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Click here to subscribeA late 19th century mahogany free standing corner cabinet with blind fret detail to the top section above single glazed door, the base section with single panelled cupboard door, raised on bracket feet, height 188cm, width 78cm.Additional InformationGeneral wear, light scratches, the beading on the glazed panel has been broken off and reglued, chippin/losses to the corners and edges of the piece.
A good mid-19th century Chinese Canton carved and stained ivory chess set made for the French market, housed in a good quality coromandel and amboyna box on mahogany stand with fluted tapering legs, the white King and Queen modelled as Napoleon and Josephine and each piece with a puzzle ball to lower section, height of Napoleon 17cm.Additional InformationHaving inspected all the pieces carefully the condition overall is very good indeed. There are a couple of minute chips and the only thing to note is that many of the pawn spears are missing. The cabinet itself is a later addition it is of good quality and has minor surface wear with a small dent to the top on both sides where the brass ring loop handle swivels.
An early 20th century French kingwood and marquetry serpentine fronted marble top cabinet, with single drawer above panelled cupboard door, raised on outswept supports, height 110cm, width 100cm, depth 46cm.Additional InformationMissing part of the top hinge, natural flaws and cracks to the marble. Probable repair to the marble at the top right corner and left corner. Heavy wear to the side panels.
A vintage retro 20th century teak wood telephone table / seat in the squares pattern having a cushioned seat above a panelled door cupboard next to a storage notepad above shelves raised on a plinth base along with a retro 1970’s teak wood cabinet with sliding doors raised on a plinth base (af). 50cm x 92cm x 38cm.
A vintage mid century metal industrial / medical dentist cabinet on stand. The cabinet having white milk glass top flanked by two sliding tool shelves set with milk glass panels, chrome edges and shaped tubular rails. The revolving unit set with a bank of graduated drawer having aluminium shaped handles to the front and single door to the rear with fully appointed interior with textured glass panels To each drawer. Finished in pastel blue colourway upon a single stem raised on four point star base having castors. Measures: 92cm high x 64cm wide x 55cm deep.
A collection of vintage mid 20th century Ercol Old Colonial dark oak furniture to include a large sideboard with a bank of four drawers to the centre flanked by two cupboards raised on turned supports along with a corner cabinet / cupboard and a coffee table. Measures 90 H x 135 W x 80 D cm.
A late 19th century early 20th century Victorian Aesthetic Movement ebonised corner cabinet. The cabinet having a gallery mirror back with finials and turned column, shaped frieze, twin doors cupboard with hand painted floral motifs raised on square legs. Measures 145 cm high x 64 cm wide x 40 cm deep.
A 1930's Art Deco burr walnut bedroom suite. The suite comprising a dome top triple wardrobe compactum with haberdashery shelved interior together with a matching tallboy cabinet raised on cabriole legs with pad feet together with a bedside cabinet and a caned dressing table stool with panel back. 190 x 148 x 58 cm.
A 19th century Derby porcelain quatrefoil dish with cream ground and gilded leading edges and chintz spray centre. Believed 1889, Stamped to underside for W Litherland of Liverpool with Crown Derby marking. Together with a 19th century cabinet plate having pink ground with unusual scene of Arabian camel. Diameter: 22 cm.
A four-piece set of decorative French miniature furniture, 1880s, the painted white wooden furniture decorated with gold embossed paper borders and lithographed flowers, comprising oval table with pillar support, dining chair, glass fronted cabinet with filigree finial, and day bed with ivory silk mattress and drapes, (condition: good), wardrobe 8 ¼” (21cm) tall, (4 items).
