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Lot 1258

10th century AD. An Anglo-Scandinavian tongue-shaped bronze strap end of Thomas's Class E type 4 with Borre style beast mask with ring-and-dot motifs above, traces of tinning, transverse slot to the upper edge. 20 grams, 47mm (1 3/4").Very fine condition.Very rare. Property of a Lancashire collector; found Nocton, North Kesteven, Lincolnshire, England. Recorded with the Portable Antiquities Scheme with reference number LANCUM-BAC646; accompanied by a print out of the PAS report. 

Lot 1264

9th-11th century AD. A pair of drinking horn rim mounts comprising: one 80mm in diameter, penannular in section with flat-section strap to the closure, the strap with incised hatching, fixing pin beneath the lower edge; one smaller, 63mm in diameter, omega-shaped panel with repousse pellets and pointille detailing, fragments of original horn adhering to the inner face. 56 grams total, 63-80mm (2 1/2 - 3 1/4").[No Reserve] Fine condition. Extremely rare. Property of a London businessman, from his grandfather's collection formed after World War II; thence by descent 1972. See Etting, V. The Story of the Drinking Horn: Drinking Culture in Scandinavia during the Middle Ages, Odense, 2013.

Lot 13

New Kingdom, 1550-1077 BC. A gold hoop formed as two parallel rods, scaphoid bezel with beaded outer edge, cells with inlaid stones in red (jasper), green and blue (lapis lazuli) forming a design of an opposed pair of papyrus plants. 6.66 grams, 24mm overall, 21.26 x 18.05mm internal diameter (approximate size British P, USA 7 3/4, Europe 16.55, Japan 16) (1").  Extremely fine condition. A large wearable size. Very rare. Property of a Mayfair gentleman; acquired by the family during the 1970s. Supplied with a positive X-Ray Fluorescence metal analysis certificate. See the Walters Art Gallery for two similar rings, accession number VO.77 (57.1474, 57.1475) Accompanied by an Art Loss Register certificate. The technique of inlaying objects, especially jewellery, was developed to perfection in ancient Egypt, with the art being much imitated by neighbouring civilisations. The Egyptians used a range of materials for inlaying their jewellery, from glass to semi-precious stones, such as lapis lazuli that was imported from far-off Afghanistan. Many of the craftsmen were employed to create masterpieces that were destined for the royal courts, the wealthy and also the temples; the gods were decorated in jewellery comparable to that worn by the Pharaoh. Many of the workshops of the jewellers were on the grounds of important temple complexes as it was the Pharaoh who controlled the supply of gold and precious materials, plus many of the temples had the added advantage of being secure compounds that were heavily guarded. This ring represents the very fine and high level of skill that the jewellers of Egypt possessed during the New Kingdom, a time when Egypt reached its zenith. The high quality in this ring can be compared to pieces found in the intact royal burial of the three princesses of Tuthmosis III, as well as Tutankhamun. The closest parallel to this ring is one belonging to Ramses II, found at Saqqara, which is similarly decorated with opposed inlaid lotus flowers, as well as two examples now in the Walters Art Gallery. The lotus was much prized by the Egyptians for its beauty, scent and for its symbolism of re-birth. 

Lot 2743

1864-1886 AD. Obv: profile bust with D below and LUDWIG II KŒNIGV BAYERN legend. Rev: cross-hatched pattern. 10.22 grams, 21mm square. See KM# 894/900 for type. [No Reserve] Near as struck; few small marks. Very rare.

Lot 2745

1875-1888 AD. Obv: helmeted arms with supporters with FREIE UND HANSESTADT HAMBURG legend with J below. Rev: cross-hatched design. 8.05 grams, 21mm square. See KM# 600 for type. [No Reserve] Near as struck. Very rare.

Lot 2758

Dated 1956 AD. Bronze. Obv: profile bust with QUEEN ELIZABETH THE SECOND legend; showing traces of reverse as undertype. Rev: large 20 above CENTS with MALAYA AND BRITISH BORNEO legend and date; showing traces of reverse as undertype. 2.30 grams, 23.18mm. See KM# 3 for type. A spacer piece is a flan (this one is in the wrong metal and smaller/thinner than normal flan) placed between the die faces while the minting machinery is being set up, to prevent 'clashing' of the dies; they very rarely leave the mint. [No Reserve] As struck. Rare.

Lot 2769

Undated, circa 1901 AD. Obv: crown over double-headed eagle with A - A at sides. Rev: fineness '990' with weight. 1.06 grams. KM# 1. The gold mine ingots were struck from the residual silver when refining gold and were passed back in this form to the owners of gold mines who supplied gold to the mints. [No Reserve] Good very fine. Rare.

Lot 2770

Undated, circa 1901 AD. Obv: crown over double-headed eagle with A - A at sides. Rev: fineness '990' with weight. 4.27 grams. KM# 2. The gold mine ingots were struck from the residual silver when refining gold and were passed back in this form to the owners of gold mines who supplied gold to the mints. [No Reserve] Good very fine. Rare.

Lot 2771

Undated, circa 1901 AD. Obv: crown over double-headed eagle with A - A at sides. Rev: fineness '990' with weight. 12.74 grams. KM# 3. The gold mine ingots were struck from the residual silver when refining gold and were passed back in this form to the owners of gold mines who supplied gold to the mints. Good very fine. Very rare; the rarest of the four weights issued.

Lot 2780

Dated 6th September 1916 AD. Tapered body. Obv: incuse and reversed uniformed profile bust with ALBERT ROI DES BELGES legend in serifed capitals; stamped 6 9 16 on shoulder, with oval maker stamp 2 28 and [R?] WILL & SON BIRMINGHAM around, on side. 1.33 kg, 30mm face, 60mm tall. The diameter of this obverse would be suitable for a coin of 2 or 5 francs module but all Belgian currency coins of Albert use an unserifed font, as do his military medals (which also show a plain bust); this die could be either for a pattern coin during the First World War period or, perhaps, be for a commemorative medal. [No Reserve] Extremely fine; minor corrosion spots. Extremely rare.

