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![NORTHEAST GAUL, Suessiones, silver Quinarius, early 1st century BC, nide [retrograde], male head right with curled hair, rev.](https://cdn.globalauctionplatform.com/1e0b636e-dd59-42f6-9ee4-b09200b5be02/550bcc75-142e-4c0d-b45b-b0b600c687df/468x382.jpg)
Lot 61
NORTHEAST GAUL, Suessiones, silver Quinarius, early 1st century BC, nide [retrograde], male head right with curled hair, rev. labpoδiioc, horse bounding right, star before face, three rosettes below, 2.47g/7h (Flesche –; DLT –; DT 207). Very fine and well-centred, rare £200-£260 --- Provenance: M. Bridgewater Collection
Lot 62
EASTERN GAUL, Aedui, Orgetirix, Quinarius, 52-20 BC, diademed head of female deity left, rev. horse bounding left, spiky dolphin below, orcetirix above, 1.85g/3h (DLT 4805; DT 3227). Very fine and toned, rare £150-£180 --- Provenance: CNG Classical Review XIX, Summer 1997 (4); M. Bridgewater Collection
Lot 65
LORRAINE, Lueci, gold Quarter-Stater, c. 120-100, head of male divinity right wearing chevron patterned diadem, rev. triple-tailed horse bounding right, looking back, spiky branch below head, rosette below, S S above, 1.65g/7h (Allen Philippus pl. 16, 232; DLT 9009). About very fine and well-centred; an attractive example of this rare and difficult issue £700-£900 --- Provenance: CGB Auction XV, 30 September 2002, lot 921; M. Bridgewater Collection
![BELGAE, Stater, British Q [Cheriton wheel] type, Hampshire derivative, degraded head of Apollo right, hairband running behind](https://cdn.globalauctionplatform.com/1e0b636e-dd59-42f6-9ee4-b09200b5be02/740006e8-1cc3-415f-a013-b0b600c69240/468x382.jpg)
Lot 7
BELGAE, Stater, British Q [Cheriton wheel] type, Hampshire derivative, degraded head of Apollo right, hairband running behind head, terminating in pellet with radiate limbs, flanked by two ‘eyes’, rev. triple-tailed horse right with spoked wheel below, 5.75g (Sills 213; ABC 758; BMC 446; S –). Horse head weakly struck, otherwise good fine and rare, struck from a flan of yellowish gold £400-£500 --- Provenance: found at Borden (Hampshire), September 2023
Lot 71
BOHEMIA, gold Stater, 3rd century BC, after a Macedonian royal issue struck at Sardes, naming Philip III Arrhidaeus (323-17), helmeted head of Athena right, rev. Nike standing left, holding wreath and stylus, trident in left field, [-]ιλιππου, 8.41g/12h (DLT –; Allen –; cf. Nash 69). A few marks on edge, otherwise very fine, struck from dies of subtly ‘celtisized’ style, extremely rare £1,200-£1,500 --- Provenance: Glendining Auction, 28 July 1999, lot 1; M. Bridgewater Collection During the course of the 3rd century BC, the peoples of northern Europe struck a large series of imitative gold coins. The vast majority of these followed the model of Philip II’s Apollo/Biga coinage, but rarely we also find coins that follow the types employed by Philip’s son and successor, Alexander III. The coin offered for sale here belongs to the latter category, but, remarkably, it carries the name of Philip, not Alexander; such coins were issued under the auspices of Philip Arrhidaeus, Alexander’s half-brother, but they were not widely imitated.
Lot 363
A map of LondonLONDON Map: STOKE, John: A Map of the Country Sixty-Five Miles Round London; from Actual Surveys, by John Andrews & Andrew Dury, in four sheets: NE, NW, SE, & SW, 1777. Each measuring 136 x 119 cm. Hand coloured, linen backed and folding, with a contemporary marbled slipcase (rubbed). Rare MapFrom the Paul Bentley collection of maps and atlases.
![A collection of children's booksCHILDREN: [TAYLOR, Jane & Ann]: 1- City Scenes: or a Peep into London for Children. Darto](https://cdn.globalauctionplatform.com/ff32154f-2a87-491b-b157-b090011f3faf/c36faae0-49ee-45aa-af33-b0ca00c47725/468x382.jpg)
Lot 370
A collection of children's booksCHILDREN: [TAYLOR, Jane & Ann]: 1- City Scenes: or a Peep into London for Children. Darton, 1818. PP: 72 + 35 Plates. The last two plates torn (no loss), one gathering loose, and lacking the endpapers; 2- Another edition, 1823, PP: 72 + 35 Plates, one torn with loss to half of the plate; 3- Another edition, no date, c1840. PP: 103, 24 (adverts). Complete with 70 illustrations. Original cloth, rubbed & torn; 4- Rural Scenes - Or A Peep Into The Country - For Children. Harvey & Dalton, no date c1826 (some plates dated 1825 & 1826). PP: 60 + 29 plates (with 87 numbered engravings). Cont. leather backed boards, rubbed; some browning & light staining; Elliott, Mary: 1- Rustic Excursions, to aid tarry-at-home travellers: for the amusement and instruction of young persons. W Darton, no date c1825. PP: 96 + 6 Plates. Cont. leather backed boards; rubbed. Rare; 2- Continuation of Rustic Excursions, to aid tarry-at-home travellers: for the amusement and instruction of young persons. W Darton, no date c1827. PP: 96, (I) advert + 12 hand coloured Plates (2 images to each). Cont. leather. Rare. Depping, B (Edit): Les jeunes voyageurs en France ou Lettres sur les départemens, Six volumes. Paris, Etienne Ledoux, 1824, with 100 hand coloured maps & views engraved by Perrot after Blanchard. Original printed wrappers; edges untrimmed. Very nice & complete set; Bordes (Charles): Parapilla, et autres oeuvres libres, galantes et philosophiques. Florence, Paperini, 1783. PP: xxiv, 96, + 5 Plates; BOUND WITH: Éloge historique de Milord Contenant. 96pp, with head & tail pieces. Near cont. leather backed boards, rubbed. (13)From the Paul Bentley collection of maps and atlases.
Lot 2
ANTO CARTE (1886-1954)Décor pour le Martyre de Saint Sébastien (Claude Debussy) 1933Tissu et tissu doré monté sur panneau de bois Ce décor a été utilisé de 1933 à 1937Stof en vergulde stof gemonteerd op een houten paneel Dit decor werd gebruikt van 1933 tot 1937 Fabric and gilded fabric mounted on a wooden panel This set was used from 1933 to 1937 271 x 101 cmFootnotes:Provenance / Herkomst Famille d'Akarova par descendance/ Akarova familie door afstammingBibliographie / Bibliografie Akarova, Spectacle et Avant-Garde. Entertainment and the Avant-Garde 1920-1950, AAM Editions, Bruxelles, 1988. Ill. p. 487Souvent qualifiée d'« Isadora Duncan » belge, Akarova - Marguerite Acarin de son vrai nom – est une pionnière de la danse moderne en Belgique. Elle la vit comme une œuvre d'art totale, une pratique, une urgence, un engagement. Rien n'est laissé au hasard. L'artiste prend tout en main : de la chorégraphie au design des costumes et des accessoires en passant par les décors et les affiches. Elle développe une vision de la danse, spontanée et intuitive, valorisant la libre expressivité du corps, dans une totale subordination à la musique. Comme beaucoup de danseuses de l'entre-deux-guerres, Akarova a mené une carrière solitaire, ne cherchant aucunement à transmettre une expérience, une vision. Il n'existe d'ailleurs aucun document filmé de ses chorégraphies. Seules des photos anciennes, des coupures de presse, des projets et des dessins rendent compte de sa gestuelle sculpturale. 