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Lot 616

Stained mahogany astragal glazed two door display cabinet.

Lot 653

Modern hardwood single door glazed display cabinet.

Lot 709

Reproduction mahogany astragal glazed standing corner cabinet.

Lot 658

Mahogany astragal glazed bow front corner cabinet.

Lot 656

Late 19th Century oak two stage, cabinet backed bookcase with an arrangement of drawers on baluster turned legs.

Lot 698

Early 20th Century oak, two stage, stained glass cabinet back dresser.

Lot 353

Early 20th Century oak smoker's cabinet, having bevel glazed door revealing interior fitted with three drawers and having tobacco jar and two mixing bowls.

Lot 438

Tray of assorted china to include: Chinese cabinet cup and saucer; lustre water jug; Royal Worcester hunting scene coffee can and saucer; Oriental figures; Continental puzzle jug etc,together with a silver plated table lighter(lacking burner)

Lot 173

Royal Worcester cabinet plate, hand painted with ducks in landscape, signed J. Stinton, within gilt and cobalt blue border, printed puce marks to base.

Lot 403

Tray of assorted china and metalware to include: various commemorative mugs; cabinet cups and saucers including Coalport; silver plated pierced cake basket etc.

Lot 598

A Victorian teapot; a pair of continental candlesticks; biscuit ware group; Wedgwood Jasperware; a pair of Coalport cabinet plates, Mailing, etc.

Lot 601

Two Masonic aprons; a Victorian beadwork footstool; scales; and a display cabinet.

Lot 691

A Victorian mahogany table top cabinet opening to reveal three drawers, raised on plinth base.

Lot 785

A late 20th Century stained oak corner display cabinet, with floral carved freeze above glazed leaded doors enclosing shelves, two panel doors under.

Lot 801

An Edwardian inlaid mahogany display cabinet, the serpentine cresting, frieze and central panel decorated with ribbons and husks, flanked by a pair of glazed panelled doors enclosing lined shelves, raised on square tapering legs terminating in spade feet.

Lot 803

An early 20th Century bowfront display cabinet, the glazed doors enclosing glass shelves, raised on claw and ball feet.

Lot 804

An early 20th Century mahogany pedestal cabinet, with single panel door, raised on fluted turned legs; together with an oak drop-leaf coffee table.

Lot 815

An early 20th Century nest of three tuckaway tea tables; and one other; together with a mahogany Hi-Fi cabinet.

Lot 843

An inlaid rosewood side cabinet with associated gallery back, fitted a single shallow drawer to the frieze with ornate brass handles and a cupboard below, raised on short cabriole legs.

Lot 853

An Edwardian style inlaid mahogany gramophone cabinet, the hinged top and fall-front above a pair of panelled doors, raised on square legs.

Lot 878

A reproduction miniature Victorian side cabinet, with rectangular marble top with moulded edge, three shallow drawers to the frieze, the centre drawer with baize lining, raised on two pedestals with arched cupboard doors, raised on a breakfront plinth base.

Lot 879

An early 19th Century oak and banded bowfront wall hanging corner cabinet with flared cornice, with two shaped doors opening to reveal a painted interior with shelves.

Lot 898

A cream painted cabinet, with two panelled doors opening to reveal an interior fitted with an arrangement of drawers and pigeon holes.

Lot 926

A 19th Century inlaid mahogany corner display cabinet with flared dental cornice over glazed panel door with decorative inlay standing on associated bowfront corner table with turned legs.

Lot 927

An early 20th Century mahogany music cabinet with five shallow drawers with four fronts and an open shelf below, raised on short square legs.

Lot 944

An early 20th Century Dutch style mahogany display cabinet with shaped top and shaped glazed panel door enclosing shelves with a shallow drawer below and raised on slender cabriole legs with pad feet and carved shell motifs.

Lot 980

A mahogany corner display cabinet with flared cornice and a single glazed panel door enclosing painted interior with shelves, the cupboard and base with decorative geometric mouldings and raised on bracket feet.

Lot 984

An Edwardian inlaid mahogany music cabinet, fitted six shallow drawers with fall fronts and ring pull handles and raised on square tapering legs joined by an undertier.

Lot 165

A Meiji period elm table top cabinet with parquetry inlay and lacquered doors with Mother of Pearl decoration, 9" x 4½" x 11½"

Lot 847

An early C20th oak elbow/desk chair with solid shaped seat and brass studded leather back (AF), and an oak stationary cabinet with fall front and two doors opening to reveal a fitted interior, 13" x 10" x 14"

Lot 442

An early 20th Century Biedermeier style oak display cabinet enclosed by a glazed panel door. W. 92cm

Lot 200

DANIEL O'CONNELL, 'THE IRISH TUTOR' An engraving signed HB [John Doyle], circa 28 cms x 36 ½ cms, framed, showing O'Connell as a schoolmaster addressing a class of boys (the British cabinet): 'Indeed you are mighty good Boys, if you go on this way we shall have no further occasion for Madam Birch', with papers on his desk headed 'Irish Tithe Bill' etc., a birch inscribed 'Repeal' concealed behind him.Published by T. McLean, Haymarket, 29 April 1836, with his stamp.