Lot 2782

18th century AD. Design by Dassier. Obv: profile bust left with ROMULUS above and J DASSIER ET FILS below. Rev: ox-plough and driver walking left, two soldiers to right with FONDATION / DE ROME / ART in three lines in exergue. 3.92 grams, 27mm. See The Wedgwood Museum, accession number 2080, dated to 1773 AD, for Queen's ware original of this medallion. From the Ancient Roman History Medals series; this one celebrates the founding of the city of Rome. [No Reserve] Near extremely fine; two small chips to reverse edge. Rare.

Lot 2785

Dated 1814 AD. Copper, by Denon and Andrieu. Obv: profile bust left with engraver's names on truncation and below and ALEXANDRE I EMPEREUR DE TOUTES LES RUSSIES legend. Rev: Victory seated left under tree, inscribing tablet 'Sejour / d'Alex 1 / a Paris' in three lines in script with engraver's names at sides and date MDCCCXIV in exergue. 36.32 grams, 40mm. Diakov 378; Slg. Julius 3015. Struck to commemorate the sojourn of Alexander I in Paris, after the Battle of Waterloo. [No Reserve] Extremely fine. Rare.

Lot 2789

Late 19th century AD. Military division (with swords), with suspension ring. Obv: red enamelled Bath cross with red on white enamelled roundel at centre with SS monogram initials within green enamelled wreath; double-headed imperial eagles to angles over crossed swords. Rev: similar red on white enamelled roundel at centre with SS monogram initials; back of main cross with imperial hallmark and 'AK' maker's mark, hilts of swords of yellower gold, each with 'profile right bust' hallmark; the suspension loop with '?95' hallmark. 12.12 grams, 55mm maximum. See Dorling, p.280, for information. The Order of St Stanislas originated in Poland in 1765 and was adopted in Russia in 1831. Extremely fine. Rare.

Lot 2790

Dated 1843 AD. Obv: crowned cipher of Wilhelm IV with ВБ / ВОСПОМИНАНІЕ in two lines below. Rev: ЦАРСКОЕ СЕЛО 1818 20.IЮНЯ 1843 БЕРЛИНЪ legend within wreath. 18.92 grams, 34mm. Diakov 570 (R4); Chep 434; Werlich 90. This medal is often mistakenly attributed to the 4th Kaluga Infantry Regiment. Extremely fine. Extremely rare (8 struck in silver-gilt).

Lot 2792

1881-1894 AD. By A. A. Griliches, with suspension loop and split ring. Obv: profile bust with Б М АЛЕКСАНДРЪ III ИМП И САМОД ВСЕРОСС  legend. Rev: with ЗА / СПАСЕНІЕ / ПОГИБАВШИХЪ in three lines. 14.58 grams, 29mm diameter. Bitkin H1056.A (R2"). Near extremely fine. Very rare.

Lot 2793

Before 1917 AD. Imperial Russia. Obv: profile bust of Nicholas II with Б. М. НИКОЛАЙ II ИМПЕРАТОРБ И САМОАЕРЖЕЦБ ВСЕРОСС legend, within wreath. Rev: inscribed ЗА / БЕЗПОРОЧНУЮ / СЛУЖБУ / ВБ ПОЛИЦІИ legend in four lines, within wreath; with integral suspension loop. 23.92 grams, 36mm diameter. From an old Munich collection; acquired on the German art market before 2000. Bit. 1137; Chep. 906; Ver. 141; Werlich 107; Smirnov 1062. [No Reserve] Good very fine. Rare.

Lot 297

1st century BC-2nd century AD. A mixed group of bronze brooches and fibulas comprising: a La Tène 1 fibula ‘Wessex Type’ (pin absent) with remains of iron spindle; a La Tène III, Hull type 19 fibula with openwork catch plate; a La Tène III fibula fragment with offset vertical decorative groove on upper section; a Nauheim-derivative type brooch (pin and spring absent); a La Tène II fibula; a composite brooch with dark enamel crescent and white enamel central lozenge (mostly lost), zoomorphic terminal, pin detached; a Colchester-type two-piece brooch with median ridge and tremolier ornament; a hinge-headed brooch with orange enamel (pin absent); a trumpet-headed 'fly' brooch with red enamel inlay and some tinning (pin absent); a plate brooch with pierced quatrefoil, some tinning and gilding, pellet detailing. 40 grams total, 40-46mm (1 1/2 - 1 3/4"). [12, No Reserve] Fine condition. Some rare types. All found at various sites in Essex, UK. Cf. Hattatt, R. Brooches of Antiquity, Oxford, 1987, item 724; Hattatt, R. Ancient Brooches and Other Artefacts, Oxford, 1989, item 1536, 1614. 

Lot 314

1st century BC-1st century AD. A bronze statuette of a standing youthful male flamen (priest) on a pedestal base, wearing ankle-length trousers, short-sleeved tunic and a loosely draped mantle over the left shoulder, wolf-skin cowl to the head and back; hands modelled open and raised to chest height. 362 grams, 16cm (6 1/4"). Very fine condition. Extremely rare. Property of a gentleman; from a Mayfair, London, UK, gallery. Supplied with a positive X-Ray Fluorescence metal analysis certificate. Accompanied by an Art Loss Register certificate. The flamen Martialis (priest of Mars) was the officiant in the state cult of Mars, god of war. He was one of the three flamines maiores (high priests) who led public rites on the days sacred to Mars. Among his duties was the ritual wielding of the sacred spears of Mars when the army was preparing for war. The wolf-skin cowl was used as a mark of rank by the signifer (standard bearer) in the Roman legions. 

Lot 338

3rd century AD. A gold P-shaped bow brooch with headplate formed as two faux-springs and knop above, deep triangular-section bow with ledges above a D-section hollow footplate with lateral slot; hinged pin to the reverse; the bow inscribed 'ΤΟΔωϒΟΝ' to one face and 'CΑΤΟΡΝΙΛΟν' to the other. 13 grams, 46mm (1 3/4"). Very fine condition. Extremely rare. From an important collection, the property of a Mayfair gentleman; acquired in the 1980s. Cf. Hattatt, R. Brooches of Antiquity, Oxford, 1987, item 1263 for type. 

Lot 452

2nd-3rd century AD. A silver-gilt plate brooch formed as a fly with openwork scrolls to the wings flanking the D-section body, granulated collar, bifid head with red pigment to the eyes; hinged pin and catch to the reverse. 17 grams, 41mm (1 3/4"). Property of a Surrey collector; acquired in the early 1970s. Very fine condition, usage wear. Rare.