1922 est une année charnière dans la vie d'Akarova. Alors qu'elle assiste aux conférences du danseur Raymond Duncan, elle y fait la connaissance de Marcel-Louis Baugniet. Le peintre, qu'elle épouse l'année suivante, l'introduit dans les cercles avant-gardistes de la capitale, notamment auprès des artistes gravitant autour de la revue 7 Arts. Leur fréquentation conforte sa vision d'un « art total », affranchissant la danse de l'enfermement d'une spécialisation. Baugniet lui invente un nom de scène, « Akarova », en référence aux ballets russes. Elle met au point des chorégraphies sur les musiques de ses contemporains Claude Debussy, Erik Satie, Igor Stravinsky, Paul Dukas, Maurice Ravel, entre autres. Baugniet lui dessine des costumes qu'elle réalise ensuite elle-même. Utilisant des lignes brisées, des motifs géométriques, des lettres de l'alphabet, ces costumes constructivistes soulignent des chorégraphies tantôt vigoureuses, tantôt hiératiques. Baugniet ne sera pas le seul artiste à concevoir des vêtements de scène et des décors pour Akarova. Anto Carte, un ami de son deuxième mari, Louis Lievens, imagine également plusieurs costumes, dont celui du Martyre de Saint Sébastien de Debussy, pour lequel il crée également un décor. Akarova a composé une cinquantaine de pièces chorégraphiques dans sa carrière, pour la plupart des solos interprétés par elle-même. Elle s'est produite aussi bien dans les théâtres que dans les salons privés, au Palais royal de Laeken, dans les loges maçonniques ou sur la scène du théâtre de La Cambre, invitée par Henry Van de Velde. A partir de 1937 et ce, jusqu'à la fermeture des portes en 1957, l'essentiel de ses représentations se déroule dans la salle de spectacle qu'elle a fait aménager par l'architecte Jean-Jules Eggericx au sous-sol de sa maison de l'Avenue de l'Hippodrome. En 1986, Akarova fait don aux Archives d'Architecture Moderne des costumes et des décors qu'elle a réalisés entre 1923 et 1950, pérennisant un rare patrimoine au sein d'une institution qui reflète sa volonté d'inscrire son art dans un contexte plus large que celui de la danse. Elle a cependant conservé quelques-uns de ses costumes de scène, des décors et du mobilier datant de son premier mariage avec Marcel-Louis Baugniet. Ce sont ces quelques très rares témoignages d'une époque féconde et innovante, confiés par les héritiers de la danseuse, que Bonhams Cornette de Saint Cyr a l'immense privilège de mettre aujourd'hui aux enchères. Akarova - echte naam Marguerite Acarin - wordt vaak omschreven als de Belgische 'Isadora Duncan' en is een pionier van de moderne dans in België. Ze ziet het als een totaalkunstwerk, een praktijk, een urgentie, een engagement. Niets wordt aan het toeval overgelaten. De artieste neemt alles in handen: van de choreografie tot het ontwerp van de kostuums en accessoires, en niet te vergeten de decors en affiches. Ze ontwikkelt een visie op dans die spontaan en intuïtief is en waarde hecht aan de vrije expressiviteit van het lichaam, in totale ondergeschiktheid aan de muziek. Zoals veel dansers tussen de oorlogen leidde Akarova een solitaire carrière, zonder een poging te doen om een ervaring of visie door te geven. In feite zijn er geen gefilmde verslagen van haar choreografie. Alleen oude foto's, krantenknipsels, projecten en tekeningen getuigen van haar sculpturale bewegingen. 1922 was een cruciaal jaar in Akarova's leven. Terwijl ze lezingen bijwoonde van de danser Raymond Duncan, ontmoette ze Marcel-Louis Baugniet. De schilder, met wie ze het jaar daarop trouwde, introduceerde haar in avant-gardekringen in de hoofdstad, in het bijzonder bij de kunstenaars die voor het tijdschrift 7 Arts werkten. Hun kennismaking versterkte haar visie van een 'totaalkunst', die dans bevrijdde van de beperkingen van specialisatie. Baugniet bedacht een artiestennaam voor haar, 'Akarova', als verwijzing naar de Russische balletten. Ze ontwikkelde choreografieën op de muziek van onder andere haar tijdgenoten Claude Debussy, Erik Satie, Igor Stravinsky, Paul Dukas en Maurice Ravel. Baugniet ontwierp haar kostuums, die ze vervolgens zelf maakte. Door het gebruik van gebroken lijnen, geometrische patronen en letters van het alfabet benadrukten deze constructivistische kostuums de choreografie, die soms krachtig, soms hiëratisch was. Baugniet was niet de enige kunstenaar die toneelkleding en decors ontwierp voor Akarova. Anto Carte, een vriend van haar tweede man, Louis Lievens, ontwierp ook verschillende kostuums, waaronder Debussy's Martyre de Saint Sébastien, waarvoor hij ook een decor ontwierp.Akarova heeft in haar carrière een vijftigtal choreografieën gecomponeerd, waarvan de meeste solo's door haarzelf werden uitgevoerd. Ze trad op in theaters en privé-salons, in het Koninklijk Paleis in Laken, in vrijmetselaarsloges en op het podium van het Théâtre de La Cambre, op uitnodiging van Henry Van de Velde. .For further information on this lot please visit Bonhams.com
Lot 1002
(1) Tine Baanders heeft haar atelier en woning verplaatst naar Zuideramstellaan 127 Amsterdam Telefoon 93055. Letterpress card, 12 x 15.5 cm, striking typography by Baanders. (2) Gedenkboek gemeente telefoon Amsterdam 1896-1936. Uitgegeven ter gelegenheid van haar 40 jarig bestaan op den eersten november negentien honders en zes en dertig. N.pl., n.d. (Amst., 1936), XII,240 p., num. ills., title-p. and orig. gilt cl. des. by Baanders. (3) N.V. Eisenloeffel's Kunsthandel, Amsterdam. Catalogue d'eaux-fortes et de lithographies. Troisième partie de la collection. Amst., Naaml. Vennootschap Drukkerij voorheen Dieperink & Co, n.d., (28) p., w. ills., orig. stapled lithogr. wr. by Baanders. Rare catalogue, listing prints by M. Bauer, F. Brangwyn, H. Daumier, E. Degas, E. Delacroix, P. Gauguin, W. Hogarth, J.B. Jongkind, E. Manet, P. Picasso, a.o. (4) Amsterdamsche tentoonstelling voor woninginrichting in het Stedelijk Museum van 20 mei tot 1 Juli 1921. Amst., Stadsdrukkerij, 1921, VIII,(2), 54 p., w. ills. and advertisements, orig. lithogr. wr. by Baanders. -and 3 others, incl. 2 issues of De vrouw en haar huis. (total 7)
![(1) Schotel, A. (1896-1984). Diploma van den landbouwcursus te [in pen:] Esch 1927-1929 Col. woodcut diploma filled out and s](https://cdn.globalauctionplatform.com/ee64b196-1cb3-45bc-8c98-b0b700f32b48/c4045017-ce31-4943-b5fd-b0b800b4dbfa/468x382.jpg)
Lot 1003
(1) Schotel, A. (1896-1984). Diploma van den landbouwcursus te [in pen:] Esch 1927-1929 Col. woodcut diploma filled out and signed in pen, sheet size 47.5 x 32.5 cm, printed in Tilburg by Henri Bergmans & Cie, by Schotel (w. his printed signature). Fully mounted, some marginal staining. Very rare. Executed in a remarkable style, reminiscent of Lou Louber's booklet Gouden vlinders (1927). (2) Bond van Arbeiders Toneelvereenigingen in Nederland opgericht 29 april 1917. Diploma toegekend aan. Unused lithogr. diploma, sheet size 46.5 x 30 cm, under passepartout. Very rare, anonymous art deco design. -and 6 others similar, var. sizes, all but one unused, w. designs by a.o. W.C. Drupsteen and G.A. Luitingh. (total 8)
Lot 1009
Incl. a number of items issued by Nieuw Ensemble, Appeltheater and Toneelgroep Studio. (1) Bylan. Quietudes. N.pl., In Signo Hieronymi, 1947, 21,(3) p., w. dry point by Bons, orig. wr., sm. 8vo. According to NCC printed in a limited ed. of 150 copies. Very rare, only 1 copy in NCC. (2) Dekker, M. De knopenman, gevolgd door Gammastralen en Colporteur. Assen, Uitgeverij Born, 1947, 103,(1) p., w. ills. by Bons, orig. hcl. Signed dedication on first free endpaper: "Gratia gratiam parit. Voor Herman v.d. Eerenbeemt van Maurits en Mia Dekker 25 Oct. 1948". (3) De appels van Jan Bons. Affiches voor toneelgroep De Appel. Hoorn, exhibition catalog Affichemuseum, 2004, 104 p., num. ills., orig. wr., sm. 4to. (4) Kalender Stadsdrukkerij Amsterdam '57. Het bouwen in Amsterdam na 1945. Calendar, 1957, front and 12 lvs, (photogr.) ills. by J. Versnel, A. Verberne, Bons, W. Shumacher a.o., des. by Bons, spiral bound, obl. folio. (5) Majorick, B. Genesis van een Compositie. Hilversum, Steendrukkerij De Jong & Co, n.d., "Kwadraatblad", no pagination, fold. plates and ills. by Bons (incl. large fold. col. "bijlage"), held together w. belly band, 4to. (6) Studio. Ganzenborden. Programma. Met Louis Andriessen, Wilbert Blank (...). Poster, 57.5 x 41.5 cm, verso w. program, folded measuring 21 x 7.5 cm. -and approx. 90 others. Incl. duplicates. (total approx. 95 in 2 boxes)
Lot 101
Printed in Issy by Je Sers for Flammarion in Paris, 1932, first French ed., (23) p., col. lithogr. ills. and orig. threadbound wr. after Nathalie Parain, folio. Former owner's entry in pen on title-p. Wr. sl. stained and minimal other imperfections. The rare first French ed. Nathalie Parain (born Natalia Tchelpanova) (1897-1958) was born in Kyiv.
