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Lot 7700

Marvel / Independent Comics: Mixed titles a group of 127 issues, mostly mid grade (1968 - 1992). Silver, Bronze and Modern age. Includes the Mighty Thor, The New Mutants, The Silver Surfer, Spider-Man, Star Wars, X-Factor and much more. Includes x6 oversize Magazine-size issues including the rare and hard to find League of Monsters 1 (1975) Curtis Publishing with Neal Adams cover.(127)Condition Report: Mostly mid-grade. Some items have shop price stickers. Predominantly reader Copies.

Lot 7746

DC Comics Archive Editions, a group of fifteen first edition hardback graphic novels within dust-jackets - includes, Superman Vol. 1, 1989; All Star Comics, 1991; The Enemy Ace, Vol. 1, 2002; and twelve other titles in the series, each within sealed wrappers as issued, includes, Batman, Vols. 1-4; The Dark Knight, Vol. 2; Justice League of America, Vol. 2; The Golden Age Green Lantern, Vol. 1; Blackhawk, Vol. 1; The Atom, Vol. 1; Sgt. Rock, Vol. 1; The Hawkman, Vol. 1; and Worlds Finest Comics, Vol. 1. The Archive Editions reprint runs of early, often rare comic book series, titles and stories which ran from 1989-2014, 8vo. (15) Condition Report: the books all near fine conditions.some dust soiling to top edges of protective wrapping.

Lot 198

A boxed ' Man from Uncle' Corgi die cast car with the rare finger ring. All complete, box very good

Lot 268

1925 George V Half-crown,  1918 George V Half-crown  1908 Edward VII Half-crown, low mint,  1907 Edward VII Half-crown,  1936 George V Half-crown, 1909 Edward VII Half-crown 1925 George V Half-crown, rare

Lot 1014

Rare Baluch Prayer Rug, the field with tribal and zoomorphic devices beneath a Mihrab and an inscribed panel above, enclosed by multiple narrow borders, 121cm by 92cm; together with another Baluch prayer rug (2)

Lot 19

This Swarovski crystal Doe was part of the Rare Encounters group. It has a clear crystal faceted body, smooth molded crystal legs, black eyes and nose. A clear figure of a doe with black nose and tawny eyes. Swarovski backstamp. This item has its original box: 6"L x 6€ÂW x 4.75€ÂH. Artist: Martin ZendronIssued: 2000-2006Dimensions: 3.25"L x 1.5"W x 3.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Lot 53

Autograph in felt-tip pen in the first page of the book "The Unspeakable Confessions of Salvador Dalí", with subtitle "As told to André Parinaud".The book, published in 1976 by W. H. Allen & Co., was originally published in French under the title "Comment on devient Dali", by Editions Robert Laffont. Illustrated with drawings by Dali and with rare photographs.23,3 x 15 cm.

Lot 101

Johannes Wierix, Albrecht Dürer, Christ as Man of Sorrows. / Description: Christ as Man of Sorrows, showing his wounds at the foot of a cross. Engraving after an engraving of Albrecht Dürer (1471-1528) engraved by Johannes Wierix (1539-1620) in Antwerp ca 1559-1563 Published in Amsterdam by Claes Jan Visscher. References: Hollstein Dutch 638 2(2), Alvin 526, Mauquoi-Hendrickx 1151. A fine dark impression in excellent condition, printed on thin watermarked laid paper just on the margins, image complete. Watermark: small crowned French lily. Very rare engraving. / Dimensions: 11,5 cm x 7,0 cm / Condition: A fine dark impression in excellent condition, printed on thin watermarked laid paper just on the margins, image complete. Watermark: small crowned French lily. Very rare engraving. / Literature: Hollstein Dutch 638 2(2), Alvin 526, Mauquoi-Hendrickx 1151 / Medium: engraving /Circa: 1559-1563 1250