Lot 523

2nd century AD. A bronze openwork plate brooch depicting the façade of a temple with pediment and columns; hinged pin and catchplate to the reverse; mounted on an old collector's card marled 'Roman Britain Fibula brooch with Temple. / c. A.D. 150-200 / A kind gift from the custodians of Brading villa on the I.O.W.' and to the reverse 'A large and very rare example in openwork bronze. Probably a soldiers [sic] property with pin intact. Reign of Commodus? Pub: Hattatt, R. 1989 (book 4)'. 15 grams, 87mm including card, brooch: 33mm (1 1/4"). Fine condition. Found near Brading, Isle of Wight, Hampshire, UK. Cf. Hattatt, R. Ancient Brooches and Other Artefacts, Oxford, 1989, item 1625. The brooch-type figures in Hattatt's book (items 1625A, B) but both examples are noted as having been found in northern France. Neither is a match for the present example. 

Lot 687

Neolithic, 3rd millennium BC or later. A fully polished bifacial and symmetric axe with sharply pointed butt and convex cutting edge; the sides deeply grooved from butt towards the edge, for about two thirds of the length; with oval perforation to receive a haft; in fossil wood of an extinct species of palm. 890 grams, 17cm (6 3/4"). From an old British private collection; formed between 1975 and 1985. The orientation of the hafting hole is in the wrong axis for a working implement; with the carefully selected material giving an effective artistic appearance, it is felt that this piece is ceremonial in nature. Very fine condition; with old patina. Rare.

Lot 693

Neolithic, 2nd millennium BC. A finely knapped triangular bifacial spearhead with pronounced tang, in a transluscent dark grey flint. 43 grams, 11.5cm (4 1/2"). Property of an Essex gentleman; formerly in a private collection, acquired by descent 1970s; reputedly found Kent, before 1960. Extremely fine condition. Rare.

Lot 702

Neolithic, 4000-2500 BC. A bone or antler axehead, flat butted and with tapering end, socket hole through the body. 335 grams, 19cm (7 1/2"). Property of a professional; acquired on the European art market in the 1980s. Fair condition. Rare.

Lot 728

Neolithic, 5th-3rd millennium BC. An oval section bone pin with tapered shaft; formed with a 'crossbar' head, with a small drilling to the head, aligning with the shaft; showing some wear polish. 21 grams, 16.5cm (6 1/2"). Very fine condition. Extremely rare. Property of a professional gentleman, acquired 2011; formerly in a private collection formed before 1950. [No Reserve]

Lot 732

Neolithic, 4th-2nd millennium BC. A mixed pair of ground stone axeheads comprising: one square in section with slightly curved edge and drilled mounting hole, with old break to the rear edge and rim of previous hole; one triangular in plan with part-finished mounting hole to the upper face. 949 grams total, 8-12.5cm (3 1/4 - 5"). Fine condition. Rare. Property of a London businessman, from his grandfather's collection formed after World War II; thence by descent 1972. Cf. Glob, P.V. Danske Oldsager: Yngre Stenalder, Copenhagen, 1952, item 545. The smaller stone appears to have been originally created as a full-size axehead with mounting hole to the rear. At some point the stone failed and the user decided that it would be quicker or less troublesome to drill a new hole in the fragment with the blade than to grind a completely new axehead. The larger axehead was ground to shape and its mounting hole was started but not completed. The sides of the hole are sheer and there is a residual central post, which would have been lost on completion. The implement used to create the hole was hollow: presumably a sturdy bone in conjunction with sand as an abrasive and water as a lubricant. [2, No Reserve]

Lot 74

Late Period, 664-332 BC. A banded agate amuletic bead of a crouching sphinx with the head of a hawk, on a tongue-shaped base with forelegs extended. 7.54 grams, 35mm (1 1/2"). Very fine condition. Rare. Property of a London gentleman; acquired before 1970. Cf. Andrews, C. Amulets of Ancient Egypt, London, 1994, plate 41, item d, for a similar example in the British Museum (accession number 24197"). The depiction of a sphinx with the head of a hawk is that of the god Monthu, the war god of Ancient Egypt. Monthu first appears in the Egyptian pantheon in the Thebes region around 2000 BC, with a number of kings showing allegiance to the god, as illustrated in their names, such as Monthuhotep, meaning Monthu is content. The god represents the conquering vitality of the Pharaoh and was worshipped for success in war. In later periods he was associated with the sacred bull, Buchis, and had an important cult centre on the edge of the desert at Armant, where the sacred bulls were buried.

Lot 770

10th-8th century BC. The bronze blade of slender rapier form with incurving tapered sides and pronounced central ribs from a tapered socket with rectangular lozenge side loops; with a custom-made Georgian-period bog oak turned stand. 61 grams (spearhead), 248 grams total, 16cm (32cm on stand) (6 1/4 (12 1/2)"). Ex Evans collection; formerly in an old Suffolk collection; acquired in the 1960s; thence by descent; reputed to have been found in the north of Ireland before 1825. See Wilde, W. R., Catalogue of the Antiquities of Animal Materials and Bronze, Royal Irish Academy, 1861, p.496, fig.364, no.26 for a very similar but larger example; see also Coffey, George, The Bronze Age in Ireland, 1913, p.31, fig.27. [No Reserve] Extremely fine condition, small chip to one lower edge. Very rare.

Lot 786

1st millennium BC. A hollow-formed bronze sword fitting, possibly a pommel or the chape from a scabbard; discoid with central pierced boss and surrounding C-shaped recess, two pairs of lugs flanking the upper opening, each pierced for attachment. 136 grams, 68mm (2 3/4"). [No Reserve] Fine condition. Rare. Ex Kelway collection; formed between 1975 and 2015; found Lincolnshire, UK. Exhibited at The Collection for the Society of Antiquaries Exhibition 2019-2010, Lincoln Museum, Lincolnshire, UK, exhibition number 9. Recorded with the Portable Antiquities Scheme with reference number LIN-34D2A3; accompanied by a print out of the PAS report. 

