We found 305988 price guide item(s) matching your search
There are 305988 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
305988 item(s)/page
Lot 1053
A GOOD 19TH CENTURY DUTCH WALNUT AND FLORAL MARQUETRY BOMBE CABINET ON CHEST, with an unusual carved figural arched cornice over a single astragal glazed door with two fixed shelves, glazed sides, on a bombe base with four graduated long drawers, on carved claw and ball feet. 7ft high x 3ft 2ins wide x 1ft 10ins diameter.
Lot 110
A late Regency inlaid mahogany secretaire cabinet, the cross banded top over a single deep secretaire drawer, the fall front with original octagonal brasses and well fitted interior, the pair of doors beneath with kingwood banded roundels, over a reel moulded plinth, on block and bun feet, 49½ x 23½in. (125.75 x 59.75cm.), 41in. (104cm.) high, warping to doors.
Lot 210
An Edwardian mahogany glazed display cabinet, with ebony and boxwood stringing and crossbanding throughout, the raised back over a flared top with a faux marquetry foliate swag cornice, over astrogal glazed cupboard doors enclosing a single shelf, with two plain frieze drawers and a shaped apron on square tapering supports united by an undertier, raised on spade feet, 48½ x 14¼in. (123.1 x 36.1cm.), 68in. (172.7cm.) high.
Lot 331
A walnut Amberg’s Patent Cabinet Letter File, early 20th century, the moulded top over a pair of panelled doors enclosing two banks of six letter filing drawers, with original card lettered labels and pop-out aluminium handles, on a plinth base, 30¼ x 14in. (77 x 35.5cm.), 30in. (76cm.) high.
Lot 412
An Ercol light elm cocktail or drinks cabinet, 1960s-70s, the fall front enclosing a split interior with two adjustable shelves, over a two door cupboard with single shelf and lower full width drawer, maker's blue and silver label inside one door, on castors, 32¼ x 17¼in. (82 x 43.75cm.), 43¼in. (110cm.) high.
Lot 84
A late Regency rosewood and marble side cabinet, the white marble top over three doors with gilt brass floral decorated grilles with pale gold pleated silk lining, the central door sliding, enclosing two adjustable shelves to each section, on a plinth base, 60 x 14¾in. (152.5 x 37.5cm.), 35½in. (90cm.) high.
Lot 235
A Fine Victorian Analytical Scale, English, c.1890, engraved 'L Oertling London E.C.' to the scale base, the scale beam engraved ' TO WEIGH 10 GRAIN, LANCASHIRE COUNTY COUNCIL', the scale with both agate pan holders, both pans, the French polished mahogany cabinet with 2 drawers, counterweighted sliding front (strings snapped), glass base, on three leveling screws, 50cm tall Please note: we cannot pack or ship this item, please arrange your own collection or courier
Lot 236
Fine Victorian Analytical Balance, English, c.1890, engraved 'B H Bell, London.' to the scale beam and ' LANCASHIRE COUNTY COUNCIL, 3692 Capacity 1oz', the scale with both agate pan holders, both pans, the French polished mahogany cabinet with fitted drawer, counterweighted sliding front, on three leveling screws, 50cm tall Please note: we cannot pack or ship this item, please arrange your own collection or courier
Lot 237
A Large Customs Balance English, c.1930, engraved to the beam 'COUNTY BOROUGH OF BURNLEY, TO WEIGH 1LB' and engraved to the base of the pillar 'DE GRAVE SHORT AND CO LTD, MAKERS LONDON' the scale large supporting column, double frame support to beam, with both suspension hoops and pans, in large French polished mahogany cabinet, sliding door with counterweights (counterweights stuck), on 4 screw leveling feet, cabinet height 55cm. Please note: we cannot pack or ship this item, please arrange your own collection or courier
Lot 238
A Very Large customs Scale, English, c.1910, signed along the beam 'COUNTY BOROUGH OF PRESTON TO WEIGH 7LB' and to the supporting column 'DE GRAVE & CO LTD, MAKERS LONDON' the balance with large architectural brass pillar, lignum handle, large brass beam, hangers and pans, the pans with standard stamps the earliest being 1911, in a large French polished mahogany cabinet, with counterweighted sliding door, (damage to front corner of wooden case), cabinet height 67cm Please note: we cannot pack or ship this item, please arrange your own collection or courier
Lot 239
