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Lot 168
Außergewöhnliches Barock-KabinettHöhe: 94 cm. Breite: 115 cm. Tiefe: 54 cm.Italien oder Augsburg, 17. Jahrhundert.Nadelholz und Eiche, teils geschnitzt, teilweise in Nussbaum furniert, teilweise gegenfurniert, intarsiert in Zwetschge und anderen Hölzern, teilebonisiert, teils polychrom gefasst und teilweise vergoldet sowie Einlagen in Marmor sowie Ruinenmarmor und Scagliola. Auf vier vollplastischen und vergoldeten Greifen das Kabinett in Form eines antikisierenden Tempels. Die mehrfach getreppte, ebonisierte Zarge mit großer Schublade und zentral schließendem Schloss. Darüber zweitüriges, gegenfurniertes Kabinett mit verspiegeltem Eingericht, dies durch Halbsäulen, verdeckte Gemälde sowie in Marmoroptik gemalten Boden und Decke, einen Spiegelsaal imitierend. Flankiert von vier Marmorsäulen mit vergoldeten Basen und korinthischen Kapitellen sowie acht kleinen Schüben. Abschließender gesprengter Giebel mit erhabenem, abnehmbarem Podest und seitlicher Galerie, teils verspiegelt. Verdecktes Eisenschloss und Eisenbänder. Leichte Alterssp. Rest. Erg. (†) (12821134) (13)Extraordinary Baroque cabinetHeight: 94 cm.Width: 115 cm.Depth: 54 cm.Italy or Augsburg, 17th century.Carved, partly gilded, partly ebonized softwood and oak veneered in walnut partly inlayed in plum a.o. polychrome painted and inlays in marble and scagliola. Behind two doors mirror glassed cabinet with hidden paintings. Covered central lock and door hinges in iron. Smaller damages due to age. Rest. Add. (†)
Lot 169
Antwerpener KabinettHöhe: 142,5 cm.Breite: 112 cm.Tiefe: 45,5 cm.Antwerpen, um 1660.Zweiteiliges Objekt. Auf gedrückten Kugelfüßen stehende gedrehte Beine, durch eine Kreuzzarge verbunden, welche mittig rautenartig gehöht ist. Profilierte und mit Wellenleisten sowie kubischen Ecklösungen gestaltete Zarge. Darauf der kastenförmige Korpus mit durch Bein intarsierter Schreibplatte mit zehnschübiger Inneneinrichtung sowie zentraler Schwingtür mit dahinterliegendem hohen Schub und eingestelltem Spiegelkabinett mit Schildpatt- und Beinboden. Die zentrale Mitteltür durch zwei korinthische Säulen gerahmt, die mit Schildpatt verziert sind. Frontal mit eingestelltem Rundbogen. Dieser sowie neun der zehn Schübe mit flämischen Miniaturmalereien in Öl auf Kupfertafel, jeweils in Wellenleistenprofilen gerahmt. Ein weiterer Schub über der zentralen Mitteltür liegend, mit gesprengtem Giebel und zentralem geschnittenen und getriebenen Puttodekor. Die Malereien jeweils Szenen aus der Heilsgeschichte Jesu sowie verschiedene Heilige, welche mit diesem verbunden sind wie Johannes der Täufer oder Maria Magdalena. Die zentrale Tür mit Darstellung „Noli me tangere“. Überkragendes, durch Wellenleisten profiliertes Gesims. Alters- und Gebrauchssp., besch. Aufgrund der Situation der Zugknäufe für die Schreibplatte gehen wir davon aus, dass keine ehemaligen Türen vor das Innenleben gesetzt waren. (13013213) (13)Antwerp cabinet Height:142.5 cm.Width: 112 cm.Depth: 45.5 cm.Antwerp, ca. 1660.Export restrictions outside the EU.
Lot 173
Großes barockes KabinettMaße ohne den späteren Unterbau: 87 x 142 x 45,5 cm.Norditalien, 17. Jahrhundert und später.Auf einem späteren ebonisierten Unterbau, dieser mit Herkuleslöwen-Kompositionen vor gedrehten Säulen mit einer Rückwand, die mit filigranen tradierten Säulen dekoriert ist. Darüber eine Zarge mit dekorierter Vorblendung und Wellenleistenprofilen, daraufliegend der ältere Überbau, der vermutlich aus dem 17. Jahrhundert stammt und in einer architektonischen Gliederung komponiert ist. Gekehlte auf Kugelfüßen stehende Basis mit Perlstab, darüber ein zentrales Portikusmotiv mit Türen und dahinterliegenden Schüben, von einem gesprengten Giebel überfangen, der wiederum als Schubfachvorblendung dient, flankiert von mehreren Schüben mit vergoldeten Bronzegriffen und als Portale verstandene Türen mit ebonisierten und mit Wellenband profilierten Schüben hinterfangen. Den Portalen jeweils eine in Bronze gegossene und ziselierte sowie vergoldete Figur eingestellt. Leicht überkragende Deckplatte. Seitlich gegossene Tragegriffe. (1330293) (1) (13)Large Baroque cabinet Dimensions without later substructure: 87 x 142 x 45.5 cm.North Italy, 17th century or later.
