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Jean-Léon Gérôme (French, 1824-1904)The Nile in flood, Thebes signed 'J.L.GEROME.' (lower left)oil on canvas78.1 x 116.9cm (30 3/4 x 46in).Footnotes:ProvenanceWith Vose Galleries. Private collection, Canada. ExhibitedParis, Salon, 1901 (according to Ackerman).Vose Galleries, Boston Sale, New York 7-8 March 1929, no. 168. LiteratureOeuvres de J.-L. Gérôme (Bibliothèque nationale, Paris), XXIII, 14 b. Gerald M. Ackerman, The Life and Works of Jean-Léon Gérôme, London, 1986, no. 468, p. 285 (illustrated, dated 1901 and catalogued as lost).Gerald M. Ackerman, Jean-Léon Gérôme, Monographie révisée, catalogue raisonné mis à jour, Paris, 2000, no. 468, p. 354 (illustrated, dated ca. 1900-1904 and catalogued as La Plaine de Thèbes pendant l'inondation du Nil, and catalogued as lost).Gérôme's interest in recording ancient Egyptian monuments was sporadic, and these subjects are rare within his oeuvre. His fascination with the Colossi of Memnon, however, was more enduring. The focus of at least six compositions in various media, these storied statues of the 18th-dynasty pharaoh Amenhotep III (1386-1353 BCE) form a distinctive subgroup of Gérôme's Orientalist works produced between 1856 and 1904. These images yield important information about archaeology, conservation, and tourism, Egypt's pharaonic and classical past, its natural history and changes in its agricultural practices, and Gérôme's understanding and experiences of them all. In the present work, exhibited at the Paris Salon in 1901 and likely based on on-the-spot sketches made during Gérôme's first trip to Egypt in 1856-7 (including a sketch dedicated to Gérôme's mentor, Paul Delaroche; fig. 1), the artist depicts the Colossi at sunrise, at the beginning or, perhaps more likely, at the end of the annual Nile flood. The view is to the approximate north; today, this would position the artist on the modern road on Luxor's West Bank, which connects the Nile ferry docks to some of Egypt's most-trafficked tourist sites. This particular stretch of road lies atop an old berm built around the hawd or irrigated field around the Colossi, which helped to contain the rising waters of the flood. The artistic liberties that Gérôme has taken with the siting of the statues is readily apparent; nevertheless, the basic conception of the Theban hills in the background, with the statues at the entrance to the ancient mortuary temple of Amenhotep III on the floodplain nearer the Nile, is accurate. (In addition to his sketches, Gérôme may also have used contemporary photographs as an aide-mémoire, notably those taken by his friend and traveling companion during that first Egyptian journey, Auguste Bartholdi; fig. 2.) Contemporary viewers would have known Gérôme's subject by the time of the painting's exhibition in 1901, both from his earlier visual examples, including widely circulated prints made by Gérôme's dealer and father-in-law, Adolphe Goupil, and related literary texts. Describing a photogravure made after one of Gérôme's Colossi scenes, one 19th-century author penned, 'Now, the ruined statues of King Memnon, fabled of old to sing at sunrise, form the conspicuous heroes of this wide desert scene, where all seems colossal, strange, adapted to another scale that that of humanity ... Other lands tempt by their beauty, by their capacity of improvement; Egypt fascinates by its stability of ruin, and by its story of a splendid past, written in granite. Of all the artists whom genius has given a mission to penetrate into this place of awe, and bring back the record of its desolation, none equals Gérôme in the tangible distinctness of the impression he leaves; he seems to carve his national types in adamant, and fetch them up to the eye as a series of images that can be weighted, felt, and estimated.' Théophile Gautier's laudatory words about Gérôme's Colossi subjects had first been published in 1856, to the great interest of French visitors to the Salon. They were transcribed into English by the artist's American biographer, Fanny Field Hering, in 1892, making them as well-known in that country as abroad: With a sigh and a shudder, we move on beside the great critic [Gautier] and pause before the Memnon and Sesostris. / 'Two mountains sculptured in the form of man which neither time, nor tremblings of the earth, nor conquerors much more terrible, have been able to move from their base. They are there, their colossal hands crushing their knees, shapeless, monstrous, flat-nosed, returning slowly to rock, standing out against the arid background of the Lybian [sic] range which lies barren beneath a scorching sun - rosy in the light, blue in the shadow. Memnon has lost his voice, and, since the Roman Emperor essayed its restoration, no longer salutes Aurora. The inscriptions on the pedestal seem to-day untrue, but the phenomenon of his melodious vibration is established by history in the most incontrovertible manner. At the foot of these gigantic statues, a group of men and camels may serve as a scale of comparison; they scarcely attain the height of the base-plate. To relieve this landscape of limestone and granite, M. Gérôme has placed in the foreground several clumps of green herbs, which the summer will soon change into tawny tufts, resembling a lion's mane ... / The Plain of Thebes is the reverse side of the picture we have just described. The foreground consists of fragments of enormous columns, in scattered blocks, on one of which is carved the image of a god; it is the debris of a ruined palace, probably that of Amenophis; beyond the ruins stretches a plain subject to inundations, crossed by a road along which a caravan of dromedaries is passing ...The two colossi, with great difficulty diminished by the distance, reappear, seen from the back, their royal tresses gathered and knotted behind their heads like a queue à la prussienne. Farther on, the eye discovers blackish lands, besprinkled with trees and palms, and to the right hillocks, or rather mounds formed of ruins, fragments of which stick up through the ground. In the background a chain of distant mountains, rosy and purple; over them a sky mixed with heat, which seems to lie far above and behind the shimmering, luminous atmosphere, and on which a flock of wandering storks make microscopic points,' (quoted in Fanny Field Hering, Gérôme: The Life and Works of Jean Léon Gérôme, New York, 1892, pp. 66-7; Gautier's original French text appeared in L'Artiste, 28 December 1856, p. 23). The 'shimmering, luminous' atmosphere that Gautier describes in the Plain of Thebes is repeated in the present work.

John Luffman (British 1751-1821): 'Yorkshire - North Riding', rare early 19th century miniature engraved map with original hand-colouring pub. 'New Pocket Atlas and Geography of England and Wales' 1803, 15cm x 8cm

George Bickham (British 1684-1758): Perspective Map of County 'Durham', rare 18th century engraving pub. c1749, 24cm x 16cm

Isaac Taylor (British 1730-1807) and Thomas Kitchin (British 1719-1784): 'New Map of the County of Hereford', very rare 18th century engraved map of Herefordshire on rolled canvas backing, the margins with 288 heraldic shield for subscribers with only 77 filled pub. 1754, 118cm x 113cmNotes: The first and one of the rarest of Isaac Taylor's large-scale surveys, only 77 subscribers were procured, with subsequent maps not including the heraldic arms due to the unsuccessful result. Possibly less than 100 maps were eventually printed.

J Taylor (British 18th century) and Richard Benning (British 18th century): 'City of Hereford', very rare 18th century engraved map on rolled canvas backing pub. 1757, 68cm x 91cm (unframed)

Carington Bowles (British 1724-1793): 'Bowles's Reduced Map of Worcestershire' and 'Bowles's New Medium Map of Herefordshire', two 18th century engraved maps, the reduced very rare, one with hand-colouring max 23cm x 33cm (2)

Richard Blome (British 1635-1705): 'A Mapp of Ye County of Hereford with its Hundreds', 17th century engraved map pub c1673, 19cm x 24cm; Thomas Badeslade (British c1715-1750): 'Nottinghamshire' and 'Worcestershire', pair 18th century engraved maps pub. c1741, 16cm x 18cm; together with another similar, a rare map of Worcester by I Cowley and a rare map of Leicester (6)

James Webb (British 19th century): 'Map of Deerfold and other Estates in the Parish of Lincoln in the County of Hereford', very rare 19th century engraved map with hand-colouring pub. 1845, 65cm x 50cm; together with large collection of 18th and 19th century engraved maps of Herefordshire including those by Sudlow & Haywood, Thomas Moule, Robert Dawson, John Cary, Slater, Creighton, Roper & Cole, Becker, J & C Walker, Henry Teesdale etc. (19)

Herman Moll (Dutch/British 1654-1732): 'Worcestershire (3)' 'Rutlandshire' and 'Herefordshire', set three 18th century engraved maps one with hand-colouring, with the associated antiquarian and historical finds to the border pub. c1724, 21cm x 31cm (5) (unframed)Notes: one of the Worcestershire maps is a rare Rocque first edition

Collection of 18th and 19th century maps of Rutlandshire and Radnorshire including those by Thomas Kitchin, John Alken, Joseph Ellis, Thomas Moule, John Ellis, Charles Smith, Laurie and Whittle's rare map of roads of Aberystwyth and Cary's map of North Wales (10)

Philip Lea (British fl.1683-1700) and Christopher Saxton (British c1540-c 1610): 'Norfolk', rare 17th century engraved map with hand-colouring pub. c1693, 34cm x 50cm

Collection of 18th and 19th century engraved maps of Wiltshire, Gloucester, Essex and Shropshire including John Smeaton (British 1724-1792): 'A General Plan of the Bay and of the old and new Harbours of Rye', very rare 18th century engraved map with hand-colouring pub. 1763; and others by Charles Smith, Thomas Badeslade, Thomas Osborne, Thomas Moule, John Cary, John Emslie, Robert Dawson etc. (14)