A Large County of Lancaster Customs Balance, German, c.1880, engraved at the base of the pillar 'Schickert in Dresden and to the beam support 'COUNTY OF LANCASTER WEST DERBY DEVISION 1891', the scale in a long and elegant French polished cabinet with ebony and brass handles, opening to front and rear, with 2 small drawers, length 65cm Please note: we cannot pack or ship this item, please arrange your own collection or courier
Lot 252
Customs Office Balance for Accrington, English, c.1920, with label for 'AVERY DE GRAVE' the beam engraved 'BOROUGH OF ACCRINGTON' balance constructed of lacquered brass, French polished mahogany cabinet with sliding front door and opening side doors, on black plate glass base, height 47cm Please note: we cannot pack or ship this item, please arrange your own collection or courier
Lot 274
A Flemish Antwerp style walnut and tortoiseshell cabinet, 17th Century elements, the cabinet surmounted by a painting depicting Saint Joseph and the Christ Child flanked by gilt metal fret mounts above a central door enclosing a further four short drawers, these flanked by three drawers to either side above a stepped plinth base and squat bun feet, 102cm wide, 89cm high, 32cm deep, together with the 17th Century style table, the rectangular walnut top with painted scroll decoration, raised on line painted legs united by wrought iron stretchers, 105cm wide, 33cm deep, 83.5cm high, (2)
Lot 481
A fine late 19th-century Swiss musical box, by Mojon Manger and Company, serial number 28143 and stamped 'MMC', playing eight airs with six tuned bells, each of these with enamel flower decoration, zither attachment fitted over the comb. The movement is fitted vertically in a buffet style case, with twin doors and brass carrying handles, the figured walnut doors with inlaid mother of pearl decoration, 42.5 cm high x 65 cm wide x 25 cm deep.Private collection. Restoration receipts, insurance valuations and other related paperwork present.Condition report: In good working order, having been professionally restored (by Keith Harding Clocks & Musical Boxes, Glos). Some wear and losses to the case, but cosmetically good. No key for the cabinet doors present.
Lot 503
A Continental hand painted cabinet plate in a gilt bronze rococo surround. The sole of the plate entitled "l’écureuil" (The Squirrel) painted with a mother in an interior opening a squirrel cage whilst her daughter looks on, bearing interlaced "Ls" and a date letter "L" on the reverse. 35 cm wide x 51 cm highPrivate collectionCondition report: This surround is probably a former 18th-century girandole frame
Lot 244
In the manner of Coxed & Woster, an early 18th-century burr walnut cabinet on chest c1700, with a pair of decorative veneered doors enclosing an interior fitted with ten small drawers with gilt disc and ring handles, The lower carcase with two short over three long drawers, with engraved cabinet fittings and inlaid throughout with running bands of stylized foliage in ebony and holly. Supported on high, turned bun feet. 111 c, wide x 54 cm deep x 177 cm overall heightCondition report: Historic restoration throughoutPatches below the upper hingesSome signs of ground movement through the veneered surface in the form of cracks, see images for clarificationThe upper section overhangs the bottom carcass by 4/5 mm at the rear possible marriage?The left-hand return of the top moulding is loose
Lot 301
A pair of George IV rosewood and brass inlaid library bergeres, c1825. By Banting, France & Co. With leaf carved scroll arms on leaf carved turned fore supports terminating in brass castors. 106 cm high x 84 cm wide x 76 cm deep Qty: 2 Frederick William Hervey, 5th Earl of Bristol and subsequently 1st Marquess of Bristol, (1769-1859) for 6 St James`s Square and thence by descent until removed to Ickworth and sold by Frederick William John Augustus Hervey, 7th Marquess of Bristol (1954-1994) and then Lot 132, Sotheby’s 6 July 2011, London Footnote: In his article `Furniture in the East Wing at Ickworth' ( Connoisseur, June 1971) and in his catalogue to `Ickworth and the Herveys' ( Bury St Edmunds), the late Edward Joy has dealt comprehensively with the furniture supplied to the 1st Marquess by Banting, France & Co for Ickworth, Suffolk the family`s country residence and the London residence, 6 St James`s Square and also Lord Bristol`s house at Brighton. The invoices for this outstanding group of late Regency/George IV