Lot 111

Ship of Fools woodcut - Foolish Messengers - 1494 / Description: Närrische Botschaft -De stulta nuntiorum legatione -Of Foolish Messengers- "Ich bin gelaufen fern und weit,Das Fläschlein war nie leer die Zeit; Dies Brieflein, Narrn, ist Euch geweiht.". Woodcut made by by an unidentified woodcutter who worked aside of the young Albrecht Durer in 1494 for Sebastian Brant's Stultifera navis - Das Narrenshiff. The Basel humanist Sebastian Brant described the sea journey of fools (representing the follies of human weakness and vice) to "Naragonia" the paradise of fools. The fine woodcut is the one commissioned for the first edition (in German) of 1494. From the 112 woodcuts 75 are now attributed to Dürer who resided in Basel for a few months in 1494. This woodcut however is by an unknown artist. "The woodcut illustrations created for the Das Narrenschiff are of immense density and tenseness. Since there was no iconographical tradition for this newly conceived text, the subjects and scenes of the illustrations had to be created entirely new. The images presented are of such convincing force that their equal in design had never before been seen" (A Heavenly Craft, p. 63). The woodcut here on auction from the Latin edition of 1511. / Dimensions: 11,70 x 8,50 cm / Condition: Very good black impression trimmed outside the borderline. Small Latin text letters on the backside. Overall very good condition. / Literature: Not in Schramm or Rogner & Bernard. Described in the Rare Books and Maps Collection of the University of Houston Libraries as by unknown artist. / Medium: Woodcut /Circa: 1494 200

Lot 113

German 16thC. - The Nativity / Description: Anonymous (15-16th cent.) (The Nativity). Large woodcut on around 16th century's laid paper. The open structure of the barn roof is similar to those of the Durer period. The just born child in the star shaped cradle point also to very early designs. The clothing has the gothic folding. There is some mystery about this rather primitive print. Attempts to find another example have been unsuccessful. This might be a very early example. As this work is so rare to compare, all dates are given with reservation. / Dimensions: 38,30 x 27,60 cm / Condition: Closed paper loss near the bottom right edge. Faded spotting near top margin. Otherwise fine with margins around the image border. / Literature: / Medium: Woodcut /Circa: Ca. 1460-1540 320

Lot 118

Hieronymus Wierix (1553-1619) - Divine Love / Description: A winged putto with a halo inscribed 'DIVINUS AMOR' trampling on a blindfolded Cupid ('CUPIDO') and holding an arch and an arrow; the arrow transfixing the body of Christ, seen crucified to left; . Engraving made by Hieronymus Wierix (1553-1619, signed: 'Hieronymus Wierix fecit et excud' and 'Cum gratia et Privilegio Buschere'. This is an early impression in second state. The first state, before any letters, described by Alvin is extremely rare and not on the market. / Dimensions: 11,10 x 7,20 cm / Condition: Excellent brilliant early impression , on a dense laid paper. Mild foxing, overall in excellent untouched condition. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1714.II) --- Maquoy-Hendrickx 1979 / Les Estampes des Wierix ... catalogue raisonné (1466.II) --- Alvin 1866 / Catalogue raisonné de l'oeuvre des trois frères Jan, Jérome et Antoine Wierix (1197) / Medium: Engraving /Circa: before 1619 320

Lot 126

Maerten de Vos, Hieronymus Wierix, Church Father Augustinus / Description: Church Father Augustinus. Engraving made by Hieronymus Wierix (1553-1619) in Antwerp ca 1586, after a drawing painting of Maerten de Vos (1532-1603). References: Mauquoy- Hendrickx 984 1(2) first state of two. Rare engraving in a very good dark strong impression with all the details. Printed on thin laid paper with 6-8 mm margins .In good restored condition. Several wormholes restored in the text margin below. With a good watermark. / Dimensions: 26,4 cm x 29,3 cm / Condition: Rare first state engraving in a very good dark strong impression with all the details. Printed on thin laid paper with 6-8 mm margins .In good restored condition. Several wormholes restored in the text margin below. With a good watermark. / Literature: Mauquoy- Hendrickx 984 1(2) first state of two / Medium: engraving /Circa: 1586 1250

Lot 127

Maerten de Vos, Anthony Wierix, Jonah cast on shore by the whale, F.J. Bauweraerts / Description: Jonah cast on shore by the whale. Very rare engraving after a drawing/painting of Maerten de Vos (1532-1603). Engraving made Anthony Wierix II (1552-1624) in Antwerp ca 1579-1610. Published in Antwerp by Johannes Baptista Vrints 51552-1610) in Antwerp ca 1579-1610 .References: Hollstein Dutch 50 1(2) First state. From a rare series of the history of Jonah. Rijksmuseum has one where Jonah is thrown into the sea. A good impression of this engraving, printed on thin laid paper with 1 mm margins. In excellent condition.. Collectors mark: Lugt L 3325 Franciscus Josephus Bauweraerts (Antwerp 1898-1983). / Dimensions: 10,9 cm x 9,1 cm / Condition: A good impression of this engraving, printed on thin laid paper with 1 mm margins. In excellent condition. / Literature: Hollstein Dutch 50 1(2) First state / Medium: engraving /Circa: 1579-1610. 425

