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Ferdinand VII, 8 RŽales (8), 1810HJ (2), 1814JJ, 1815JJ, 1817JJ, 1818JJ, 1819JJ, 1820JJ, all Mexico City (Cay—n 15821, 15934, 15956, 15983, 16003, 16012, 16024; KM. 110-11) [8]. The 1817 fine, others generally very fine or better with old dusty cabinet tone, an attractive Description Footnote
Demole, E., Visite au Cabinet de NumismatiqueÉsur l Histoire de Genve, Geneva, 1914, 95pp, illustrations in text; Hofer, P.F., Die MŸnzprŠgungen der Helvetischen Republik, Bern, 1936, 20pp, 2 plates; Cahn, E.B., and others, Catalogues des Monnaies Suisses, vols. I-VIII inclusive, Bern, 1959-83, all with plates, the first two Johnson reprints; Divo, J.-P., Die Taler der Schweiz, Zurich, 1966, 94pp, 36 plates, dj, 1966 valuation sheet tipped-in; Geiger, H-U., Der Beginn der Gold- und DickmŸnzenprŠgung in Bern, Bern, 1968, 246pp including plates; Divo, J.-P., and Tobler, E, Die MŸnzen der Schweiz im 19. und 20. Jahrhundert, Zurich, 1969, 214pp, illustrations in text, dj; Divo, J.-P., and Tobler, E, Die MŸnzen der Schweiz im 18. Jahrhundert, Zurich, 1974, 437pp, illustrations in text, dj; Tobler, E., KreuzerprŠgungen in der Schweiz, Hilterfingen, 1976, 51pp, illustrations in text; together with other references on Swiss coins (7), by Schwarz, PŸntener, Cahn, etc [22]. Publishers bindings; all very fine copies, a useful Description Footnote
SALE CATALOGUES - Bank House, Wellesbourne. 1940; Sheffield Park, 1971; The Green Collection. 1976 (2 copies); Europaische Schmiedekunst. Part III. 1981; The Hever Castle Collection … Volume One. Arms and Armour. 1983; Powerscourt, Eniskerry. 1984; A Cabinet of Curiosities: the Property of The Lord McAlpine of West Green. 1994. With Wallis & Wallis Centenary. Some of the Best and Most Interesting. [n.d.]. SEITZ, Heribert. Ein Waffenhistorisches Handbuch. Blankwaffen I [II]. 1965-68. 2 vols; OAKESHOTT, R. Ewart. The Sword in the Age of Chivalry. 1964; OAKESHOTT, R. Ewart. The Archaeology of Weapons. 1960; NORMAN, A.V.B. The Rapier and Small-Sword 1460-1820. 1980. WARING, J.B. Masterpieces of Industrial Art & Sculpture at the International Exhibition, 1862 … Chromo-Lithographed by and under the Direction of W. R. Tymms, A. Warren, and G. Macculloch, from photographs supplied by the London Photographic and Stereoscopic Company, taken exclusively for this work by Stephen Thompson. London: Day & Son, 1863. Volumes I - II only (of 3). Folio (422 x 290mm). Additional chromolithographed titles, chromolithographed and tinted plates. Original reverse calf elaborately decorated in gilt, gilt edges (rubbed). With J.B. Waring`s Art Treasures of the United Kingdom from the Art Treasures Exhibition, Manchester … chromo lithographed by F. Bedford … with essays by Owen Jones, Digby Wyatt [etc] (London, 1858), The Art Journal. Illustrated Catalogue. The Industry of All Nations 1851 (London, [1852]) and Tallis`s History and Description of the Crystal Palace, and the Exhibition of the World`s Industry in 1851 (London, [n.d.], vols. I and III only). (qty)
JAPANESE LACQUER TABLE CABINET 19TH CENTURY of rectangular form with two cupboard doors opening to reveal an arrangement of nine drawers decorated with flowers, the doors with a large brass escutcheon, brass mounts and decorative hinges and decorated with mountains and pavilions, the sides with swing handles, on a shaped apron and bracket feet 48cm wide, 50.5cm high, 31.5cm deep Provenance: From the collection of the Late Jack Notman, Architect, Glasgow
FINE JAPANESE HARDWOOD AND LACQUER CORNER DISPLAY CABINET MEIJI PERIOD, LATE 19TH CENTURY the pierced dragon carved pediment above an arrangement of ornate fret pierced open shelves and ivory, mother of pearl and lacquer cupboard doors depicting exotic birds and figures amongst foliage, raised on square legs united by a peripheral stretcher 79cm wide, 189cm high, 40cm deep