T Nash (British 18th century): 'Worcestershire', rare 18th century engraved folding map pub. 'History of Worcestershire' 1781, 56cm x 52cmCondition Report:Very good condition considering it is a folding map

John Seller (British 1632-1697): 'Worcestershire' (6 - one rare first edition) 'Herefordshire' 'Shropshire' (2 - one rare first edition) 'Staffordshire' and 'Wiltshire', eleven 18th century engraved maps most with hand-colouring pub. c1695 and later max 23cm x 15cm; together with two distance tables of Worcestershire (13)

Surveyed by Thomas Kyle (British 19th century) designed by James Walker (British 19th century) lithographed by Maclure and Macdonald: 'Plan of the River Clyde between Hutcheson's Bridge and Port Glasgow' and other plans of the River Clyde, extremely rare 19th century folio of engraved maps with hand-colouring pub. 1839, 90cm x 65cm

Thomas Bowen (Welsh 1733-1790): 'A New and Correct Map of Great Britain from the most accurate surveys', rare 18th century engraved map with hand colouring; together with a collection of others including: John Bayly's map of 'Gloucestershire' 1779; 'Large Scale Railway & Station Map of England & Wales' 1875; 'Stanford's Map of the Environs of Paris' 1870; and a 19th century map of 'Texas and Indian Territory' (8) (unframed)

Aaron Arrowsmith (British 1750-1823): 'A Map of the Pyrenees and the Adjacent Provinces by Roussel and Blottiere with additions from Torfiño and Lopez', very rare early 19th century engraved map on rolled canvas backing pub. 1809, 101cm x 109cm (unframed)

English School (18th century): 'A Correct Map of the Northern Seat of War Exhibiting the Whole of the Country wherein the British Troops have been employed under the Command of His Royal Highness the Duke of York, Together with an account of the different Battles and Sieges, in which the Allies have been engaged from the Campaign in 1792 down to the present Time', rare engraved map pub. Joseph Cottle Bristol 1794, 56cm x 38cm (unframed)

Rare 17th century map possibly after Francesco Scoto (Italian 1548-1622): 'Roma', perspective engraved map of Rome with surrounding views of cities 'Lucca, Malta, Pozzolo, Napol, Lauretum' and basilicas 'San Pietro, San Paolo, San Giovanni in Laterano, San Maria Maggiore, San Croce in Gierusalem, San Sebastiano, San Laurenzo', 27cm x 35cm

Captain Sir Alexander Burnes (Scottish 1805-1841): 'Central Asia; comprising Bokhara, Cabool, Persia, The River Indus, & Countries Eastward of it', rare 19th century engraved map with hand-colouring pub. John Arrowsmith 1834, 53cm x 74cm

Jean Palairet (French 1697-1774): 'A Map of Asia With Its Principal Divisions', rare 18th century engraved map with hand-colouring pub. c1755, 50cm x 53cm (unframed)

Large rare map of Hong Kong with road maps of Kowloon and Hong Kong, colour lithograph pub. c1977, retailed by Timothy Oulton 150cm x 200cm

Large collection of British Ordnance Survey maps dating from the mid-19th century onwards, including Geological Survey maps and rare 19th century electrotype OS maps (approx. 75)

Rare prototype poster for the 'Centenaire de l'Orient Express', depicting the famous painting used in the 'Golden Arrow' poster after William Spencer Bagdatopoulos, 92cm x 61cm; 'Through Connection and Through Bookings, early 20th century lithograph poster for LYR (Lancashire & Yorkshire Railway) and LOR (Liverpool Overhead Railway) pub. c1910, 75cm x 52cm (2)

Konvolut 8 Wattefiguren und schöner Christbaumschmuck. 13 Teile: Wattefiguren in verschiedenen Größen, davon 6 mit Oblatengesichtern und 2 mit Porzellanköpfchen. L 5,5 - 19 cm. / Baumspitze mit Oblaten und leonischen Drähten. H 23 cm. / Seltene Glaskette mit Tieren, Zapfen und Eisenbahnwagen. L 215 cm. / Dazu 3 kleine Baumanhänger mit Papier und Lametta, L 5 - 8 cm. Altersspuren, Defekte. Aufrufzeit 26. | Okt 2023 | voraussichtlich 11:20 Uhr (CET)Convolute 8 absorbent cotton figures and beautiful Christmas tree decorations. 13 parts: Absorbent cotton figurines in various sizes, including 6 with wafer faces and 2 with porcelain heads. L 5,5 - 19 cm. / Tree top with wafers and leonic wires. H 23 cm. / Rare glass necklace with animals, cones and railroad carriages. L 215 cm. / Plus 3 small tree pendants with paper and tinsel, L 5 - 8 cm. Signs of age, defects. Call time 26 | Oct 2023 | expected 11:20 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