Lot 182
Renaissance-Kabinett58,5 x 96,5 x 39 cm.Um 1580.Kastenform mit zweitüriger Front, diese mit fein ziseliertem und teilweise durchbrochen gearbeitetem Schlüsselschild. Frontale Ansicht einer manieristischen Scheinarchitektur in Zentralperspektive dargestellt. Das Architekturthema auch an den Kurzseiten aufgegriffen. Die Intarsien partiell gefärbt oder brandschattiert. Die Türen innen mit feinen Intarsien, eine große rechteckige Kartusche umrandet von Rollwerk und Blattwerk, darin verschiedene Musikinstrumente, Bücher und eine Brille. Inneneinrichtung mit elf Schubfächern und einem großen und zwei kleinen, durch Türen verschießbaren Fächern. Diese jeweils mit feiner, teils brandschattierter und gefärbter Intarsienzier, verschiedene Architekturen darstellend, welche auf teilweise unterschiedliche Vorlagen zurück gehen. Kein Schlüssel vorhanden. Alters- und Gebrauchssp. Die Intarsien besonders im äußeren Bereich nachgedunkelt, teilweise gefüllte Wurmlöcher. (†) (13306223) (10)Renaissance cabinet58.5 x 96.5 x 39 cm.Ca. 1580. (†)
Lot 598
Secrétaire en cabinetHöhe: 132 cm. Breite: 56 cm. Tiefe: 33,5 cm.Ebénist: Gervais-Maximilien-Eugène Durand (1839-1920).Frankreich, um 1880.Über vier konisch auslaufenden, mit Ormolu-Beschlag versehenen Füßen der kastenförmige Korpus mit zwei übereinanderliegenden kubischen Kompartiments die durch eine ausziehbare, gold punzierte Lederschreibplatte getrennt werden. Die Türen nach rechts zu öffnen und mit Trellismuster in Marketerie versehen, mit eingestellten Nelkenblüten und umlaufendem ornamentalem Band. Überkragende, den Zügen des Möbels folgende, weiß-grau geäderte Marmordeckplatte mit dreiseitig geschlossener, à jour gearbeiteter Galerie. Zwei Schlüssel vorhanden. (13301315) (13))
Lot 604
Eleganter Halbschrank mit Pietra dura-EinlagenHöhe: 111 cm. Breite: 48,5 cm.Tiefe: 43,5 cm.Frankreich, 19. Jahrhundert.Hochrechteckiger Korpus mit abgeschrägten Ecken und Lambrequinzarge. Der Korpus in Eiche, ebonisiert und mit Messingeinlagen sowie vergoldeten, gegossenen und ziselierten Zierbronzen versehen. Die Tür nach rechts aufschwingend und mit hochovaler Lorbeerblattkartusche, mit Louis XVI-Schleife verziert. Auf dem schwarzen Fond in polychrom gesetzter Pietra dura-Technik verschiedene Früchte wie Kirschen, Birnen und Pfirsiche um einen zentralen, in einem Ast sitzenden Vogel angeordnet. Darüberliegende Rechteckkartuschen mit vorgeblendeten Lorbeerblattreliefs in Ormolu. Die Ecklösungen mit Volutenrollwerk und daraufsitzenden Büsten in Bronze. Ein Schlüssel vorhanden. Ein Einlagebrett. Den Zügen des Möbels folgende schwarze Marmordeckplatte. Rest. (†) (1320033) (10)Elegant cabinet with Pietra dura inlaysHeight: 111 cm.Width: 48.5 cm.Depth: 43.5 cm.France, 19th century. (†)
Lot 1
Art Deco sideboard, France, ca.1920.Rosewood and marble.Measurements: 100 x 120 x 41 cm.French sideboard in the Art Deco style, as shown by its elegant and attractive design with a geometrical body but at the same time softened by rounded corners. Characteristic of Art Deco is also the absence of any ornamentation other than the aesthetic play of the natural grain of the wood. The stylised lines of the metal keyholes and handles harmonise with the design of the cabinet. The interior is compartmentalised with double shelves. The top is in marble.