PAIR OF NORTH ITALIAN WALNUT AND PARCEL GILT OPEN ARMCHAIRS BY HENRY THOMAS PETERS, GENOA, CIRCA 1840 the ornate shell and foliate scroll carved bar backs and gadrooned downswept arms, above stuffed over seats covered in studded gold fabric, raised on reeded turned tapered legs, each stamped `Peters Maker Genoa` Note: Henry Peters (d. 1852) was an English cabinet maker who arrived in Genoa in 1817. His pieces were inspired by the Regency style. He favoured in particular mahogany, Indian walnut and boxwood. He made Empire and Restauration pieces, working both for the court in Genoa and for middle class patrons. He completed pieces of furniture for the Palazzo Reale, Genoa, the Villa Durazzo dello Zerbino in Genoa and the Palazzo Reale in Turin. In 1835, Peters was nominated `Maker of the Court` (of the house of Savoy) after completing a commission for the Palazzo Reale in Genoa.
SET OF FOUR QUEEN ANNE STYLE WALNUT AND INLAID CHAIRS BY KNIGHT & SONS, BATH, CIRCA 1900 the shaped splats inlaid with thistles and central motif depicting `John` and `Jesus` after the resurrection entitled `Noli Me Tangere`, above stuffed over seats and raised on foliate inlaid square cabriole legs, united by shaped stretchers (4) Each chairs bears an oval plaque `Knight & Sons, Cabinet Makers, MIlsom Str. Bath`
MAHOGANY METAMORPHIC LIBRARY STEPS ARMCHAIR BY J DENT OF KENSINGTON, AFTER A DESIGN BY MORGAN & SANDERS, CIRCA 1839 the gadrooned bar back above a moulded middle rail and down scrolling arms, the split cane seat with moulded rail above channelled sabre legs ending in brass cappings and ball feet, a lever releasing the back to form four treads inset with later carpet material 54cm wide, 95cm high, 60cm deep Note: John Dent is recorded as a cabinet and chair maker in the 1839 edition of `Pigot`s Directory of London and its Suburbs` and is listed as working at 45 Ernest Street, London around 1839 in the `Dictionary of English Furniture Makers 1600-1840` ed. Geofrey Beard and Christopher Glibert.
VICTORIAN JAPANNED GOTHIC REVIVAL DISPLAY CABINET CIRCA 1880 the castellated top above a glazed panel door enclosing a plush lined shelved interior, the lower section with two gothic arched tracery panelled doors decorated with exotic birds and foliage, opening to reveal a fitted interior with drawers and shelves, raised on a plinth base 68cm wide, 169cm high, 33cm deep
EDWARDIAN MAHOGANY AND INLAID CORNER CABINET CIRCA 1910 inlaid with ribbon tied berried foliage and paterae, the broken swan-neck pediment above an astragal glazed panel door enclosing shelves, the lower section with a further panelled cupboard door flanked by simulated fluted corners, raised on bracket feet 79cm wide, 214cm high, 47cm deep
Gillray (James). Lilliputian Substitutes, Equiping for Public Service, pub. H.Humphreys, May 28th. 1801, etching on wove with original hand colouring, slight dust soiling to margins, signs of earlier adhesion on verso, 245 x 355mm (9.5 x 14 inches) A satire on the weakness and incapcity of the men who succeeded Pitt`s cabinet. (1)
Dickens (Charles). The Works, 30 vols. `The Pocket Edition`, pub. Chapman & Hall, 1880, uniform original green cloth gilt, 8vo, housed in contemp. light oak cabinet with tambour front, engraved brass plaque to upper front panel of case, overall dimensions 430 x 330mm (17 x 13 inches) A bright clean set in a handsome `miniature` book-case. (1)
Heppelwhite & Co. (Cabinet-Makers). The Cabinet-Maker and Upholsterer`s Guide; Or, Repository of Designs for Every Article of Household Furniture, in the Newest and Most Approved Taste, 3rd ed., improved, 1794, reprinted, Batsford, 1897, 124 b & w plts., ex-lib. copy with ink stamp to verso of each plt., later cloth, folio, together with Turner (Laurence), Decorative Plasterwork in Great Britain, 1st ed., Country Life, 1927, num. b & w illusts. from photos, orig. cloth gilt, a little rubbed and faded (new endpapers), folio, plus Lehmann (Walter and Doering, Heinrich), The Art of Old Peru, 1924, 128 collotype plts (and including twelve col.), ex-lib. copy with ink stamp to verso of each plt., orig. cloth gilt, some wear to spine, folio, and others similar, mostly architecture interest (4 cartons)
