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*Carroll (Lewis, 1832-1898 ). Hugh Bridges Kitchin, Oxford, c. 1875, albumen print photograph, mounted on card in carte-de-visite format, image 98 x 61mm on slightly larger mount See Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonn‚ (2015), IN-2334 (cabinet card). (1)
*Nadar [i.e. F‚lix Tournachon, 1820-1910]. Cabinet card portrait of the photographer's son Paul Nadar (1856-1939) aged about ten, mid-1860s, photographer's credits to lower margin and verso Paul Nadar followed in his father's footsteps and also became a successful photographer. The backplate mentions the Exposition Universelle of 1878, so the photograph must have been printed after that date by Paul Nadar himself, who took over his father's studio in the rue d'Anjou in 1874. (1)
*Cartes de visite. A Victorian cartes-de-visite album, late 19th century, containing 60 window-mounted cartes de visite and 16 cabinet cards, all single subject portraits including many of actresses and performers, many by Elliott & Fry and W. & D. Downie, the majority with contemporary manuscript identification of subjects tipped in, subjects include Ellen Terry, Madame Albani, Sarah Bernhardt, Adelina Patti, Henry Irving, Mr & Mrs Kendall, Mrs Bancroft, etc., many of the cabinet cards garishly hand tinted, chromolithographically decorated mounts, a few windows slightly torn and several mounts detached, contemporary calf, embossed in gilt and blind, heavily rubbed, lacks clasp, 4to (1)
*Cartes de visite. A group of approximately 200 cartes de visite and 100 cabinet cards, c. 1860s/1880s, covering a wide range of subjects, including royalty, celebrities (authors, composers, artists, actors, etc., British military, musicians, circus performers and human oddities, fancy dress costumes, domestic servants, agriculture and animals, bicycles, topographical views and social history (approx. 300)
Cartes de visite. A group of seven late Victorian albums of cartes de visite, c. 1860s and later, containing window-mounted cartes de visite and some cabinet cards, mostly of unidentified men and women, contemporary morocco binding, some with clasps, all somewhat rubbed, oblong 8vo/small 4to (7)
Carte-de-visite album. A rare semi-circular carte-de-visite album, late 1870s, fourteen stiff card leaves with gilt floral decoration, with four window-mounted cabinet cards and 37 cartes de visite (including three tinted), one window with old sellotape repair remains, all edges gilt, embossed padded morocco with floral border design and gilt clasp, rubbed on joints and at head and foot of spine, 36 x 20cm (closed) Hannavy, Case Histories, p. 139. (1)
Carte-de-visite albums. A cabinet card and carte-de-visite album, late 1870s, 25 stiff card leaves, designed to hold 24 cabinet cards and 124 cartes de visite (only seven cartes de visite here present), the remaining windows blank, a few ink inscriptions to mounts, all edges gilt, leather-backed thermoplastic covers with bois durci moulded cover featuring three chamois on rocks set in relief against a beige leather background, the thermoplastic lower cover with oval geometric design, gilt clasp, 29 x 23cm, together with a thermoplastic album manufactured in France in the 1880s, with windows for 22 cabinet cards and 16 cartes de visite, here lacking only four cabinet cards, the studios for the unidentified portraits including Reutlinger and Langlois, both of Paris, all edges gilt, morocco-backed thermoplastic covers, the upper cover in relief with ornamental design and monogram MS, the lower cover with the same border but a plain ground, gilt silver clasp with patent dates of 1875 and 1881, 22 x 18cm Hannavy, Case Histories, pp. 133-135. (2)
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