A 1930's oak Kenrick and Jefferson 4 drawer office filing cabinet with quarter panelled sides, height 135cm, depth 73cm, width 49cm.Generally ok, with the odd scratch noted, drawers are a bit stiff but run ok.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provIde any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.
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Rare Westacre Chinoiserie black lacquered dolls’ house furniture 1920s, black painted card, bead and twisted wire - a bookcase with three shelves of handmade books —3 1/4in. (8.5cm.) high; and cabinet on stand with opening doors to reveal drawers (one door loose); and a bed and three chairs in black painted card, more simpler than Westacre, but the gold flower boarder has a similarity to their work; and a brown velvet sofa by another maker - Ysabel Birkbeck starting making this furniture after the 1st World War in Westacre, Norfolk
A German chromolithographic paper covered mirrored cabinet, printed with beetles and flowers —5 1/2in. (14cm.) high and another similar piece original sat under the mirror; a chair with mother of pearl effect back, two chromolithographic wood effect pieces (both damaged); a sofa and a chair
One of three prototype oak framed and glazed display cabinets produced in 2007 for possible production to display the Corgi 'The RAF Today' set of 3 aircraft (not included). The cabinet, which never made production measures 43cm square including the beading, with an integral draw beneath. Together with a copy of the 2007 Corgi Catalogue showing the Cabinet as a drawing, on pages 32/33. Together with 16, of Set No.123 individually signed limited run prints by Don Fuller, an artist who produced/designed the pictures for Corgi boxes in the 1990's. VGC £50-70
Mickleden, Great Langdale: A stipple engraved goblet by Simon Whistler, dated 1986The glass by Whitefriars, the generous ovoid bowl finely decorated with a view of the uninhabited valley at the head of Great Langdale, looking west, the Langdale Pikes just visible to the right, resting on a collar above a stem comprised of a solid ball knop, the spreading foot inscribed with the title, The pontil dated and monogrammed 'SW', 15.3cm high, sold together with the original glazed mahogany electrified display cabinet made by E NorwoodFootnotes:ProvenanceDr Colin and Mrs Sue Wilson CollectionLiteratureSimon Whistler, On a Glass Lightly (2004), p.64 (wrongly dated 1985)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A fine Flight, Barr and Barr Worcester coffee beaker or zarf, circa 1835Thinly potted and on a turned foot, the oval panels with coloured portraits of Fatteh Ali Shah, King of Persia and Abbas Mirza, Prince Royal of Persia, alternating with panels of colourful flower vases, the white ground between gilded with stars and with bright gold dentil borders, 6.2cm highFootnotes:ProvenanceThe Charles Dawson CollectionA similar example from the Lord and Lady Flight Collection was sold by Bonhams on 30 November 2022, lot 444. Two more are illustrated by Charles Dawson, Worcester Flight & Barr Porcelain (2023), p.85, fig.8.16. Worcester's portraits of the late Shah and Crown Prince of Persia derive from Travels in Georgia, Persia, Armenia, Ancient Babylon &c. &c. during the years 1817, 1818, 1819 and 1820 by Sir Robert Ker Porter (1777-1842), engraved by William Thomas Fry (1789-1843) and published in 1821. Flight, Barr and Barr issued medallions, cabinet cups and a number of these distinctive zarfs as memorial items for the Iranian market.For further information on this lot please visit Bonhams.com
A Derby coffee can and saucer and a Derby cabinet cup and stand, circa 1800-1815The first painted by William 'Quaker' Pegg with floral and rural scenes, the blue border gilded with foliage, saucer 12.6cm diam, crown, crossed batons, D mark and pattern number 654 in puce, the second with 'Cottage at Norton' and 'In Dove Dale, Derbyshire' probably by Robert Brewer, the blue borders with dense classical gilding, a border of white 'jewels' applied below the rim of the cup, 14.2cm diam, crown, crossed batons, D marks and titles in red (4)For further information on this lot please visit Bonhams.com
Two Flight, Barr and Barr Worcester cabinet cups and stands, circa 1825The small tulip-shaped cups with unusual gilt butterfly handles, one painted with stylised flowers in raised gilding on a rich cobalt-blue ground, the petals 'jewelled' in white enamel, cup 6cm high, stand 10.5cm wide, script marks in red with Coventry St address, the other naturalistically painted with variegated tulip petals in shades of yellow and puce, cup 5.7cm high, stand 10.8cm wide (4)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com
A Paris porcelain coffee can painted by Thomas Baxter, circa 1805-10Finely stipple-painted in sepia monochrome with 'Cupid in a Glass', winged cupid crouched in a glass resting on a shelf, a wine bottle to the right, the gilt-edged panel reserved on an orange ground below a gilt lattice border, the underside inscribed 'il est partout' in gold script, 6.1cm highFootnotes:ProvenanceBonhams, 21 May 2014, lot 109Charles Dawson CollectionMost probably painted by Thomas Baxter junior in the Baxter family workshop off Fleet Street. Very much a test of an artist's skill, Baxter revisited the 'Cupid in a Glass' subject on a number of occasions throughout his career. See the Swansea cabinet cup in the Glynn Vivian Art Gallery illustrated by John O Wilstead and Bernard Morris, Thomas Baxter, The Swansea Years 1816-1819 (1997), p.20, fig.4a and the Chamberlain cup illustrated by John Sandon, The Dictionary of Worcester Porcelain (1993), p.63.The inscription is in Baxter's own hand. Compare with the title written to the underside of the 'Tragic Muse' plate sold by Bonhams on 5 June 2019, lot 225.For further information on this lot please visit Bonhams.com