Lot 117
18th century Catalan wardrobe.Walnut wood and marquetry.The crockery inside (visible in the photograph) is not included in the lot.Measurements: 275 x 174 x 60 cm.Cabinet framed within the Catalan Baroque style, made in walnut wood with a panelled structure which is reflected on the outside in a rich moulding work, in great relief, typical of Baroque furniture throughout Europe. This decoration is combined with marquetry designs.The front is opened by two doors separated by a wide panel. Both are decorated with a large marquetry vase. The lower part has two drawers, while a panel also decorated with marquetry and a typically Baroque mixtilinear crest crowns the piece.At the end of the 17th century, the cupboard became the representative piece of furniture par excellence, conceived almost as a monument rather than a functional piece of furniture. In fact, it was between about 1675 and 1725 that the so-called Golden Age of the wardrobe took place throughout Europe. These pieces of furniture now formed part of the decoration of the great salons, as showpieces. The end of this golden age came with the rise of the chest of drawers from around 1725, when a horizontal rather than a vertical piece of furniture was sought after.The wardrobe of this period evolved from 16th century models in the mannerist style. It would also be a piece of monumental proportions, something that would be increasingly noticeable throughout Europe: progressively taller cupboards, with larger feet and more prominent reliefs (carvings, mouldings or turned pieces), more exaggerated cornices, etc. In fact, in the later cabinets we will even find decorations on the cornice, in the manner of a coping, as well as façade structures defined by Baroque architectural elements, something that is already noticeable here, although not in a particularly evident way.
Lot 125
Eighteenth century sacristy furniture.Walnut wood.Measurements: 175 x 127 x 63 cm.Spanish sacristy cabinet decorated with carvings and simple carvings, with a structure of architectural inspiration. It has two bodies, the lower one divided into four drawers, the last one narrower, arranged with metal handles and horseshoe-shaped shields. The corners are chamfered and decorated with pilasters. The upper body, set back from the lower one, has two front doors that conceal different shelves and recesses inside. The piece of furniture is crowned with an openwork mixtilinear coping, with a central veneration.
Lot 67
Mazarino bureau-desk. Italy, 19th century.Jacaranda wood and details in ebonised wood.Marquetry of bone and mother-of-pearl.In need of refinishing. It has remains of ancient xylographs.The keys are not conserved.Measurements: 107 x 146 x 67 cm.As is characteristic of this type of Italian furniture, in the Mazarino bureau the wood is profusely decorated with inlaid marquetry in bone and mother-of-pearl. It is a typology derived from Louis XIV furniture, which in turn was based on Italian designs. The nineteenth-century piece in question is a revival of the baroque language. The double frame of the older models is replaced here by cut-out crosspieces that join the four legs on each side of the desk. The legs, with an inverted truncated pyramid section, support the desk, which has six drawers in a symmetrical arrangement. The concave front gives the desk a dynamic, baroque-inspired look that harmonises with the mixtilinear profile of the ebonised wood uprights. The small drawers in the upper body also have a slightly convex front. All the drawers are inlaid with bone marquetry in keyhole escutcheons flanked by mythological griffins. Olympian gods and heroic figures, among other mythological scenes, decorate the top and sides of the cabinet, set in borders, ovals and niches. The bone marquetry is completed with mother-of-pearl inlay.