Wells (Percy A., and Hooper, John). Modern Cabinet Work, Furniture & Fitments, 2nd ed., revised, Batsford, 1918, num. b & w illusts. and diags., some folding, orig. cloth, rubbed, 4to, together with Salaman (R.A.), Dictionary of Woodworking Tools c. 1700-1970 and Tools of Allied Trades, 3rd imp., 1982, num. b & w illusts. to text, orig. boards in d.j., 4to, plus Greenhalgh (Richard, editor), Joinery and Carpentry. A Practical and Authoritative Guide dealing with all Branches of the Craft of Woodworking, 6 vols., 2nd ed., reprinted, n.d., c. 1930s, b & w illusts. from photos, num. illusts. and diags. to text, orig. cloth, lettered in gilt, faded on spines, 8vo, and others related (3 cartons)
Thomas Robson, The British Herald, or cabinet of armorial bearings of the nobility & gentry of Great Britain & Ireland, from the earliest to the present time; with a complete glossary of heraldic terms, to which is prefixed a history of heraldry, collected and arranged in three volumes. First Edition 1830. All three leather bound volumes stamped "Ulster King of Arms" PROVENANCE These books have been sent in for sale by executors from an estate in Winchester. Family tradition indicates that they were inherited through the Bohn family of Hull and through earlier connections from the Boleyns. Many of the earlier books in this estate certainly came from the library of publisher Henry George Bohn 1796-1884 or his descendants. Bohn was born in London as the son of a German bookbinder who had settled in England. In 1831 he started as a dealer in rare books and "remainders." In 1841 he issued his "Guinea" Catalogue of books, a monumental work containing 23,208 items. Bohn was noted for his book auction sales: one held in 1848 lasted four days, the catalogue comprising twenty folio pages. Printed on this catalogue was the information: "Dinner at 2 o`clock, dessert at 4, tea at 5, and supper at 10." His Libraries which he inaugurated were begun in 1846 and comprised editions of standard works and translations, dealing with history, science, classics, theology and archaeology, consisting in all of 766 volumes. It had been one of Bohn`s ambitions to found a great publishing house, but, finding that his sons had no taste for the trade, he sold the Libraries in 1864 to Messrs. Bell and Daldy, afterwards G. Bell & Sons. Bohn was a man of wide culture and many interests. He himself made considerable contributions to his Libraries: he collected pictures, china and ivories, and was a famous rose-grower. He died at Twickenham on 22 August 1884 and was buried at West Norwood Cemetery. An extract from the Daily Graphic dated July 10th 1909 states, " His advice was often sought by such great Collectors as the Duke of Hamilton `Vathek` Beckford and on more than one occasion he was consulted on everyday matters by the Prince Consort. He was chairman of the committee appointed for the printed books department of the 1851 Exhibition. Gladstone who had a high opinion of Bohn`s abilities, offered him a baronetcy but we are told that the publisher declined the honour on principle. Bohn tired of his success in 1864 when his sons preferred other professions to following in this footsteps and sold the whole stock and copyrights of his libraries to Messers Bell and Dalby for about £40000........His second-hand books which subsequently took forty days to dispose of at various auction rooms realised £13000." Of his early career the paper said " while Napoleon was ravaging the Continent whole libraries were being dispersed by ancient families and religious institutions lest they should fall into the Emperor`s hands and many treasures were picked u this way by the Anglo-German bookseller. ..... He happened to be attending an auction at Leipzig while the Battle of Waterloo was being fought."
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306845 item(s)/page