furniture are in the Hervey papers at the Record Office in Bury St Edmunds. The furniture, now under the ownership of the National Trust can still be seen to a large extent at Ickworth, those items commissioned for St James`s Square being moved there sixty years or so ago. Joy writes in his catalogue introduction ` The firm of Banting was one of the greatest furniture-making firms of the nineteenth century and had royal warrants during the reigns of King George III, George IV, William IV and Queen Victoria'. The earliest title was Banting, France & Co. at the address 22 Pall Mall, whence they supplied furniture as early as 1813 to the Duke of Sussex in Kensington Palace. They appear in the Windsor Castle archives in the George IV accounts, supplying furniture to the King in 1825. They subsequently made furniture of all kinds for the royal residences, including St. James`s Palace, Windsor Castle and Buckingham Palace. At the beginning of Queen Victoria`s reign, the firm moved to 27 St James`s Street which was to remain their permanent address. Their name was variously Thomas and William Banting, Banting & Co. and Banting & Son. The firm gained an honourable mention for their display at the Great Exhibition, London, 1851; their exhibits included a circular marquetry table, a sideboard made from oak grown in Windsor Forest, a satinwood china cabinet, a secrtaire cabinet of kingwood and an oval table of amboyna wood. They also won praise for their exhibits at the Paris Exhibition in1855. The first record of a relationship between the Bristols and the firm comes in 1810 when Messrs France and Banting of St. James`s Street Haymarket ( as originally called) provided warehousing space for Lord Bristol`s picture collection that they had valued by Francis Spurrier. In 1815 Banting and France- the names had reversed by this date- organised the sale of furniture from 6 St James`s Square ( Suffolf County Records Office 914.81/17). Renovation of the Bristol London home continued for at least three years as seen in the household accounts which, though detailing expenditure of carpets, curtains and even new window frames and furniture mentions no suppliers or tradesmen by name ( S.C.R.O 914.88/5-11), but does mention two sofas and two armchairs in rosewood which could be the present lot. The present chairs are identical to chairs and sofas in the library of Ickworth and can be seen illustrated in John Martin Robinson, The Regency Country House from the archives of Country Life, London, 2005, pp.120-121. Bantings` furniture now at Ickworth is of exceptional interest not only because it is the work of a royal cabinet maker but also because it shows high-class English furniture at the very end of the Georgian period. The finest pieces are executed in rosewood and mahogany; the materials used are of superb quality and the craftsmanship is excellent, all of which attributes can be seen in the present lot.Condition report: Reupholstered since purchase in 2011The chairs are generally in good order.The only thing I would mention is the front legs are very slightly loose and just show a little movement when they are flexed.
Lot 304
A pair of George III carved wood and gilt gesso armchairs, in the manner of Thomas Chippendale, c1770. The cartouch shaped backs with applied honeysuckle cresting and a pair of shaped arms with crisp acanthus terminals above a serpentine seat with arcaded seat rail Supported on turned and fluted rear and fore supports. 96 cm high x 56 cm deep x 62 cm wideLot 264, Sotheby’s 2 November 2011, LondonFootnote: The design of the present pair of chairs closely relates to two sets of chairs supplied by the St. Martin`s Lane cabinet-maker and upholder, Thomas Chippendale, (d.1779) for the Adam designed drawing rooms of Saltram, Devon and Harewood House, Yorkshire, illus. Christopher Gilbert, The Life and Work of Thomas Chippendale, London. 2 vols, Vol.II, p.110 and p.167. For further comparison, see Christie`s London, Dealing in Excellence, A Celebration of Hotspur & Jeremy, 20th November 2008, lot 62.Condition report: Some flaking of the gildingSigns of extensive restoration to the seat frame due to historical woodwormThe chairs are re-giltThe seat frames are capped see imagesthe seat rails show some unexplained auger bit holes on their inner faces see the images for clarification.