Lot 272

KATHLEEN NAPOLI McKENNAKathleen McKenna was a member of an old Nationalist family, from Oldcastle, Co. Meath. She was an expert typist, and an intelligent girl with a telling turn of phrase. Her father William McKenna was an old friend of Arthur Griffith, and through this connection she was employed as confidential typist for the Irish Bulletin, the daily summary of information edited for the First Dail by Frank Gallagher for distribution to journalists in Dublin and abroad, 1919-21. The foreign press soon found they could rely on the Bulletin's accuracy, and it became an important publicity weapon for the First Dail and its cabinet - so much so that the British thought it worth their while first to counterfeit it, and then to imitate it, with little success on either count. In the autumn of 1921, McKenna was one of the 'Dail girls' who went to London for the Treaty negotiations, where she was Arthur Griffith's personal secretary. In early 1922 she was sent to Paris for the Irish Race Congress. As the Free State was established, she was a typist and confidential secretary for senior ministers including Michael Collins, Desmond FitzGerald, Kevin O'Higgins and W.T. Cosgrave. She was a private secretary at the Boundary Commission in 1924, and accompanied the Irish delegation at the Imperial Conference in 1926. Many of the significant documents of the Irish history of this period passed through her hands and her typewriter.She left the Civil Service in 1931, married an Italian military man, General Napoli, and went to live with him in Rome and elsewhere. She remained in touch with her family in Ireland, but never returned to live here permanently. She left a memoir of her days which was published in recent years. She is not to be found in the principal works of reference, though she was perhaps as significant a person as some of those included.The following items were from her personal collection, inherited by direct descent and then purchased in these rooms 2011 as part of our Independence auction.IRISH TREATY DELEGATION 1921A handwritten menu for a meal in London attended by many of the Irish delegates and advisors to the Treaty talks, 10 November 1921, signed at rear by Micheál Ó Coileáin [Collins], Art Ó Gríofa [Griffith) and E.S. Ó Dúgáin [Duggan] (delegates), Lionel Smith-Gordon, J.L. Fawsitt and Eamonn Broy (advisors), Collins' 'minders' Liam Tobin, Joe Dolan and Joe Guilfoyle; Fionán Ó Loingsigh [Lynch], assistant secretary; Alice Lyons (typist); Caoimhghin O hUiginn [Kevin O'Higgins], Sean Milroy, and several others whose function is not clear.The menu included a choice of soups: Peace (thick) or Publicity (clear); the fish course was 'Hans Plaice' or 'Caddugan Steaks' [the Irish delegates were staying at Hans Place and Cadogan Gardens]; entrees included 'Economic Cutlets (Reparation Gravy)' and 'Minced Ulster (North East Sauce)'; the Joint was Roast Beef of Old England, with Aide Memoire of Potatoes; and so on.The talks in London opened on 11 October; presumably the dinner marked the end of the first month. It seems the delegates had not yet realised that 'minced Ulster' was off the menu.Kathleen McKenna's copy [personal secretary to Arthur Griffith], with her initials to front. A rare and delightful item.Provenance: Collection of Kathleen Napoli McKenna, by descent, then purchased in these rooms, 19th April 2011, Independence auction, Lot 591.