Lot 807

Western Han Dynasty, 206 BC-220 AD. A bronze Hu wine vessel with basal ring, piriform body and socket mouth with applied loops in the form of cast taotie lion masks to the shoulders; the applied gold sheet overlay to exterior surfaces showing intricate incised ornament with, from the top, scrolls to rim; four narrow friezes of figures (many with bows, some lying on the ground, possibly a battle scene), also with canopies, birds and foliage; a raised double band with scrolls; a tall frieze of figures, platforms, canopies and birds (within which are affixed the two side loops); a central raised double band with scrolls; a tall frieze of three panels showing sea battles each with two ships, figures (some aboard the ships with long spears, others floating in the water) and fish divided by groups of figures ashore, some with spears; a lower raised double band with scrolls; the lowermost frieze with a series of incised heart-shaped leaf emblems and finishing with the basal ring with scrolls. 2 kg, 28cm (11"). Private collection, North London; acquired in the early 1990s. The technique, whereby thin gold sheets or foils have been affixed to the plain bronze body surface, can easily be seen on this vessel as the abutments between the individual foils are now visible; the ornamentation has been incised after the gold was affixed, to great effect. Hu vessels were first produced in the Shang Period (1600-1045 BC) and are still popular today; they reached their peak of production and excellence during the Han dynasty where they are lavishly applied with gold inlay and decorated with interlace of zoomorphic and geometric patterns. They are used for holding wine that was offered during rituals for honouring the ancestors, but, in later periods, they could also be used as wedding gifts and house warming presents to bring good fortune. Very fine condition. Excessively rare.

Lot 808

Qing Dynasty, 1616-1911 AD. A substantial bronze Xunde Lu incense burner vessel with three stub feet, waisted neck, flat rim, two loop handles to the shoulders, copying a Ming Dynasty (1426-1435 AD) type and with the square imperial seal of the emperor Hsuan-te (Xuan De) to the underside; a domed stand with three radiating petals to the upper face, central boss, three scrolled feet. 4.9kg total, 19.5cm including stand (7 3/4"). Property of Kent, UK lady; by inheritance. [2, No Reserve] Fine condition, light wear. Rare.

Lot 855

Han Dynasty, 206 BC-220 AD. A bulbous ceramic jar with flared base and waisted neck, bands of painted red geometric decoration on a black field. 1.4 kg, 28cm (11"). Fine condition. Rare. Ex Cheuk family collection, London, UK; acquired prior to 2004. 

Lot 968

6th century AD. A carinated D-section gold hoop with discoid cell bezel and gusset to the rim, set with a transparent insert over a repousse gold nimbate figure on a white enamel field with legend '(?)TO??S' for St. Thomas the Apostle. 11 grams, 25mm overall, 18.67mm internal diameter (approximate size British Q 1/2, USA 8 1/2, Europe 18.62, Japan 18) (1"). Property of a Mayfair gentleman; acquired by the family during the 1970s. Supplied with a positive X-Ray Fluorescence metal analysis certificate. The appearance of enamelled ring and pendant bezels covered with a crystal or similar in a closed cell form is seen from Anglo-Saxon work such as the Alfred Jewel; this follows the Byzantine originals of which this is a fine example. St Thomas, surnamed Didymus ('The Twin'), was one of the twelve Apostles and is renowned for not believing in the resurrection of Christ but later achieving faith; he gives his name to the expression 'Doubting Thomas'. Very fine condition. A large wearable size. Rare.

Lot 1365

10th century AD. A bulbous iron weight with D-section loop and lateral spurs, bands of latten inlay to the shoulders and loop. 226 grams, 67mm (2 3/4"). [No Reserve] Fine condition. Rare. Property of a professional; acquired on the European art market in the 1980s.

Lot 1378

6th-4th century BC. A carved jasper cylinder seal with intaglio scene of a bearded horse man charging towards a rearing bear(?) and thrusting his lance into it; six-character Aramaic inscription 'ulnl[.]k' behind; supplied with a museum-quality impression. 9.71 grams, 31mm (1 1/4"). Fine condition, rare. Property of a London gentleman; part of his family collection since the 1970s. This lot is part of a single collection of cylinder seals which were examined in the 1980s by Professor Lambert and most are accompanied by his own detailed notes; the collection has recently been reviewed by Dr. Ronald Bonewitz.

Lot 1382

1950-1550 BC. A haematite cylinder seal with a male figure in long robes, hands raised in prayer, before a seated male figure in long robes and holding a scimitar, behind a male figure facing front and holding a trident; behind a bird with wings outspread and with scrolled knot motif and crouching hare below. 3.40 grams, 17mm (3/4"). Very fine condition. Rare. Ex Rihani family collection; acquired before 1991. Cf. Porada, E. Cylinder Seals in K M Kenyon Excavations at Jericho Vol II, London, 1963, for similar types found at Jericho.

Lot 1385

1300-1000 BC. A pink limestone cylinder seal with ox-team and driver; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Red Stone, 19 x 10 mm. The design shows a standing man behind a ploughing ox. the [plough is harnessed to the ox, and the man holds both the plough and reins to the ox's head. This is a simple but rare type of seal, from the Levant, and dating c.1300-1000 B.C.' 2.50 grams, 19mm (3/4"). Fine condition. Rare. Property of a London gentleman; part of his family collection since the 1970s. This lot is part of a single collection of cylinder seals which were examined in the 1980s by Professor Lambert and most are accompanied by his own detailed notes; the collection has recently been reviewed by Dr. Ronald Bonewitz. 

Lot 1411

1950-1550 BC. A haematite cylinder seal engraved with standing figure in kilt and Egyptian Atef crown, holding staff and feather; standing female figure in long robes and wearing a horned headdress, holding a crook, bird at feet, facing a male figure in kilt and wearing an Egyptian Atef crown and holding a lotus flower; behind a winged sphinx crouching on a base decorated with a scrolling knot; below two seated hares facing each other. 5.06 grams, 20mm (3/4"). Very fine condition. Rare. Ex Rihani family collection; acquired before 1991. Cf. Porada, E. Cylinder Seals in K M Kenyon Excavations at Jericho Vol II, London, 1963, for similar types found at Jericho. 

Lot 1417

1950-1550 BC. A haematite cylinder seal engraved with three figures wearing long robes, two with hands to the chest and one in front with hand to mouth; two seated lions facing with paws raised to each other beneath a scrolled knot pattern. 3.43 grams, 18mm (3/4"). Very fine condition. Rare. Ex Rihani family collection; acquired before 1991. Cf. Porada, E. Cylinder Seals in K M Kenyon Excavations at Jericho Vol II, London, 1963, for similar types found at Jericho Very fine condition. Rare.