Lot 129

Maerten de Vos, Polyphonist Cornelis Verdonck, Jan Sadeler, The Virgin, Christ-Child and Anna (Anna-te Drieën) with the music motet 'Ave gratia plena' / Description: The Virgin, Christ-Child and Anna (Anna-te Drieën) with the music motet 'Ave gratia plena' from Polyphonist Cornelis Verdonck (1563-1625). Very rare engraving after Maerten de Vos (1532-1603), engraved by Jan Sadeler I (1550-1600) in Antwerp ca 1584. Very rare engraving with the Music of Polyphonist Cornelis Verdonck, four-part motet 'Ave gratia plena'. There are about 13 engravings (Beeldmotet) of Flemish Polyphonists with a music partiture, Because of these engravings they know these partitures. These engravings are very rare to find. The Flemish Polyphonists where the Rockstars from the 16th century in Europe. References: Hollstein Dutch 294 Sadeler, Hollstein Dutch 691 Maerten de Vos. In good restored condition. Middle fold and printers creases restored; not visible in front. Otherwise excellent. Printed on thin laid paper with narrow margins. High quality engraving. with a watermark. / Dimensions: 26,2 cm x 20,1 cm / Condition: "Beeldmotet", very rare engraving with staves of a Polyphony music piece, in a good restored condition. Middle fold and printers creases restored, not visible in front. Otherwise excellent. Printed on thin laid paper with narrow margins. High quality engraving. With a watermark. / Literature: Hollstein Dutch 294 Sadeler, Hollstein Dutch 691 Maerten de Vos. / Medium: engraving /Circa: 1584 1250

Lot 130

Crispijn de Passe, The true Christian Religion / Description: The true Christian religion, Religion conquers dead, Vanitas, Religionis non fictae sed vere christianae pictura veribus expressa. Large engraving made and published by Crispijn de Passe (1564-1637) in Cologne ca 1611. References: Hollstein Dutch 628, Franken 1881 / L'oeuvre gravé des van de Passe 628. In good condition. Good impression on thin laid paper, on and just in the margins. Some traces of aging not disturbing. Restored tear, printers crease in the middle, not visible in front. With a watermark: can with hart. Very rare. / Dimensions: 30,0 cm x 19,9 cm / Condition: In good condition. Good impression on thin laid paper, on and just in the margins. Some traces of aging not disturbing. Restored tear, printers crease in the middle, not visible in front. With a watermark: can with hart. Very very rare. Hollstein Dutch 628, Franken 1881 / L'oeuvre gravé des van de Passe 628. / Medium: engraving /Circa: 1611 975

Lot 131

Saint Mary Magdalene, Anonymous 16th-17th century engraver in the style of Sadeler, Collaert, Galle / Description: Saint Mary Magdalene. Engraving made by an anonymous 16th-17th century engraver in the style of Wierix, Sadeler, Collaert, Galle. Grey impression of the engraving printed on laid paper with large margins with a good watermark : Antwerp hand.. Very rare. / Dimensions: 24,4 cm x17,6 cm / Condition: Grey impression of the engraving printed on laid paper with large margins with a good watermark Antwerp hand. Very rare. / Medium: engraving /Circa: 1600-1700 375

Lot 140

Philips Galle (1537-1612) -The misery of human life - Complete series (6) / Description: Rare complete series in 6 plates on the miseries of human life, all numbered and the first plate signed PG. 1563 with the publishers address Car Collart excu. The images were designed by Maarten van Heemskerck and engraved by Philips Galle. Plate 1: Man is born naked. An allegorical scene with personification of nature handing a naked child to a woman in the center. On the right, another woman is holding a swaddled baby. The surrounding landscape is filled with a variety of animals. Plate 2: Man must learn everything. In the foreground, two women are busy with some toddlers who need help. In the background, the landscape with rock formation and coastline is filled with animals. Plate 3: Man is exposed to danger and disease. Six men walk in the foreground including a blind man, a cripple and a man with a toothache. Plate 4: Man is tormented by sin. Personifications of Greed (Avarita), Wrong Opinion (Opnio), Envy (Invidia), Sadness (Tristitia) and Haughtiness (Superbia) afflict man (Homo). The character Conscience (Conscientia) tries to lead him on the right path by using a mirror that offers insight and a rod that represents punishment. Plate 5: Man is beset by poverty, imprisonment and death. In this allegorical scene, we see poverty as an old woman, a man in chains and a man who is just falling on a sword. In the background, a body falls from a rock with a burning town. Plate 6: Man is always fighting. Spread across the print we behold fighting pairs of men. In contrast, we find pairs of animals quietly enjoying each other's company. --- A very rare complete series of humanistic prints seldom found on the market. Not in the Rijksmuseum, and only two on six in the British Museum. / Dimensions: 18,40 x 24,00 cm / Condition: Good impressions on interlaced C's watermarked laid paper. Still in the original full sheets with wide margins. Good condition with occasionally some dust soiling of the outer margins. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (291)-----New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (287-292) / Medium: Engraving /Circa: 1563 1800

