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2 Trays of assorted china, to include: Aynsley 'Orchard Gold' small bowls, coffee cup and saucer and tea cup and saucer, German 'Rosen thale' espresso cup and saucer, Royal Daulton white and gilt teapot and milk jug, 2 German Rosen thale 'Pompadour' cabinet cups and saucers, ornamental Coalport and Royal Worcester dinner plates (2) (B.P. 21% + VAT)
A George III mahogany 'croft' or gentleman's travelling writing cabinet The hinged folding rectangular top above a frieze drawer and a slide, above a further drawer and a slide and a pair of cupboard doors, enclosing a divided interior and shelf, on a plinth base, with recessed castors and swing brass carrying handles the side, 51cm wide, 41cm deep, 79cm high.
A Regency rosewood and brass inlaid bonheur du jour attributed to John McLeanApplied with gilt metal mounts and in two parts, the rectangular top with pierced thee-quarter gallery above a shelved superstructure and mirrored back with pierced gilt brass ends and supports, the rectangular base above a frieze drawer on ring turned legs with brass capping and castors, 83cm wide, 46cm deep, 124cm high.Provenance:Property of an Oxfordshire estateSotheby's London, Fine English Furniture, 8th December 1978, lot 239The above bonheur du jour displays several decorative features that repeat in McLean’s output. A related bonheur du jour with the same leg pattern was offered at Christie’s London, 7 July 1988, lot 25 and is possibly the example also illustrated by S.Redburn in John Mclean & Son, Furniture History Society Journal, 1978, pl.40A. The same grille pattern on the superstructure of the lot offered here is seen on numerous cabinets with superstructures attributed to the firm including a labelled example illustrated by Redburn, ibid., pl.33A.Thomas Sheraton's, The Cabinet Dictionary of 1803 lists McLean & sons among the foremost English cabinet-makers of the period, and it is some indication of the esteem in which they were held that Sheraton himself made use of one of their designs for a 'pouch table', which he illustrated in the Dictionary, (pl.65), remarking that, 'The design... was taken from one executed by Mr M'Lean in Mary-le-bone street, near Tottenham court road, who finishes small articles in the neatest manner'.McLean and son was established in London around 1770, trading from premises in Little Newport Street, Leicester Square up until 1783. By 1790 the firm had moved to 55 Upper Marylebone Street, expanding to occupy premises in both Pancras Street and Upper Terrace and continuing to trade until 1825.N.B: This lot is subject to CITES regulations
A late 19th century Italian baroque style walnut carved display cabinet The scrolling acanthus carved cresting surmounted by a winged putti, above a serpentine glazed door enclosing three shelves flanked by pierced swagged cherub’s heads; on cabriole leaf carved legs and apron on scroll feet, 66cm wide, 37cm deep, 174cm high. Provenance: Property of an Oxfordshire estate Percy A Rodwell 1972.
[STORER, GREIG, et alia] The Antiquarian and Topographical Cabinet. Containing a Series of Elegant Views of the most interesting Objects of Curiosity in Great Britain, complete in 6 vols, 8vo, [9.5 x 6 inches], 6 engraved titles with vignettes, 606 engr. plates with letterpress (all printed on one side of the paper), each vol. with 1 f. plate list, vol. 1 with 1 f. preface, vol. 6 with 2 ff. index, contemp. half calf (slight wear & foxing), L., Published for the Proprietors, by J. Murray [et al.], 1817-1819. A pasted-in bookseller's description [Auvache & Wilson] in vol. 1 reads:"LARGE PAPER COPY... FINE SET... This special edition is printed on thick paper on one side only, and contains ONE HUNDRED MORE VIEWS than the ordinary copies in ten volumes."
[ELGAR / ARTS CLUB] very large leather photograph album, leather bound (a/f) presented to ARCHIBALD RAMSDEN, founder of the "YOU-BE-QUIET" CLUB, which inhabited the upper floor of his Schiedmeyer piano premises at 103 New Bond St., LONDON. The album is dated 1901 and contains approx. 127 cabinet photographs, mostly SIGNED. Signed photographs include Punch cartoonist Phil May, the composer Edward ELGAR, Samson Fox, RICHARD STRAUSS, & many others.