Lot 279

THE MÁIRE GILL COLLECTION A significant archive of letters and documents from the collection of Máire (Molly) Gill, a life-long employee of the Cuala Press who was an active Republican, a member of Sinn Fein and Cumann na mBan, detained in Kilmainham during the Civil War, for many years President of the Camogie Association. The principal contents include1 .A file containing seven autograph signed letters from female prisoners on [Kilmainham] Internment Camp notepaper, circa 1923, two from Maire’s friend A. ní Riain (no. 43) and five from ‘your loving Friend May’ [Mrs Mary O’Carroll], cell 12 or 97; also an ALS on plain paper to Miss Butler from James Courtney, also detained in Kilmainham, with a second letter to Miss Gill dated 31.10.21, two letters from Courtney’s wife Mary, one appealing urgently for financial help, and a few related documents including accounts of a ‘Prisoners Dependants Ceilidhe (Louth County), signed by A. Ní Riain 27.11.21. The Kilmainham letters were of course subject to censorship, and there is little political content apart from some veiled comments; they are mostly about mutual friends, some released, others still ‘inside’, their health, parcels, letters, hopes of early release, longing to be in the fresh air again, ‘we will have a good time some day when I get out’, etc.2.A file including a good studio photograph of Eamon de Valera circa 1918, 8 ½ ins x 6 ½ ins; a document titled ‘Articles of Agreement for a Treaty between Great Britain and Ireland’, cyclostyled typescript, 3 pp foolscap, apparently an early copy of De Valera’s ‘Document No. 2’, which he proposed as an alternative to the Treaty; a printed document titled ‘Mountjoy Atrocity’, unsigned, accusing named Free State officers of attacking unarmed prisoners, scarce; a cyclostyled document headed ‘Belfast & British Trade Boycotts’, dated 25 January 1922, stating that the Dail Cabinet, having considered the report of the meeting of Mr. Michael Collins with Sir James Craig in London , hereby direct that the Belfast Boycott be discontinued; and a one-page printed programme for a theatrical performance by The Irish National Volunteers, Dundrum, October 2 [1914], with full lists of cast and performers, and similar programmes for October 3 and for October 4, with some variation among the performers. No printer is named, but from their general appearance and provenance these could very well be Cuala Press printings. 3.A file of letters and documents relating to Cumann na mBan and Sinn Fein including a cyclostyled copy of the constitution of Cumann na mBan (worn with some loss), a few pamphlets and about 25 autograph and typescript signed letters and notes, mostly relating to meetings and other arrangements, including one from F[iona] ní Phluingcéad (sister of Joseph Mary Plunkett) relating to materials needed for field dressings, dated Dec. 1921.4.A file of about 20 letters and documents relating to camogie and the Camogie Association, of which Maire Gill was President for many years, including a circular about the Association’s withdrawal (for political reasons) from the Tailteann Games 1924, a few letters about the propriety or otherwise of camogie pitches being used for lawn tennis, various notes about arrangements, typescript report of an interview with Maire Gill about Irish Women in Sport, a copy of the camogie rule-book circa 1940, etc.5.A folder containing four large-format issues of Stop Press dealing with the Four Courts siege and withdrawal, dated Wednesday June 28 [1922], the first issue, Communique from the Four Court), Thursday 29th, Saturday morning July 1 (no. 5) and Sunday July 2 (no. 6, the last of the large-format issues), much worn and frayed, with some loss, with a few cuttings about Countess Markiewicz and two other Republican periodicals.6.A small folder containing mainly personal letters and documents, including a manuscript playscript (probably incomplete), letters, a prize certificate from a horticultural show 1920, a few tracings, etc.Máire (Molly) Gill joined the Cuala Press as a young girl about 1908, and remained with Cuala throughout her working life. Cuala employed only women, and Molly and Esther (‘Essie’) Ryan became its pressmen, setting type and operating the Albion hand-press on which the books and prints were made. As a young woman Molly was an active member of Inghinidhe na hÉireann, of Cumann na mBan, and of Sinn Fein. She opposed the Treaty, and in 1923, during the Civil War, she was detained for a time in Kilmainham. Camogie apart, Molly was never a leader in the Republican movement, but her collection gives a valuable illustration of the busy lives of those who were active supporters and foot-soldiers in the movement.As a collection, w.a.f.

Lot 312

FIANNA FAIL. PRESIDENT DEVALERA AND HIS CABINET. Colour printed poster showing photographic portraits of De Valera and nine members of his cabinet against a shamrock pattern. Dublin printed circa 1932, circa 30 x 20 ins, some professional restoration at foot, no loss. Attractive item.

Lot 1156

A Moore Bro's type figural tazza and nursery plates, a Paris porcelain cabinet cup and saucer, a pair of Masons stoneware plates, a pair of porcelain and brass candlesticks, and sundry. (qty)

Lot 1167

A pair of Paris porcelain cabinet cups and saucers, early 19th century, painted with baskets of flowers inside gilt frames against a ground filled with flowers. (2)

Lot 1174

A set of six Coalport cabinet plates by Simpson, early 20th century, each decorated with wild game birds and titled to their reverses 'Canvas Back Duck', 'Pheasant', 'Mallard Duck', 'Grouse', 'Partridge' and 'Woodcock', 23cm diameter. (6) Illustrated

Lot 1424

A Japanese Komai-style inlaid brass rectangular miniature cabinet, 20th century, the pair of hinged doors opening to reveal five drawers, applied throughout in gilt, the doors with a river scene with Mount Fuji, the top with cranes flying before Mount Fuji, the sides with birds in flowering branches, the reverse with a pagoda, raise on four bracket feet, with gilt Mount Fuji mark, 13.5cm. high, with a wood stand. Illustrated

Lot 1716

An early 20th century oak framed rectangular table top display cabinet with glazed lift top, 50cm wide.

