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Bound volume of Aston Villa programmes that cover all 21 League & 21 Reserve games played that season. Also includes the rare Blackpool v Luton single card FA Cup replay programme. Other programmes are Villa v Stoke in the Staffs Senior Cup, WBA v P,Vale FA Cup S/F ( This one does have tape along spine ) and the end of season report. All programmes are bound without the outer advertising covers
Rare item which contains programmes covering all 21 League & 21 Reserve team games including some single card issues. Also includes programmes for the Midland Int Lge game v Port Vale, Highgate v Enfield Amateur Cup, N.Forest v Swindon FA Cup & Leeds v Chelsea FA Cup S/F All programmes include covers and are in good condition, except for the first one which does have a very small piece missing from top corner
RARE VOLUME OF 'THE CELEBRATED TALES OF MOTHER GOOSE' dated 1817, published by J Harris, St Paul's Church-Yard, London, with colour engraved illustrations, marbled hardboard cover and Morocco spine, 14 x 9cms Provenance: consigned directly from a member of the Vivian familyPage 86 is the last page printed on. There is one blank page after.
FINE & RARE NANTGARW PORCELAIN PLATE London decorated, the border with a continuous link of colour flowers, roses and foliage to a stippled background, the centre with two exotic colourful birds on branch in landscape, four surrounding butterflies, circa 1818-1820, impressed mark NANT GARW CW to base, 24cms diam Condition Report: stunning example with very little wear to decoration, colours very vibrant, without restoration, chips or other damage
VARIOUS Welsh topographical prints and ephemera - including 'Hafod - Meadow Below the Flower Garden' and 'View in Cwm Lydol', two rare aquatints prints from a folio suite of engravings, 'Fifteen views illustrative of a tour to Hafod in Cardiganshire, the seat of Thomas Johnes Esq, MP' by J. E. Smith. 1810 and a large coloured aquatint in heavy gilt frame by Walmsley, engraved by Jukes 1794 etc
SPRAGUE & CO rare ink-photo plate - standing portraits of Dr William Price of Llantrisant and another of his wife with their son Jesus Christ, Welsh verse and hieroglyphics, 49 x 37cms Auctioneer's Note: film actor Robert Downey Jr recently used Dr Price as his inspiration for the character Dr Doolittle Condition Report: small tear and hole
A Fine and Rare William and Mary Walnut Marquetry Longcase Clock with Bolt and Shutter Maintaining Power, signed Daniel Quare, London, circa 1690, Barley twist columns, rising hood, throat mouldings beneath hood, side viewing windows, trunk door with D-ended floral marquetry inlaid panels, 10-inch square brass dial with a silvered chapter ring signed, finely matted dial centre with scroll engraved date aperture, seconds dial, finely pierced blued steel hands, winged cherub spandrels, six pillar latched movement with an anchor escapement and inside countwheel striking on a bell, bolt and shutter maintaining power with pull cord, later seatboard, 214cm high see illustrations Purchased by the current vendor from John Carlton Smith Antique Clock Dealer at 17 Ryder Street, St James, London. Daniel Quare (1647-1724). He was admitted as a Brother of the Clockmakers' Company in 1671 and served as Master in 1708. He was one of the most celebrated clockmakers of the late seventeenth and eighteenth centuries. Examples of his work can be seen in major collections and museums around the world. 30.01.20 The case has good patina and good colour, hood with later pierced frets to the borders, hood with small chips to the throat moulding, veneers with cracks in parts, trunk door with small chips, marquetry panels with small crazing crack marks, both sides of the plinth with veneer lifting and some inlaid stringing is missing, silvered dial chapter ring, is slightly discoloured in parts, movement is clean and in going order, bottom left hand side movement pillar is bent and one small crack fracture, back cock screws are later, later seatboard, with pendulum and two brass cased weights.
~ A Rare and Unusual Walnut Eight Day Longcase Clock with Newcomens Type Industrial Steam Beam Engine Automata Dial Display, signed Thompson, Whitehaven, circa 1740, broken arch pediment, hood with Ionic fluted canted columns, crossbanded trunk door, matching plinth with canted corners, 12-3/4-inch arch brass dial with chapter ring signed, dial centre with scroll and bird engraved decoration, seconds and date aperture, dial with engraved borders, dial arch with a beam engine automata, four pillar movement with an anchor escapement and rack striking on a bell, 237cm high see illustrations This unusual automatum shows an early example of Newcomens type steam beam engine. Newcomen invented in 1712 the world's first atmospheric steam engine. The engine was designed to pump water using a vacuum created by condensed steam. In the Industrial Revolution in Britain this became an important method of draining water from deep mines. 29.01.20 Case needs restoring, some veneers are missing and some mouldings are missing, veneers are lifting in parts, veneers with some cracks and chips in parts, hood appears to have mouldings missing around the lower edge which shows a gap when the hood is fully pushed on, front of the plinth is cracked, later feet, dial is dirty and needs cleaning, movement needs cleaning, with pendulum and two weights, pendulum bob has broken off the pendulum rod.