3 seltene Kinderspiele. Um 1900-30. Max. 39,5 x 24,5 cm. "Schnipp Schnapp. Neueste Ausgabe". Verlag J.W. Spear & Söhne, Nürnberg. / "Ich hab mein Herz im Spiel verloren!" Klee-Spiele, Fürth. / "Hans im Glück". Verlag unbekannt. Gut erhalten, wohl vollständig. Kartons mit kleinen Defekten. Aufrufzeit 26. | Okt 2023 | voraussichtlich 11:29 Uhr (CET)3 rare children's games. Around 1900-30. Max. 39.5 x 24.5 cm. "Schnipp Schnapp. Latest Edition". Publisher J.W. Spear & Sons, Nuremberg. / "I lost my heart in the game!" Klee-Spiele, Fürth. / "Hans im Glück." Publisher unknown. Good condition, probably complete. Cartons with small defects. Call time 26th | Oct 2023 | probably 11:29 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FABRICIUS, Richard(1863 Berlin - 1923 Dresden) Großer weiblicher Akt auf SchildkröteBronze, dunkel patiniert, schwarzer Marmor-Sockel. Unsigniert. Höhe: 79 cm. Das Modell ist in kleiner Form mit einer Höhe von 36 cm häufig, in der Größe äußerst selten. Fabricius, Bildhauer, studierte an den Akademien in Berlin und Dresden, Meisterschüler von Robert Diez. Bereiste Italien, ab 1898 freischaffend tätig. Mitglied der Allgemeinen Deutschen und der Dresdner Kunstgenossenschaft. Werke in diversen deutschen Museen und Städten * Partnerauktion Bergmann.Literatur : Saur (2003).Versand nicht verfügbar.Aufrufzeit 26. | Okt 2023 | voraussichtlich 12:59 Uhr (CET) FABRICIUS, Richard(1863 Berlin - 1923 Dresden) Large female nude on shieldBronze, dark patina, black marble base. Unsigned. Height: 79 cm. The model is in small form with a height of 36 cm häufig, in the size äße &ßerst rare. Fabricius, sculptor, studied at the academies in Berlin and Dresden, master student of Robert Diez. Traveled Italy, from 1898 freelancing. Member of the Allgemeine Deutsche and the Dresdner Kunstgenossenschaft. Works in various German museums and cities * Partner auction Bergmann..Literature : Saur (2003).Shipping not available.Call time 26 | Oct 2023 | expected 12:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Prunkvolle, seltene Dielendekoration eines Pfaus mit prächtigem Federrad. Louis-Robert Carrier-Belleuse, Choisy-le-Roi. Stempelmarke mit Zusatz "France". Ende 19. Jh. Am Sockel bezeichnet "Louis Carrier Belleuse". Modell-Nr. 1704 12 99 PIM. Entwurf: Louis-Robert CARRIER-BELLEUSE (1848-1913 Paris).Majolika, farbig staffiert. H 80 cm. 21,4 kg. Monumentale Plastik eines männlichen Pfauen mit aufgefächerten Schwanzfedern, auf Natursockel mit Schale. Federrad teils restauriert, 3 Federn bestoßen.Choisy-le-Roi gehört seit etwa 1804 zu den bedeutenden Zentren der französischen Keramik-Herstellung. Im Jahr 1836 übernahmen Louis Boulenger (1773-1850) und Hippolyte Hautin die Leitung der dortigen Fayence-Manufaktur. Ihre Kinder Adolphe Boulenger (1805-1873) und Alexandrine Hautin (1814-1900) heirateten und bekamen 4 Kinder, darunter Hippolyte Boulenger (1836-1892), der 1863 Eigentümer des Unternehmens wird und es unter dem Namen H. Boulenger & Cie (Hautin Boulenger & Cie) weiterführt. In dieser Zeit beschäftigte die Manufaktur etwa dreihundert Mitarbeiter und erweiterte die Produktion um zahlreiche Majolika-Designs. Hauptkonkurrent war die elsass-lothringische Keramik-Fabrik in Sarreguemines, welches nach Ende des Deutsch-Französischen Krieges von Deutschland annektiert wurde. Da einige Arbeiter aus Sarreguemines die deutsche Zugehörigkeit ablehnten, wechselten sie nach Choisy-le-Roi und brachten ihre technischen und künstlerischen Fähigkeiten in die Produktion mit ein. In der Folgezeit produzierte Boulenger die feinsten Majoliken Frankreichs und verschaffte sich ein großes Renommee auf internationalen Ausstellungen. Hippolyte Boulenger eröffnete 1889 in der Rue Paradis 18 in Paris ein Ladengeschäft, in dem die neuen Entwürfe der Manufaktur ausgestellt wurden. Zu den beeindruckendsten Stücken gehören monumentale Majolika-Vasen mit Hennen, Hähnen und anderen Vögeln, die von Paul Comolera und Louis-Robert Carrier-Belleuse modelliert wurden. Louis-Robert Carrier-Belleuse (1848 Paris - 1913 Paris) war ein französischer Maler, Bildhauer und Keramiker. Zum künstlerischen Leiter der Faiencerie von Choisy-le-Roi wurde er 1889 unter Hippolyte Boulenger. Im selben Jahr erhielt er eine Silbermedaille auf der Weltausstellung in Paris und wurde mit dem Orden der Ehrenlegion gewürdigt. Die längste Zusammenarbeit fand nach dem Tod von Hippolyte Boulenger mit dessen Sohn Paul Boulenger statt. Eine ungewöhnliche Entwicklung in der Karriere von Carrier-Belleuse war die Etablierung seines Rufs als Bildhauer in Mittelamerika. Dies scheint mit einem Auftrag für das Grabmal des liberalen Reformers und Modernisierers von Guatemala, Präsident Justo Rufino Barrios, der im April 1885 starb, begonnen zu haben. 1891 entwarf Carrier-Belleuse das Nationaldenkmal von Costa Rica, ein 1895 enthülltes Bronzedenkmal im Parque Nacional von San José, das an die Nationalkampagne 1856/57 und die Freiheitshelden Costa Ricas erinnert.Literatur : Majolica International Society, Denton, Texas: Choisy-le-Roi. Galerie Origines, Arles: Choisy-le-Roi, H. Boulenger. Rehs Galleries, Inc., New York, NY: Biography - Louis-Robert Carrier-Belleuse (1848 - 1913).Versand nicht verfügbar.Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:02 Uhr (CET) Pompous, rare floorboard decoration of a peacock with prächtige feather wheel. Louis-Robert Carrier-Belleuse, Choisy-le-Roi. Stamp mark with addition "France". Late 19th c. Inscribed "Louis Carrier Belleuse" on the base. Model no. 1704 12 99 PIM. Designed by Louis-Robert CARRIER-BELLEUSE (1848-1913 Paris).Majolica, colorfully painted. H 80 cm. 21.4 kg. Monumental sculpture of a male peacock with unfurled tail feathers, on natural base with shell. Spring wheel partly restored, 3 springs punctured..Choisy-le-Roi belongs ürt since about 1804 to the important centers of French ceramic manufacturing. In 1836, Louis Boulenger (1773-1850) and Hippolyte Hautin took over the management of the local faience factory. Their children Adolphe Boulenger (1805-1873) and Alexandrine Hautin (1814-1900) married and had 4 children, including Hippolyte Boulenger (1836-1892), who became the owner of the company in 1863 and continued it under the name H. Boulenger & Cie (Hautin Boulenger & Cie). During this period, the manufactory employed about three hundred people and expanded its production with numerous majolica designs. The main competitor was the Alsace-Lorraine ceramics factory in Sarreguemines, which was annexed by Germany after the end of the Franco-Prussian War. Since some workers from Sarreguemines refused the German affiliation, they moved to Choisy-le-Roi and brought their technical and artistic skills to the production. Subsequently, Boulenger produced the finest majolica in France and gained a great reputation at international exhibitions. Hippolyte Boulenger opened a store in 1889 at 18 rue Paradis in Paris, where the new designs of the manufacture were exhibited. Among the most impressive pieces are monumental majolica vases with hens, chickens and other birds modeled by Paul Comolera and Louis-Robert Carrier-Belleuse. Louis-Robert Carrier-Belleuse (1848 Paris - 1913 Paris) was a French painter, sculptor and ceramist. He became the artistic director of the Faiencerie of Choisy-le-Roi in 1889 under Hippolyte Boulenger. In the same year he received a silver medal at the Universal Exhibition in Paris and was decorated with the Order of the Legion of Honor. The longest collaboration took place after the death of Hippolyte Boulenger with his son Paul Boulenger. An unusual development in Carrier-Belleuse's career was the establishment of his reputation as a sculptor in Central America. This seems to have begun with a commission for the tomb of the liberal reformer and modernizer of Guatemala, President Justo Rufino Barrios, who died in April 1885. In 1891 Carrier-Belleuse designed the National Monument of Costa Rica, a bronze monument unveiled in 1895 in the Parque Nacional of San José commemorating the 1856/57 national campaign and Costa Rica's freedom heroes..Literature : Majolica International Society, Denton, Texas: Choisy-le-Roi. Origines Gallery, Arles: Choisy-le-Roi, H. Boulenger. Rehs Galleries, Inc, New York, NY: Biography - Louis-Robert Carrier-Belleuse (1848 - 1913)..Shipping not available.Call time 26 | Oct 2023 | expected 15:02 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Jugendstil-Figur: Wasserträgerin. Wiener Manufaktur Friedrich Goldscheider. Reliefmarke GS 13 Sculpture, ca. 1900-20, mit Zusatz "Fabriqué en Autriche", unterseitig Exportstempel "Zollamt Wien". Am Sockel signiert "Polter". Modell-Nr. 4668 6 16. Entwurf: Stanislaus CZAPEK (1874-?), um 1905/15. Fayence, farbig staffiert. H 51 cm. Mädchen in taubenblauem Kleid mit 2 Wasserkrügen, auf Sockel mit dem Relief einer geflügelten Sphinx. Kleine Bestoßung am Sockel. Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:12 Uhr (CET)Rare Art Nouveau figure: water bearer. Viennese manufacture Friedrich Goldscheider. Relief mark GS 13 Sculpture, ca. 1900-20, with addition "Fabriqué en Autriche", underneath export stamp "Zollamt Wien". Signed "Polter" on the base. Model no. 4668 6 16. design: Stanislaus CZAPEK (1874-?), c. 1905/15. Fayence, colorfully painted. H 51 cm. Girl in dove blue dress with 2 water jugs, on base with the relief of a winged sphinx. Small bump on the base. Call time 26th | Oct 2023 | expected 15:12 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Patronentasche eines bayrischen Offiziers, mit Silberdeckel. Ab 1826.13 Lot Silber, Holz und Leder. 10 x 17 x 4 cm. Sehr schöne Wappendarstellung mit steigenden Löwen als Schildhalter. Seitlich zwei starre Ösen. Roter Lederbezug. Altersgemäß guter Zustand."Kunst & Krempel", Sendung des Bayrischen Rundfunk: https://www.google.com/search?q=Kunst+und+Krempel+Patronentasche&rlz=1C1GCEU_deDE1060DE1060&oq=Kunst+und+Krempel+Patronentasche&aqs=chrome..69i57j33i160l2.6623j0j7&sourceid=chrome&ie=UTF-8#fpstate=ive&vld=cid:b27127c3,vid:1cuQrhfeQsA,st:0.Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:55 Uhr (CET)Rare cartridge bag of a Bavarian officer, with silver cover. From 1826.13 lots of silver, wood and leather. 10 x 17 x 4 cm. Very nice coat of arms depiction with rising lions as shield holders. Two rigid eyelets on the side. Red leather cover. Good condition for age."Kunst & Krempel", broadcast of the Bavarian Radio: https://www.google.com/search?q=Kunst+und+Krempel+Patronentasche&rlz=1C1GCEU_enDE1060DE1060&oq=Kunst+und+Krempel+Patronentasche&aqs=chrome..69i57j33i160l2.6623j0j7&sourceid=chrome&ie=UTF-8#fpstate=ive&vld=cid:b27127c3,vid:1cuQrhfeQsA,st:0.call time 26th | Oct 2023 | expected 15:55 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Großes altrosafarbenes Tafeltuch mit reicher Handarbeit. Um 1930.Feines altrosa Glattleinen. 320 x 152 cm. Die Außenkanten in Bogenform mit weißer À-Jour-Arbeit gefasst. Umlaufender Fries aus à jour gearbeiteten Ovalkartuschen, je mit einer Blume und Streupunkten. Im Mittelbereich ein Rechteck aus den gleichen Motiven. Insgesamt 106 handgearbeitete Kartuschen. In dieser Farbgebung und reichen Handarbeit selten. 3 kleine bzw. mittelgroße feine Reparaturen.Aufrufzeit 26. | Okt 2023 | voraussichtlich 16:25 Uhr (CET)Large old pink tablecloth with rich needlework. Around 1930.Fine old pink smooth linen. 320 x 152 cm.The outer edges in the form of arches bordered with white À-jour work. Circumferential frieze of à jour worked oval cartouches, each with a flower and scattered dots. In the central area a rectangle of the same motifs. In total 106 handmade cartouches. In this color scheme and rich craftsmanship rare. 3 small or medium fine repairs.Call time 26th | Oct 2023 | expected 16:25 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltenes großes Tafeltuch mit eingewebtem Meißener Zwiebelmuster. Um 1900.Weißer Leinendamast. 350 x 198 cm. Umlaufend blau gewebte Borte mit Zwiebelmuster, im Feld weiß eingewebte kleine Motive dieses Musters. In einer Ecke gesticktes verschlungenes Monogramm in Blauweiß. Aufrufzeit 26. | Okt 2023 | voraussichtlich 16:26 Uhr (CET)Rare large table cloth with woven Meissen onion pattern. Around 1900.White linen damask. 350 x 198 cm.Circumferential blue woven border with onion pattern, in the field white woven small motifs of this pattern. In one corner embroidered intertwined monogram in blue and white. Call time 26 | Oct 2023 | expected 16:26 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HENSEL, Kerstin(*1961 Karl-Marx-Stadt (Chemnitz)). MINKEWITZ , Reinhard(*1957 Magdeburg) Seltenes Künstlerbuch "Lilit"Gebundenes Heft: 34 x 24,5 cm. Vollständiges, gebundenes Künstlerbuch mit 12 Siebdrucken von Reinhard Minkewitz und typografischem Text von Kerstin Hensel, Künstlerexemplar "E.A." (nummerierte Auflage von 50 Exemplaren), mit Bleistiftsignaturen beider Künstler im Impressum, 1988 (= Blätter und Literatur zu Grafik, Heft 6). Klappeinband mit kleinem Riss am Buchrücken. Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:13 Uhr (CET) HENSEL, Kerstin(*1961 Karl-Marx-Stadt (Chemnitz)). MINKEWITZ , Reinhard(*1957 Magdeburg) Rare artist book "Lilit"Bound booklet: 34 x 24.5 cm. Complete hardcover artist book with 12 silkscreen prints by Reinhard Minkewitz and typographic text by Kerstin Hensel, artist copy "E.A." (numbered edition of 50 copies), with pencil signatures of both artists in the imprint, 1988 (= Blätter und Literatur zu Grafik, Heft 6). Klappeinband with small tear at the spine. Call time 26th | Oct 2023 | expected 19:13 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltenes Künstlerbuch "Kristallschiff"1987. 31 x 23,6 cm. Vollständiges, gebundenes Künstlerbuch "Kristallschiff" mit Grafiken von Dietmar Zaubitzer, Osten Osmar, K. Werner, Reinhard Sandner und Andreas Hegewald; mit einem Vorwort von Tom Tritschel, Osmars Verlag, 1987/1988, Titel mit Originalzeichnung von Bodo Münzner und Widmung "Für Herrn Dr. Fischer", "Tausalzverkauf Galerie G. Barthel 8.8.97", Exemplar: 12/50, Vorwort mit allen Künstlersignaturen, jede Grafik von Hand signiert oder monogrammiert, Begleittext zu den Werken Osten Osmars in Bleistift verfasst. Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:14 Uhr (CET) Rare artist book "Crystal Ship"1987. 31 x 23.6 cm. Complete hardcover artist's book "Kristallschiff" with graphics by Dietmar Zaubitzer, Osten Osmar, K. Werner, Reinhard Sandner and Andreas Hegewald; with a foreword by Tom Tritschel, Osmars Verlag, 1987/1988, title with original drawing by Bodo Münzner and dedication "Für Herrn Dr. Fischer", "Tausalzverkauf Galerie G. Barthel 8.8.97", copy: 12/50, preface with all artist signatures, each graphic signed or monogrammed by hand, accompanying text to the works East Osmars written in pencil. Call time 26th | Oct 2023 | probably 19:14 clock (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SPRINGMÜHL, Gitte(*1951 Zwickau) Seltenes Künstlerbuch "Obdachlosenzone T."1989. Exemplar: 2/31. Heft: 48,2 x 35 cm. Vollständiges, gebundenes Heft mit 17 teils handkolorierten Siebdrucken. Deutsche Malerin, Grafikerin und Musikerin,; gehörte in den 1980er Jahren zur unabhängigen Kunstszene der DDR. Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:15 Uhr (CET) SPRINGMÜHL, Gitte(*1951 Zwickau) Rare artist book "Homeless Zone T."1989. copy: 2/31. Booklet: 48.2 x 35 cm. Complete, bound booklet with 17 partly hand-colored silkscreen prints. German painter, graphic artist and musician,; belonged to the independent art scene of the GDR in the 1980s. Call time 26 | Oct 2023 | expected 19:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