Lot 1427

Circa 2300 BC. A baked clay cuneiform tablet with extremely small and fine cuneiform script to two broad faces and two edges. 11 grams, 29 x 25 mm (1 1/4 x 1"). Fine condition, one edge chipped. From a Californian, USA, collection; aquired 1970-1980s. This messenger tablet is accompanied by an old scholarly note which states: This was found at Jokja, the ancient Umma. It is a messenger tablet, with a list of provisions, as wine, flour, oil, etc., supposed to have been delivered to the temple messenger for the journey about the country. The messenger tablet is very rare, and always small, and the writing upon it is the very finest and best that has ever appeared. Every part of the tablet has been written upon, and the date is on one edge, about 2300 B.C. If the tablet were perfect, is value would be considerable.

Lot 1430

8th century BC. A discoid mottled jasper seal matrix with one domed face, inscribed to the underside with two lines of Palaeo-Hebrew text with a profile ox between, translated as 'belonging to Gara (son of) Hasgar'. 2.24 grams, 15mm (1/2"). Extremely fine condition. Rare. Property of a London gentleman; acquired before 1970. Accompanied by a note from Rupert Chapman, Curator of Levantine Antiquities, British Museum, translating the text. 

Lot 1438

4th century BC. A round-section gold penannular bracelet with slight recurve to the underside, square-section finials formed as serpent-heads with pellet eyes and scale detailing. 52 grams, 81mm (3 1/4"). Very fine condition. Rare. Property of a Gibraltar gentleman; formerly from the collection of a North West London gentleman; acquired in the 1980s. Supplied with a positive X-Ray Fluorescence analysis certificate. 

Lot 1462

1125-1103 BC. A bronze axehead formed as a tubular socket with four moulded ribs projecting to the rear to form four conical spikes, a tongue-shaped flat blade slightly pressed in the upper and lower border with incised cuneiform inscription; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: Ancient Inscribed Bronze Axehead naming a King of Babylon. Maximum height: 5 cm, Maximum length: 14.8 cm. the centre of this axehead is round, with hole for the shaft. On the opposite side from the blade are four spikes, joined for greater strength about half-way between the points and the shaft-hole. Each spike continues as a ridge of metal around the shaft-hole, the lower forming a circle, the upper three continuing on the opposite side from the spikes onto the blade. This has an upper edge continuing the angle of the spikes, but the lower edge goes downwards to the cutting edge, which is thus deeper than the opposite end of the blade. Originally the blade was deeper that it is now: the upper and lower edges have been hammered to give the blade more strength by thickening the edges. This happened since manufacture because the inscription has been in part obliterated by this hammering. The inscription is in Babylonian cuneiform and reads: te-le-'-?ama[r-utu] [m]ut-nen-na-a e-te?-[ra] [m]uš-te-'-ú aš-ra-ti-[ka] [..........] x du-un-nin i-di-ia-m[a] [lu]-šam-qí-ta ge-ri-ia [ša] ?nabû-ku-dúr-ri-usur lugal šár: You are able, Marduk, to save the pious who seeks after your shrines, [........].Strengthen my arms that I may fell my foes. [Property of] Nebuchadnezzar, king of the world. This is a prayer to the Babylonian god Marduk, with ownership ascription. The Nebuchadnezzar named is Nebuchadnezzar I, king of Babylon 1125-1103 B.C., not the Nebuchadnezzar II known from the Bible. The inscription begins on one side of the blade and is completed on the other side. Another axehead of the same type formerly in the Foroughi Collection has the same inscription, though complete, see G.Dossin, in Iranica Antiquea II (1962) pl. xxiv. Both these axeheads were apparently found in Iran, but the inscription is purely Babylonian. How such Babylonian inscriptions came to be found in Iran is a debated issue. It may be that such texts were copied onto bronze objects made in Iran, but in any case their date is close to that of kings named. This is then an important axehead naming a major king of Babylon. A later note of prof. Lamber completes the translation: te-le-'-?ama[r-utu] [m]ut-nen-na-a e-te?-[ra] [m]uš-te-'-ú aš-ra-ti-[ka] [eli n] a-ki-ri šu-zu-uz-zu [i-zi-q]a ša-ra-ka a-si-' n[a-ak]-ri-ia du-un-nin kak-ki-ia-ma lu-ú-di-ša ge-ri-[ia] ša ?ná-[ku]-dúr-ri-ÚRU lugal šár: You are able, O Marduk,to make prevail over enemies the devout noble who ever seeks your sanctuaries. Your spirit has [blown], destroy (?) my enemies, strengthen my arms that I may tresh [my] foes. Property of Nebuchadnezzar, king of the world. This is Nebuchadnezzar I, king of Babylon 1125-1103 B.C. Another copy of this inscription on the same type of axehead exists in the former Foroughi Collection and was published by G.Dossin in Iranica Antiqua II (1962) p.158 and pl. xxiv. The inscription there is a little better preserved, and one can note one difference: this axehead under study writes du-un-nin, while the Foroughi example writes du-un-ni-in, proving that the one was not copied mechanically from the other. Some one involved understood the writing. This axehead comes from Luristan and probably dates from a little later than the reign of Nebuchadnezzar I, the inscription having been copied in Iran from an object with this inscription made in Babylon, but circulating in Iran. Generally this object is in good state of preservation, though there is some corrosion of the inscription, and the blade has been sharpened recently. 243 grams, 14.8cm (5 3/4"). Fine condition, extremely rare. From a London, UK, collection; acquired 1970s. Accompanied by an Art Loss Register certificate. Nebuchadnezzar I., r. c. 1125-1104 BC, was the fourth king of the Second Dynasty of Isin and Fourth Dynasty of Babylon. He ruled for 22 years according to the Babylonian King List C, and was the most prominent monarch of this dynasty. He is best known for his victory over Elam and the recovery of the cultic idol of Marduk. 