Three early Peddler dolls in glass fronted case, by C&H White, Milton, Portsmouth, 1820s, all standing on a wooden base with paper labels, the Peddlers with kid leather faces, painted features and black glass bead eyes, first gentleman with brown wool hair and beard, wearing a long brown coat, silk striped trousers, (frayed), waistcoat and with basket of wares including haberdashery, kid glove, braces, pictures, bottle and more, old lady with black bonnet and lace cap, wearing a cream and red patterned dress with red cape and secret pocket with blue silk handkerchief, holding basket of wares including buttons, fabrics, pomanders, lace examples, kitchen grater, lamp, candle holder, bellows and more, gentleman flower seller with red wool hair and side-burns, with straw hat, brown jacket, red waistcoat with collar, brown cotton trousers and apron, holding two baskets filled with paper flowers, all approx. 9” (23cm) tall, in a wooden glazed front opening cabinet, 14” (36cm) tall, 20” (51cm) wide, 4 ¾” (12cm) deep.
A Regency mahogany centre stool, circa 1820, George Rickword, Colchester, the upholstered top above X-frame supports and turned stretcher, one rail with old paper label for the maker GEORGE RICKWOOD / CABINET MAKER, UPHOLSTERER / PAPER HANGER / AND UNDERTAKER / 99, HIGH STREET COLCHESTER / HOUSE AGENT AND APPRAISER, 46cm high, 92cm wide, 55cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,Frame appears solid and stable overall, there are some old woodworm holes to the underside and some old tack marks,The label more or less intact - all the words can be read, there are scuffs and minor tears and losses and some holes through.The upholstery with some holes and balding, possibly some old moth damage, dirt and discolouration Condition Report Disclaimer
A fine Victorian parcel-gilt satinwood centre table, attributed to Holland & Sons, circa 1860, with figured circular tilt-top on a baluster stem and tripod base carved with foliage, 74cm high, 142cm diameter Provenance: The Dukes of Leeds, Hornby Castle, YorkshirePossibly acquired by Sir George Godolphin Osborne, 8th Duke of Leeds (1802-72), for the principal family seat, Hornby Castle, North YorkshireThis table can be ascribed to Holland & Sons, one of the largest and most prestigious cabinet-making firms in the 19th century, based on a number of stylistic attributes; the superb choice of timbers, the figuring of the satinwood tilt-top, the fine foliate giltwood carving and the distinctive giltwood borders. Holland & Sons were known for their diversity of style - in the mid-1860s, supplying furniture in the fashionable 'Louis XVI-style', such as the table offered here, but also making 'Elizabethan' furniture, neo-Gothic and furniture inspired by Robert Adam, Sheraton and Chippendale (S. Jervis, 'Holland & Sons, and the furnishing of the Athenaeum', Furniture History, 1970, p. 46). First established in 1815 as Taprell & Holland at 25 Great Pulteney Street, London, the firm was renamed Holland & Sons in 1843 when William Holland, a founding member, and probably related to George IV's architect-designer, Henry Holland, took over the firm. In the 1850s, William was replaced by his son, James Holland, and the firm moved to 19 Marylebone Street and Ranelagh Works, Lower Belgrave Street, and from 1852, 23 Mount Street. They exhibited at all the major international exhibitions, including London 1851, Paris 1855, London 1862 and Paris 1867; for example, at the 1862 London International Exhibition, they exhibited a fine marquetry and gilt-bronze centre table veneered with tulipwood, kingwood, New Zealand spicewood, boxwood and purple heart to a design by a 'Mr. Rosenberg' that included engravings by Old Masters, all centred by a spider's web in silver and ivory (J. Meyer, Great Exhibitions: London, Paris, New York, Philadelphia 1851-1900, Woodbridge, 2006, p. 122). The firm worked on the interiors of several of the London gentlemen's clubs, the Army & Navy, the Athenaeum, the Carlton and the Reform. They undertook Royal commissions at Buckingham Palace, Osborne House and Windsor Castle, and were a major contractor for H.M. Works until circa 1852, including the Palace of Westminster. Other significant contracts were for the Great Western Railway and the Royal Academy of Arts. The firm employed many well-known, independent designers, Sir Charles Barry, Gottfried Semper and J.K. Collins. The Holland & Sons ledgers comprising 235 volumes dating from 1824 to 1942 and covering most of their major commissions are held in the Archive of Art & Design at the Victoria & Albert Museum, London.Hornby CastleThis table was possibly acquired by Sir George Godolphin Osborne, 8th Duke of Leeds (1802-72), for the principal family seat, Hornby Castle, North Yorkshire. Built in the 15th century as a fortified house, it was significantly remodeled by the architect John Carr of York, and probably James 'Athenian' Stuart, in the 1760s, for Robert Darcy, 4th Earl of Holdernesse. The mansion was altered to Classical proportions and regular, enlarged sash windows were installed combined with gothic architectural detailing. When the 4th Earl's only daughter, Amelia Darcy, married Francis Godolphin Osborne, Marquess of Carmarthan, and later 5th Duke of Leeds, a new family arrived at Hornby by inheritance, and the house became a ducal seat. Due to a series of important family relationships, Hornby Castle became a repository for a magnificent collection of Restoration furniture that embodied their glorious political past. The halcyon days of Hornby Castle were undoubtedly in this period but also in the early to mid-19th century when the 7th Duke of Leeds commissioned A.W.N. Pugin to prepare a set of drawings for the remodeling of Hornby Castle. Although never executed, Pugin submitted detailed plans on a grand scale for two floor of the castle courtyard, and perspective sketches for the rest.Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Gilt elements have been refreshed in areas. Gilding with some rubbing and small losses. Some evidence of old worm to undersides of legs. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A fine George II walnut crossbanded mahogany bureau cabinet, circa 1740, with original engraved brass hardware throughout. The top section with a broken arched pediment above two glazed doors enclosing adjustable shelves and three drawers above candle-slides. The base with well fitted interior above four draws on shaped bracket feet. 92in (234cm) high; 39in. (99cm) wide; 21in. (53cm) deep.Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, Some old splits and cracks. Chips and losses.One front foot with old crack through and front most section broken off, this is present and requires some glue to repair, other feet with similar old cracks and splits and probably have previously had some level of repair. The internal door jam to the top is split and detached - it is present again with lot.The glazing to the doors probably later, The interior fitted and with arrangement of drawers and compartments around the secret drawers and central cupboards, also with a concealed well. There are marks and stains here from use - the inset to the fall appears to be later.The centre of the broken pediment with a platform - this appears to have a plug to the socket - it may had had an urn or similar finial here previously.Locks and handles appear original throughout, the key to to fall and drawers operating at time of report, some elements sticking and would probably benefit form an oilPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
An Edwardian mahogany mirror-back sideboard, the central carved frieze above two central mirrors, shelves to either side supported by carved baluster supports, three frieze drawers over central single drawer over pot cupboard and door to either side, all with floral and foliate carved panels, to squat baluster supports, height 212cm, width 155cm, depth 55cm. CONDITION REPORT General age-related wear to include surface scuffs, scratches, small indentations, an age-related split to the right side panel, slight lifting and cracks to the veneer on the top of the cabinet.
A reproduction cross-banded and line inlaid mahogany television cabinet with pair of panelled doors above single fall-front lower section, raised on bracket feet, height 90cm, width 77cm, depth 51cm. CONDITION REPORT Suitable for a television up to 28 inches. Minor surface wear throughout with scuffs and scrapes visible on the top surface.
An early/mid-20th century walnut Art Deco cocktail cabinet, central mirror-back interior containing six cocktail sticks with cherry finials, juicer, chrome top cocktail shaker, a pair of decanters, six small matching cocktail glasses and a set of five liquor glasses, glazed panel door to either side with three interior shelves to central plinth base, 107 x 122 x 35cm. CONDITION REPORT Scratches to top, one sherry glass missing, stains to bottom of cupboard, deep knock to left hand glazed cupboard door, no visible woodworm some splits to moulding
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