucer; etc
Lot 175
A burr walnut bureau bookcase in early 18th century style by Elsie Robinson, crossbanded and inlaid feather stringing with a pair of astragal glazed doors enclosing three shelves above a pair of candle slides, the hinged fall enclosing a stepped interior with drawers and pigeon holes, with a central panelled door flanked by columns and a chequer step secret drawer, above a long drawer fitted with four lidded compartments, and an arrangement of nine drawers around a central cupboard, 221.5cm high, 76.4cm wide, 51.1cm deep. Provenance: This lot was made by Miss Elsie Robinson in the 1930s. Elsie was a self-taught cabinet maker who was inspired to make furniture after studying woodwork at Bagshot Technical School. She would visit the Victoria & Albert museum in her spare time and would study and sketch early 18th century furniture and would then recreate her favourite pieces. She exhibited at the Royal Amateur Art Society and won various prizes for her work. Queen Mary was the president and declared a real interest in lot 175 but Elsie wouldn't be parted from it. The following lots have passed from Elsie by descent to the present owner.
Lot 176
A burr walnut fret-frame wall mirror in George I style by Elsie Robinson, the rectangular plate within a moulded slip and the frame decorated with a gilt shell, early 20th century, 86.2 x 52cm. Provenance: This lot was made by Miss Elsie Robinson in the 1930s. Elsie was a self-taught cabinet maker who was inspired to make furniture after studying woodwork at Bagshot Technical School. She would visit the Victoria & Albert museum in her spare time and would study and sketch early 18th century furniture and would then recreate her favourite pieces. She exhibited at the Royal Amateur Art Society and won various prizes for her work. Queen Mary was the president and declared a real interest in lot 175 but Elsie wouldn't be parted from it. The following lots have passed from Elsie by descent to the present owner.
Lot 177
A burr walnut fret-frame wall mirror in George I style by Elsie Robinson, the rectangular plate within a moulded slip and the frame decorated with a fan patera, early 20th century, 79 x 47.5cm. Provenance: This lot was made by Miss Elsie Robinson in the 1930s. Elsie was a self-taught cabinet maker who was inspired to make furniture after studying woodwork at Bagshot Technical School. She would visit the Victoria & Albert museum in her spare time and would study and sketch early 18th century furniture and would then recreate her favourite pieces. She exhibited at the Royal Amateur Art Society and won various prizes for her work. Queen Mary was the president and declared a real interest in lot 175 but Elsie wouldn't be parted from it. The following lots have passed from Elsie by descent to the present owner.
Lot 178
A walnut toilet mirror in early 18th century style by Elsie Robinson, the arched plate within a moulded frame above a box base with three curved front drawers on bracket feet, 66.1cm high, 41,cm wide, 24.7cm deep. Provenance: This lot was made by Miss Elsie Robinson in the 1930s. Elsie was a self-taught cabinet maker who was inspired to make furniture after studying woodwork at Bagshot Technical School. She would visit the Victoria & Albert museum in her spare time and would study and sketch early 18th century furniture and would then recreate her favourite pieces. She exhibited at the Royal Amateur Art Society and won various prizes for her work. Queen Mary was the president and declared a real interest in lot 175 but Elsie wouldn't be parted from it. The following lots have passed from Elsie by descent to the present owner.
Lot 180
A burr walnut fret-frame wall mirror in George I style by Elsie Robinson, the rectangular plate within a moulded slip and the frame decorated with a gilt shell, early 20th century, 57.8 x 78.2cm. Provenance: This lot was made by Miss Elsie Robinson in the 1930s. Elsie was a self-taught cabinet maker who was inspired to make furniture after studying woodwork at Bagshot Technical School. She would visit the Victoria & Albert museum in her spare time and would study and sketch early 18th century furniture and would then recreate her favourite pieces. She exhibited at the Royal Amateur Art Society and won various prizes for her work. Queen Mary was the president and declared a real interest in lot 175 but Elsie wouldn't be parted from it. The following lots have passed from Elsie by descent to the present owner.
Lot 181
A walnut standing corner cupboard on stand in early 18th century style by Elsie Robinson, the panelled door enclosing two shelves, the open base fitted with a frieze drawer on turned legs, 161.4cm high, 73cm wide, 43.3cm deep. Provenance: This lot was made by Miss Elsie Robinson in the 1930s. Elsie was a self-taught cabinet maker who was inspired to make furniture after studying woodwork at Bagshot Technical School. She would visit the Victoria & Albert museum in her spare time and would study and sketch early 18th century furniture and would then recreate her favourite pieces. She exhibited at the Royal Amateur Art Society and won various prizes for her work. Queen Mary was the president and declared a real interest in lot 175 but Elsie wouldn't be parted from it. The following lots have passed from Elsie by descent to the present owner.
Lot 182
A walnut and burr walnut lowboy in early 18th century style by Elsie Robinson, cross and feather banded the quarter veneered top with re-entrant corners above, three drawers and shell capped cabriole legs, 76.7cm high, 84cm wide, 55cm deep. Provenance: This lot was made by Miss Elsie Robinson in the 1930s. Elsie was a self-taught cabinet maker who was inspired to make furniture after studying woodwork at Bagshot Technical School. She would visit the Victoria & Albert museum in her spare time and would study and sketch early 18th century furniture and would then recreate her favourite pieces. She exhibited at the Royal Amateur Art Society and won various prizes for her work. Queen Mary was the president and declared a real interest in lot 175 but Elsie wouldn't be parted from it. The following lots have passed from Elsie by descent to the present owner.
Lot 213
A pair of George III giltwood bergeres in the manner of Francois Herve, each with a beaded moulded frame, the top rail with a tablet carved with scrolling ribbons and leaves, with floret velvet upholstery, with spiral fluted baluster arms on fluted tapering legs, re-gilt. (2) Provenance: Purchased in the early 1970s from Frank Partridge Ltd. This fine pair of giltwood bergères reflect the fashion for French furniture in the 1780s championed by George, Prince of Wales and the 5th Duke and Duchess of Devonshire. Imitating the Louis XVI style they relate to chairs produced by the Parisian trained cabinet and 'cabriolet chairframe maker' François Hervé who worked for the Prince of Wales at Carlton House and for the Duke and Duchess of Devonshire at Chatsworth.
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