Lot 99
Design by ANTONI GAUDÍ (Reus or Riudoms, Tarragona, 1852 - Barcelona, 1926).Calvet" armchair.Oak wood.BD edition. Production ca.1985.Wear and tear. Some damage to the wood of the seat.Model exhibited in "Objects of Desire. Surrealism and design, 1924-2020", La Caixa.Measurements: 96 x 65 x 60 cm.The "Calvet" chair is an original design by Gaudí from 1902, re-edited by BD and produced by hand, with the same original materials and all the richness of detail with which the originals were made in their day. It is a chair with curved, fluid, natural and soft lines, with a small backrest reminiscent of the central balconies on the back façade of the Casa Calvet. It is a simple, comfortable piece of furniture intended to form part of the modernist office of the house. The Casa Calvet on Carrer Casp in Barcelona was the first housing project built by the Catalan architect, which was recognised by Barcelona City Council with the prize for the best building of 1900. Two years later, in 1902, Gaudí designed the oak furniture for the offices on the ground floor. They were originally manufactured by the firm Casa y Bardés and are now kept in the Gaudí Museum in Park Güell.The greatest representative of Catalan and, therefore, Spanish modernism, Gaudí is one of the most outstanding architects and decorators in European history. He studied architecture at the Llotja School and the Barcelona School of Architecture, where he graduated in 1878. With his first major commission, the Casa Vicens, he began to make a name for himself and to attract increasingly important commissions. In 1878, he exhibited at the Universal Exhibition in Paris a display cabinet made for the Comella glove shop. This piece, which was both modernist in design and functional, impressed the industrialist Eusebi Güell, a key figure in Gaudí's artistic biography from then on. In fact, Güell was not only Gaudí's great friend, but also his main patron, and commissioned some of his most outstanding works, such as the Parc Güell. In 1883 he accepted the commission to continue the work on the Sagrada Família; Gaudí completely modified the initial project, and this building became his masterpiece, on which he worked until the day he died. This project was followed by other important commissions, such as the episcopal palace of Astorga, the Batlló and Milá houses and the restoration of the cathedral of Palma de Mallorca. In 1910 the first exhibition dedicated to Gaudí was held at the Grand Palais in Paris. After his death, important retrospectives of the architect were held, including the one at MoMA in New York, his first major international exhibition, which took place in 1957. Gaudí's designs for furniture and decorative arts can now be admired at the Musée d'Orsay in Paris, the MOMA in New York, the National Gallery of Art in Washington D.C. and the National Art Museum of Catalonia, as well as at his House-Museum in Park Güell.
Lot 120
Grappe de calcite orange Orange Calcite ClusterSanta Eulalia Mining District, Aquiles Serdán Municipality, Chihuahua, MexicoA second generation of iron oxide-colored, spiky scalenohedral crystals overgrown on hematite-tipped radiating prisms distinguishes this large sized cabinet specimen. Measuring 20 x 14 x 9 cm For further information on this lot please visit Bonhams.com
Lot 121
Chrysocolle italienne bleu intense Vibrant Blue Italian ChrysocollaTemperino Mine, Campiglia Marittima, Livorno Province, Tuscany, ItalyA large specimen for the region, this vibrant blue cabinet specimen exhibits a botryoidal growth habit and an overgrowth on white marble. Of mound formation, the specimen is capable of standing on its own. Originating from a now abandoned mine, which was used to excavate copper, lead and zinc sulphide deposits. Measuring 23.5 x 10.5 x 4 cm For further information on this lot please visit Bonhams.com
Lot 134
Kunzite à double terminaison Double-terminated Kunzite SpecimenPech, Nuristan, AfghanistanAfghanistan has been actively mining kunzite since 1978, although its mining production was halted during Russian occupation. The pleochroic qualities of kunzite are exhibited in this specimen—when viewed from different axes of display a pleasing, pastel pink is visible with hints of yellow and green in the core and a more saturated, vibrant purplish pink from other angles. The present example is a large cabinet specimen which is highly etched with all surfaces faces, richly colored and strongly pleochroic. Weighing 1.828 kilograms and measuring 26 x 11.5 x 11 cm For further information on this lot please visit Bonhams.com
Lot 141
Bouquet de cristaux de quartz Quartz Crystal ClusterBrazilA large cabinet-sized specimen comprising several well-formed crystal points with good luster which radiate. Weighing approximately 3.0 kilograms and measuring 15.5 x 23 x 14 cm Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 146
Bouquet de cristaux de quartz Quartz Crystal ClusterBrazilA mid-sized display specimen having large hexagonal quartz crystals with good transparency and well-defined terminations, measuring up to 10 cm, radiating in all directions in a fully three-dimensional fashion. Suitable for desktop or cabinet display. Weighing approximately 2.65 kilograms and measuring 24 x 17 x 12 cm Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 166
Sphère de quartz rose étoilé Star Rose Quartz SphereMadagascarA fine, large cabinet specimen, this polished sphere is distinguished by a deep rose hue with excellent saturation of color. The clarity is very good for the species and displays good translucency. The lapidary artist has successfully oriented the sphere so that the well-defined six-rayed star is easily discernable presenting a beautiful phenomenal effect. Such a well-defined asterism in a larger-sized sphere is a rare occurrence. Weighing approximately 2.93 kilograms. Diameter 12.5 cm For further information on this lot please visit Bonhams.com