Lot 1014
(1) Onze Spaanse pleegkinderen. N.pl., Comité uit N.V.V.-S.D.A.P. voor de Verpleging van Spaanse Kinderen, n.d. (ca. 1938), (16) p. w. photogr./ photomontage ills. attributed to Brusse, orig. wr. w. shaped window to the first page, obl. 8vo. Staples removed, contents loose. Very rare, no copies in NCC. (2) Romein-Verschoor, A. Een veilig huis voor het Spaanse kind. Een veilige toekomst voor het Spaanse volk. Picana. N.pl., Afd. Kindertehuis Picana v.d. commissie "Hulp aan Spanje", n.d. (1938), (16) p. (incl. wr.), w. photogr. ills. printed in red and black, des. attributed to Brusse, orig. wr., 16 mo. Staples removed, contents loose, wr. splitting/ worn on spine. With stamp "ter recensie" on front wr. and date stamp "20 mei 1938" on first page. Rare. (3) Dommisse, F. Het licht op den drempel. Rott., W.L. & J. Brusse, 1937, 191 p., orig. photomontage wr. by Brusse. Wr. sl. wrinkled. A good copy. (4) Koenraads, A.F. Mannen in leer. Roman van een militair vlieger (...). Ibid., idem, 1935, 235 p., orig. photomontage boards by Brusse. A bit foxed, binding sl. worn along extremities. -and approx. 26 others, incl. some duplicates, incl. 1 more sm. publication on the Spanish Civil War and 6 numbers of the periodical In weer en wind, ed. R. Tolman and J.I. van Schaik. (total approx. 30)
Lot 102
by Marshak, Engel and Koeprejanow, 4 vols. publ. in Brussels by De Wilde Roos, n.d. (ca. 1930), 1 vol. publ. in The Hague by De Baanbreker/ Servire, 1930, each containing 3 stories, all without pagination, all nicely illustrated by Afanasjew, Lebedew, Pokrowski and Vischnevetskaia, orig. unif. clothbacked pict boards, 4to. Comprises: De reis door Rusland, De reis door Perzië (different title for De reis door Rusland), Ben ik 't nou of ben ik 't niet, Ben ik 't wel of ben ik 't niet (different title for Ben ik 't nou of ben ik 't niet), Volksrijmpjes, Dieren in den winter, Het vroolijke onweer and De gouden blaren. Some occas. edgewear, sm. other imperfections. A very good set of rather rare booklets, each containing 3 (some duplicates, a total of 7) stories in different combinations, orders, bindings, and even different titles for the same stories, showing the commercial insight of the publishers. (total 5)
Lot 1022
Comprising children's books, woodcuts, labels, etc. Incl. a.o.: (1) Mijn boek. N.pl., n. publ., n.d. (ca. 1942), leporello consisting of 6 cardboard lvs w. a total of 12 col. ills. recto and verso, the title signed in the technique "Freco" w. small artists' palette, 15.5 x 12.5 cm. A few sm. defects. Very rare, no copies in NCC. Cf. Van Dam/ Van Praag, chapter 9, De laatste jaren (1941-1943), p. 105. (2) Ik kan al lezen! N.pl., n.publ., n.d. (ca. 1942), (16) p., col. ills. and orig. stapled wr. by Cohen (signed "Freco" in sm. palette on front wr.). Some staining and other sm. defects. Very nice and rare children's book (no copies in NCC), a kind of alphabet book but w. the letters in random order. (3) Kuyk, P.G. and K. Schots. Het boek der voedings- en genotmiddelen en der surrogaten in oorlogstijd. Amst., Alg. Publiciteitskantoor, 1942, 134 p., num. advertisements, orig. wr. des. by Cohen (w. her monogram on front wr.). Foxing, w. a few sm. tears. -and approx. 36 others, incl. 26 educational labels printed in red or blue (incl. duplicates), a complete sheet of 8 similar labels printed in brown, 4 orig. woodcuts depicting var. games and 3 rare cards issued by the Nederlandsche Bond van Leeraren en Leeraressen bij het Nijverheidsonderwijs (Utrecht). (total approx. 40)
Lot 1025
Comprising books, booklets such as theatre programs and some loose prints. (1) Litho's, houtsneden, teekeningen door Joan Collette. 1e Serie. Amst., Faddegon, 1921, printed in a limited ed., 12 plates of which 4 lithogr. and 4 woodcuts, loose as issued in the orig. stiff paper portfolio w. woodcut front and back, 4to. Plates foxed, potrfolio sl. foxed and other sm. imperfections. Very rare, only 1 copy in NCC. (2) De bedrijfsreclame. Officieel orgaan van de Vereeniging ter Bevordering der der Bedrijfsreclame. Serie III, nummer 5. Amst./ The Hague, Jan. 1918, 83-100 p., w. plates and ills. (partly by Collette), advertisements, orig. wr. by Collette. Contains an article on Collette by H. Hoste (p. 83-88), w. 2 tipped-in col. lithogr. plates, 1 full-p. ill. and several smaller ills. by Collette. (3) Waals, J.E. van der (ed.). In 't Bloemhofke. Blaricum, De Waelburgh, (1921), printed on handmade paper 62 p., woodcut title, 3 plates and orig. wr. by Collette. Paper over spine browned and torn. Rare. (4-7) Four issues by the Amsterdam Stadsschouwburg, w. col. lithogr./ woodcut wr. by Collette. Bladen van den Stadsschouwburg 1, and 3/4 (1920) and 2 programmes (n.d., w. nice col. advertisement of 't Woonhuys on backwrappers). -and 14 others, incl. 1 other booklet issued by De Waelburgh and advertorial material of F.G. Lebbing in Amsterdam and a signed woodcut by Eekman. A few duplicates. (total 21)
Lot 1029
Incl. children's books, calendars, theatre programs (mainly Stadsschouwburg Amsterdam), literature and music. (1) Grijpt als 't rijpt. Amst., by M. Lindenbaum & Co for Vereeniging van Handelaren in Oude Kunst in Nederland, in 500 numb. copies (unnumb. copy), 1931, 23 p., w. (full-p.) ills. after Cramer, orig. silver paper wr., 4to. (2) "De keuken van de zuinige Annemie van Calvé Delft". Cardboard commemorative collage display for Nederlandsche Oliefabriek/ Calvé, celebrating 50 year anniversary, 1884-1934, 31 x 37.5 cm, w. suspension cord, the background and mounted cut out figures after Cramer. W. a few sm. defects/ lacking parts. Rare. (3) "Deez' meetstok zegt..." Unused fold. cardboard measuring stick, unfolded measuring 150 x 8 cm, issued by insurance company De Nederlanden van 1845, n.d., des. by Cramer, in the orig. envelope. Rare. -and 27 others w. ills. by Cramer, incl. a calendar for 1931, a birthday calendar, the complete set of the 4 seasons in 2nd ed., a very rare programme of the Openluchttheater Valkenburg and items related to her husband, the theatre director Eduard Verkade. A few duplicates. Collection illustrating the versatility of the artist. (total approx. 30)
Lot 1030