Lot 307
Attributed to Nicholas Sageot (1666-1731) an important red Boule and engraved brass contre partie marquetry bureau Mazarin, Louis XIV late 17th early 18th century. Decorated with whimsical scenes in the style of Jean Berain with sphinx and other fantastic creatures, monkies and a colourful figure below a lambrequin canopy inlaid with mother of pearl, stained ivory, hardstone and copper foil. Fitted a central kneehole with three shaped drawers flanked on each side by three bow-fronted pedestal drawers and canted carcass. Supported on similarly inlaid Vitruvian or "S" scroll legs united by shaped under stretchers and gilt turned feet. 148 cm long x 77.5 cm deep x 86 cm overall heightProvenance: Lot 24, Sotheby’s Ariane Dandois sale, New York, 25 October 2007.Footnote: Nicolas Sageot (1666-1731), received Master 1706: He was born in Samaize-les Bains and appears to have become active around 1690 and is first recorded as working in Grande rue du Faubourg-Saint-Antoine in 1698 where, before being accepted by the cabinet-makers guild, he had worked as an ouvrier libre. He married, in 1711, Marie Brigitte Roussel, the daughter of the ébéniste Jacques Roussel and his workshop appeared to prosper until around 1720, when he stopped working and sold his stock. His production seems to have principally consisted of important armoires, commodes and bureaux. He entered into a commercial arrangement with Léonard Prieur, `Marchand Mercier Grossier joaillier Priviligié suivant la Cour', on 26th July 1720. As a result of this, he sold furniture and various materials to him for 16000 livres; the armoires, priced from 400 to 1000 livres were the most expensive pieces (see Grand op. cit.,). Upon the death of his wife, in 1729, the inventory of their workshop records an important stock of brass and tortoiseshell.For similar examples of bureaus attributed to Nicholas Sageot see lot 810, Lempertz, sale 17/05 2019 (sale 1131)Condition report: Please note this lot is 307 The top has some old tortoiseshell repairs in the form of infilled red lead shellac also some signs of old repairs to the tortoiseshell at the borders where small pieces have come away from the ground and have been glued back in position The condition is generally good but shows signs of old polish/ varnish applied to the interior linings of the drawers.All of the drawers are lined in French walnut and the six pedestal and top frieze drawers are veneered on brown oak the two recessed drawers below the central frieze drawer are veneered on a contemporary pine ground. No key is present and the right-hand top drawer is locked shut.To sum up, the desk is in good order both structurally and cosmetically but could do with a revision of some of the old cosmetic restoration to bring up to current standards of conservation but the existing work could be improved with a little workViewing of this collection is available by prior appointmentJRL 24/03/2022
Lot 1
Antwerpener KabinettHöhe: 142,5 cm.Breite: 112 cm.Tiefe: 45,5 cm. Antwerpen, um 1660.Zweiteiliges Objekt. Auf gedrückten Kugelfüßen stehende gedrehte Beine, durch eine Kreuzzarge verbunden, welche mittig rautenartig gehöht ist. Profilierte und mit Wellenleisten sowie kubischen Ecklösungen gestaltete Zarge. Darauf der kastenförmige Korpus mit durch Bein intarsierter Schreibplatte mit zehnschübiger Inneneinrichtung sowie zentraler Schwingtür mit dahinterliegendem hohen Schub und eingestelltem Spiegelkabinett mit Schildpatt- und Beinboden. Die zentrale Mitteltür durch zwei korinthische Säulen gerahmt, die mit Schildpatt verziert sind. Frontal mit eingestelltem Rundbogen. Dieser sowie neun der zehn Schübe mit flämischen Miniaturmalereien in Öl auf Kupfertafel, jeweils in Wellenleistenprofilen gerahmt. Ein weiterer Schub über der zentralen Mitteltür liegend, mit gesprengtem Giebel und zentralem geschnittenen und getriebenen Puttodekor. Die Malereien jeweils Szenen aus der Heilsgeschichte Jesu sowie verschiedene Heilige, welche mit diesem verbunden sind wie Johannes der Täufer oder Maria Magdalena. Die zentrale Tür mit Darstellung „Noli me tangere“. Überkragendes, durch Wellenleisten profiliertes Gesims. Alters- und Gebrauchssp., besch. Aufgrund der Situation der Zugknäufe für die Schreibplatte gehen wir davon aus, dass keine ehemaligen Türen vor das Innenleben gesetzt waren. (13013213) (13) Antwerp cabinet Height:142,5 cm.Width: 112 cm.Depth: 45,5 cm.Antwerp, ca. 1660.Export restrictions outside the EU.