Lot 1716

1360-1400 AD. A gold hoop, oval-shaped to the finger, with raised lateral edge bead; a four-claw collet cell holding a large polished irregular sapphire cabochon to the bezel, with reserved floral and foliage engraving to the shoulders; ornate blackletter 'alas for fayte' inscription to the inner face of the bezel. 5.11 grams, 21mm overall,16.30x14.86mm internal diameters (approximate size British L, USA 5 3/4, Europe 11.24, Japan 10) (3/4"). Extremely fine condition. Extremely rare. Property of a Cambridgeshire, UK gentleman; offered at Sotheby's sale 8 July 2011, lot 34; formerly with Trevor Scott; by descent from Elisabeth Feather, wife of Henry Spinx, in late 19th century via Grace Messeter, Ernest Messeter, Grace Messeter, Ernest Messeter and Edwin Messeter (from around 1865); by family descent, reputedly the property of Katherine Swynford, Duchess of Lancaster, nee de Roet, circa 1400, the gift of John of Gaunt, circa 1400 AD. Supplied with a positive X-Ray Fluorescence metal analysis certificate. See Sotheby's sale catalogue L11231, lot 34 (this ring; catalogue accompanies this lot, with an email printout from Sotheby's to vendor discussing the ring); featured on the BBC TV programme Antiques Roadshow, broadcast 14th September 2008 (with documents relating to the broadcast); for a very similar sapphire-set and inscribed ring, but showing considerable wear, see http://topazi.us/period/medieval/late-medieval-gold-ring-hexagonal-sapphire/, and the The Warrington Guardian, 26 April 2008, sold in an Old Master Sculpture and Works of Art auction, London, 9 July 2009, realised £70,850.00. Accompanied by an Art Loss Register certificate. John of Gaunt (6 March 1340 - 3 February 1399) was the third son of King Edward III, named 'of Gaunt' due to his birthplace of Ghent, Belgium. He was made a Knight of the Garter and 1st Duke of Lancaster. He married Blanche of Lancaster, who died in 1369, and Infanta Constance of Castile, who died in 1394. His third wife, previously his mistress, was Katherine Swynford; she was the daughter of Paon de Roet, a herald and minor official who was later knighted and made Guyon King of Armes. She had two sisters, Philippa (the wife of Geoffrey Chaucer) and Isabel (also called Elizabeth) de Roet, who became Canoness of the convent of St. Waudru's, Mons, Belgium in 1366. They also had a brother named Walter; Katherine and Philippa may have been born to Paon's second wife. Katherine was born in Hainaut, Belgium, in 1349-50 probably on 25th November, the feast day of her patron, St. Catherine of Alexandria. The family returned to England in 1351 and, aged about seventeen, she married Sir Ottes Swynford of Kettlethorpe, Lincolnshire, and had three children by him: Blanche, Thomas and Margaret. Katherine was appointed governess to the children of John of Gaunt and his wife, Blanche, by then in failing health; with a pedigree of the descendants of Katherine Swynford produced for the Dean and Chapter of Lincoln Cathedral, including the relationship to United States Presidents George Washington, James Monroe and John Quincy Adams. John and Katherine began a love affair which resulted in four more children: John Beaufort, 1st Earl of Somerset (1373-1410), who had a distinguished military career in crusades in North Africa and eastern Europe. Henry Beaufort (died 11 April 1447), bishop of Winchester, later a Cardinal and an attending churchman at the trial and execution of Joan of Arc during the Hundred Years' War. Thomas Beaufort, 1st Duke of Exeter (died 31 December 1426) was a military commander and for a short period, Chancellor of England; Joan Beaufort, Countess of Westmorland (died 13 November 1440), wife of Robert Ferrers. All these children were born out of wedlock, but subsequently legitimised by their parents' marriage in Lincoln Cathedral in 1396. Katherine and her daughter, Joan, are interred in that same building, although their tombs were damaged during the English Civil War. The sapphire appears to have originated in Kashmir, and is likely to have travelled to Europe across the Silk Road. 

Lot 1720

Mid-16th century AD. A broad gold hoop with ribbed bands flanking the text in seriffed capitals '+ LEX . EST . ARMA . REGVM' (law is the armour of kings); traces of back enamel within the lettering. 4.98 grams, 19mm overall, 17.48mm internal diameter (approximate size British N 1/2, USA 7, Europe 14.51, Japan 14) (3/4"). Very fine condition. Extremely rare. Property of a Cambridgeshire lady; acquired by her mother from a private collection in Chester, UK, 1980s; by descent 2007. Supplied with a positive X-Ray Fluorescence metal analysis certificate. Cf. Oman, C.C. Victoria and Albert Museum Catalogue of Rings, reprinted Ipswich, 1993, item 916. The ring is inscribed 'Lex est Arma Regum' (Law is the armour of kings) and is similar to one made for the general call of 1555, believed to have been made by the goldsmith Nicholas Deering and now in the Victoria and Albert Museum, London (accession number M.54-1960"). From at least the fifteenth century, candidates who were to be admitted to the ranks of Serjeants-at-Law (from whom judges were appointed) were obliged to present rings bearing a suitable motto to the monarch and various dignitaries. The tradition ended when the rank of Serjeant-at-Law was abolished by the Judicature Act of 1875.

Lot 1721

14th-15th century AD. A flat-section gold hoop with scalloped and chamfered edges, incised blackletter text in Latin to the outer face '*en*bon*an' (a good year"). 1.42 grams, 18mm overall, 16.51mm internal diameter (approximate size British L 1/2, USA 6, Europe 11.87, Japan 11) (3/4").  Very fine condition. Rare. Found Haveringland, Norfolk, UK, 2015. Disclaimed under the Treasure Act, reference number 2015T245. Recorded with the Portable Antiquities Scheme with reference number NMS-D0B0FF; accompanied by a print out of the PAS report.

Lot 1730

15th century AD. A flat-section gold hoop with chamfered shoulders, discoid bezel with inset a very rare pink sapphire cabochon. 1.92 grams, 18mm overall, 14.0mm internal diameter (approximate size British F, USA 2 3/4, Europe 3.98, Japan 4) (3/4"). Fine condition. Property of a Suffolk lady; formerly in an old UK collection. Pink sapphire was very rare in Medieval Europe. It probably arrived with a batch of blue sapphires from Myanmar. The quality is extremely high.