Met bijschriftjes van H.A. Meerum Terwogt. N.pl., Vittoria Egyptian Cigarette Company, 1927, 63,(1) p., 28 full-p. plates, orig. stapled wr. des. by Huszár. Staples rusty, otherwise fine. W. loosely inserted stamped and addressed postcard w. the Miss Blanche Virginia Cigarettes logo that is also present on back wr. of the booklet, the post stamp dated 1928. And also loosely inserted: a stamped and addressed envelope w. letterhead of the Vittoria Cigarette Company (Rott.), again w. the Miss Blanch logo but also incorporating a logo in the style of De Stijl, the post stamp dated 1928. (2) Rijksradiodienst via Hollandradio. Telegram formulieren Forms for messages. Unused booklet, n.pl., n.d. (ca. 1935), 12 forms, printed in red and blue, des. by Huszár. Very rare. (3) Scherven-Theater. Directeur-regisseur Mr. A.W. Kamp. The Hague, n.d. (ca. 1940), (8) p. and loosely inserted program, 5 photogr. portraits, orig. stapled wr. by P. van der Hem. Printed on the program: "Décors naar ontwerpen van Ype Wenning en Vilmos Huszar". W. loosely inserted leaf w. mounted business card of A.W. Kamp w. signed invitation in pen: "Invitatie drie personen Scherven Theater 25 januari 1940 Pulchri Studio 8 uur precies [signed]" w. an entry ticket mounted below. -and 7 others, incl. items related to Bruynzeel. (total 10)
Lot 1036
Silkscreen printed in blue and grey, 24 x 17.5 cm, signed, dated 1959 and "E.A. 6" in pencil, on the front of a bifolium w. dedication in pen on the back: "Aan Maarten en Margreet Mourik met al onze beste wenschen voor het nieuwe jaar en prettige Kerstdagen Ruth en César". (2) Terar dum prosim (...). F. Domela Nieuwenhuis Monument. Programma der onthulling 29 augustus 1931. The Hague, Drukkerij Nieuw Leven, 1931, (20) p. (incl. wr.), printed in black, blue and silver, typography, (photomontage) ills. and orig. wr. by Domela Nieuwenhuis, obl. 8vo. Wr. rubbed and sl. creased, vertical folds throughout. Maan/ Van der Ree '90, p. 67. Rare. César was the youngest son of F. Domela Nieuwenhuis (1846-1919). (3) 25 Jahre AEG-Dampfturbinen. Herausgegeben von der allgemeinen Elektrizitätsgesellschaft Berlin. Berlin, by Otto Elsner for VDI-Verlag, 1928, (4),132,(2) p., 191 (photogr.) ills., typography and orig. wr. (in Bauhaus-style) des. by Domela Nieuwenhuis, folio. Owner's stamp on first free endpaper. Spine ends neatly restored, some edge wear to wr. (4) Zervos, C. Art et architecture au Pays-Bas. Domela. Amst., J.M. Meulenhoff, 1965, 19 p., 4 col. plates and 24 b/w plates, orig. wr., 4to. Signed dedication on h-title, dated 1967. -and 6 others, incl. a booklet w. dedication "Een zeer hartelijken groet Ces" in pen and a portrait card showing F. Domela Nieuwenhuis. (total 10)
Lot 1038
nad knizhnymi znakami Very Kaminoi (Ex Libris Vera Kamina) i Arseniia Formakova. Riga, A. Iupatov, 1937, (4) p. w. colophon, title etc., no.21/35, monogrammed "AW", 17 mounted plates on 6 lvs, orig. wr. 4to. Wr. stained and w. fold. First free endpaper w. signed dedication in pen by Formakova to an unidentified recipient, dated Riga, 10/ VIII 37. Extremely rare. (2) Roessler, A., ed. Exlibrismonografie Willi Geiger. Band I. Leipsic, F. Rothbart, 1905, printed in 250 numb. copies, no pagination, woodcut title-p. by Geiger, tipped-in frontisp. portrait, w. 36 (tipped-in col. lithogr.) plates, orig. wr., 4to. Spine ends worn. The colophon calls for a signature of the artist in every copy, not present here. (3) Littera Eget Scheda. De letter behoeft papier. Zes houtgravures gesneden in opdracht der N.V. Lutkie & Smit, Papiergroothandel, Amsterdam. 1942, 6 wood engr. plates by D.G. Duyvis, N. Bulder, D. van Gelder, H. Levigne, T. Mauve and P.G. Rueter, all w. sheet size 24 x 15 cm, loose as issued in the orig. paper portfolio. -and 8 others, incl. a publication reproducing drawings of the Danish artist E. Hansen, printed in 500 numb. and signed copies. (total 11)
Lot 1039
Incl. 13 drawings. Comprises a.o.: (1) 'Three figures sitting at a table'. Drawing in black ink, 24 x 16 cm, monogrammed in pen. (2) 'Portrait of a woman'. Drawing in black chalk on thin paper, 28 x 22 cm, monogrammed in pencil. A bit creased and w. sm. tear. (3) 'View of a small room with a man sitting at a stove'. Drawing in black chalk, 32 x 24.5 cm, signed or monogrammed (?) illegibly in lower right corner, tipped-on to mount. Verso w. annotations. -and 10 more drawings/ sketches by Elffers (7x monogrammed). (4) (K.H.R. de Josselin de Jong, a.o.). Front 1944. Zes teekeningen en zes gedichten. Privately and clandestinely publ., 1944, in 100 copies ("Eerste vijftigtal"), letterpress bifolium and 6 plates, loose as issued in the orig. portfolio, obl. 4to. Portfolio dam. Former owner's entry "Jo. Elffers Jan. '45" on inside front wr. Very rare, fragile publication. Colophon: "Het gedicht "Front" is ontleend aan de "Put der Zuchten", een bloemlezing uit de oude en nieuwe Spaanse dichtkunst, Het ontstond in de Spaanse burgeroorlog. De andere gedichten en teekeningen dienden helaas nog anoniem te verschijnen." -and several advertorial items, incl. (sm.) posters ("Help de Post", "Post tijdig!"), a calendar for the months Jan.-June 1944 (printed in 55 copies, another copy present in loose lvs) and 2 more wartime publications. (total 33 in 1 binder)
Lot 1040
Ca. 1935-80 (mostly 1950s and 60s). Extensive collection on this incredibly versatile Dutch artist. (1-7) Holland Festival. 7 different posters, 40 x 25 to 42 x 30 cm, for festivals in 1959-63 and 1971-72. (8-14) Programma Holland Festival. 7 different programmes, all for performances in 1959, all measuring (folded) 25 x 12.5 cm. (15-25) Vrije inloopwinkels Van Gelderen (Amst. and The Hague). 10 ill. fold. bookmarks, height 16 cm. Verso w. advertorial texts, starting with "Dit boek werd in één der vrij inloopwinkels van Van Gelderen Gekocht" (or in English) or "Dit boek gaat vergezeld van een boekenlegger...". Very nice and rare series of bookmarks. (26) Troman, B. Het centraalstation. Met teekeningen van Dick Elffers. The Hague, H.P. Leopold, 1937, 23 p., ills. and orig. wr. by Elffers, 4to. Bookblock loose and other defects. Publ. in the series De Vrije Bladen, Schrift XI, jaarg. 14, Nov. 1937. (19) Dick Elffers. Vorm en tegenvorm. Poging tot portret van een ontwerper. Introd. Wim Crouwel. Amst., G.J. Thiemefonds, 1976, 43 p., ills., orig. wr. 4to. (27) Pax-Holland vijfentwintig jaar. N.pl., by Boom-Ruygrok for Pax Holland, n.d. (1955), (8) fold. p., ills. and tipped-in plate by Elffers, ring bound, sm. 4to. Rare, and with the extremely rare orig. stamped addressed envelope des. by Elffers present. (28) Shell Nederland Chemische Fabrieken N.V. Synthetic Rubber. The Hague, A.N.D.O., 1961, 2nd ed., 26 p., richly ill., orig. wr. after Elffers. -and approx. 60 others w. designs by the same. (total approx. 90 in 2 boxes)
Lot 1053
Green version. Signed in the plate, 97 x 60 mm. In: Lithowonderen van M.C. Escher. Opening exhibition in 't Oude Wevershuys, Amersfoort, 3-29 October 1953. 'Opening Zaterdag 3 October 3 uur door M.C. Escher met rondleiding'. Bool 370. With: The orig. price list for the pieces exhibited. *Rare.