A LATE VICTORIAN/EDWARDIAN CANTEEN OF OLD ENGLISH BEAD PATTERN FLATWARE & CUTLERY in a fitted two door oak cabinet with drawers, to include: 18 table spoons, 16 table forks, 20 dessert spoons, 17 dessert forks, 27 teaspoons (two sizes), 19 coffee spoons, 6 butter knives, 24 ice cream spoons, 2 soup ladles, 6 sauce ladles, 2 basting spoons, 4 salt spoons together with 24 engraved dessert knives and 24 engraved dessert forks with mother of pearl handles to match, all crested and all by Harrison Brothers & Howson, Sheffield 1900/1904/1906 and a later set of 24 electroplated Bead Pattern table knives and 24 side knives with stainless steel blades, by James Dixon & Sons of Sheffield; the cabinet measuring 20.7" (52.5cm) long; 268.5 oz weighable silver
A set of eight 19th century Samson of Paris porcelain cabinet cups & saucers in a Chinese export famille rose armorial wares style, the cups decorated with lion and unicorn armorial within raised rocaille curves and sprigs, fuchsia pink crosshatch border above purple feathers and highlighted with gilt rims, the matching saucers with floral spray to the centre, pseudo-Chinese seal mark to undersides (factory mark for use on imitations of Chinese export porcelain), saucers, 4 3/8in. (11cm.) diameter, cups, 2in. (5.2cm.) high. (16) * Two cups with flea-bite nibble to inner upper rims, one with hairline crack to inner running from rim down towards base, 30mm, one saucer with tiny flea-bite nibble to rim, all pieces with little rubbing in area's to gilt rims etc, overall good and very pleasing to the eye.
An Edwardian mahogany, satinwood cross banded and marquetry part-glazed cabinet, the short, shaped upstand over a dentil banded cornice and foliate and urn marquetry frieze, the eight pane astragal glazed door beneath enclosing an interior with two shelves and olive green velvet lining, over a bowfront cupboard base with urn, foliate and swagged marquetry decoration, on boxwood strung square tapered legs with spade feet, 26¾ x 17¾in. (68 x 45cm.), 78in. (198cm.) high.
A matching Louis XVI style glazed cabinet vitrine, late 20th century, the broken arched top over a pair of panelled, serpentine glazed doors, enclosing a silk damask lined interior with two glass shelves, raised on a two door cupboard base, 48 x 18¾in. (122 x 47.5cm.), 80½in. (204.5cm.) high.
An English late 19th century walnut and marquetry vitrine cabinet in the French taste, the gilt metal galleried top over a single door with shaped glazing, enclosing a velvet lined interior with two shelves, raised on angular cabriole legs with gilt brass mounts and sabots, 24 ¾ x 16in. (63 x 40.5cm.), 65in. (165cm.) high.
A Chinese black lacquered and painted drinks cabinet, third quarter 20th century, painted to the front, top and sides with exotic birds amidst blossoming branches of prunus and peony, the front panel swivelling to reveal a fitted demi-lune drinks cabinet behind, both sides hinges and opening to reveal shelves and glass slots, on a plinth base with short bracket feet, 47½ x 18in. (121 x 45.5cm.) 42in. (106.5cm.) high.
A Chinese black lacquered and painted George II style bureau cabinet, third quarter 20th century, the broken arched top with three turned gilt finials, over a pair of broken arched doors enclosing a well fitted interior with an arrangement of eighteen pigeonholes and twenty-two drawers, around a central glazed cupboard door, all with foliate drop handles, over a fall front with a further arrangement of three pigeonholes and eighteen waterfall drawers, above four short and two long graduated drawers to the base, on ogee bracket feet, painted throughout with flowering plants and birds, 39 x 18¾in. (99 x 47.5cm.), 85in. (216cm.) high.
A fine late Regency mahogany collectors cabinet or chiffonier, the rectangular top with anthemion crested back and a single shelf on slim gun barrel supports, over double doors enclosing twelve cedar lined drawers, flanked by lappet carved pilasters, raised on tapering toupie feet, 37 ¾ x 16in. (95cm x 40cm.), 54 ¾in. (139cm.) high.
A mid-century oak haberdashery or shop keeper’s cabinet, by Clements, Newling & Co. Ltd. of London, maker’s label to top, with two banks of ten glazed drawers with steel handles, over a tambour front compartment to base, 31½ x 19½in. (80 x 49.5cm.), 78in. (198cm.) high, requires some restoration.
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305988 item(s)/page