3 seltene Künstlermappen der Edition MariannenpresseMax. 50 x 40 cm. Vollständige Künstlermappe von Christian Theunert "Sag ja zur Niederlage", gebundenes Buch 49 x 38,3 cm, 51. Ausgabe der Edition Mariannenpresse, 1990, Exemplar: 55/100 (+30 römisch nummerierte Exemplare) mit Nachlasssignatur von Jenny Theunert | Vollständige Künstlermappe von Johannes Jansen und Gangolf Ulbricht "Dickicht Anpassung", gebundenes Heft 45 x 35 cm, 91. Ausgabe der Edition Mariannenpresse, 1997, Exemplar: 32/100, Impressum mit Bleistiftsignatur des Autors und des Papiermachers | Künstler-Leporello von Guntram Vesper und Hartwig Ebersbach "Die Krankheit, zu schreiben", Leporello: 43 x 16 cm, 94. Ausgabe der Edition Mariannenpresse, 1998, Exemplar: 5/100 (+30 römisch nummerierte Exemplare), Farbstiftsignatur des Schriftstellers und des Künstlers. Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:16 Uhr (CET) 3 rare artist portfolio of Edition MariannenpresseMax. 50 x 40 cm. Complete artist portfolio of Christian Theunert "Sag ja zur Niederlage", bound book 49 x 38,3 cm, 51st edition of the Edition Mariannenpresse, 1990, copy: 55/100 (+30 Roman numbered copies) with estate signature of Jenny Theunert | Complete artist portfolio of Johannes Jansen and Gangolf Ulbricht "Dickicht Anpassung", bound booklet 45 x 35 cm, 91st edition of the Edition Mariannenpresse, 1990. Edition Mariannenpresse, 1997, copy: 32/100, imprint with pencil signature of author and papermaker | Artist's Leporello by Guntram Vesper and Hartwig Ebersbach "Die Krankheit, zu schreiben", Leporello: 43 x 16 cm, 94. Edition Mariannenpresse, 1998, copy: 5/100 (+30 Roman numbered copies), color pencil signature of the author and the artist. Call time 26th | Oct 2023 | expected 19:16 CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WAGNER, STH (Stefan Thomas)(*1951 Leipzig). HEIDUCZEK , Werner(1926 Hindenburg - 2019 Zwenkau) Seltenes Künstlerbuch "King Lear"Original-Leporello: 34 x 24 cm. Vollständiges Künstlerbuch als Leporello mit 4 Siebdrucken von STH Wagner und typografischem Text von Werner Heiduczek, handsigniert von beiden Künstlern, Künstlerexemplar "e.a." (50 nummerierte Exemplare), 1990 (= Blätter zu Literatur und Grafik, Heft 8). Einband mit minimalen Gebrauchsspuren. Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:17 Uhr (CET) WAGNER, STH (Stefan Thomas)(*1951 Leipzig). HEIDUCZEK , Werner(1926 Hindenburg - 2019 Zwenkau) Rare artist book "King Lear"Original Leporello: 34 x 24 cm. Complete artist's book as leporello with 4 silkscreen prints by STH Wagner and typographical text by Werner Heiduczek, hand-signed by both artists, artist's copy "e.a." (50 numbered copies), 1990 (= Blätter zu Literatur und Grafik, Heft 8). Binding with minimal signs of wear. Call time 26 | Oct 2023 | expected 19:17 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