Lot 1058
German language text by Tietze, Dutch language introductions by J.F.B. Kalff and H.E. van Gelder. The Hague/ Rott./ Amst., exhibition catalogue Museum Voor Moderne Kunst 15 Okt. - 13 Nov. 1927, 46,(1) p., 21 ills. on plates, orig. wr. des. by C. Ehrlich, 14 x 14 cm. Mediocre copy, waterst., final lvs sl. dam. Very rare exhibition catalogue, this version w. the wrappers for the period in The Hague, also known in a version w. wrappers mentioning the Stedelijk Museum in Amsterdam. (2) Kunst in Vrijheid. Amst., exhibition catalogue Rijksmuseum printed by Duwaer, Sept.-Oct. 1945, no pagination, orig. wr. des. by Vordemberge-Gildewart. Some sm. imperfections. (3) Tentoonstelling van en over het werk van Henriette Roland Holst tijdens de boekenweek april negentienhonderd acht en dertig in de N.V. Magazijn De Bijenkorf te Amsterdam. Korte karakterteekening door Dr. G. Stuiveling. Amst., 1938, 8 p., orig. stapled wr. Wr. browned at the top. Rare. -and 10 others. (total 13)
Lot 1063
Mostly Dutch, some on N.V. Nederlandsche Glasfabriek Leerdam and/ or A.D. Copier. (1) Edel glas. Glasfabriek Leerdam (...). Tafelglas, draad- en ornamentglas, verpakkingsglas. Woodcut advertorial card by P. van Stam, 25 x 11.5 cm, ca. 1925, mounted. Sl. foxed. (2) Jubileumbeker Glasfabriek "Leerdam" 1898-1923. Jubileum H.M. Koningin Wilhelmina. Woodcut advertorial card printed in black and blue, by A.D. Copier, 1923, 14 x 9 cm. Remnants of former mount verso. (3) A Play of Glass and Light. Leerdam, Royal Leerdam, 1965, (12) p., ill. throughout, orig. stapled wr., 4to. Signed dedication in pen "Gelukkig 1966!" by A.D. Copier and D. Copier-Matthijsen. (4) Leerdam. Ed. W. van Leer and J.A. van Leer. Amst., D.IJ. Alta, 1926, 40 p., num. ills., orig. col. woodcut wr. monogrammed ADC (almost certainly Copier). Wr. browned and offsetting. Rare. (5) Leerdam Laboratoriumglas. Trade catalogue, n.pl., n.publ., n.d. (Glasfabriek Leerdam), 32 p., ills., orig. stapled. wr. -and approx. 35 others, incl. 3 woodcut ills. of "Reclamekaarten" by A.D. Copier on 2 lvs. paginated (1),414-416 (from an unknown work). A few duplicates. (total approx. 40)
Lot 1067
A fine, diverse collection, illustrating the versatility of the artist. Comprises a.o.: (1-12) Senefelder Kalender 1915. Complete set of 12 cl. lithogr. lvs, all 30.4 x 19.5 cm. Amst., Senefelder. Lacking the lists of days. (13-16) Calendar for 1933. 4 offset plates, 42 x 28.5 cm. Amst., L. van Leer & Co. Issued as "bijlage" for the Haagsche Post, 25 Dec. 1932. (14) Een flesch wijn duurt enkele uren en benevelt uw geest; een goed boek, dat even veel kost, verheldert uw gedachten en is een vreugde voor altijd. Col. lithogr. poster, 32.5 x 25 cm. The Hague, Lankhout. (15) Tweede tentoonstelling Piet van der Hem. Oct. Nov. 1913. The Hague, by Mouton & Co. for Boussod-Valadon & Cie., 1913, 19 p., full-p. ills., orig. wr., 4to. Very rare early exhibition catalogue. (16) Terras van Shepher's Hotel te Caïro. Col. offset plate, 28.5 x 43 cm. Amst., Van Leer. See our section white on black in this auction. (17) Piet van der Hem 1885-1961. Leeuwarden, Fries Museum exhibition catalogue, 1987, 112 p., richly ill., orig. wr., 4to. -and num. finely designed rare flyers and booklets of the Koninklijke Hollandsche Lloyd (in var. languages) and the Holland-Amerika Lijn (incl. menu cards), 17 "bijvoegsels" of "De Nieuwe Amsterdammer (1915-18) and another exhibition catalogue (1918). Duplicates. (total approx. 90 in 1 box and 1 portfolio)
Lot 1072
Most items exhibition catalogues. (1) Catalogus der tentoonstelling van schilderijen en teekeningen door Isaac Israels. Amst., by Boek- en Kunstdrukkerij v/h Roeloffzen, Hübner en Van Santen for Frans Buffa en Zonen, n.d. (1902), (32) p., w. ills., orig. thread-bound pictorial wr., obl. 8vo. Very rare catalogue, hardly ever appearing on the market. (2) Tentoonstelling van schilderijen en aquarellen: Bern, Fribourg en Londen. Door Isaac Israels. Amst., Frans Buffa en Zonen, n.d. (1915), (40) p., w. 17 ills., orig. raffia-bound wr., 4to. Very rare. -and 10 others, incl. (commemorative) exhibition catalogues by Arti et Amicitiae (1930), Pulchri Studio (1934), Rotterdamsche Kunstkring (1935) and Kunsthandel Huinck & Scherjon (1934). (total 12)
Lot 1076
(1) Hi ha Canada. (Rott.), Luctor, (ca. 1945), (16) p., ills. and orig. stapled wr. by Kempers. Very good copy of a rare children's book, w. early ills. by Kempers. (2) Bitter, J.H. and L.H.D. Faber. Offset. Gembo offset-kleurenboek. Wormerveer, by Meijer for Gembo N.V. Afd. Verkoop Drukinkten in Winschoten, (ca. 1960), no pagination, richly ill., w. loosely inserted plastic "kleurenbril", book des. by Kempers, orig. wr., obl. 4to. Very rare. (3) N.V. Lettergieterij "Amsterdam" voorheen N. Tetterode. What are the principle functions of Typefoundry "Amsterdam"? Advertorial booklet, ca. 1957, no pagination, richly ill., layout by Kempers, orig. wr., obl. 4to. (4) Thomas, F. Gasten op het Leidseplein. 75 jaar American Hotel. By Holdert & Co for H.J.W. Becht/ American Hotel in Amsterdam, n.d. (1957), no pagination, layout and orig. col. lithogr. wr. by Kempers, sm. folio. A few defects. -and 10 others. Added: 60 booklets, cards and other items w. designs by N. Wijnberg (1918-2006). (total approx. 74 in 2 boxes)
Lot 1081
(1) Soldaten in de dop. Woodcut or linocut, 15 x 19 cm, titled and signed in pencil, monogrammed in the technique, under passepartout. (2) The same print on thin Japanese paper, untitled, signed in pencil, under passepartout. (3) 'Double-portrait'. Woodcut, 14.5 x 14.5 cm, signed in pen, monogrammed in the block, under passepartout. Probably a portrait of the artist together with his wife, the artist Lou Loeber. -and 7 other woodcut/ linocuts by the same. Added: Rare catalogue on Koning, ca. 1920. (total 11)
Lot 109
A nice collection of (rare) 19th cent. children's books that served as prizes for diligent children. Comprises a.o.: (1) J.H. du Sart. Vruchten mijner uitspanningen, in avond-gesprekken, tusschen een vader en zijne kinderen (...). Amst., Schalekamp en Van de Grampel, 1815, IV,92 p., w. engr. title and 2 plates, orig. printed boards. Very fine copy, because of contemp. chintz paper covers over the orig. boards. With manuscript prize awarded to Gerrit Tates, Zaandam, 1818. (2) J.H. Campe. Nuttig en leerzaam onderhoud, in fraaije verhalen, voor de lieve jeugd. Amst., Ten Brink & De Vries, 1836, VIII,96 p., w. engr. tile and 2 plates, contemp. hmor. w. paper letterpiece on spine. With letterpress prize filled-out in pen to Hn. Tromp, Vlissingen, 1840 (w. 8 signatures). (3) Zestien kleine vertellingen voor leerzame kinderen. Naar het Hoogduitsch. Amst., H.L. Koopman, (1842), IV,54 p., w. 16 ills. on 8 lithogr. plates, orig. printed boards w. private chintz covers. W. letterpress prize filled-out in pen to Trijntje Tater, Koog aan de Zaan, 1844. (4) (M.J. de Neufville). Zes nieuwe oorspronkelijk Nederduitsche verhalen voor kinderen (...). Tweede druk. ibid., idem, 1836, (4)75,(1) p., w. engr. title and 2 plates, orig. printed wr. (spine defective). W letterpress schoolprize awarded to Maria Geertruida Rentmeester, Hoorn, 1840. -and 15 others, containing prizes awarded at primary schools in Amsterdam (2x), Delft, Dordrecht, Haarlem (3x), Koog aan de Zaan, Leeuwarden, Loenen aan de Vecht, Rotterdam, Zaandam (3x) and Zaandijk. (total 19)