Lot 172
Grande sphère de malachite Large Malachite SphereDemocratic Republic of the CongoA large malachite sphere suitable for cabinet display, polished to reveal fascinating pattern of concentric banding and botryoidal growth in cross-section. Weighing approximately 4.9 kilograms. Diameter 15 cm For further information on this lot please visit Bonhams.com
Lot 53
Grande pépite d'ambre vert fluorescent Large, Fluorescent Green Amber NuggetHymanea mexicanaOligocene Chiapas, MexicoChiapas Amber is fossilized resin from the now extinct tree species, Hymanea mexicana which flourished some 23 to 30 million years ago. These giants of the forest released copious amounts of sap trapping insects, flowers and leaves in the sticky resin that flowed. Originally discovered by the Mayans, this amber was valued so much as to be included in their inventory scrolls. The Chiapas locality produced an amber that is actually harder than Baltic amber due to its direct proximity to volcanic earth, making it the hardest amber in the world and completely suitable for carving. The present offering is a classic cabinet-sized specimen capable of standing on its own having flow striations visible one side and plant matter visible to the interior. The nugget fluoresces green under UV light and displays with a slightly green body color in sunlight. Weighing approximately 467 grams and measuring 13 x 7 x 10 cm Lot to be sold without reserve.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 890
An antique cabinet with metal marquetry inlay, Napoleon 3 period, late 19th century. Finished with a white marble top. Condition: Generally in fair condition. There are some inlaid parts loose and missing. The back of the cabinet has been replaced, there is an aftermarket board in the cabinet. Dimensions: (L: 38 x W: 103 x H: 96 cm)
Lot 424
CRIMEA MEDAL AWARDED TO JAS BLOOMFIELD, 17TH REGIMENT OF LANCERS with bars for Sebastopol, Inkermann and Balaklava together with a period 19th century cabinet potrait of James Bloomfield wearing the medal (the medal with contemporary engraving) and his original discharge paper dated 16th October 1856 noting his ‘being medically unfit for the service’ but also showing his enlistment date for the 17th Lancers as 21st September 1836 and signed off as being of ‘Good Character’, also with two small sheets for an Annual Dinner Programme for 1858, possibly regimental but unmarked together with a later George V British WWI War Medal stamped for F.3655 T.J. Bloomfield P.O.M R.N.A.S (Petty Officer Mechanic Royal Naval Air Service).
Lot 111
A large green painted corner cabinet, 18th century, the dental moulded cornice over an arched glazed cupboard door with a pair of cupboard doors below flanked by fluted pilasters and raised on bracket feet205 x 129 x 60cmShows multiple signs of restoration and repairBack panels have been replaced at the bottom sectionSigns of historic worm to the backChips and knocks to the corniceLosses of paintwork all overStructurally good, doors and drawers work wellContains some early elements however has been reconstructed and painted at a later dateSee photos
Lot 160
Y A North Italian ivory inlaid side cabinet, 18th century, the rectangular top above a three panelled front framed with ebonised mouldings decorated with various inlaid figures and putti, flanked by canted corners with six side drawers raised on short scrolled ebonised feet84 x 106 x 39cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. B3VJBTSJThe marquetry has some loss, also lifting and splitting in places Back right foot is broken offSigns of historic worm especially to the feetthe top moulded edge is chipped to the front right side and is missing the canted cornerThe drawer fronts are heavily knocked with signs of repair to the veneer and damaged esctucheons and losses to the corners Carcass is slightly warped and splitting i places with is lifting the veneer at the joins See photos
Lot 170
An olive wood oyster veneered cabinet, 17th century on later stand, the moulded cornice above a single long drawer with pair of doors below enclosing an assortment of ten drawers surrounding a central cupboard which encloses a further three drawers and removable shelving unit, the later stand with barley twist supports united by a wavy X-shaped stretcher and ball feet149 x 83 x 42cm
Lot 248
A Regency mahogany side cabinet, the rectangular crossbanded top with ebonised line inlay, with two long drawers over a pair of cupboard doors raised on bracket feet88 x 77.5 x 45.5cmTop has general wear with water samage to the centre, some deep scratching and indents. also very slightly warped,Structurally there is a bit of left to right movementLeft flank has bowed slightly and the waist moulding has been repairedDrwer fronts knocked with minor loss of veneer to the right of the second long drawerEdge moulding between the cupboard doors broken but presentSee photos
Lot 255
A Regency rosewood side cabinet, the crossbanded top above three short drawers with lion ring handles over a pair of brass grilled fabric backed cupboard doors raised on winged paw feet84 x 87 x 32cmMakers label to the ceiling of the cupboard 'GODWIN PIAZZA WINCHESTER' Recently polished/ restored General marks and light scratching to the top The line inlay on the top's right edge is lifting slightly Some minor dry cracks to the veneer with some minor losses The fabric of the cupboard doors is discoloured in places The cupboard doors look to have been repaired/ re-attached to the carcass Large horizontal split to the back panel84CM high See photos
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