Lot 144

Sea and river gods, complete set with title, Philips Galle, Carel Collaert / Description: Complete set of Sea and River gods, title and 17 engravings made in Antwerp in 1586 by Philips Galle (1537-1612), second rare edition published by Carel Collaert (1598-1654) in Antwerp. Only one other second edition known, now in Paris ( Hollstein). Title page second state al others first state. there are tree editions, First Philips Galle, Second Carel Collaert, Third Johannes Galle (without title, with the nymphs and new numbers). Title, Oceanus, Neptune, Nereus, Glaucus, Protheus, Portunus, Nilus, Acheolus, Danubius, Rhenus, Tibris, Acis, Tagus, Rodanus, Ligeris, Scaldis, Tamesis. Title page second state all others first state before the changing of the numbers. Soo Title Hollstein 412 2(2) second edition, (third edition has no titlepage). Others Hollstein 413 - 429 1(2) first state of two. All 17 engravings in good condition. Printed on the same kind of laid paper. Set is born together and kept together. title with a watermark. Good dark impressions before the third edition of Johannas Galle. Rare set with titlepage. / Dimensions: ca 16,7 cm x 10,0 cm / Condition: All 17 engravings in good condition. Printed on the same kind of laid paper. Set is born together and kept together. title with a watermark. Good dark impressions before the third edition of Johannas Galle. Rare set with titlepage. Title Hollstein 412 2(2) rare second edition, (third edition has no titlepage). Others Hollstein 413 - 429 1(2) first state of two. / Medium: 18 engravings /Circa: 1586 2200

Lot 146

Cornelis Cort, Primatoccio - The Gods on Mount Olympus - 1577 / Description: A rare large format circular engraving: The gathering of the Gods on Mount Olympus, after Primaticcio's fresco in the Galerie d'Ulysse at Fontainebleau; within circle; after Francesco Primaticcio. In a panel at the bottom 'Tomaso Vincidor de Bologna Inve. Cornelis Court Fecit. Engraving made by Cornelis Cort in 1577. A second state with the publishers address' H. Cock Excude' replaced by 'Corn. Court Fecit'. / Dimensions: 45,80 cm diameter / Condition: A good impression trimmed on the outer borderline in good condition. Middle folds with some tears expertly flattened and closed, completely invisible in front. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (187.II) --- Bierens de Haan 1948 / L'oeuvre gravé de Cornelis Cort, graveur hollandais 1533-1578 (184) --- See Sylvie Beguin and others, 'La Galerie d'Ulysse à Fontainebleau', Paris 1985, pp.129-32. After the central ceiling fresco in the first vault of the gallery. / Medium: Engraving /Circa: 1577 1600

Lot 156

Jan Van der Straet Stradanus, Adriaen Collaert, Invention of printing, Philips Galle / Description: The invention of printing., After a drawing/painting of Jan Van der Straet, Stradanus (1523-1605), engraved and published by Philips Galle (1537-1612) ca 1589 in Antwerp. References: Hollstein Dutch 414, New Hollstein Dutch 326-1(3) first state of three. Frist edition of Philips Galle. Very good dark strong early impression on thin laid paper. Remargined, with reconstruction of text border. Skillfully done, not visible in front. High quality. Rare engraving.. / Dimensions: 20,3 cm x 26,4 cm /  Hollstein Dutch 414, New Hollstein Dutch 326-1(3) first state of three. First edition of Philips Galle / Medium: engraving /Circa: 1589-1593 750