Lot 1093
(1) Herman, L.M. De eerwaarde vaders Sociaal-democraten, van de orde van Z.M. Pieter Jelles de Eerste in dicht en ondicht bezongen door L.M. Hermans. Motto. Om wille van de smeer, likt de kat de kandeleer. Pamphlet, n.pl., n.publ., n.d. (Amst., Algemeene Boekhandel L. de Boer, 1910 stamped on front wr.), 19 p., orig. wr. w. woodcut front wr. by Lebeau (w. his monogram). Staple removed from spine. Copy w. stamped "Ter Recensie" on front wr. Rare. (2-3) Nederlandsch Concert Bureau J.F. Beek. Programa Seizoen 1930-31 and 1931-32. The Hague, Noordeinde 39, 1931-1932, (8)/ (16) p. (incl. stapled wr.), front cover w. identical woodcut ill. by Lebeau (w. his printed signature). (4) Theatre program w. almost the same woodcut ill., but w. the typography altered (to Nederlandsch Concert en Theater Bureau, now at the Laan van Meerdervoort 482-484). (5) Programma Theater Verkade. N.pl., S. Viskoper, n.d. (2) p., orig. stapled lithogr. wr. des. by Lebeau (w. his monogram). -and 13 miscell. others, incl. 3 issues of Ons tooneel (1941-42), lithogr. portraits, 3 woodcut bookplates and Chris Lebeau, Kunstenaar en anarchist (2012). (total 18)
Lot 1106
Consisting of booklets and prints, incl. 32 "Bijvoegsels" of De Kroniek (1895) and 8 well preserved unif. booklets concerning the Richard-Strauss Feest in The Hague, 1911. The "Bijvoegsel" of De Kroniek incl. duplicates. Incl. a.o.: (1-3) Der Ring der Nibelungen von Richard Wagner. 3 col. lithogr. programs (for Siegfried, Götterdämmerung and Walküre), all approx. 39 x 29 cm, printed by Amst. Boek- en Steendrukkerij vh Ellerman, Harms & Co for the Wagner-Vereeniging, 1901-03, each w. richly ill. title by Molkenboer recto and letterpress program verso. Folded. Rare. -and 4 similar programs of the Wagner-Vereeniging (Lohengrin, 2 different ones) and Tristan und Isolde (2 copies), 1901-10, all by Molkenboer (incl. 1 duplicate). Cf. Muller/ Kyrova, Antoon Molkenboer, Ontwerpen voor muziek en toneel 1895-1917, p. 15-17 and Cat. Kunstenaren der idee 49a-d. (4-8) Willem van Holland. Verzen van J. van Dorp. Officieel tekstboekje van het openlucht-natuurspel (...) op te voeren door leden van het Utrechtsch Studentencorps. Ontwerp van Anton Molkenboer. Muziek van Willem Andriessen. 2 variants of the same booklet, Utrecht, B. Brugsma, 1911, 26 p., w. 3 col. lithogr. plates by Molkenboer, bound in different stapled/ thread-bound orig. wr. des. by Molkenboer, narrow large 8vo. W. 2 single leaf programs and a poster stamp of the Lustrumfeesten. (9) Toelichting bij de gedenk-schildering "het opkomende Holland der veertiende eeuw in zeven paneelen door Antoon Molkenboer. N.pl. (The Hague), n.publ., n.d. (1914), 13 p., 9 plates, orig. cord-bound wr. (foxed). W. loosely inserted bifolium "Tentoonstelling van werken van Antoon Molkenboer" (Jan.- Febr. 1914). (total approx. 60)
Lot 1115
Zeist, by Sint Gregoriushuis for Blindeninstituut Sint Henricus in Grave, n.d. (ca. 1950), (32) p., text by A. Bevers, photography by "een frater van Tilburg", photomontages, ills. and orig. stapled wr. by Van Zeijst, 4to. Ex library copy, w. stamps on inside front wr. and sm. ticket on front wr. Wr. a bit creased and splitting on spine. Very rare publication w. (visually) striking photomontage. Van Zeijst is also known under the pseudonym Zuster Theofoor.
Lot 1116
from May the 20th until June the 20th 1936. Oil paintings, watercolours, pastels, drawings and etchings by Picasso. Des. and printed by Lund, Humphies, 1936, (8) p. (incl. wr.), 2 mounted plates, orig. stapled wr., 4to. The blue lvs waterst. in upper outer corner, wr. a bit stained/ discol. Rare, relatively early exhibition catalog. (2) Pablo Picasso. 43 lithographies 1945-'47. Amst., exhibition catalog Stedelijk Museum, ca. 1948, (42) p., 38 ills., orig stapled wr., 4to (browned along margins). -and 9 others on the same. Added: 2 others on M. Chagall (1948 and 1950), both printed in limited numb. eds. (total 14)
Lot 1124
(1) Tentoonstelling spotprenten Louis Raemaekers. Introd. C. Veth. Rott., by widow S. Benedictus for Kunstzalen Unger & van Mens, 1913, 27,(4) p., w. photogr. frontisp. portrait of the artist in his studio, ills., orig. stapled wr. w. mounted plate, 4to. Folded in lower right corner, faded along spine, bookblock loosening, staples rusty. Very rare exhibition catalogue. (2) Van Noord tot Zuid. Aangeboden door boekhandel Voorhoeve & Dietrich. N.pl. (Rott.), n.d. (ca. 1930), (16) p., w. 5 large lithogr. ills. on the inside and 2 large tinted lithogr. ills. on outside of wr., incl. calendar and advertisement of Rotterdam companies, orig. stapled wr., folio. Curious, rare publication w. just the ills. by Raemaekers and the advertisements. (3) Ha! Ha! Ha! Ha! alweer een vredesconferentiie (Encore une conférende de la Paix). Teekeningen van Louis Raemaekers. Amst., Gebr. Koster, 1907, w. 12 col. lithogr. plates w. captions in Dutch above and below, the same captions in French, German and English on inside of wr., orig. cord-bound (sl. worn) pictorial wr., folio. Biting satire against the peace conference in The Hague, 1907. (4) Hoe het kwam... De schoone en wonderbare histori van Droogloods, van een Fee en van Comptoir Tuilier de Courtrai verteld en verlucht door L. Raemakers. Kortrijk, Comptoir Tuilier de Courtrai, 1927, (64) p., num. col. ills., orig. thread-bound wr., 4to. Wr. stained and w. sm. tears. -and 4 others. (total 8)
Lot 1128
Comprising books, invitations, ex libris, packaging labels, etc. Incl. a.o.: (1) Verloofd. Gerarda de Lang met Georg Rueter. Wormerveer, Amsterdam. Receptie op 1 januari 1900 te Wormerveer. Lithogr. invitation card, 17.5 x 12 cm. Pinhole in upper blank margin. Rare. (2) 4 april 1901. Georg Rueter en Gerarda de Lang hebben de eer u kennis te geven van hun voorgenomen huwelijk, waarvan de voltrekking zal plaats hebben op 18 april 1901. Sloterdijk en Wormerveer, receptie op den veertienden april te Wormerveer. Lithogr. notification card, 13.2 x 10.5 cm. Sl. foxed. Rare. (3) Premie-uitgave 1939. Ter gelegenheid van het 100-jarig bestaan der maatschappij Arti et Amicitia anno 1839-1939. Vereeniging to Bevordering van Beeldende Kunsten. Fold. prospectus, 17 x 13.5 cm, front w. woodcut ill. by Rueter. The woodcut is the same as on the portfolio, but smaller. Rare. (4) Eeden, F. van. De blijde wereld. Reden over mensch en maatschappij. Amst., W. Versluys, 1903, 1st ed., 376 p., woodcut title-p., head and tailpieces and orig. wr. by Rueter. Front and back wr. neatly strengthened/ re-attached w. sellotape on inner hinges. -and 21 others des. by Rueter, incl. a Rijkstelegraaf geluktelegram (1933) in the orig. envelope, ex libris for the Allard Pierson Stichting and packaging labels for Verkade. A few duplicates. (total 25)
Lot 1129
No. 2, 4 and 8 (final number). Printed in Amst. by C.A. Spin & Zoon for s'Gravenhaagsche Meubelfabr. v.h. A.J. Mesker/ Meubelfabr. "Nederland" J.A. Huizinga, Gron., (1937-1938), (16) p. each, w. ills., typography, lay-out and orig. stapled wr. by Willem Sandberg, sm. folio (minor imperfections). Rare. (4) Open oog. Avantgarde cahier voor visuele vormgeving no. 2. Printed in Amst. by Spin & Zoon for W.L. and J. Brusse in Rott., (1946), 32 p., w. ills., orig. stapled wr., 4to (wr. faded along margins). -and 26 others des. by Sandberg, mainly Stedelijk Museum catalogues, incl. a few duplicates. (total 30)
