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Lot 213
Ω A field maple and pewter inlaid table cabinet in the manner of John Coxed, early 18th century and later, the rosewood banded fall enclosing drawers and pigeonholes, above a drawer with various compartments, 24cm high, 46cm wide, 27cm deep Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations whe n exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Lot 369
An Edwardian satinwood and marquetry cabinet attributed to James Shoolbred , circa 1905, decorated in the neo-classical manner, the four graduated long drawers with wellington action to one flanking pilaster, on square tapering legs with spade feet, 91cm high, 61cm wide, 39cm deep Provenance: Hall Place, sold on the instructions of the Executors of Lady HollendenPlease Note: The provenance for these lots should read: Provenance: Hall Place, sold on the instructions of the Executors of Sonja, Lady Hollenden
Lot 514
Ω A walnut and rosewood crossbanded table top jewellery cabinet, second quarter 19th century, of rectangular form, the hinged doors opening to three drawers, with recessed brass handles, with conforming handles at the sides, 31cm high, 30cm wide Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations whe n exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Lot 497
Ω A tortoiseshell and ivory table cabinet, ebony drawer fronts, hardwood case, 41cm high, 79cm wide, 35cm deep Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations whe n exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Lot 524
Ω A Regency rosewood and brass inlaid side cabinet, circa 1815, the frieze drawer, above the brass trellis panelled door, 85cm high, 76cm wide, 33cm deep Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations whe n exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Lot 260
MANNER OF CHARLES RENNIE MACKINTOSH ART NOUVEAU MAHOGANY DRAWING ROOM CABINET, CIRCA 1920 the galleried top raised above three drawers with cut-out brass-backed handled and three glazed doors, the sides embellished with tapered brackets pierced with squares 143cm wide, 141cm high, 44cm deep Literature: Billcliffe, Roger, 'Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs', Moffatt 2009, pp. 286-7 Note: This cabinet demonstrates some stylistic similarities to a series of furniture designed by Mackintosh for W.J. Bassett-Lowke and made by the interns at Knockaloe camp, Isle of Man circa 1916. The cut-out handles with and pierced squares are familiar Mackintosh devices which he used in many of his furniture designs.
Lot 502
JUDITH LEDEBOER (1901-1990) AND DAVID BOOTH (1908-1962) FOR GORDON RUSSELL LTD. MAHOGANY AND BOMBAY ROSEWOOD 'DOUBLE HELIX' CABINET, CIRCA 1951 with twin doors, each with incised decoration, enclosing a fitted interior, bears maker's label 122cm wide, 84cm high, 46cm deep Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 234
ATTRIBUTED TO CHARLES RENNIE MACKINTOSH FOR GLASGOW SCHOOL OF ART STAINED PINE CABINET, CIRCA 1900 of reverse breakfront, the projecting cornice above a central section of four panelled doors above four drawers and with two further cupboards below, flanked to each side with a bank of ten drawers 213cm wide, 189cm high, 64.5cm deep Provenance: Glasgow School of Art Estate of the late Robin Hume Esq. Literature: Billcliffe, Roger, 'Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs', Moffatt 2009, p.43, 1897.2; p. 104, 1900/06.61; 1903.63; p. 237, 1906.23 Lyon & Turnbull 'Decorative Arts', Lots 344-346, 29th October 2014 and Lot 472, 6th November 2002. Note: This compelling cabinet, known to have been situated in the Cashiers Office of the art school from at least 1947, was then later moved to a General Office of the Art School in the 1970s. Red and blue ink stains on the interior shelving remain as signatures to the cabinet's original function in the School of Art's administration offices. Mackintosh had used the reverse breakfront form of this cabinet before in the stained oak cabinet made for William Davidson at Gladsmuir circa 1898. It also shares characteristics with pieces of furniture by Mackintosh and his office that served a more practical purpose or were not necessarily intended for public display, not least in the cheaper materials used for its manufacture. Other examples of these more practical pieces of furniture which have sold through these rooms are the stained pine cabinets for Scotland Street School of 1905 and the kitchen fittings for The Moss, Drymen of 1907, or the simple stained pine easels also made for the School of Art (see lot 232 in this sale). The same dark stained pine was used in a Display Cabinet designed by Mackintosh for the Ingram Street tearooms of 1900. This cabinet shares the same drawer type as the current lot, with simple cut-out handles backed with patinated metal, a recurring feature of Mackintosh furniture. The modest simplicity present in the use of fielded cupboard door panels, is complemented by the monumental banks of drawers which lend this piece of furniture an imposing presence, appropriate perhaps to its intended use as a Cashier's cabinet.
Lot 153
WILLIAM JAMES NEATBY (1860-1910) ART NOUVEAU MAHOGANY WRITING CABINET, CIRCA 1903 with inlaid chequer banded decoration, the superstructure with projecting cornice and totemic inlay above two panelled doors, each mounted with elaborate brass hinges and drop handles and enclosing an interior fitted with pigeonholes and a pull down leather writing surface, the base with single drawer raised on square tapered legs joined by stretchers 70cm wide, 130cm high, 38cm deep Literature: Cooper, Jeremy 'Victorian & Edwardian Furniture & Interiors', Thames & Hudson 1998, p. 222, pl. 597 where a version of this model is illustrated.
Lot 148
PETER WAALS (1870-1937) OAK 'MAN'S DRESSING TABLE', CIRCA 1930 the shaped rectangular top above single drawer with cupboard below, flanked by eight further drawers, wrought double scroll handles with chased decoration 122cm wide, 97cm high, 56cm deep Literature: 'The Furniture & Joinery of Peter Waals' The Alcuin Press, 1930, plate 9., where a similar piece is illustrated and described as 'Man's Dressing Table in Oak'. Note: Peter van der Waals was born in Holland in 1870 and worked as a foreman for Ernest Gimson at his workshop in Daneway House near Sapperton, Gloucestershire, England. The workshops had been started by Gimson and Sidney and Ernest Barnsley to produce furniture in the tradition of the Arts & Crafts Movement. This cabinet was inspired by British furniture of the 17th century and demonstrates the continuing strength of the Arts and Crafts tradition in Britain even after World War I. After Gimson’s death in 1919, van der Waals started his own workshop in Chalford, Gloucestershire, producing domestic furniture.
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