Lot 11
Pietra dura-Kabinett im Barock-StilHöhe inkl. Museumssockel: 195,5 cm. Höhe ohne Sockel: 95,5 cm. Breite: 195 cm. Tiefe: 45 cm. Italien, 17. oder 19. Jahrhundert.Ebonisierter Holzkorpus mit Pietra dura-Einlagen und vergoldeten Bronzen sowie Messingzier. Auf gedrückten Kugelfüßen der kastenförmige Korpus mit risalitartigem Vorbau. Dieser architektonisch aufgefasst mit gesprengtem Giebel in Wellenleistenprofil und darunterliegender, von gedrehten Säulen gerahmter Tür mit Lapislazulibesatz und Hohlnische, mit Athene in vergoldeter Bronze. Dahinterliegend vier Schübe mit ornamentaler Pietra dura-Zier in Lapislazuli und gelbem und grünem Marmor, überfangen von weiterer Lapislazulihohlnische mit Segmentgiebel und eingestellter Götterfigur. Der mittlere Risalit flankiert von zwei zusammengefassten Schüben in der oberen und unteren Etage sowie zwei Türen, deren Giebel als weiterer Schub fungieren, sowie drei danebenliegenden Schübe. Die flankierenden Türen ebenfalls mit drei ornamental verzierten Schüben mit Wellenleistenprofil hinterfangen. Jeder der Schübe mit auf schwarzem Grund eingelegten Pietra dura-Arbeiten, großformatige Tiere zeigend, darunter Ochse, Hirsch, Leopard, Nashorn, Kamel, Elefant, Elch, Löwe, Wildschwein und ein im Kampf befindliches felines Wesen sowie zwei kämpfende Steinböcke. Nebst den Tieren häufig Blatt-, Baum- und Blumenzier in Pietra dura-Arbeit. Die Mitteltür flankiert von zwei gedrehten Säulen, die als Paar herausziehbar sind und jeweils vier, mit Wellenleistenprofil gerahmte Schübe bergen. Minimal besch. (12821132) (13)Baroque style pietra dura cabinetHeight incl. base: 195.5 cm.Height excl. base: 95.5 cm.Width: 195 cm.Depth: 45 cm.Italy, 17th or 19th century.Ebonized wooden structure with Pietra dura inlays and gilt-bronze and brass mountings. Chest-shaped architectural structure on compressed ball feet with risalit-like porch with a door decorated in lapis lazuli and framed by twisted columns and an alcove with gilt-bronze figure of Athena, surmounted by a broken pediment with ripple moulding. Every drawer is decorated with pietra dura on black background depicting large scale animals including an ox, stag, leopard, rhinoceros, camel, elephant, elk, lion, wild boar and a feline animal fighting two ibexes.
Lot 2
Antwerpener Kabinett mit mythologischen Szenen63 x 71 x 34 cm. Antwerpen, 17. Jahrhundert.Weichholzkorpus mit Schildpattbeschlag und ebonisierten Flammleisten sowie ebonisierter Außenerscheinung. Einschübiger, von Flammleisten begleiteter Unterbau, den kastenförmigen Korpus tragend, welcher durch zwei Schwingtüren geschlossen ist, die außen durch Flammleistenkartuschen dekoriert sind und an den Seiten zwei Tragebügelhenkel aufweisen. Die Türen innen mit großen Bildfeldern geschmückt. Inneneinrichtung mit acht Schüben und einer zentralen Tür, welche innen einen Spiegel zeigt und mit einem Schachbrettboden und gekanteten Spiegeln als Spiegelkabinett hinterfangen ist, die Spiegel teilweise blind. Die Schubfächer durch rot hinterfangenen Schildpatt getrennt und durch Flammleisten gegliedert. Die Schubfächer und auch die Tür mit mythologischen Szenen geschmückt, besonders fein die in den Türen eingesetzten Malereien, welche sicherlich von einem weiteren Maler stammen. Der Schanierklappdeckel ebenfalls mit großformatiger innwandiger mythologischer Darstellung. Alters- und Gebrauchssp., minimal besch. Zwei Schlüssel vorhanden. (13013216) (13)Antwerp cabinet with mythological scenes 63 x 71 x 34 cm.Antwerp, 17th century.Softwood with tortoiseshell-mountings, ebonised ripple moulding frame and ebonised outside appearance. Lower section with ripple moulding and a single drawer carrying the box-shaped main structure with two doors. Signs of ageing and wear, with minimal damage. With two keys.Export restrictions outside the EU.