Lot 1136
(1) Point Lobos. N.pl., (Lage Vuursche), n.d. (1952), 16 p., ill. facsimile of a manuscript, orig. thread-bound wr., 16 x 16 cm. With signed dedication in pencil on inside front wr.: "Een essay uit mijn boek "Plan the impossible" voor de Dudok's. Augustus 1952 [signed: H.Th. Wijdeveld]." Willem Marinus Dudok and his wife, owned this rare, privately published work. Front wr. w. a few stains. (2) The Dance of Life. A uniform issue with the exact same dedication in pencil. (total 2)
Lot 1140
(1) Two nudes. Lithogr. Amster., Arti & Amicitia, 1939. Signed in the plate. Number '20' bottom right on sheet. 16 x 17 cm (image), 30 x 23.5 cm (sheet). Edges mounted on paper w. small pieces of tape. (2) Gelukstelegram + Enveloppe. Rijkstelegraaf, (1931). 23 x 17 cm (Telegram). Enveloppe mounted on paper w. upper edge, des. by Sluijters. Rare. (3) De Mei: Cabaretliedjes van Dirk Witte. Amst., ca. 1914. Paper wr. w. cover des. by Sluijters. Dedicated in print to Greta Sluijters. (4) Idem. Het land van Noord-Scharwou. Cabaretliedjes. Amst., ca. 1917. -and 8 more. Overall in fair to good condition. (total 12)
Lot 1157
(1) Een schilderij* geeft ons evenwicht. *Schilderij = kleur + vorm + ruimte. N.pl., S.P.G. (De Bijenkorf), (1950), (12) p., introd. by W. Grohmann, w. ills. incl. photogr. by G. Lederman, orig. stapled wr., sm. 8vo. Very rare booklet, publ. on occasion of the 80th anniversary of De Bijenkorf. (2) "De Bijenkorf". Cardboard box, 7 x 10 x 3 cm, ca. 1950, cover des. by Vordemberge-Gildewart. A few sm. defects. Extremely rare. (3) Prikkels, number 146. Amst., Proost, 10 Mai 1951, 15,(5) p., orig. wr. des. by Vordemberge-Gildewart. (4) Koninklijke Kunstzaal Kleykamp, 's-Gravenhage. Tentoonstelling Vordemberge-Gildewart van 3 December tot 30 December 1938. Introd. by Grohmann. Amst., Duwaer, 8 p., 2 ills., stapled. Very rare sm. exhibition catalogue, listing a.o. N. van Doesburg ("Mevrouw Petro van Doesburg"), P. Citroen, F. Duwaer and W.J.H.B. Sandberg as members of the exhibition committee. (5) Vrij beelden. Group of modern Dutch artists. Pref. by H. Arp. Amst., by Ellerman Harms for Van Munster, 1948, (32) p., w. ills., editing, cover and typography by Vordemberge-Gildewart. -and 5 others, incl. another sm. cardboard box of De Bijenkorf, and the Rijksmuseum exhibition catalogue Kunst in Vrijheid, in 1st and 2nd ed. (both 1945, the first ed. w. wr. des. by Vordemberge-Gildewart, who was one of the many members of the "Eere-committee"), w. price lists at the end. (total 10)
Lot 1162
(1) Ritter, P., B. Bakker Schut & H.Th. Wijdeveld. De Bijenkorf, 's-Gravenhage. Uitg. ter herinnering aan de opening op 25 maart 1926. (Amst., Kasteel v. Aemstel, 1926), 123 p., richly ill. w. floor plan cross-sections, num. photogr. ills. of the outside and details on the inside, num. advertisements, layout and orig. cloth-backed dec. boards by Wijdeveld, folio. Sm. tear p. 33, some external imperfections. A good copy. Oldewarris et al. H.Th. Wijdeveld, Art Deco design op paper 61 and 62 (cover and title-p.). Fine monograph published on occasion of the opening of the new building of the department store De Bijenkorf at The Hague on 25 March 1926, one of the highlights of modern Dutch architecture, des. by the architect P. Kramer. -and 7 others, incl. 2 rare privately publ. items by Wijdeveld (one as "Dutchy", 1967) and 2 remarkable issues of Hitweek w. striking layout by Wijdeveld (Dec. 1966). Added: Oldewarris, H. et al, H.Th. Wijdeveld, Art Deco design on paper (2003). (total 9)
Lot 1164
te Amsterdam Januari en Februari 1922. Catalogus der tentoonstelling. Amst., by Drukkerij "Volharding", Jan. 1922, 26,(2) p., typography and orig. stapled wr. printed in gold by Wijdeveld. Vague folds throughout, wr. faded and a a few minor other imperfections. Rare. Cf. Oldewarris at al, H.Th. Wijdeveld, Art Deco design on paper 42, w. the same ill. as on the cover of this catalogue, but printed in black. (2) De mise en scène van de architectuur. Plan the impossible. Nic. H.M. Tummers over het werk van H.Th Wijdeveld bij diens 80ste verjaardag. Hilversum, G. van Saane, 1965, 32 p., num. ills., signed by Wijdeveld in felt-tip pen on inside front wr., orig. comb-bound wr., folio. Front wr. loosening from comb at top of spine. Offprint from Bouwkundig Weekblad, nr. 19, year 83, 24 Sept. 1965. (3) H.Th. Wijdeveld. Naar een internationale werkgemeenschap. Santpoort, C.A. Mees, 1931, 17,(1) p., w. 16 plans/ photogr. ills., orig. dec. boards, sm. 4to. Contents a bit foxed, covers sl. discol. -and 4 others, incl. a flyer on house Elckerlyc in lage Vuursche (Wijdeveld's own house) and the prospectus Koop de zon op Mallorca. (total 7)
Lot 1165
Architectuur, schilderkunst, beeldhouwkunst en ceramiek, textiel, typografie, theater, muziek en dans, fotografie en film. (Amst., n.publ., 1933), (29) p., 12 full-p. photogr. ills., orig. dec. boards w. transparent dust wr., sq. 8vo. Free endpapers sl. browned from offseting of pastedowns, dust wr. sl. dam. A very good copy of this rare prospectus for this broadly oriented, exclusive art academy led by Wijdeveld (director), Menseldssohn and Ozenfant. The different divisions were led by P. Binofas (potter), S. Chermayeff (architect), P. Gargallo (sculptor), E. Gill (engraver), P. Hindemith (composer), E. Mendelssohn (architect), A. Ozenfant (painter) and Wijdeveld (architect).
Lot 1166
Incl. a.o.: (1) Eugène Eberle. 100 jaar Grasso. 100 années Grasso. 100 Jahre Grasso. Wormerveer, by Meijer for Grasso's Machinefabrieken N.V., Den Bosch, (1958), 66,(6) p., richly ill., des. by Wissing, orig. cl., 4to. (2) Architect J.J.P. Oud. Rott., by Gemeentedrukkerij for Museum Boymans, 1951, exhibition catalogue, 32 p., ills., des. by Wissing, orig. stapled wr., obl. 4to. Rare. (3) Dijkstra, C. Sanatorium De Klokkenberg (Breda). Amst., by Van Munster for Internationale Gewapendbeton Bouw N.V. in Breda, 1955, 52 p., num. ills., des. by Wissing, orig. wr., 4to. (4) Benno Wissing. Grafische en ruimtelijke ontwerpen. Rott., Mus. Boymans Van Beuningen/ NAi, 1999, 96 p., richly ill., orig. wr. 4to. (total 28)
Lot 1168
Paris, by Le Foyer for Collection l'Art Contemporain, 1935, (16) p. w. contributions by Leger, Brzekowski, A. Chamson, J. Martel and G. Bauquier, 20 plates showing works of art by Wanda Wolska, "composition graphique" by C. Grabowska, orig. pictorial wr., 4to. Bookblock detached, wr. w. a few defects. In all, an acceptable copy, with owner's entry of V.W. van Gogh, dated "26 sept. '35" on title-p., "Wanda Wolska. Artiste peintre, fille de Lukasz Wolski architecte polonais et de Madame Stanislawa Wolska. Décédée en pleine jeunesse d'une mort tragique en 1933, à Juan-les-Pins." Chodasiewicz Grabowska is Wanda Chodasiewicz-Grabowska (Nadia Léger). Very rare, only 1 copy in OCLC (Poland). Loosely inserted: 4 contemp. orig. photogr. depicting works of art by Wolska, 3x w. stamp of photogr. M. Vaux (Paris) verso (1 torn).