VOLMER, Steffen(*1955 Dresden) Seltenes Künstlerbuch "Tragen"1996. Original-Schuber: 44,3 x 31,3 cm. Vollständiges, gebundenes Künstlerbuch mit 13 Original-Lithografien, Exemplar: 16/230, Impressum mit Bleistiftsignatur, in Original-Schuber (= 16. Druck der burgart-presse). Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:18 Uhr (CET) VOLMER, Steffen(*1955 Dresden) Rare artist book "Tragen"1996. Original slipcase: 44.3 x 31.3 cm. Complete, bound artist's book with 13 original lithographs, copy: 16/230, imprint with pencil signature, in original slipcase (= 16th printing of burgart-presse). Call time 26th | Oct 2023 | expected 19:18 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltener Dessertteller mit Zackenrand. Meissen. Schwertermarke, um 1740.Polychrom bemalt, goldstaffiert. Ø 24 cm. Flacher Teller mit gezacktem, hochgebogenem Rand. Auf dem unteren Drittel ein schachbrettartiges Brokatmuster mit goldenen Lotosblüten und blattartig gezackter Begrenzungslinie zur weißen Fläche. Darüber Eichhörnchendekor. Braune Randlinie. Minimale Glasurfehlstellen im Spiegel.Dieser außergewöhnliche und fantasievoll durchgestaltete Teller lebt von zwei fast gegensätzlichen und dennoch zusammenhängenden Darstellungen : Der grafischen geometrischen Anordnung von fein gemalten Quadraten (Schachbrett) und einer Kakiemon-Malerei in der Weißfläche, auch bekannt unter der Bezeichnung "Eichhörnchen, Reben und Reisighecke". In der Fahne des Tellers findet sich ein weiteres anscheinend fliegendes Tier. Die Begrenzungslinie beider Flächen erinnert an den gezackten Rand eines Blattes. Über die dargestellten Tiere auf dem Teller gehen die Meinungen auseinander. Zu sehen sind zwei Nager. Sie gingen in die Porzellanliteratur auch als "Trauben naschende Eichhörnchen" ein. Eines (gelb) sitzt naschend auf einem Bambuszweig und könnte auch eine große Maus sein. Das andere schwebt auf der Fahne und erinnert an ein Flughörnchen, vielleicht auch an einen Fuchs. Ursprünglich findet sich dieses Motiv auf Nanking-Porzellan des 16. Jahrhunderts, wurde von japanischen Porzellanmalern aufgegriffen und weiterbearbeitet und gelangte schließlich auch nach Meissen, wo es in die Hoym-Lemaire-Affäre verwickelt war (s.o., Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern). In Meissen wurde es ab ca. 1730 auf Schüsseln, Blattschüsseln und Zackentellern verewigt. Ein Teller dieser Art befindet sich u.a. in der Sammlung Ernst Schneider (Schloss Lustheim, München). Im Bestandskatalog zu den Porzellanen mit Dekoren nach ostasiatischen Vorbildern in Schloss Lustheim hat Frau Julia Weber den Dekor und auch Formen sehr gut aufgearbeitet. Eine Schüssel dieser Art verwahrt auch das Victoria and Albert Museum, London.Literatur : Vgl. auch Gielke (2003), S. 116/Kat.-Nr. 99.| Nachtrag 21.10.23: kleine Farbrestaurierung im SpiegelAufrufzeit 27. | Okt 2023 | voraussichtlich 10:35 Uhr (CET)Rare dessert plate with serrated edge. Meissen. Sword mark, circa 1740.Polychrome painted, gold decorated. Ø 24 cm.Flat plate with serrated, upturned rim. On the lower third a checkerboard brocade pattern with golden lotus flowers and leaf-like serrated border line to the white surface. Over it oak horn decor. Brown border line. Minimal glaze flaws in the mirror.This unusual and imaginatively designed plate thrives on two almost contradictory yet related representations : the graphic geometric arrangement of finely painted squares (checkerboard) and a Kakiemon painting in the white area, also known as "squirrels, vines and brushwood hedge". In the flag of the plate there is another apparently flying animal. The boundary line of both areas resembles the serrated edge of a leaf. Opinions differ about the animals depicted on the plate. Two rodents can be seen. They also entered the porcelain literature as "squirrels snacking on grapes". One (yellow) sits snacking on a bamboo branch and could also be a large mouse. The other hovers on the flag and is reminiscent of a flying squirrel, or perhaps a fox. Originally found on 16th-century Nanking porcelain, this motif was picked up and worked on by Japanese porcelain painters and eventually made its way to Meissen, where it was involved in the Hoym-Lemaire affair (see above, Weber, Meissen Porcelains with Decorations Based on East Asian Models). In Meissen it was perpetuated on bowls, leaf bowls and serrated plates from about 1730. A plate of this type can be found, among others, in the Ernst Schneider collection (Lustheim Palace, Munich). In the inventory catalog of porcelains with decorations after East Asian models in Lustheim Castle, Mrs. Julia Weber has very well elaborated the decor and also forms. A bowl of this type is also kept by the Victoria and Albert Museum, London.Literature : See also Gielke (2003), p. 116/cat.-no. 99.Call time 27 | Oct 2023 | probably 10:35 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Sehr seltene große Figurengruppe: Vestalin mit Amorette. Meissen. 1901-1923. Modell-Nr. T 60. Höhe: 41 cm. Modell von Emmerich Andresen 1901-1902. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke. Ein Flügel restauriert, einige Blättchen bestoßen. Andresen, Bildhauer, 1886-1902 Vorsteher und Professor der Gestaltungsabteilung in Meissen, Vertreter der akademisch-klassizistischen Kunst * Partnerauktion Bergmann. Literatur : Bergmann (2018) Katalog-Nr. 2192. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:41 Uhr (CET)Very rare large group of figures: Vestal Virgin with Cupid. Meissen. 1901-1923. model no. T 60. Height: 41 cm. Model by Emmerich Andresen 1901-1902. Colorfully painted, gold painted. Incised mark, press mark, painter's mark, sword mark. One wing restored, some leaves bumped. Andresen, sculptor, 1886-1902 head and professor of the design department in Meissen, representative of academic classicist art * Partner auction Bergmann. Literature : Bergmann (2018) catalog no. 2192. Provenance : Hessian private collection. Call time 27 | Oct 2023 | expected 11:41 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene große Figurengruppe: Flora mit Amoretten. Meissen. 1885-1923. Modell-Nr. N 193. Höhe: 51,5 cm. Modell von Friedrich Rentsch 1885. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke, Künstlersignet. Blüten, Blätter, Füllhornrand, ein Amoretten-Arm, rückseitig Füllhornende restauriert, einige Blättchen, eine Locke von unten minimal bestoßen. Rentsch, Bildhauer, studierte an der Akademie in Dresden. Schüler von Ernst Julius Hähnel, 1888 Professor. Meissen erwarb 1883-1899 einige Modelle. Werke an vielen Gebäuden in Dresden * Partnerauktion Bergmann. Literatur : Bergmann (2018) Katalog-Nr. 2257. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:42 Uhr (CET)Rare large group of figures: Flora with cupids. Meissen. 1885-1923. model no. N 193. Height: 51.5 cm. Model by Friedrich Rentsch 1885. colored painted, gold painted. Incised mark, press mark, painter's mark, sword mark, artist's signet. Flowers, leaves, cornucopia rim, a cupid's arm, restored cornucopia end on the back, some leaflets, a curl minimally bumped from below. Rentsch, sculptor, studied at the Academy in Dresden. Pupil of Ernst Julius Hähnel, professor in 1888. Meissen acquired a few models in 1883-1899. Works on many buildings in Dresden * partner auction Bergmann. Literature : Bergmann (2018) catalog no. 2257. Provenance : Hessian private collection. Call time 27 | Oct 2023 | expected 11:42 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene große Figurengruppe: Allegorie-Die Kunst. Meissen. 1890-1923. Modell-Nr. O 183. Höhe: 48 cm. Modell von Emmerich Andresen 1889-1890. Pendant zu Modell-Nr. P 136 "Allegorie-Die Wissenschaft". Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke, Künstlersignet. Blätter, Finger beider Hände, Schriftrolle, Feder, ein Flügel restauriert, der restaurierte Flügel geklebt. Andresen, Bildhauer, 1886-1902 Vorsteher und Professor der Gestaltungsabteilung in Meissen, Vertreter der akademisch-klassizistischen Kunst * Partnerauktion Bergmann. Literatur : Bergmann (2018) Katalog-Nr. 2191. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:43 Uhr (CET)Rare large group of figures: Allegory-The Art. Meissen. 1890-1923. model no. O 183. Height: 48 cm. Model by Emmerich Andresen 1889-1890. counterpart to model no. P 136 "Allegory-The Science". Colorfully painted, gold painted. Incised mark, press mark, painter's mark, sword mark, artist's signet. Leaves, fingers of both hands, scroll, pen, one wing restored, the restored wing glued. Andresen, sculptor, 1886-1902 head and professor of the design department in Meissen, representative of academic classicist art * Partner auction Bergmann. Literature : Bergmann (2018) catalog no. 2191. Provenance : Hessian private collection. Call time 27 | Oct 2023 | expected 11:43 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene große Figurengruppe: Mutterglück. Meissen. 1900-1923. Modell-Nr. S 168. Höhe: 31 cm. Modell von Emmerich Andresen 1900-1902. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke einmal gestrichen. Eine Blattspitze, Zehen an einem Fuß restauriert, eine Zehe, eine Blattspitze, Apfelstiel bestoßen. Andresen, Bildhauer, 1886-1902 Vorsteher und Professor der Gestaltungsabteilung in Meissen, Vertreter der akademisch-klassizistischen Kunst * Partnerauktion Bergmann. Literatur : Bergmann (2010) Katalog-Nr. 175. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:45 Uhr (CET)Rare large group of figures: mother happiness. Meissen. 1900-1923. model no. S 168. Height: 31 cm. Model by Emmerich Andresen 1900-1902. Colorfully painted, gold painted. Incised mark, press mark, painter's mark, sword mark once painted. One leaf tip, toes restored on one foot, one toe, one leaf tip, apple stem bumped. Andresen, sculptor, 1886-1902 head and professor of the design department in Meissen, representative of academic classicist art * Partner auction Bergmann. Literature : Bergmann (2010) catalog no. 175. Provenance : Hessian private collection. Call time 27 | Oct 2023 | expected 11:45 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene große Figur: Allegorie-Der Abend. Meissen. 1893-1923. Modell-Nr. P 107.Höhe: 39 cm. Modell von Emmerich Andresen 1893. Aus einer Serie von vier Figuren: Morgenröte, Tag, Abend und Nacht. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke. Finger sichtbar alt, oberer Mandolinensteg restauriert.Andresen, Bildhauer, 1886-1902 Vorsteher und Professor der Gestaltungsabteilung in Meissen, Vertreter der akademisch-klassizistischen Kunst * Partnerauktion Bergmann.Literatur : Bergmann (2010) Katalog-Nr. 179.Provenienz : Hessische Privatsammlung.Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:49 Uhr (CET) Rare large figure: allegory-The Evening. Meissen. 1893-1923. model no. P 107.Height: 39 cm. Model by Emmerich Andresen 1893. From a series of four figures: morning, day, evening and night. Painted in colors, painted in gold. Incised mark, press mark, painter's mark, sword mark. Finger visibly old, upper mandolin bridge restored..Andresen, sculptor, 1886-1902 head and professor of the design department in Meissen, representative of academic-classicist art * Partner auction Bergmann..Literature : Bergmann (2010) catalog no. 179.Provenance : Hessian private collection.Call time 27 | Oct 2023 | expected 11:49 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene große Figur: Allegorie-Der Tag. Meissen. 1893-1923. Modell-Nr. P 106. Höhe: 38,5 cm. Modell von Emmerich Andresen 1893. Aus einer Serie von vier Figuren: Morgenröte, Tag, Abend und Nacht. Farbig bemalt, gold staffiert. Ritzmarke, Schwertermarke einmal gestrichen. Eine Hand, Krone, wenige Blätter restauriert, Umhang von unten bestoßen. Andresen, Bildhauer, 1886-1902 Vorsteher und Professor der Gestaltungsabteilung in Meissen, Vertreter der akademisch-klassizistischen Kunst * Partnerauktion Bergmann. Literatur : Bergmann (2018) Katalog-Nr. 2194. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:49 Uhr (CET)Rare great figure: Allegory-The Day. Meissen. 1893-1923. model no. P 106. Height: 38.5 cm. Model by Emmerich Andresen 1893. From a series of four figures: dawn, day, evening and night. Painted in colors, gold painted. Incised mark, sword mark once deleted. One hand, crown, few leaves restored, cape bumped from below. Andresen, sculptor, 1886-1902 head and professor of the design department in Meissen, representative of academic classicist art * Partner auction Bergmann. Literature : Bergmann (2018) catalog no. 2194. Provenance : Hessian private collection. Call time 27 | Oct 2023 | expected 11:49 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Figurengruppe: Rendezvous im Park. Meissen. 1898-1923. Modell-Nr. Q 149.Höhe: 23,5 cm. Modell von Romanus Andresen 1898. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke. Damenhut, Blüten, Blätter, eine Mantelecke restauriert, einige Blätter, Schirm minimal bestoßen.Andresen, Bildhauer, studierte an der Akademie in Berlin und in Paris. Sohn des Emmerich, 1898-1904 für die Manufaktur tätig, danach in Berlin ansässig * Partnerauktion Bergmann.Literatur : Bergmann (2010) Katalog-Nr. 184.Provenienz : Hessische Privatsammlung.Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:52 Uhr (CET) Rare group of figures: rendezvous in the park. Meissen. 1898-1923. model no. Q 149.Height: 23.5 cm. Model by Romanus Andresen 1898. colorfully painted, gold painted. Incised mark, pressed mark, painter's mark, sword mark. Ladies hat, blüten, blätter, a coat corner restored, some blätter, umbrella minimally besto&szlig..Andresen, sculptor, studied at the Academy in Berlin and in Paris. Son of Emmerich, 1898-1904 active for the manufactory, then resident in Berlin * Partner auction Bergmann..Literature : Bergmann (2010) catalog no. 184.Provenance : Hessian private collection.Call time 27 | Oct 2023 | expected 11:52 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene große Figur: Knabe mit Frosch. Meissen. 1880-1923. Modell-Nr. M 146. Höhe: 29 cm. Modell von Johann Christian Hirt 1880-1882. Pendant zu Modell-Nr. M 147 "Knabe mit Eidechse". Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Schwertermarke, Künstlersignet. Naturboden, Tuchzipfel am Boden, Sockel partiell restauriert (vermutlich kleine Brandrisse), Sockelrand minimal bestoßen, kleiner Glasurdefekt am Bauch. Hirt, Bildhauer, studierte an der Akademie in München. Populär wurde er durch seine Figuren aus Dichtung und Mythologie. Meissen erwarb 1881-1888 insgesamt 50 Modelle * Partnerauktion Bergmann. Literatur : Bergmann (2018) Katalog-Nr. 2278. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 12:02 Uhr (CET)Rare large figure: boy with frog. Meissen. 1880-1923. model no. M 146. Height: 29 cm. Model by Johann Christian Hirt 1880-1882. Pendant to model no. M 147 "Boy with lizard". Colorfully painted, gold painted. Incised mark, press mark, sword mark, artist's signet. Natural bottom, cloth tails at the bottom, base partially restored (probably small fire cracks), base edge minimally bumped, small glaze defect on the belly. Hirt, sculptor, studied at the Academy in Munich. He became popular for his figures from poetry and mythology. Meissen acquired a total of 50 models in 1881-1888 * Partner auction Bergmann. Literature : Bergmann (2018) catalog no. 2278. Provenance : Hessian private collection. Call time 27 | Oct 2023 | expected 12:02 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene große Figur: Knabe mit Reh. Meissen. 1880-1923. Modell-Nr. M 148.Höhe: 38 cm. Modell von Johann Christian Hirt 1880-1882. Farbig bemalt. Ritzmarke, Pressmarke, Malermarke, Schwertermarke, Künstlersignet. Eicheln, Blätter, Schnauze, ein Ohr restauriert, zwei Brandrisse im Strick.Hirt, Bildhauer, studierte an der Akademie in München. Populär wurde er durch seine Figuren aus Dichtung und Mythologie. Meissen erwarb 1881-1888 insgesamt 50 Modelle * Partnerauktion Bergmann.Literatur : Bergmann (2018) Katalog-Nr. 2276.Provenienz : Hessische Privatsammlung.Aufrufzeit 27. | Okt 2023 | voraussichtlich 12:03 Uhr (CET) Rare large figure: boy with deer. Meissen. 1880-1923. model no. M 148.Height: 38 cm. Model by Johann Christian Hirt 1880-1882. painted in color. Incised mark, press mark, painter's mark, sword mark, artist's signet. An acorns, leaves, muzzle, one ear restored, two burn cracks in the knit..Hirt, sculptor, studied at the Academy in München. He became popular for his figures from poetry and mythology. Meissen acquired a total of 50 models in 1881-1888 * partner auction Bergmann..Literature : Bergmann (2018) catalog no. 2276.Provenance : Hessian private collection.Call time 27 | Oct 2023 | expected 12:03 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene große Figurengruppe: Brüderchen und Schwesterchen. Meissen. 1881-1923. Modell-Nr. M 163. Höhe: 48 cm. Modell von Johann Christian Hirt 1881. Märchenfiguren von Jacob und Wilhelm Grimm. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke, Künstlersignet. Hintere Rehbein mit Spannungs- und Brandriss, Sockelrand mit zwei kleinen Glasurdefekten, ein Rehbein minimal bestoßen, Futter restauriert. Hirt, Bildhauer, studierte an der Akademie in München. Populär wurde er durch seine Figuren aus Dichtung und Mythologie. Meissen erwarb 1881-1888 insgesamt 50 Modelle * Partnerauktion Bergmann. Literatur : Bergmann (2018) Katalog-Nr. 2272. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 12:03 Uhr (CET)Rare large group of figures: Brüderchen and Schwesterchen. Meissen. 1881-1923. model no. M 163. Height: 48 cm. Model by Johann Christian Hirt 1881. fairy tale figures of Jacob and Wilhelm Grimm. Painted in colors, gold painted. Incised mark, press mark, painter's mark, sword mark, artist's signet. Rear doe leg with stress and fire crack, base edge with two small glaze defects, one doe leg minimally bumped, lining restored. Hirt, sculptor, studied at the Academy in Munich. He became popular for his figures from poetry and mythology. Meissen acquired a total of 50 models in 1881-1888 * Partner auction Bergmann. Literature : Bergmann (2018) catalog no. 2272. Provenance : Hessian private collection. Call time 27 | Oct 2023 | expected 12:03 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