Lot 168

Jacques Callot (1592-1635) - Escarmouche dans un Cirque / Description: Capricci di varie figure di Iacopo Callot - Escarmouche dans un Cirque (Skirmish in the Circus) - The Nancy set. A first state before the number. An amphitheater in ruins, with men fighting each others and, in the foreground, a man running forward, arms raised in the air. C. 1621. Etching made by Jacques Callot. / Dimensions: 7,70 x 5,30 cm / Condition: A very good outstanding impression of the first state, complete with full plate border and good margins on laid paper. Small remain of a former album tipping on the backside. Rare to find in this excellent early impression and condition. Lieure 1927 / Jacques Callot (470.I/II) ----Meaume 1860 / Recherches sur la vie et les ouvrages de Jacques Callot (853.I/II) / Medium: Etching /Circa: 1621 200

Lot 196

Johann Theodor de Bry (1561-1623) - Five Sea Monsters / Description: Frieze with five sea monsters ridden by putti. The three creatures at left have horse-like front legs, serpentine tails, and (from left to right) the head of a horse, lion, and goat. At right, two fanged fish. From a rare series of five plates after Giovanni Andrea Maglioli. Unknown in Hollstein. With the address 'de Bry excud' bottom middle. / Dimensions: 4,40 x 20,50 cm / Condition: Good strong contrasted impression trimmed along the plate borderline. Top right some accidents in the tread margin. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed) -- Same print in The Met, Accession Number: 57.658.13 (5) Engraving /Circa: 1580-1600 320

Lot 197

Johann Theodor de Bry (1561-1623) - Four Sea Monsters / Description: Frieze with four sea monsters, each with wings, serpentine tails, and the head of different animals. The creature at far left has a dog-like head, followed by a lion, elephant, and bull. From a rare series of five plates after Giovanni Andrea Maglioli. / Dimensions: 3,40 x 21,40 cm / Condition: Good strong contrasted impression trimmed along the plate borderline, bottom left corner small accident. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed) -- Same print in The Met, Accession Number: 57.658.13 (5) Engraving /Circa: 1580-1600 320

Lot 215

Pieter Paul Rubens, Allegory of Philips II and Saint Francis of Assisi, last judgement. Philip Spruyt / Description: Saint Francis of Assisi kneeling with three globes on his shoulders with the Virgin on top. Philip IV King of Spain and his family at left. Two chariots , one left with kings Charles V, Philip II and Philip III and right with the four Cardinal Virtues. both driven by a Franciscan monk. Below right Franciscan monks chase the devil back to hell. Proof etching, before the text below was engraved. This state is a unknown state. This etching with the text etched is the top part of a thesis print. Very rare Proof before the text etching made by Philippe Lambert Joseph Spruyt(1727-1801) in Gent ca 1787 after a grisaille of Pieter Paul Rubens (1577-1640). References: Schneevoogt 1873 / P.P.Rubens 145.70. In very good condition printed on laid wide margined paper with a printers crease below. Very strong dark early impression. With two watermarks: French lily. Proof before the text below was printed. Very rare proof of a Thesis. The thesis was printed with two plates. This is the upper part with large margins. Thesis prints are extremely rare. / Dimensions: 29,2 cm x39,6 cm / Condition: Very rare proof of this etching, before the text below was engraved. In very good condition printed on laid wide margined paper with a printers crease below. Very strong dark early impression. With two watermarks: French lily. Very rare proof of a Thesis. The thesis was printed with two plates. This is the upper part with large margins, an unknown state. Thesis prints are extremely rare. References: Schneevoogt 1873 / P.P.Rubens 145.70. Unknown first state before the text was engraved. etching /Circa: 1787 775

Lot 220

Jacques Jordaens, Old fool with cat, Proof engraving from Molien (unknown engraver), After Alexander Voet / Description: Jacques Jordaens, Old fool with cat. After the engraving of Alexander Voet. Proof engraving before the text from French engraver Molien (unknown engraver) (Source British Museum). Only this engraving known by him. Only one later impression found published by Thomas Major in London in 1737-1756. This engraving has a provenance in France. In excellent condition, very good dark strong early engraving/etching on laid paper with margins and blank text border. Very rare engraving/etching. / Dimensions: 24,7 cm x 17,9 cm / Condition: Rare engraving/etching in excellent condition, very good dark strong early engraving/etching on laid paper with margins and blank text border. Very rare engraving/etching. Only this engraving known by him. Only one found published later by Thomas Major in London in 1737-1756. This engraving has a provenance in France. engraving/etching /Circa: before 1736 2000