Lot 1756

14th-15th century AD. A tall openwork moulded pewter candlestick with three legs, each formed of a knight on horseback with standing figure above, supporting a dish with three raised octofoil flowers inside, tapered square candle spike in centre. 495 grams, 18cm (7"). Very fine condition. Extremely rare. Property of a Suffolk collector; found on a building site in Norwich, Norfolk, UK, 1980s. See Egan, Geoff, The Medieval Household, Museum of London, 2010, no.365-366, for similar types of simpler form.

Lot 1760

13th-14th century AD. A large vesica-shaped monastic seal matrix, suspension loop to reverse, front cut with incuse and reversed design of a tonsured monk with two kneeling figures before, the upper possibly depicting St Catherine; with Latin '+S' MONSTRI SCE TRINITATIS DN DE RDO' inscription for 'Seal of the Monastery of the Holy Trinity of Rouen', the abbreviated words 'SCE' and 'RDE' with contraction bars above; accompanied by an impression of the seal and a detailed description and discussion sheet, including images and drawings. 20 grams, 45mm (1 3/4"). Fine condition. Rare. Property of an English gentleman; formerly in the M. Leaf collection; found near Pontefract, South Yorkshire, UK, 2002; recorded with Portable Antiquities Scheme. See Birch, W. de Gray. Catalogue of Seals in the British Museum, 1898, volume 5, number 18370, for a seal of Gautier de Coutances of this Abbey (Gautier was a clerk to Henry II"). See Portable Antiquities Scheme, reference IHS-774B98, with a printout of the entry included with the lot. The Abbey of the Holy Trinity at Rouen (consecrated 1130 AD), sometimes known as St Catherine's on the Mount, controlled the 'alien' English priory at Blyth, Northumberland, originally founded in 1088; many of the monks here were French and, reputedly, served at Blyth by way of punishment. Monks travelling between England and France would have been normal. In addition, the Abbey at various times was granted manors and holdings in England (such as the manor of Tingewick, Buckinghamshire) so the finding of a seal for a French abbey in northern England is not very surprising.

Lot 177

Late Period, 664-332 BC. A large flat carved jasper amuletic pendant in a form of a heart, pierced on the top; possibly much later. 7.72 grams, 32mm (1 1/4"). Very fine condition. Rare. Property of a London gentleman; formerly from an early 20th century collection.

Lot 1777

16th century AD. A lathe-turned wooden goblet, carved with figural scenes to the body; the goblet with domed base and balustered shaft rising to the parallel-sided body carved with two scenes: on one face, St Michael with cross-ended spear thrusting downwards at a serpentine dragon below the legs of the horse, reserved against a textured field with incised detail to scene; to the other face, a bifid plant with incised detail on a similar field; traces of red pigment to panels on the plant and the horse, green pigment to the horse and rider, and blue pigment to the horse's outline; Caucasian workmanship, probably Georgian. 112 grams, 13 cm (5"). Fine condition; minor chipping to base and rim with old shrinkage to bowl, traces of scorching at rim. Rare. Property of a Yorkshire, UK, gentleman; formerly in the Collard collection; previously acquired on the UK art market. See Rusudan Mephisashvili & Vakhtang Tsintsadze, The Arts of Ancient Georgia, London, 1979 (English edition").

Lot 1914

1702-1714 AD. A shallow dished ceramic plate with borders of blue concentric rings, the centre with a half-length portrait of Queen Anne, with initials A - R at sides; paper reinforcements pasted to reverse, with typed label 'DELFT PLATE / probably Bristol / With Contemporary Portrait / of / QUEEN ANNE / 1702 - 1714' in six lines. 305 grams, 22.5cm (9"). Fair condition; cracked at centre and edges chipped. Rare.  [No Reserve]  Property of a Kent collector; by inheritance 1970; formerly property of Jack Smith, antiquarian and collector of Hebden Bridge, Yorkshire, UK, acquired 1920s-1960s. See Archer, Michael, Delftware - The Tin-Glazed Earthenware of the British Isles, Victoria and Albert Museum, 1997. The style suggests this plate was made in the Bristol area.

Lot 194

Late 3rd century BC. A large ceramic vessel consisting of a pedestal base decorated with diagonal lines of cream, pink, brown and red paint; a bowl shaped body decorated with applied relief consisting of acanthus leaves, rope decoration and a central head of Medusa flanked by a floral scroll, traces of paint; lid painted with a scene of a woman in yellow and white robes seated on a throne, left arm reaching forward; in front winged Eros kneeling and reaching both hands towards an altar; on other side of altar a female (Aphrodite?) seated on a throne and looking towards the altar, Eros and seated female, wearing white and yellow robes; behind another seated female looking towards the other figures and wearing white and brown robes; below painted scene applied rope decoration with applied lion heads below; finial connector painted with flowers, possibly myrtle, on the bulbous body, top with turned grooves and hole in the centre, underside with projecting funnel; possibly a further section absent; on top a sitting dove, head turned slightly to the left, in a white slip. 10 kg, 94cm (37"). Fine condition, restored. Extremely rare. Property of a German gentleman; acquired 1980s, previously in the Antoine Sanna collection, Belgium, since the late 1960s. Cf. Mayo, M. The Art of South Italy: Vases from Magna Graecia, Ricmond, 1982, pp.282-285. For a similar example see the Metropolitan Museum of Art, accession number 30.11.4a–c; and the Museum of Fine Arts, Boston, accession number 1970.478. Accompanied by an Art Loss Register certificate. This lidded bowl is known as a lekanis and belongs to a unique local tradition of pottery known as Centuripe Ware which was manufactured in eastern Sicily in the third century BC, at a time when the island was a Greek colony. Vessels of this type have been discovered in tombs near the towns of Centuripe and Morgantina, close to Mount Etna, and usually depict women performing religious rites. These vessels are distinguished by the application of tempera paints after firing, which allows for a wider range of colours than is found in the conventional black and red figure traditions. The background of the painted scenes is usually painted a rosy red, and the figures are often made up of pastel colours such as pink, blue, yellow, or purple.The beautifully modelled figures and complex colour combinations look beyond conventional Greek vase-painting practices to traditions of monumental painting, of which few contemporary examples survive; one notable surviving example of this genre is the painting of the abduction of Persephone over the entrance to the tomb of Philip II, father of Alexander the Great, at Vergina. Painted and gilded terracotta appliques, some of which recall architectural details, were also added to these vessels. Although the majority have been found in funerary contexts they have also been found at temples. At Morgantina the majority of the vessels have been found in sanctuaries and all of the temples in the area dedicated to Demeter and Persephone have produced examples, as well as sanctuaries to Aphrodite. Some examples have also been found in domestic contexts.The scenes painted on the vases generally have a ritual character that has been explained as depicting marriage ceremonies, usually of the gods, and the examples found in private houses have been explained as wedding gifts that were displayed to commemorate the marriage of the owners. The deities represented on the scenes have been interpreted as the marriage of Persephone to Hades, with the rituals being presided over by Aphrodite and Eros; the presence of a dove on this piece would tie in well with marriage rituals as the dove was sacred to Aphrodite, goddess of love. The importance and expense of this type of pottery would have led to them being re-used in funerary contexts, particularly the idea of love extending beyond the grave. 