Lot 226
Louis XVI-Pendule „au lion“44 x 27,5 x 14,5 cm. Zifferblatt in Purpur signiert „Pochon A PARIS“ (Meister um 1770). Paris, um 1770.Funktionen: Schlossscheibenschlagwerk mit Schlag auf Glocke zur vollen und halben Stunde. Werk verglast. Ein Pendel und ein Schlüssel vorhanden.Gehäuse: Über vier vergoldeten gedrückten Scheibenfüßen die rechteckige weiße Marmorbasis mit umlaufendem Stabbündeldekor mit ziseliertem Eichenlaub. Gehäuse als gesockelter kannelierter Basenansatz mit plastischem Eichenlaub und polychrom staffierter arkadischer Miniatur. Darauf ein feinst ziselierter Löwe mit einer Satteldecke und einem Werkkasten mit bekrönender Flammenvase mit Blattfestons und seitlichen Louis XVI-Schleifen. Zifferblatt: Weiß emailliert mit schwarzen römischen Stunden und arabischen Minuten. Aufzugslöchlein über der IIII und der VIII. Anmerkung I: Die Entwurfszeichnung der hier angebotenen Pendule ist heute Bestand der Sammlungen der Bibliothèque Doucet, Paris (Inventarnr. VI E 15, Rès., fol. 22) und abgebildet in: H. Ottomeyer/P. Pröschel, Vergoldete Bronzen - Die Bronzearbeiten des Spätbarock und Klassizismus, München 1976; I, S. 192 (Abb. 3.11.6). Zwei modellgleiche Pendulen sind bekannt; die eine ist Bestand der Sammlungen von Pawlowsk und stammte ursprünglich aus dem Cabinet des Prince de Condé. Die zweite ist heute Bestand der Sammlungen des Ministère des Finances, Paris, und war ehemals Besitz von Marie Antoinette. Anmerkung II:F. Vion, einer der bedeutendsten Hersteller von Kaminpendulen während der Transition, arbeitete mit Caffieri, Saint-Germain und Osmond zusammen. Die Bibliothèque d'Art et d'Archéologie Jacques Doucet in Paris bewahrt ein Buch mit Zeichnungen von Pendulen auf, die wahrscheinlich dem Uhrenhändler Antoine Foullet gehörten. (12818110) (13)Louis XVI pendule "au lion"44 x 27.5 x 14.5 cm.Purple dial signed „Pochon A PARIS“ (Master ca. 1770).Paris, ca. 1770.
Lot 4
Außergewöhnliches Barock-KabinettHöhe: 94 cm. Breite: 115 cm. Tiefe: 54 cm. Italien oder Augsburg, 17. Jahrhundert.Nadelholz und Eiche, teils geschnitzt, teilweise in Nussbaum furniert, teilweise gegenfurniert, intarsiert in Zwetschge und anderen Hölzern, teilebonisiert, teils polychrom gefasst und teilweise vergoldet sowie Einlagen in Marmor sowie Ruinenmarmor und Scagliola. Auf vier vollplastischen und vergoldeten Greifen das Kabinett in Form eines antikisierenden Tempels. Die mehrfach getreppte, ebonisierte Zarge mit großer Schublade und zentral schließendem Schloss. Darüber zweitüriges, gegenfurniertes Kabinett mit verspiegeltem Eingericht, dies durch Halbsäulen, verdeckte Gemälde sowie in Marmoroptik gemalten Boden und Decke, einen Spiegelsaal imitierend. Flankiert von vier Marmorsäulen mit vergoldeten Basen und korinthischen Kapitellen sowie acht kleinen Schüben. Abschließender gesprengter Giebel mit erhabenem, abnehmbarem Podest und seitlicher Galerie, teils verspiegelt. Verdecktes Eisenschloss und Eisenbänder. Leichte Alterssp. Rest. Erg. (†) (12821134) (13)Extraordinary baroque cabinetHeight: 94 cm.Width: 115 cm.Depth: 54 cm.Italy or Augsburg, 17th century.Carved, partly gilded, partly ebonized softwood and oak veneered in walnut partly inlayed in plum a.o. polychrome painted and inlays in marble and scagliola. Behind two doors mirror glassed cabinet with hidden paintings. Covered central lock and door hinges in iron. Smaller damages due to age. Rest. Add. (†)
Lot 7