Attributed to Francesco Albani (1578-1660) Italian Self portrait Oil on canvas, 46.5cm by 37cm Provenance: (Probably) Richard Boyle, 3rd Earl of Burlington (1694-1753); and by descent to William Cavendish, 4th Duke of Devonshire (1720-1764), Chatsworth House, Derbyshire; Thence by descent. Chatsworth: The Attic sale; Sotheby's, London, 5-7 Oct. 2010, lot 68 (as 'After Andrea Sacchi') This portrait work was long considered a version of Andrea Sacchi's unfinished portrait of Francesco Albani, now in the Museo del Prado, Madrid. Sacchi was a pupil of Albani's and it was suggested that Sacchi likely painted the Prado portrait during a visit to Bologna in 1635. This theory, which is in keeping with the apparent age of the sitter (57), is widely accepted by scholars. It appears that the Prado work remained in Sacchi's possession until his death (Inventory of the contents of Sacchi's House, June 1661, no. 210) at which point it was bought by Carlo Maratta. It passed subsequently into the collection of Philip V of Spain (1683-1746), before entering the Prado. There is a slightly later copy of this portrait (dated 1664) in the Accademia di San Luca in Rome, possibly commissioned by Maratta when the original was in his possession. The present work is distinctly closer in manner to a Self Portrait by Albani in the Pinacoteca Nazionale, Bologna. Portraits by Albani are rare, with only three other examples identified as having been painted in the 1630s. The one most closely approaching the Self Portrait is the Portrait of Andrea Calvi of 1636 (National Museum of Wales, Cardiff). There are a number of versions recorded, including a copy in the Uffizi of slightly smaller dimensions, and one offered at Sotheby's (31 Jan. 2013, lot 58, as 'Attributed to Francesco Albani'). This picture is additionally significant for having been in the Devonshire Collection at Chatsworth, one of the most important private art collections in Britain. Lord Burlington visited Italy twice, first in 1714-15 and later in 1719. It seems likely that it may have been one of the twelve paintings that he bought in Rome on 5th February 1715. This purchase included works by Pasqualini, Pietro da Cortona, Viviani and Carlo Maratta. Burlington was an avid collector of Italian paintings and drawings, and the Albani Self Portrait may equally well have been acquired later, perhaps through one of his agents such as William Kent.
A Rare Stainless Steel Wristwatch, signed Zenith, Chronometre, 1954, (calibre 135) lever movement signed Zenith Chronometre and numbered 4250817, blued overcoil hairspring, silvered dial with Arabic and dagger markers, seconds dial, large Zenith winding crown, snap-on back numbered 9177556 and stamped inside Zenith Swiss made, 35mm wide, with a book form Zenith box and Zenith guarantee booklet see illustration Zenith produced 11,000 watches housing the calibre 135 from 1949 until 1962. This watch is the second series which they produced between 1953-1960. 06.02.20 Case with surface scratches, lugs with minor dents which are visible under an eyeglass, later strap and buckle, plexi glass with small scratches, dial with minor staining marks around some of the hour markers which are only visible under an eyeglass, hand setting correctly and winding smoothly, movement in going order. outer Zenith box is worn.
A Fine and Rare Lady's Platinum Asymmetric Wristwatch, signed Cartier, Paris, model: Crash, circa 1990, (calibre 160) lever movement signed, silvered dial with Roman numerals, Cartier secret signature at 7, asymmetric case with four securing screws in the band, cabochon set crown, case back signed Cartier Paris mecanique Platine made in France and numbered A110298, French platinum dogs head hallmark, inside case back stamped PT950 and numbered 5325, Cartier strap and a Cartier 18ct white gold deployant clasp stamped 18k750, 23mm by 38mm, with Cartier boxes, sold with the second hand purchase sales invoice from a dealer called Sigma Antiques & Fine Art, Ripon, North Yorkshire in 1995 see illustrationsThe Cartier Crash was released in 1967 and epitomized the fever and design of the late 1960's. 31.10.19 Case with light surface scratches, buckle with small scratches, dial and movement are clean, hand setting correctly, movement in going order. Please note: this example is not the limited edition of 400 made in 1991 as stated in the original catalogue footnote. This is a rare example in platinum made circa 1990. Sold with the second hand purchase sales invoice from a dealer called Sigma Antiques & Fine Art, Ripon, North Yorkshire in 1995.
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209761 item(s)/page