Lot 224

Hendrick van Balen, Crispijn van den Queborn, Adoration of the shepherds / Description: Adoration of the shepherds, After a painting of Hendrick Van Balen (Antwerp 1575-1632), engraving made by Crispijn van de Queborn (1604-1652) ca 1614-1652. Published by Abraham van Waesberge (1602-1672) in Amsterdam. References: Hollstein Dutch 1-2(2). Rare engraving in good restored condition, printed on thin laid paper, trimmed inside the platemark but retaining a fillet of blank paper outside the borderline. The image is complete. Good impression. Middle fold/tear restored and below some tears skilfully restored. Otherwise excellent. With a circular watermark. / Dimensions: 39,1 cm x 25,2 cm / Condition: Rare engraving in good restored condition, printed on thin laid paper, trimmed inside the platemark but retaining a fillet of blank paper outside the borderline. The image is complete. Good impression. Middle fold/tear restored and below some tears skilfully restored. Otherwise excellent. With a circular watermark. Hollstein Dutch 1-2(2) engraving /Circa: 1614-1652 475

Lot 252

Cornelis Brouwer, Gerbrand van den Eeckhout - Botanists From a collection of print drawings here completely hand-colored (rare!) by Ploos van Amstel himself. Subject : Four botanists examining specimens, a gardener at right bringing in a basket of plants, several books on the floor, one at left open, through the window a house and walled garden; after a drawing by Gerbrand van den Eeckhout now in the British Museum in London designed for the title-page to Pieter Nijlandt's 'De Nederlantse Herbarius' published in 167;. Print made by Cornelis Ploos van Amstel (project director), etched by: Cornelis Brouwer (1733-1803), after the drawing by Van den Eeckhout, a pupil of Rembrandt. Signature of artist, in lower right: "G.V. Eeckhout fe.". From a series of print drawings (published in separate sets between 1765-1787). Etched in 1780 and published in 1787 . On the backside the coat of arms of Ploos van Amstel (Lugt. 2034). Here completed with hand-coloring (rare!) by Ploos van Amstel himself (shades of red, bleu ,brown and green) 12,80 x 9,20 cm Top quality original print drawing in excellent condition on laid paper. Tipped with left side only on a part of the original square thick laid paper sheet , with hand drawn frame border in washed ink. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (75) --- vH:42, vA:44, W:44, vB:43, Josi 1821:25, --- Lit.: T. Laurentius, J.W. Niemeijer and G. Ploos van Amstel, 'Cornelis Ploos van Amstel 1726-1798, Kunstverzamelaar en Prentuitgever', Assen, 1980, 263-264 no.43. The 'Ectypa' of Ploos van Amstel, since that was the Latin term Ploos van Amstel used to describe his plates on the first title-page. A series of print drawings of Dutch and Flemish artists. They were published by Ploos van Amstel in separate small sets between 1765 and 1787. Ploos van Amstel hired several printmakers to assist him in the production of the plates, this one is not in the British museum. Most of the plates were also available separately. They usually have Ploos van Amstel's coat of arms printed on the verso as proof of authenticity. Hand colored etching 1780 260

Lot 253

Cornelis Brouwer, Jan Luyken - The Alchemists From a collection of print drawings here completely hand-colored (rare!) by Ploos van Amstel himself: Interior with a sitting man tempering a candle, two other man at a stove at right. The design for this drawing is now in the 'Amsterdam Historisch Museum, collection Fodor. This print was formerly also called 'The Alchemists'. Print made by Cornelis Ploos van Amstel (project director), etched by: Cornelis Brouwer (1733-1803), after the drawing by Luyken. From a series of print drawings (published in separate sets between 1765-1787). Etched in 1782 and published in 1787 . On the backside the coat of arms of Ploos van Amstel (Lugt. 2034). Here completed with hand-coloring (rare!) by Ploos van Amstel himself (shades of red, bleu ,brown, ) 12,00 x 9,20 cm Top quality original print drawing in excellent condition on laid paper. Tipped with left side only on a part of the original square thick laid paper sheet , with hand drawn frame border in washed ink. vH:76, vA:42, W:42, vB:44, Josi 1821:26, --- Lit.: T. Laurentius, J.W. Niemeijer and G. Ploos van Amstel, 'Cornelis Ploos van Amstel 1726-1798, Kunstverzamelaar en Prentuitgever', Assen, 1980, 263-264 no.45. The 'Ectypa' of Ploos van Amstel, since that was the Latin term Ploos van Amstel used to describe his plates on the first title-page. A series of print drawings of Dutch and Flemish artists. They were published by Ploos van Amstel in separate small sets between 1765 and 1787. Ploos van Amstel hired several printmakers to assist him in the production of the plates, this one is not in the British museum. Most of the plates were also available separately. They usually have Ploos van Amstel's coat of arms printed on the verso as proof of authenticity. Hand colored etching 1782 180