Zweiteiliges Louis XIV-KabinettGesamthöhe: 165 cm. Breite: 112 cm. Tiefe: 51,5 cm. Paris, um 1720 oder später.Auf gedrückten Kugelfüßen gedrehte ebonisierte Beine, die durch eine geschwungene Stegform verbunden sind, der wiederum zwei gedrehte Beine aufliegen, welche in einem Blumenmarketerieoval zusammengeführt werden. Die Stege umrandet durch plastische Akanthusblatt-Ausformungen, welche vergoldet sind. Die Zarge mit teils gefärbter brandschattierter Blütenmarketerie auf schwarzem Fond. Aufliegendes Oberteil mit zentralem, risalitartig hervorspringendem Architekturmotiv mit kannelierten Lisenen und überkragenden ziselierten Bronzekapitellen korinthischer Art, diese eine Mitteltür flankierend mit darin befindlicher Kabinetteinrichtung. Spiegelkabinett und zwei Scheinsäulen, deren Entnahme den Blick auf die dahinterliegenden Schübe möglich macht. Oben mit zwei versteckten Schüben abschließend. Über der Tür ein gesprengter Giebel mit ziseliertem Bronzemaskaron und gemuschelter Marketerie mit Blütenflankierungen, als Schub gebildet. Flankierend zu beiden Seiten fünf Schübe sowie ein zentraler Mittelschub. Die Seitenwangen des Möbels mit hochrechteckiger Kartusche und teils gefärbter Blütenmarketerie. Überkragende ebonisierte Deckplatte. Ein Schlüssel vorhanden. (1280281) (13)Two-part Louis XIV cabinetTotal height: 165 cm. Width: 112 cm. Depth: 51.5 cm.Paris, ca. 1720 or later.
Lot 822
Chinoiser Halbschrank124 x 80 x 45 cm. Frankreich, 19. Jahrhundert.Auf von ziselierter Bronze als Blattwerk umgebenen Füßen der kastenförmige Korpus, eintürig, nach rechts zu öffnen. Zu allen drei Schauseiten hochrechteckige Bildfelder von ziselierten Bronzen umgeben. Mit chinoiser Lackverzierung auf olivgrünem Fond mit Ranken und stilisierten Ruyi-Kartuschen gefüllt mit Lotusblüten und Ranken. Das Sichtholz kontrastreich in verschiedenen Hölzern in Spiegelfurnier marketiert. Leicht überkragende grün-weiß geäderte Marmordeckplatte. Ein Schlüssel vorhanden.Provenienz: Prince André Poniatowski & Comtesse Constance de Louvencourt. (13004050) (13)Chinoiserie cabinet124 x 80 x 45 cm.France, 19th century.Provenance:Prince André Poniatowski & Comtesse Constance de Louvencourt.
Lot 835
Victor Raulin, 1867 – 1925KABINETTSCHRANK IM LOUIS XIV-STIL Höhe: 106 cm. Breite: 147 cm. Tiefe: 54 cm. Auf fein ziselierten Bocksbeinen auf trapezförmigem Grund das kastenförmige Möbel mit an drei Seiten bombierter Front. Spiegelfurnier mit Maskaronzier in ziseliertem Ormolu und das Maskaron umrandende Intarsienarbeit. Die Seiten mit Ormolu-Rankendekor in rechteckiger Kartusche. Die beiden frontalen Türen überspannt von einem Maskaron auf liegender Rechteckkartusche sowie flankiert durch feine Ormolu-Arbeiten mit gegossenen Voluten. Überkragende, den Zügen des Möbels folgende Deckplatte in grün-weiß-rot geädertem Marmor. Ein Schlüssel vorhanden.Provenienz: Prince André Poniatowski & Comtesse Constance de Louvencourt. Anmerkung: Die Firma wurde von Victor Raulins Vater in der 93 Rue de Turenne in Paris gegründet, wo er zusammen mit Meyer firmierte und bereits 1867 auf der Exposition Universelle ausstellte. Er war auf Marketerien spezialisiert, wie auch sein Vater auf Lackarbeiten im Stil des 18. Jahrhunderts. Victor Raulin selbst stellte 1878 und 1889 auf den Expositions Universelles in Paris aus und gewann dort Silbermedaillen auf beiden Ausstellungen. (13004070) (13)Victor Raulin, 1867 – 1925CABINET IN LOUIS XIV STYLE Height: 106 cm. Width: 147 cm. Depth: 54 cm.Provenance:Prince André Poniatowski & Comtesse Constance de Louvencourt.