Lot 196

4th-3rd century BC. A restrung necklace consisting of a single row of fifteen spherical hollow gold beads with articulating pendants, alternating with sixteen plain hollow bulbs with a collar to each edge and larger hollow filigree-ornamented spheres; each pendant comprising  a piriform fluted amphora bulb with everted rim and suspended layered six-petal foil rosette above, granulated knop finial below and bands of vertical ribbing with granule detailing; piriform club finials with circumferential panels of granule and filigree detailing; hook and eye closure; South Italian workmanship. 38 grams, 27.5cm (11"). Very fine condition, two pendants re-attached. Very rare. From a European collection; formerly in an old Oriental collection; acquired 1960. See Marshall, F. Catalogue of the Jewellery, Greek, Etruscan and Roman, in the Department of Antiquities, British Museum, London, 1969, plate VI, item 753 for type. Accompanied by an Art Loss Register certificate.

Lot 2044

12th-13th century AD. A flat-section tongue-shaped bone plaque with eight holes for attachment; raised rim framing crucifixion scene with Corpus Christi, arms extended and feet resting on a plaque, angels above the arms of the cross, St John and the Virgin Mary flanking. 62 grams, 11cm (4 1/4"). Fine condition, crack to reverse. Very rare. [No Reserve]  Property of a West London gentleman; acquired before 2000. For a very detailed thesis on Byzantine ivories of this period see: Cutler, A. The Hand of the Master: Craftsmanship, Ivory and Society in Byzantium (9-11th Centuries), Princeton University Press, 1994; the ivory being obtained in East Africa at this time. The iconography of this example, although a shade more crude in execution, is most closely related to the three following examples: crucifixion panel in the National Museum of Denmark, Copenhagen (D12123), references: exhibition: The Metropolitan Museum of Art, The Glory of Byzantium: Art and Culture of the middle Byzantine Era, AD, 843-1261, New York, 1997, No. 323; Cutler, Op. Cit., pp.171-173; Ivory centre of a triptych of the same subject in the Dumbarton Oaks Collection, Washington DC; Cutler, Op. Cit. p.13; the Charles Borradaile triptych which now graces the British Museum (1923.1205.1), Buckton, D Byzantium: Treasures of Byzantine Art and Culture, London, 1994. No.153; the references cited provide earlier references. For a close example of the rather more crude execution, as the present piece, see a rectangular right-hand leaf of a triptych with two standing saints in the Y. Petsopoulos, London collection, reference: Cutler, Op. Cit., p.42. 

Lot 2061

18th-19th century AD. A copper-alloy finial comprising a tapering tubular shoe with two bands of triangular voids, flared base, slashed bulb, openwork plaque with cross within a dense mesh of interlaced bands, lateral loops below; mounted on a custom-made stand. 1 kg, 31cm including stand (12"). Property of a West London gentleman; acquired before 2000. Cf. Philips, T. (ed) Africa:Art of a Continent, Munich, 1995, p. 125 for a similar example and discussion on Ethiopian processional crosses. Ethiopian crosses are unique among Christian art for their variety of form. The cross became the object of intense devotion soon after the conversion of the Aksumite empire to Christianity around 330 A.D. Despite the antiquity of Ethiopian Christian art, processional crosses antedating the seventeenth century are rare due to sixteenth-century Islamic incursions that devastated the region. A metal socket surrounded by two loops was used to affix this processional cross to a wooden staff, permitting it to be carried and held aloft during liturgical services and processions. The loops held colourful cloths symbolizing the veil of Mary. [No Reserve] Fine condition.

Lot 2085

Cretaceous Period, 145-65 million years BP. A large fossil tooth with good serrated edges and enamel from Bahariasaurus ingens, a mid-sized carnivore dinosaur from Morocco. 12 grams, 48mm (2"). From the collection of the palaeontologist R Gledhill; collected between 1930 and 1960. Although rare, the teeth are different from Carcharodontosaurus in being thinner but having a thicker more triangular X-section. Fine condition.

Lot 2091

Upper Cretaceous Period, 76-75 million years BP. An Edmontosaurus annectens dinosaur vertebra including the neural arch from the Hell Creek Formation, South Dakota, U.S.A. 237 grams, 13.5cm (5 1/4"). From the Pradi Collection, Boston, USA; acquired during 1980s. Edmontosaurus was widely distributed across western North America. The distribution of Edmontosaurus fossils suggests that it preferred coasts and coastal plains. It was a herbivore that could move on both two legs and four. Because it is known from several bone beds, Edmontosaurus is thought to have lived in groups, and may have been migratory as well. Fine condition. Rare.

Lot 2093

Early Cretaceous Period, 146-100 million years BP. A Dakosaurus maximus vertebra from Dorset, UK. 545 grams, 90mm (3 1/2"). From the collection of the palaeontologist R. Gledhill; collected between 1930 and 1960. Dakosaurus is an extinct genus within the family Metriorhynchidae that lived during the Late Jurassic and Early Cretaceous Periods. It is an ancient relative of modern crocodiles. Fine condition. Rare.

Lot 2112

Eocene Period, 58-36 million years BP. A large and well preserved example of a fossil fish Mioplosus labracoides from the Green River Formation, found at a quarry near Kemmerer, Wyoming, USA. 814 grams, 30.5cm (12"). From an old Bristol paleontological collection; acquired 1950s-60s. This specimen is highly detailed with the bone structure, vertebrae, fins and tail well preserved. [No Reserve] Fine condition. Rare.

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