4 Vitrinentassen und 1 Teller mit Blumenmalerei. 2x KPM Berlin, um 1800: Seltenes Zylindertässchen mit der schauseitigen Darstellung einer Kindergruppe beim Spielen mit Drachen, Kreiseln und Reifen (H 5,3 cm). Konische Tasse mit der schauseitigen Silhouette einer Dame, unterseitig signiert und datiert "Mohn f. 1805" (= Samuel Mohn) (H 6 cm). / 1x Fürstenberg, um 1820/30: gefußte, bauchige Tasse (H 6,5 cm) mit Landschaftsmalerei und originaler Untertasse (Ø 14 cm). / 1x ungemarkt, Frankreich, 1. H. 19. Jh.: Zylindertasse (H 6 cm) mit goldgravierter Ährenranke und der Datierung "ES. Paris le 1er octobre 1815.", mit originaler Untertasse (Ø12,5 cm). / 1x Teller Wien, Jahresprägung 1823: beigefarbener Fahnenfond, im Spiegel polychrome Rosenmalerei vor braunem Fond (Ø 24,5 cm). Partiell minimaler Goldabrieb. Aufrufzeit 27. | Okt 2023 | voraussichtlich 12:13 Uhr (CET)4 vitrine cups and 1 plate with floral painting. 2x KPM Berlin, c. 1800: Rare cylindrical cup with the on-screen depiction of a group of children playing with kites, spinning tops and hoops (h 5.3 cm). Conical cup with the silhouette of a lady on the front, signed and dated on the bottom "Mohn f. 1805" (= Samuel Mohn) (h 6 cm). / 1x Fürstenberg, around 1820/30: footed, bulbous cup (h 6,5 cm) with landscape painting and original saucer (Ø 14 cm). / 1x unmarked, France, 1st half of 19th c.: cylindrical cup (h 6 cm) with gold engraved tendril of ears of corn and the date "ES. Paris le 1er octobre 1815.", with original saucer (Ø12,5 cm). / 1x Plate Vienna, year stamped 1823: beige flag background, in the mirror polychrome rose painting before brown background (Ø 24.5 cm). Partially minimal gold abrasion. Call time 27th | Oct 2023 | expected 12:13 pm (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Tabatiere mit dem Reliefporträt Maximilian III. Joseph von Bayern. Nymphenburg. Ungemarkt, um 1765/70. Polychrom bemalt, goldstaffiert. 4,2 cm, Ø 6,3 cm. Runde, leicht balusterförmige Dose mit Scharnierdeckel und vergoldeter Silbermontierung. Blauer Fond in Steinoptik, auf dem Deckel ein Medaillon mit Goldfond und dem weißen Biskuitreliefbildnis des Kurfürsten Maximilian III. Joseph von Bayern (1727-1777), im Deckel eine Watteau-Szene. Haarriss in der Wandung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 12:27 Uhr (CET)Rare tabatiere with relief portrait Maximilian III Joseph of Bavaria. Nymphenburg. Unmarket, circa 1765/70. Polychrome painted, gold decorated. 4.2 cm, Ø 6.3 cm. Round, slightly baluster-shaped box with hinged lid and gilded silver mount. Blue stock in stone look, on the lid a medallion with gold stock and the white bisque relief portrait of the Elector Maximilian III Joseph of Bavaria (1727-1777), in the lid a Watteau scene. Hair crack in the wall. Call time 27 | Oct 2023 | probably 12:27 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Dose mit Chinoiserierelief. Meissen. Knaufschwerter, ab 1850-1924, 1. Wahl. Modell-Nr.: 17. Polychrom bemalt, goldstaffiert. 10 x 13,5 x 12 cm. Rechteckige Dose mit einem allseitigen Chinoiserierelief im Capodimontestil. Aufrufzeit 27. | Okt 2023 | voraussichtlich 12:34 Uhr (CET)Rare box with chinoiserie relief. Meissen. Pommel swords, from 1850-1924, 1st choice. Model no.: 17. Polychrome painted, gold decorated. 10 x 13.5 x 12 cm. Rectangular box with a capodimon style chinoiserie relief on all sides. Call time 27 | Oct 2023 | expected 12:34 pm (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

