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Lot 357
A George IV carved giltwood scroll end sofa, circa 1825, in the manner of Gillows, 102cm high, 200cm wide, 77cm deep (some later paint). Many of the carved details of this sofa, including the reeded legs and the characteristic scrolls, relate closely to those employed by Gillows in various forms of furniture produced by the firm. Designs for the legs and frieze terminals closely relating to those of this sofa also exist in George Smith`s Cabinet-Makers & Upholsterers Guide of 1826. See Regency Furniture, Frances Collard, page 124. Antique Collectors Club 1985. Many of the carved details of this sofa, including the reeded legs and the characteristic scrolls, relate closely to those employed by Gillows in various forms of furniture produced by the firmDesigns for the legs and frieze terminals closely relating to those of this sofa also exist in George Smith’s Cabinet-Makers & Upholsterers Guise of 1826. See Regency Furniture, Frances Collard, page 124. Antique Collectors Club 1985.
Lot 382
A Victorian burr walnut, ebonised, porcelain inset and gilt metal mounted inverted breakfront cabinet, circa 1870, the central section incorporating three leather inset tiers, flanked by two cupboards each enclosing two shelves, the carcass of solid mahogany throughout, the black basalt plaques possibly Wedgwood, 109cm high, 140cm wide, 42cm deep (formerly with a gallery).
Lot 1531
A Meissen porcelain cabinet cup and saucer, early 20th Century, moulded with gilt enriched leaves against a cobalt blue ground, crossed swords in underglaze blue to bases with painted and impressed numerals, together with a Continental porcelain floral painted cobalt blue ground cup (rim repaired) a green ground gilt metal mounted snuff box and two small dishes.
Lot 1675
A `Vienna` porcelain cabinet plate, early 20th Century, painted by C. Herr, signed, with Venus riding in a shell chariot pulled by dolphins, accompanied by a cherub, a muse and a male figure within a gilt overlaid cobalt blue rim, underglaze blue shield mark to base (repaired), together with a floral printed tile, a pair of bulldog vesta holders and a Wedgwood bowl with red glazed griffin feet (faults).
Lot 2100
An Edwardian mahogany bonheur-du-jour with foliate inlaid scrolls and fan spandrels, the top fitted with a gilt brass gallery above an open mirrored back shelf and three drawers flanked by a pair of glazed cabinet doors and further drawers, the green leather writing surface above five frieze drawers, on square tapering legs terminating in brass caps and castors, width approx 107cm.
Lot 2145
A late Victorian rosewood side cabinet with boxwood line inlaid borders, the top fitted with a pair of bevelled mirror doors and open shelves, the base with a single frieze drawer and two cupboard doors inlaid with putti and scrolls flanked by open shelves, on turned legs united by an undertier, width approx 122cm.
Lot 957
A BURR WALNUT PIER DISPLAY CABINET, late 19th century, of rounded oblong form with stringing and gilt metal mounts, the top with protruding corners on quarter column pilasters, frieze with marquetry banding, single door with arched glazed panel enclosing shelving, on plinth, 31 3/4" wide, 41" high
Lot 1039
A FRENCH WALNUT SIDE CABINET, late 19th century, of oblong serpentine form, moulded edged top, frieze drawer with applied foliate clasp, two arched panelled doors below enclosing shelving, canted angles with protruding brackets, on turned feet, Aviender label and inventory no. verso, 38 1/2" wide, 55" high
Lot 1050
A GEORGIAN MAHOGANY SECRETAIRE CABINET, mid 18th century, the upper stage with moulded cornice over two ogee panelled doors enclosing shelving, secretaire drawer with pigeon holes and drawers flanking a central inlaid cupboard, two short and three drawers below with pierced brass drop handles and escutcheons, fluted angles and ogee bracket feet, 78" high, 49 1/2" wide (Illustrated)
Lot 97
A rare Queen Anne ebonised thirty-hour longcase clock. Robert Rouch, Bristol, early 18th century. The posted countwheel bell-striking movement with anchor escapement and 11 inch square brass dial with herringbone border engraved calendar aperture incorporating pinhole adjustment and rectangular silvered signature plaque Rich’d Rouch, Bristol to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and stylised fleur-de-lys half hour markers, with original pierced steel hands and gilt female mask and scroll cast spandrels to angles, the case with silvered wood ball finials and domed caddy to the blind fret fronted box upstand, above moulded cornice with conforming fret to frieze and integral columns to hood door, the trunk with concave throat moulding and lenticle-centred rectangular door, on plinth base with moulded skirt, 220cm high. Provenance: the property of a private collector. Robert Rouch is recorded in Bellchambers, J.K. Somerset Clockmakers as working in Bristol circa 1725-55, where he is listed as ‘a fine maker’. A single-handed clock by Dennis Chambers of Pucklechurch with identical engraved half-hour markers is illustrated in Darken, Jeff and Hooper, John English 30 Hour Clocks Origin & Development 1600-1800 on page 145. The calendar has the unusual feature of pin-hole adjustment for advancing the date at the end of shorter months, a feature normally associated with the workshop of Thomas Tompion and his successor George Graham. The case is a rare survivor and is in good original condition considering its pine construction, and was made by a cabinet maker who successfully captured the feel and proportions of a high-end London case of the period.
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