Lot 1
Y A WILLIAM & MARY WALNUT OYSTER, KINGWOOD AND ROSEWOOD VENEERED CABINET ON STANDCIRCA 1690The doors opening to an arrangement of drawers, some fitted with lift-out trays, around a central door166cm high, 108cm wide, 51cm deepProvenance: The estate of a titled gentleman, London Condition Report: There are some marks, scratches, knocks, chips, cracks and abrasions consistent with age and use.Overall of polished appearance. Sun fading to the right side.The top dark stained and of gnarled appearance.There are losses and restorations including to the tips of the cornice, side hinges (now with metal pin hinges to the corners of the doors); veneer patches, some filler; repairs to the spirally turned legs and elsewhere.Some cracks along the construction lines of the doors.The handles are later; the drawer linings are oak.The escutcheons and lock are later. There is a key, which operates the drawer to the stand.Key also present which operates central inner door - opening to three smaller stacked drawers.The interior darker in colour.The backboards stained and with hessian tape, the back of the stand and underside of the stand drawer stained.There is evidence of worm including to the top, legs and feet.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 129
A GEORGE III MAHOGANY BACHELOR'S CHEST OF DRAWERSIN THE MANNER OF HENRY KETTLE, CIRCA 1780Incorporating a brushing slide87cm high, 84cm wide, 51cm deepProvenance: Private Collection, St Peter Port, GuernseyThe chest shown here incorporates many of the features seen on known pieces by Henry Kettle, including the shape of the bracket feet, the use of swan neck handles and the cockbead moulding to the drawers. For a mahogany linen press bearing a label for Kettle and incorporating the aforementioned features to the lower section, see Bonham's, London, Fine English Furniture and Works of Art, 2nd March 2011, Lot 105 (£7,200). Henry Kettle was one of a group of cabinet makers based in St Paul's Church Yard, London, from the early to late 18th century. In 1754 he took over the business of famous cabinet maker Philip Bell and is know to have worked in partnership with a number craftsmen of the period, including William Henshaw (in around 1770) and George Oakley (in 1796-97). Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, Some marks, indentations and stains to the slideThe top with some old scratches and marks, there is an old chip and repair to the rear left corner - this is slightly raised and it may be possible to effect a cleaner repair if required. The top with signs of darker stain/polish Some old splits and cracks to the drawer liningsThe handles and escutcheons appear to be original, as do the locks, there is one key present that only appears to operate the topmost lock - whether the other locks require a clean and an oil to operate or a different key Dreweatts has no opinion Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 144
A RARE GEORGE III MAHOGANY TRAY TOPPED SIDE TABLECIRCA 177078.5cm high, 116cm wide, 38.5cm deepThe design and style of this table shares similarities with the restrained furnishings at Dumfries House, Ayrshire. Dumfries contains documented furnishings by Chippendale as well as undocumented pieces that may have come from the same workshops or from the workshops of Alexander Peter or William Mathie. (see Dumfries House: A Chippendale Commission, vol. I, Christie's London, 12 July 2007 and R.Bird, 'Who was the Dumfries House Cabinet Maker?, vol II introduction). For a near identical table, see Christie's, London, 13th November 2014, The English Collector, lot 222 (£35,000). The Christie's table had provenance to Thomas Osborne, 4th Duke of Leeds (d.1789) and was supplied for Kiveton Park, and subsequently moved to Hornsby Castle, Yorkshire.
Loading...-
305988 item(s)/page