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A French Ebonised and Boullework Table Top Drinks Cabinet, mid 19th century, of rectangular form, the hinged cover, fascia and side panels opening to reveal a lift-out display stand with gilt metal mounts and sliding side panels, all set with four decanters and stoppers and sixteen liqueur glasses with gilt tendril decoration, 33cm (some damage)
An Edwardian Satinwood Corner Cabinet, the upper section with a black painted cornice above a frieze inlaid with swags and flowers, the glazed serpentine door enclosing three fitted shelves with silk interior, the base with conforming frieze and cupboard door enclosing a fitted shelf, on moulded base raised on bracket feet, 56cm by 43cm by 190cm See illustration
A 19th Century Ebonised, Red Boulle and Brass-Mounted Display Cabinet, the stepped plinth top over a frieze with applied gilt-brass putti, vines etc., over two clear-glazed doors enclosing shelves, between plain pilasters headed by gilt brass trusses, all on a conforming plinth, 161cm by 45cm by 140cm
A Small Directoire Mahogany and Brass Moulded Table Cabinet, German, attributed to David Roentgen, having sliding trays over a brass-ribbed drawer enclosed by a tambour slide, between pilasters with ribbed brass panels, on a plinth, 55cm by 24cm by 27cm See illustration David Roentgen (1743-1807) was one of the finest, most innovative and commercially driven cabinet makers of the 18th century. He perfected the standardisation of parts of his elegant furniture that allowed it to be taken apart, shipped safely to clients, and then easily reassembled. See Miller (Judith): Furniture, page 142.
An Unusual Mahogany Cabinet, having a coved caddy top and dentilled cornice over a glazed door modelled as a Serlian window with key-fret architrave supported on Tuscan pillars with a Vitruvian scroll plinth, enclosing adjustable shelves flanked by two banks of small drawers marked A-Z, 18th century and later, probably originally part of larger piece, 104cm by 40cm by 116cm See illustration
A Suite of 19th Century North Italian Ebonised and Ivory Inlaid Furniture, comprising a pier cabinet, with a pedimented arched pier glass over a base of credenza form with single drawer and door under, on a moulded plinth with bracket feet, 102cm by 47cm by 260cm, a similar cabinet with low mirrored back and pedimented shelf on twist-turned supports, the credenza base with a central door flanked by twist-turned pillars, 96cm by 35cm by 165cm, and a pair of chairs with high panelled backs between twist-turned uprights, the drop-in seats on square tapered legs joined by flat stretchers, on turned feet (4) See illustration
An Edwardian Satinwood and Painted Display Cabinet, the moulded cornice above a polychrome painted frieze of flowers, above two astragal glazed doors enclosing a green fitted interior with two glass shelves, the lower section fitted with two frieze drawers and four central drawers decorated with flowers and swags, flanked by cupboard doors each decorated with oval panels of classical figures, raised on shallow bracket feet, 107cm by 37cm by 197cm See illustration
An Asprey Rosewood Crossbanded Display Cabinet, designed by Algernon Asprey, with two glazed doors enclosing two glass shelves, maple lined interior, on a base fitted with a single drawer with two brassed handles, on four square section legs, labelled "Algernon & Harry Asprey Ltd, 27 Bruton Street, London Designer Algernon Asprey", 106.5cm by 38cm by 190cm In 1970 Algernon and Harry Asprey opened a luxury goods shop under the name Algernon & Harry Asprey Ltd. in Bruton Street, Mayfair.
A Pair of Mintons Porcelain Stag Painted Cabinet Plates, after Landseer, 1877, each of circular shape with basketry effect lozenge pierced and parcel gilt broad rims framing a turquoise enamel band forming the frame to two different depictions of stags after Sir Edwin Landseer, one in "Monarch of the Glen" pose, the other bugling across an icy loch, puce printed crown and globe mark, retailer's ribbon mark of "T Goode & Co London", impressed year cypher and "G739" in red script, 25cm diameter (both restored); and An English Porcelain Ornithological Cabinet Plate, circa 1870, with pierced guilloche border in peach and blue enriched in gilt with harebells enclosing a depiction of a house sparrow (named on the reverse in red script), perched on a branch, impressed diamond lozenge and "7163" in puce, 23.5cm diameter (3)
A "Vienna" Porcelain Small Two-Handled Pedestal Vase, circa 1900, of ovoid shape, with solid gilded plumed mask side handles, with gilt scroll framed oval panels on both sides depicting pairs of little girls hugging, one signed "Aumer", against a dark blue ground, on square foot, bearing blue printed beehive mark, 18cm high; and A "Vienna" Empire Style Cabinet Cup and Saucer, the cylindrical cup with swan silhouette handle, painted with a spray of flowers within a lozenge reserve against an apple green ground, on three paw feet, conforming circular saucer, 13.5cm diameter (3)
A mid Victorian burr walnut side cabinet with ebony bandings and line inlay with central cupboard enclosed by two burr walnut panel and mirrored doors, flanked on each side by two open bowfront shelves, the whole with gilt applied metal enrichment and standing on plinth base, 183cm wide by 102cm high
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