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Edwardian Inlaid Bureau Cabinet Bookcase, base with pair of cupboard doors, 1 long frieze drawer on small bun supports (feet missing) the fall inlaid with an urn, bell flowers & ribbons, enclosing fitted next with twin glazed door bookcase over, small cornice enclosing wooden shelves approx44"w x 80"h
Edwardian Marquetry Inlaid Display Cabinet on square tapering spade footed supports with serpentine shaped undertier, 2 doors with diamond shaped glazing bars enclosing velvet lined shelves, extensively inlaid with satin wood banding and fan quadrants to the doors with small cornice over, approx42"w x 15"d x 68"h
C19th Ebonized Victorian Sideboard on Tall Cabriole supports with carved knees with serpentine shaped under-tier, central pair of bow fronted glazed cabinet doors, pair of glazed doors to each side, deep well with bevelled glass mirror to back, the superstructure with domed canopy scrolling support inset with various shaped bevelled glass mirrors with carved detail to cornice & super structure approx. W54" x H95"
Late 19th Century Howard & Sons mahogany chiffonier, the upper section with open gallery, two open shelves flanking a central cabinet enclosed by pair of glass panel doors, the lower breakfront section fitted three drawers to the frieze with cupboard below inlaid with marquetry panels depicting urns and flowers flanked by open shelves, the whole standing on six tapered square supports. The right hand drawer stamped 16989 4506, a door with enamel makers label, 142cm wide - see colour illustration
A CHAD VALLEY MAH JONG SET in a mahogany 5 drawer cabinet, complete with 144 wooden tiles, 4 metal discs and a quantity of metal counters, bone dice, a Chad Valley score card and calculator and Rules of the Game booklet. (Fifth Edition). Box 15.5cm high. Also, A CHINESE MAH JONG SET with 144 Bone and Bamboo tiles, bone counters and 3 bone discs, in a stained softwood 3 drawer cabinet. 12.5cm high. (2)
A 19TH CENTURY CARVED OAK BUREAU CABINET, the canopy inscribed 1692, the panelled cupboard doors carved with monarchs and Westmorland type scrolls, the fall carved with a coat of arms flanked by lion heads, and enclosing a George I fitted interior, three long drawers and bracket feet. 104cm x 69cm x 218cm
A LATE VICTORIAN MAHOGANY MUSIC CABINET, having a serpentine top shelf over a bevelled glass mirror back, the base fitted with a fall front glazed door, over a carved panel fall front drawer with a cast brass handle and sectional interior, raised on bracket feet and castors. 46cm x 40cm x 113cm high
AN EDWARDIAN MAHOGANY DISPLAY CABINET having a boxwood strung back rail to the spreading rectangular superstructure above a crossbanded frieze. The similar crossbanded glazed door revealing three internal shelves above a shaped and strung apron, raised on tapering square section legs and spade feet united by a shaped undershelf. 34cm x 91cm x 182cm high.
A George III carved mahogany sofa, circa 1770, in the manner of Thomas Chippendale, with serpentine back, seat and scroll arms, on eight cabriole legs with acanthus carved terminals and scroll toes, 212cm wide (damage, repair, lacking scroll toes to outer back legs) Provenance: Purchased by the current owner from Dreweatt's sale of the property of Sir Francis Burdett's Will Trust, 21st May 1986. Literature: Country Life.Ramsbury Manor, p468-477, 9th October 1920. This sofa is illustrated on page 468. Christopher Gilbert. The Life and Works of Thomas Chippendale. Studio Vista/ Christies 1978. By the 18th century the Burdett family held land and estates in Berkshire, Wiltshire, Derbyshire, Leicestershire and Staffordshire. The principal seats were in Derbyshire at Foremark Hall near Repton, and after about 1790, Ramsbury Manor in Wiltshire. Sir Robert Burdett, 4th Bart. (1716-1797) built the present hall at Foremark. Sir Robert commissioned Thomas Chippendale to produce furniture for the new house. The scale of the commission is revealed by the records kept that between February 1766 and April 1774 he paid Chippendale a sum of ú1228/16/6 (ú1014/14/0 of which was paid for the year 1769 alone). Although no certain attributions to Chippendale were made concerning the furniture in the sale of 1986, several of the pieces, including this sofa, present themselves as prime candidates of being produced as part of the Chippendale commission. The various elements of the design and carving of this sofa, with its serpentine mahogany frame carved with rococo motifs, bears particular similarities to a suite (including a pair of sofas) supplied by Chippendale to the Earl of Dumfries for Dumfries House in 1759 (See Gilbert. pages 195, 133 & 137) The design of this sofa and the Dumfries House example are derived from plate 22 (dated 1759) in the third edition of The Gentleman and Cabinet Makers Director. The design of Chippendale's 'French' chairs such as these, was ingeniously adapted to the taste and wealth of his clients by the subtle use of carved ornament , adapted to suite the decor of the room in which they were to be placed.
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