Lot 1730

A 19th century ebonised gilt metal mounted Boulle work side cabinet, with pair of convex oval panel doors on plinth base, 137cm wide. Illustrated

Lot 1740

A Victorian oak and lacquered brass free standing octagonal display cabinet, on an octagonal column, surrounded by six fluted columns on six acanthus scroll carved supports, 105cm wide x 185cm high. Illustrated

Lot 1790

A Victorian gilt metal mounted amboyna side cabinet, the panelled central door with oval Jasperware panel flanked by a pair of rounded glazed doors, 123cm wide. Illustrated

Lot 1832

An 18th century mahogany bookcase cabinet, the pair of Gothic arch astragal glazed doors over a further pair of cupboards, 103m wide x 216cm high.

Lot 1846

A 19th century Russian walnut Biedermeier two door display cabinet, with split turned ebonised columns, 115cm wide x 171cm high.

Lot 1873

A Victorian ebonised gilt metal mounted Boulle work side cabinet, the single door with Sevres style mounts, on plinth base, 74cm wide.

Lot 1929

A 19th century later grey painted side cabinet, with rectangular slate top over a pair of panelled doors, and plinth base, 42cm wide.

Lot 1944

An early 20th century oak and beech filing cabinet, the tambour front revealing sixteen drawers, the escutcheon stamped 'entirely English make H.L.L', 61cm wide.

Lot 1972

A 20th century floral painted bowfront side cabinet, with single drawer over cupboard, on tapering fluted supports, 82cm wide.

Lot 1986

A television cabinet in the form of an 18th century mahogany linen press, the pair of panelled doors over drop front drawer and two true drawers on plinth base, 107cm wide x 205cm high.

Lot 2130

A plated canteen of table flatware for twelve place settings, including; a pair of gravy spoons, a soup ladle, a pair of sauce ladles, a pair of sugar tongs, a pair of knife rests, a butter knife, four salt spoons and a five piece carving set, contained in a fitted mahogany cabinet, having two drawers.

Lot 392

FOUR VARIOUS CHINA CABINET CUPS AND SAUCERS, with foliate decoration (4)

Lot 365

A PAIR OF DRESDEN PORCELAIN CABINET CUPS AND SAUCERS, quatrefoil shaped, painted in alternate quadrants with courtiers and flowers, and a SIMILAR MOUSTACHE CUP & SAUCER, 'Crown & Dresden' mark on bases (6)

Lot 333

SEVRES, FRENCH PORCELAIN HAND PAINTED CABINET PLATE with shaped rim, decorated with a romantic couple and musician in a garden setting, set within a dark blue and gilt rim, 9 1/2" (24.1cm) diameter, painted mark

Lot 260

A pair of Sèvres-style cabinet plates 18th century, painted with portraits of society ladies to the well, within panels of flowers reserved on a bright turquoise ground, interlaced LL marks, 24cm. (2)

Lot 265

A Paris porcelain cabinet cup and saucer 19th century, painted with a chamfered rectangular panel containing the head and shoulders portrait of a lady wearing a green dress, her hair in ringlets with pink roses, reserved on a deep blue ground with formal gilt borders, 14.5cm. (2)

Lot 262

A pair of Paris porcelain cabinet cups and stands 19th century, each painted with the profile portrait of a Roman Emperor wearing a laurel leaf crown, one titled 'Trajan' the other 'Titus' reserved on a pale pink ground with a band of green Gothic tracery, the tall handles with lion mask roundels, 14.2cm. (4)

Lot 194

A Paris porcelain cabinet cup 19th century, modelled as a tulip with a butterfly handle, a Meissen petal-moulded white-glazed cup and trembleuse saucer, a Paris coffee can painted with a continuous landscape in black and gilt on a rich orange ground, gilt 'housel' mark to the base, and a Staffordshire blue-glazed model of a house, some damages, 15.5cm max. (5)

Lot 183

A Spode cabinet cup and saucer c.1815, the two-handled cup finely painted with a basket of flowers on a marble ledge, the reverse with a spray of flowers, reserved on a brown ground, the cup's handles formed as mythical birds, faint Spode marks, 11.3cm. (2)

Lot 186

A Coalport small cabinet cup and stand c.1810-20, the flared form painted with a continuous floral garland, the everted rim with a gilt foliate band, a Coalport inkwell with similar floral decoration, and a cylindrical spill vase painted with panels of birds reserved on a lime green ground, 10cm max. (4)

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