The Edwardian 'Titanic' crystal receiver constructed by George Leadbetter, Ledbury, circa 1910 on which the SOS signal from RMS Titanic was reportedly heard 15th, April 1912: hand made triple diode detector, tuning coils and headphone in an oak case, fitted small square drawer to right hand side with block and turned handles to both ends, 34 x 73 x 24cm. Together with a newspaper cutting from the Ledbury Reporter dated 'August 31st 1962' with a photograph of Mr George Haines, a signed black and white photograph of Mr Haines with the set, another newspaper cutting dated 'Sept, 22nd 1966' reporting the sale of the set at auction to Mr Bill Price, also a copy of Hill, J, 'Old Radio Sets' Shire Library, 2010 in which the set is illustrated on page 7. *Notes- Prior to the establishment of commercial broadcasting in the 1920s, experiments in wireless telegraphy had been undertaken since the late 1890s. In 1901 Guglielmo Marconi developed his own system that was able to transmit telegraphy from Poldhu, Cornwall to St John's, Newfoundland over 1,800 miles away. Interest in wireless telegraphy led to many amateurs building and developing their own sets on the 'Coherer' principle for sending and receiving Morse code. George Leadbetter was one such enthusiast who constructed this set in 1910 with the aid of his son Walter who made the case. On the night of the 15th April 1912 they heard the 'SOS' distress signal from RMS Titanic. It is reported that Mr Leadbetter went to the local police station to report the sinking but was turned away and none of the officers on duty believed him. Upon his death the set was passed to his son Walter Leadbetter who continued to work as a cabinet maker and restorer in Ledbury. Upon Walter's death the set was acquired by a family friend and local book seller Mr George Haines. The set was sold at auction in 1966 after the death of Mr Haines and purchased by Ledbury Antiques dealer Mr Bill Price. The set was acquired by the vendor in the 1990s.
Quantity of modern collectable and decorative ceramics and glass: Lladro Eskimo and polar bear group, Herend Penguin, Goebel wall pocket and figure, pair of Limoges cabinet plates, overlaid glass brandy glass, and a pewter footed bowl.Condition report:Lladro group - good conditionHerend penguin - chipped loss to the beak end. OK elsewhereGoebel - 'Garden Splendor' millennium figure, good condition. Wall pocket, good condition, no damages.
Modern wall-mounted 'Allwin Type' penny arcade ball bearing game, Fun at the Fair, by Nostalgic Machines, width 50cm, height 87cm.Condition report:The mechanism appears to work, though the coin intake does jam. There is a key to unlock the top cabinet but the bottom lock does not have a key UPDATE the key to tje bottom cabinet has been found. The machine runs on 10p coins.
French burr walnut cocktail cabinet, the upper section well fitted with mirrored sides and alabaster plinth, two drawers above doors, splayed legs, width 89cm, depth 44cm, height 158cm.Condition report:There is fading / discolouration in various places to the front and sides. There are some small cracks to the right side of the upper right door. Please see additional uploaded images.
A Minton cabinet vase, painted by Antonin Boullemier, the oval field painted with a cherub holding silks, raised-paste gilt floral pattern against a cobalt blue ground, signed, factory backstamp, lacking the cover/ lid, 29.5cm.Condition report:No cover. No chips, hairlines, or restoration. The raised past gilding and beading remain in good. There is a 2cm scratch to the navy ground on the reverse shoulder.
A Chinese hardwood bedside cabinet, 20th Century, with rectangular panelled top, above frieze drawer and two cupboard doors, on hoof feet, 61cm high x 51cm wide x 38cm deep. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept. Condition Report: A relatively new item, in good condition with light overall domestic wear
Edwardian mahogany and line inlaid display cabinet, with single glazed door and sides, on square tapering legs, with spade feet, 167cm high x 74cm wide x 36cm deep. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
A Chinese hardwood apothecaries cabinet, late 19th/early 20th Century, the top with curving ends, above sixty three drawers with carved characters, above central cupboard doors flanked by two pairs of drawers, on bracket feet, 105cm high x 90.5cm wide x 26.5cm deep. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
Set of twelve Coalport cabinet plates hand painted with exotic birds and floral sprays, 22,5cm dia. and two similar urns, H 22cm. (14)Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
Shop fittings. An English oak and sycamore haberdashery shopkeeper's bobbin cabinet, the five graduated drawers each with verre eglomise tablet inscribed MORRIS & YEOMANS NEEDLES ASTWOOD REDDITCH, brass knobs, 41cm h; 46cm l Shrinkage crack to top, lacks beading from one side, glass undamaged
A Victorian oak games compendium, Royal Cabinet of Games, the lid with bevelled glazed light and enclosed by two doors, with fitted interior and retaining the compliment of bone chessmen, draughts and other games, 35cm l, inscribed on silvered tablet ROYAL CABINET OF GAMES, with booklet Good condition
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