Lot 1175
der Nederduitsche Hervormde Gemeente te Amsterdam. Amst., n.publ., n.d. (1940), 18 p., 10 photogr. ills., design and orig. stapled photomontage wr. by C. Oorthuys. Sl. foxed (incl. wr.). Publ. in the series Kerkbeurtenblad. (2) Theater van de goede film. Uitkijk. Shaped bookmark incorporating a sm. photomontage ill. recto, 15.5 x 5 cm, ca. 1934, verso w. text only. Sl. yellowed, some edge wear. Very rare. The photomontage by Oorthuys was also used for other commercial publications of Filmtheater de Uitkijk. -and 3 rare others, incl. a nicely designed program of Filmtheater "De Uitkijk" for 27 March 1936, and a sm. prospectus for the work Amsterdam tijdens den Hongerwinter. (total 5)
Lot 1181
Year (3), no. (1) and (2), 4-24, and year 4, no. 1, 3, 5, 7-17, 19-30, 32-38, 41-44 and 46-52. Amst., 1934-35, 67 issues, num. (photomontage) ills., orig. (unif.) stapled pict. wr. Added: 19 other numbers of the same periodical, 1934-38, incl. special numbers and duplicates. Partly waterst. and w. occas. other defects. A good, albeit interrupted, run of this rare periodical. (total 86)
Lot 1183
Comprises a.o.: (1-6) De Gemeenschap. Ed. Jan Engelman, A. van Duinkerken a.o. Year 3, no. 2 (w. loosely inserted prospectus for the year) and 10-11; year 6, no. 4; year 7, no 4; year 8, no 1 and 7. Utr., Febr. 1927 - Juli 1932, 6 vols., plates/ ills., orig. (photomontage) wr. by Kees Strooband, Piet Worm, Ch. le Lorrain, Otto van Rees, Germaine Krull (using her photos and others) and W. Heynen, var. 4to sizes. W. occas. defects/ imperfections. Fine examples of the striking designs the periodical is known for, see Van de Haterd 2008 (listed below), p. 31, 199, 203 (frontwr. DG 1928-1, here present in the shape of the prospectus for the year 1928), 210, 211 and 225. (7) Ed. Brom. Bloemlezing. Ed. A. van Duinkerken. Utr., printed by Lumax for De Gemeenschap, 1932, 97,(4) p., orig. boards. Signed and dated September 1932 by the author in pen. (8) A. Kuyle. Geluk in druk. Utr., Lumax, (1934), printed in a limited, numb. ed. 20,(1) p., orig. stapled wr. (spine sunned). Booklet presented to visitors of N.V. Drukkerij en Uitgeverij Lumax, signed and dated 31 Jan. 1931 by A.M. Oosterbaan. Rare, apparently no copies in NCC. (9) L. van de Haterd. De waarheid hooger dan de leus. Over de beeldvorming rondom tijdschrift en uitgeverij De Gemeenschap 1925-1941. Haarlem, In de Knipscheer, 2008, 414 p., num. ills., orig. wr. des. by Anders Kilian. (total 22)
Lot 1185
Paris, Georges Lang for VIU OSR (address on wr./ title bifolium), 1950. 48 p. 48 x 31 cm. A series of 12 stiff paper bifolia printed on both sides w. col. photomontages des. by E. Scheidegger, numb. 1A-1D to 12A-12D, loose as issued w. the orig. photomontage wr./ title bifolium, obl. folio. First title-p. a bit stained, otherwise fine. All lvs w. orig. perforated holes for displaying them. A good copy of a very rare, early work by Scheidegger (1923-2016), displaying the various uses and benefits of electricity.
Lot 1186
N.pl., n.publ., n.d. (1937), (16) p. (incl. wr.), printed in brown and black, typography, photomontage ills. and orig. stapled wr. by C. Oorthuys, obl. 8vo. Owner's stamp of Cor de Vries on page 3. Wr. a bit discol. along edges and a few other sm. defects. In all, a good copy. Maan/ Van der Ree p.75. Very impressive, rare publication.
Lot 1187
Mostly socialist booklets, but also incl. some numbers of a periodical, some commercial publications and a few ex libris. Interesting collection, incl. many (rare) small publications issued by the S.D.A.P. (1) Gebr. v. Oven. Vaandels, vlaggen, insignes. Wagenstraat Den Haag. Original design for an advert in black ink, 22.5 x 15.5 cm, signed Hahn Jr. Central fold, remnants of former mount verso. (2) S.D.A.P. Arbeiders jaarboekje voor 1924. Zes en twintigste jaargang. Amst., 1924, 191 p., sm. portraits and adverts, incl. the advert by Hahn Jr. mentioned above, in reduced size on inside front wr., woodcut title-p. and orig. wr. by F. Cohen, sm. 8vo. (3) S.D.A.P. Prentjesboek voor de kiezers 1929. N.pl., (1929), (8) p. (incl. wr.), entirely lithographed in black and red by Hahn Jr., orig. stapled wr., obl. 8vo. (4) Kunst aan het volk. Albert Hahn. Tentoonstelling gewijd aan zijn nagedachtenis. Van 14 dec. 1918 tot 14 jan. 1919 in het Stedelijk Museum (...). Amst., printed by "Vooruitgang", 1918, 32 p., w. ills., orig. stapled wr. (5) Fonds-catalogus van H. Honig te Utrecht. 32 p., (ca. 1910), woodcut title-p. and col. woodcut wr. by Albert Hahn (I). Very rare, only 1 copy in NCC. -and approx. 55 others concerning the two artists, incl. 8 issues of De Bijenkorf. Maandblad voor kinderen onder redactie van Fred Berens (Dec. 1933 - July 1934), N.V. de Arbeiderspers Amst., Naar het Licht, 11e jaargang 1936, private cl. w. ex libris of Hahn Jr. on inside front cover, Het vreugdelied van de Dood (Arbeiderspers, 1930), Verkiezingsprent der S.D.A.P., 1929, and De Bedrijfsreklame, Serie III, No. 1, Aug. 1917, w. an ill. article on the work of Hahn and (loose) front wr. by him. (total approx. 60)
Lot 1189
and some other items. All Dutch language, mostly 1930s but also incl. earlier publications. (1) In de duinpan. Tweede druk. Koog aan de Zaan, Noord-Hollandse Propaganda-Commissie van de Algemene Nederlandse Geheel-Onthouders Bond, n.d. (ca. 1935), 12 p., 4 ills., orig. stapled (sl. foxed/ browned) pictorial wr. Extremely rare sm. publication, w. amazing front wr. design. (2) Nederlanders in Spanje. Geronseld? Amst., Agentschap Amstel, n.d. (ca. 1937), 16 p., orig. wr. (w. folds). (3) Fascisme of socialisme. Wat eischt het gemeenschapsbelang? Feiten ter overdenking. N.pl., Ned. Vereeniging van Spoor- en Tramwegpersoneel, n.d. (ca. 1938), 16 p., orig. stapled woodcut wr., obl. 8vo. Final page: "Uw antwoord? N.V.V. (and) S.D.A.P. Geen fascisme maar Socialisme!" (4-5) Een heilige ontevredenheid. By T.T. de W. Van breken en bouwen. By S.H. v. G. Amst., Bond van den Soc. Dem. Vrouwenclubs, n.d. (ca. 1931-33), 2 vols., 16 and 8 p. (incl. wr.), orig. stapled wr. w. lithogr. ills. by A. Funke Küpper. Very rare. (6) Van een belangwekkend bedrijf. Hoe het werkt en groeit. Amst., De Arbeiderspers, 1932, (16) p., printed in black, blue and yellow, w. map and ills., orig. thread-bound wr. Very nicely designed publication on de Arbeiderspers. (7) Viruly, A. Ons land en het geweld. Amst., Contact, 1938, 30 p., orig. wr. printed in blue and orange des. by Brögel. (8) Kamerverkiezing 1933. Stemt op de S.D.A.P. Het wonder-biljet zorgt dat het zoo wordt: stemt rood! Movable board propaganda card, 9 x 8.3 cm, w. turnable circular disk behind a square, printed in red and black, in envelope w. the printed text "Op 't drukwerk in dit zakje staat voor U een hééle goede raad". Extremely rare. -and approx. 59 others. (total approx. 65)
Lot 1190
Tentoonstelling: sport, kunst, wetenschap, documenten. Amst., n.publ., 1936, (28) p., exhibition catalogue, orig. photomontage wr. by C. Oorthuys, large 8vo. Staples removed, contents loose, wr. strengthened on inside. Very rare catalogue of this anti-fascist exhibition, held in August 1936 in Gebouw de Geelvinck, Singel 530, Amst. Added: Duitschland het land der Olympische spelen? Feiten en beschouwingen. Amst., J.L. Joachimstal for Joodsche Perscommissie voor Bijzondere Berichtgeving, 1935, 32 p., orig. wr. W. mounted newspaper clipping (1936) on inside front wr.: "Nederlandsche brochure in Duitschland verboden". (total 2)
Lot 1197
Amst., 1932-1933, 10 parts in 9 vols., orig. stapled photomontage wr. by P. Schuitema (no. 1-4, 5/6), C. Oorthuys (no. 9, "negernummer" w. contribution by "adekom", A. de Kom) and unknown (no. 8, "anifascistennummer"), no. 7 w. orig. linocut wr. by "Aré". Lacks the final part 11-12, part 1 w. stamp on front wr. and owner's entry on p. 1, occas. other sm. defects. Almost complete, good set of this rare socialist literary periodical, incl. contributions by Marsman and du Perron. Maan p. 68. Added: Oorschot, G. van. Gevangenis. Gedichten. Tweede druk. Printed in Baarn by G. Bakker for Links Richten, n.d. (1932), 34 p., orig. photomontage wr. by H. Bruyntjes and 1 other publ. by Links Richten. (total 11)
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