6er Satz seltene übergroße Tassen, Untertassen. Meissen. 1995-1999. Modell-Nr. 566, 576. Höhe: 8 cm, ø 12-18 cm. Form "Neuer Ausschnitt", kobaltblaue Unterglasurmalerei, Zwiebelmusterdekor. Pressmarken, Malermarken, Schwertermarken einmal gestrichen, eine Untertasse, eine Tasse viermal gestrichen. Ein Schalenstandring, eine Lippe minimal bestoßen. Die großen Untertassen sind auch als Beilagenschalen oder Dessertschalen nutzbar. Meissen-Manufaktur-Preis: 1908,- Euro * Partnerauktion Bergmann. Aufrufzeit 27. | Okt 2023 | voraussichtlich 14:33 Uhr (CET)Set of 6 rare oversized cups, saucers. Meissen. 1995-1999. model no. 566, 576. Height: 8 cm, ø 12-18 cm. Form "New Cutout", cobalt blue underglaze painting, onion pattern decoration. Press marks, painter's marks, sword marks painted once, one saucer, one cup painted four times. One bowl stand ring, one lip minimally bumped. The large saucers can also be used as side dishes or dessert bowls. Meissen manufactory price: 1908, - Euro * Partner auction Bergmann. Call time 27th | Oct 2023 | expected 14:33 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Vase mit Blumenmalerei. Meissen. Schwertermarke, Jahreszeichen 1985, 1. Wahl. Polychrom bemalt, goldstaffiert. H 37,5 cm. Große Balustervase mit konkavem Fuß und Kraterhals. Allseitig feine Blumenmalerei in alter Manier mit kupfergrünem Blattwerk. Aufrufzeit 27. | Okt 2023 | voraussichtlich 17:19 Uhr (CET)Rare vase with floral painting. Meissen. Sword mark, year mark 1985, 1st choice. Polychrome painted, gold decorated. H 37,5 cm. Large baluster vase with concave foot and crater neck. All sides fine floral painting in old manner with copper green foliage. Call time 27 | Oct 2023 | expected 17:19 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Dame im Badekostüm. Ungemarkt, Monogramm "S.S.", um 1920. Modell-Nr.: 424. Biskuit, farbstaffiert; Textil. H 22,5 cm. Stehende junge Dame mit blonden Mohairhaaren, im netzartigen Badeanzug. Aufrufzeit 27. | Okt 2023 | voraussichtlich 19:25 Uhr (CET)Rare lady in bathing costume. Unmarket, monogram "S.S.", c. 1920. model no.: 424. Biscuit, color painted; textile. H 22,5 cm. Standing young lady with blond mohair hair, in netted swimsuit. Call time 27 | Oct 2023 | expected 19:25 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Jugendstil-Figur: Judith. KPM Berlin. Zeptermarke und roter Reichsapfel mit seitlichem Schleifstrich, um 1915. Bezeichnet und datiert. Entwurf: 1911. FELDMANN, Julius(1856 Hanau - 1935 ebd.) Polychrom bemalt, reich goldstaffiert. H 19 cm. In bewegter Pose stehende junge Frau, den rechten Fuß auf den Kopf des Holofernes stellend. Aufrufzeit 27. | Okt 2023 | voraussichtlich 19:40 Uhr (CET)Rare Art Nouveau figure: Judith. KPM Berlin. Scepter mark and red orb with lateral grinding stroke, circa 1915. Inscribed and dated. Design: 1911. FELDMANN, Julius(1856 Hanau - 1935 ibid.) Polychrome painted, richly decorated with gold. H 19 cm. In moving pose standing young woman, placing the right foot on the head of Holofernes. Call time 27 | Oct 2023 | expected 19:40 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Porzellanuhr "Blaue Orchidee". Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl. Modell-Nr.: 60880; Dekor-Nr. 824001. Formentwurf: Peter Strang (1936-2022); Dekorentwurf: Heinz Werner (1928-2019). Unterglasurblaue Malerei. H 25,5 cm. Form "Großer Ausschnitt". Kugeliges Gehäuse auf glockenartigem Fuß, mit zwölf angesetzten "Blüten" mit goldenen arabischen Ziffern und a jour gearbeiteten Zeigern; Werk mit Halbstundenschlag mit zwei Hämmern auf zwei Glocken, läuft. Schon seit den Anfängen der Meissener Manufaktur, beschäftigte man sich mit der Herstellung von Uhrengehäusen, wie die umfangreiche Sammlung der Schauhalle in Meißen belegt. Den letzten großen Wurf schafften Ludwig Zepner und Heinz Werner mit verschiedenen Uhren in der Formsprache "Großer Ausschnitt". Sie kommen relativ selten vor und werden in der Literatur wenig beschrieben (vgl. Klassisches Meissen, S. 96, Abb. S. 97 und 106, Meissener Porzellan von 1720 bis zur Gegenwart, S. 140). Die hier gezeigte Variante mit dem Dekor "Blaue Orchidee" von Heinz Werner spricht exemplarisch für die Experimentierfreudigkeit und Formensprache der späten 70iger Jahre. Auf einem organisch harmonischen Fuß thront eine formvollendete Kugel auf deren abgeflachter Seite ein Zifferblatt gestaltet ist, das sowohl moderne als auch barocke Elemente aufnimmt. Kühn, exzentrisch, gewagt ... - Peter Strang gelingt hier ein Statement: Meissener Design ist immer auf der Höhe der Zeit, mehr noch innovativ, forsch und zukunftsweisend. Aufrufzeit 27. | Okt 2023 | voraussichtlich 19:49 Uhr (CET)Rare porcelain clock "Blue Orchid". Meissen. Sword mark, 2nd H. 20th century, 1st choice. Model no.: 60880; decor no. 824001. shape design: Peter Strang (1936-2022); decor design: Heinz Werner (1928-2019). Underglaze blue painting. H 25,5 cm. Form "Grosse Ausschnitt;er". Spherical case on bell-shaped foot;, with zwölf attached "Blüten" with golden Arabic numerals and a jour worked hands; movement with half-hour strike with two Hämmern on two bells, läuft. Since the beginnings of the Meissen manufactory, one dealt with the manufacture of clock cases, as evidenced by the extensive collection of the show hall in Meissen. The last great success was achieved by Ludwig Zepner and Heinz Werner with various clocks in the "large cut-out" design. They are relatively rare and are little described in the literature (see Classical Meissen, p. 96, fig. p. 97 and 106, Meissen Porcelain from 1720 to the Present, p. 140). The variant shown here with the decoration "Blaue Orchidee" (Blue Orchid) by Heinz Werner speaks exemplarily for the joy of experimentation and the formal language of the late 1970s. On an organically harmonious base, a perfectly shaped sphere is enthroned on whose flattened side a dial is designed that incorporates both modern and baroque elements. Bold, eccentric, daring ... - Peter Strang succeeds here in making a statement: Meissen design is always on the cutting edge, even more innovative, brash and forward-looking. Call time 27 | Oct 2023 | expected 19:49 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Höchst seltenes Mokkaservice "Bouquet". Meissen. Schwertermarke, überwiegend Jahreszeichen 1986, 1. Wahl. Entwurf: Form 1972/1975 von Ludwig Zepner (1931-2010); Dekor Volkmar Bretschneider (*1930). Emailfarben, Poliergold. 21 Teile. Form "Großer Ausschnitt". Mit aquarellartiger, luftiger Blumenmalerei. Mokkakanne (H 19,5 cm), Sahnegießer, Zuckerschale, 6 Mokkatassen, 6 Untertassen und 6 Teller. In seiner Idee und Ausführung erinnert dieses höchst seltene Mokkaservice an den Dekor "Mandelbäumchen" und den Dekor "Blaue Orchidee", auch an die in Lösungsmalerei ausgeführten Service und Unikate der Künstlergruppe der 80er Jahre. Einzigartig gelingt Volkmar Bretschneider hier die Verschmelzung von alla-prima-Malerei und Form und findet in der goldstaffierten Mokkakanne ein besonderes Meisterwerk. Tulpenblüten umschließen raumfassend jede (als Unikat ausgeführte) Tasse. Und die Malerei auf den Tellern (auch diese jeder für sich ein Solitär / ein Hauch Malerei in pastelligen Himmelstönen mit feinen Goldakzenten) öffnet wie ein milder morgendlicher Frühlingswind einen zarten Kosmos. Geschlossen- und Geöffnetsein werden hier auf höchstem künstlerischen Niveau in expressive moderne Porzellanmalerei übersetzt. Ein neuer Typ unikaler Meissener Blumenmalerei, mit der sich Volkmar Bretschneider unauslöschlich in die Annalen der Meissener Manufaktur eingeschrieben hat. (vgl. Meissener Konturen 1960 - 1990, S. 46f., Meissener Manuskripte VII, Volkmar Bretschneider, Dekorationen auf Meissener Porzellan, S. 12/13). Aufrufzeit 27. | Okt 2023 | voraussichtlich 19:53 Uhr (CET)Highly rare mocha service "Bouquet". Meissen. Heavy mark, mostly year 1986, 1st choice. Design: form 1972/1975 by Ludwig Zepner (1931-2010); decor Volkmar Bretschneider (*1930). Enamel colors, polished gold. 21 pieces. Shape "Large cutout". With watercolor airy floral painting. Mocha pot (h 19.5 cm), cream jug;er, sugar bowl, 6 demitasse cups, 6 saucers and 6 plates. In its idea and execution, this highly rare mocha service is reminiscent of the decor "Almond Tree" and the decor "Blue Orchid", also the service and unique pieces executed in solution painting of the artist group of the 80s. Volkmar Bretschneider uniquely succeeds here in merging alla-prima painting and form and finds a special masterpiece in the gold-staffed mocha pot. Tulip blossoms surround each cup (executed as a unique piece). And the painting on the plates (each of which is also a solitaire / a touch of painting in pastel sky tones with fine gold accents) opens up a delicate cosmos like a mild morning spring breeze. Closed and open are here translated at the highest artistic level into expressive modern porcelain painting. A new type of unique Meissen flower painting, with which Volkmar Bretschneider has indelibly inscribed himself in the annals of the Meissen manufactory. (cf. Meissen Contours 1960 - 1990, pp. 46f., Meissen Manuscripts VII, Volkmar Bretschneider, Decorations on Meissen Porcelain, pp. 12/13). Call time 27 | Oct 2023 | expected 19:53 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Vase "Farbige Vögel im Geäst". Meissen. Schwertermarke, ca. 1959, 1. Wahl. Modell-Nr.: T 265. Entwurf: Ludwig Zepner (1931-2010) (Form), Heinz Werner (1928-2019) (Dekor). Unterglasurblaue Malerei, polychrome Aufglasurmalerei. H 26,5 cm. Mitte der 1950er formierte sich um die jungen Manufakturzöglinge Ludwig Zepner (1931-2010) und Heinz Werner (1928-2019) ein Kern von Künstlern, der sich gegen zahlreiche äußere Widerstände und Vorurteile zu einer künstlerischen Gemeinschaft zusammenfand und für Eigenes und Modernes stand (das spätere "Kollektiv Künstlerische Entwicklung").Aus den gemeinsamen Arbeiten der jungen Künstler sticht diese Vase besonders hervor. Den flaschenähnlich geschwungenen Vasenkörper von Ludwig Zepner verzierte Heinz Werner dezent mit "Farbigen Vögeln im Geäst". Zarte rote, grüne und schwarze Vogelsilhouetten turnen in hauchdünnem Gezweig. Es handelt sich um einen sehr frühen Entwurf des siebenundzwanzigjährigen Formgestalters Ludwig Zepner, der später (neben Heinz Werner) zum führenden Kopf der künstlerischen Abteilung der Meissener Manufaktur avancierte. (vgl. Meissener Manuskripte XVI Vasen, Vasen, Vasen..., S. 40/41; Meissener Manuskripte, Heinz Werner, S. 12/13). Aufrufzeit 27. | Okt 2023 | voraussichtlich 20:02 Uhr (CET) Rare vase "Colored birds in the branches". Meissen. Heavy mark, ca. 1959, 1st choice. Model no.: T 265. design: Ludwig Zepner (1931-2010) (form), Heinz Werner (1928-2019) (decor). Underglaze blue painting, polychrome onglaze painting. H 26,5 cm. In the middle of the 1950s, a core of artists formed around the young manufactory rascals Ludwig Zepner (1931-2010) and Heinz Werner (1928-2019), who came together against numerous external resistances and prejudices to form an artistic community and stood for their own and modern (the later "Collective Artistic Development").From the joint works of the young artists, this vase stands out in particular. The bottle-like curved vase body by Ludwig Zepner was discreetly decorated by Heinz Werner with "colored birds in the branches". Delicate red, green and black bird silhouettes gymnastics in gossamer branches. This is a very early design by the twenty-seven year old form designer Ludwig Zepner, who later advanced (along with Heinz Werner) to become the leading head of the artistic department of the Meissen manufactory.(cf. Meissen Manuscripts XVI Vases, Vases, Vases..., pp. 40/41; Meissen Manuscripts, Heinz Werner, pp. 12/13). Call time 27 | Oct 2023 | expected 20:02 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltenes Teeservice "Blau-bunte Blumenmalerei", individuelle Ausführung. Meissen. Schwertermarke, 2. H. 20. Jh., 3 Schleifstriche, Dekor Nr. 1462/610. Entwurf: Ludwig Zepner (1931-2010) (Form), Volkmar Bretschneider (*1930) und Heinz Werner (1928-2019) (Dekor). Polychrome Aufglasurmalerei, Unterglasurmalerei, Poliergold. 23 Teile. Form "Großer Ausschnitt". Teekanne (H 20 cm), Sahnegießer, Zuckerschale, 6 Teetassen, 6 Untertassen und 6 Frühstücksteller. Ein besonderes Ergebnis intensiver Studien der Meissener Blumenmalerei der Mitte des 18. Jahrhunderts und impressionistischer Ölmalerei ist der Dekor "Blau-bunte Blumenmalerei". Die Mitglieder des "Entwicklungskollektivs" nahmen ca. 1974 alte Tugenden auf und erfanden Kompositionen, die jeden bisher bekannten Rahmen Meissener Malerei sprengten. Auf diesem exquisiten Teeservice zeigen Volkmar Bretschneider und Heinz Werner ihr überdurchschnittliches Können und zaubern eine sommerliche Blütenpracht in ungebundener, nuancierter, aquarellartiger Malerei. Auf keinem Serviceteil wiederholt sich der malerische Dekor. Im Blätterwerk der Unterglasurmalerei findet sich das verbindende Element zwischen den Einzelteilen. So entstand ein Service "als furioser Ausbruch aus dem erlernten Regelwerk der Meissener Standardblumenmalerei ... und besitzt eine Lebendigkeit, die von anderer Meissener Blumenmalerei nur außerhalb des Sortiments bekannt ist" (vgl. Meissener Konturen, S. 253). Der enorme Abstand vom Normalmaß Meissener Blumenmalerei und hohe Herausforderungen des anspruchsvollen Mischdekors hatten zur Folge, dass dieser Dekor (insbesondere bei den Servicen ohne Doppelung, wie bei diesem Teeservice) selten gemalt wurde und demzufolge sehr rar ist. (vgl. Meissener Konturen 1960 - 1990, S. 84/85 und S. 253f). Aufrufzeit 27. | Okt 2023 | voraussichtlich 20:12 Uhr (CET) Rare tea set "Blue colorful flower painting", individual finish. Meissen. Schwertermarke, 2nd H. 20th century, 3 grinding strokes, decor no. 1462/610. design: Ludwig Zepner (1931-2010) (form), Volkmar Bretschneider (*1930) and Heinz Werner (1928-2019) (decor). Polychrome onglaze painting, underglaze painting, polished gold. 23 pieces. Shape "Large cutout". Teapot (h 20 cm), cream jug, sugar bowl, 6 tea cups, 6 saucers and 6 breakfast plates. A special result of intensive studies of Meissen flower painting of the mid-18th century and impressionist oil painting is the decor "Blue colorful flower painting". The members of the "development collective" took up old virtues around 1974 and invented compositions that went beyond any previously known framework of Meissen painting. On this exquisite tea service, Volkmar Bretschneider and Heinz Werner demonstrate their above-average skill, conjuring up a summer floral splendor in unbound, nuanced, watercolor-like painting. The painterly decoration is not repeated on any of the service pieces. The foliage of the underglaze painting is the connecting element between the individual pieces. Thus, a service was created "as a furious breakout from the learned rules of the Meissen standard flower painting ... and possesses a liveliness known from other Meissen floral painting only outside the range" (cf. Meissen Contours, p. 253). The enormous distance from the normal measure of Meissen flower painting and high challenges of the demanding mixed decoration had the consequence that this decoration (especially on the services without doubling, like this tea service) was rarely painted and consequently is very rare. (See Meissen Contours 1960 - 1990, pp. 84/85 and p. 253f). Call time 27 | Oct 2023 | expected 20:12 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.