Lot 266

The genealogical tree of the Dominicans, Adriaen Collaert, Carel Collaert The genealogical tree of the Dominicans. The Virgin with Christ as child set in a rosary at top, Saint Peter below them, Saint Dominic holding a staff and a model of a church at bottom, seven pairs of tree branches. A rare engraving made by Adriaen Collaert in Antwerp ca 1610, published by Carel Collaert in Antwerp ca 1619-1654. References: New Hollstein 865 III, third state. In excellent condition. Printed on thin wide margined paper. Good dark impression. 29,9 cm x 21,3 cm In excellent condition. Printed on thin wide margined paper. Good dark impression. New Hollstein 865 III, third state. engraving 1610 450

Lot 276

Bernard van Someren (1572-1632) - Salvator Mundi - RRR Jesus Christ, half-length, with right hand raised in blessing and resting his right hand on a globe surmounted by a cross. Signed and lettered around the impression: "Bernaerdus de Seumeren fe. et ex. a Bos." and "Ego Svm Via Veritas et Vita". First plate of a series of Christ with The Apostles and St Paul. Extremely rare engraving by the Flemish, Antwerp born artist Bernard van Someren (1572-1632). Only three engravings known to Hollstein, including a Saint Jude similar to our print. This one unknown to Hollstein. diameter 14,50 cm Very good inked early impression with nice plate tone, on fragmentary watermarked laid paper. The print is on a little square sheet of 18,00 by 18,50 cm and has full plate border and wide margins. Margins occasionally soiled but in a nice authentic untouched condition. Hollstein unknown ----- In counterpart to the series by Zacharias Dolendo after Jacques de Gheyn II from 1596. --- This design of Christ as Salvator Mundi was apparently used for the ceiling decoration from the supposed Guise Palace, Edinburgh; see Michael Bath, 'Was there a Guise Palace in Edinburgh?', in Robert Gowing and Robyn Pender (eds), 'All Manner of Murals: The History, Techniques and Conservation of Secular Wall Paintings', London, 2007, pp.11-21, fig.3. The house was demolished in 1845 but the panel survives in the National Museum of Scotland, Edinburgh. ----- Barend van Someren (1572–1632) was a Flemish painter and printmaker who after training and working in Antwerp moved to Rome. He was also active as an art dealer, publisher and innkeeper. Van Someren was born in Antwerp and the brother of Paul van Somer I. He trained in his hometown with Filips Lisaert the Younger. He traveled to Rome in 1600 were he worked in the workshop of Aert Mijtens. He left Rome for Amsterdam in 1602 and operated an inn in Amsterdam. The Flemish painter Adriaen Brouwer stayed in this inn when he first arrived in the Dutch Republic in 1625. He is reported to have painted history and landscape paintings bu no extant paintings by him are known. A few prints by his hand are portraits of religious and historical figures such as the Judas Taddeüs. Engraving 1590-1630 260

Lot 307

"Le Bât", Painter with model in his atelier. Schalt, Lindor de Toulouze, Bonnefoy "Le Bât" Painter with model in his atelier. After a painting of Schalt, very rare engraving made by Lindor de Toulouze, Published in Paris by Bonnefroy. Une des contes de la Fontaine. "Voyez dit la bonne commere quand le bon homme fut de retour, l'âne est temoin de ma fidelité"." See, said the good wife when my husband returned, the donkey is witness to my fidelity. The engraver Lindor de Toulouze made 6 engravings after the " Contes de la Fontaine". Very rare engraving in a very good condition. Printed only aid paper with 3 cm margins. Good dark impression. 37,5 cm x28,1 cm Very rare engraving in a very good condition. Printed only aid paper with 3 cm margins. Good dark impression. Lindor de Toulouze made 6 engravings after the " Contes de la Fontaine" engraving 1786-1800 550

Lot 325

Pieter van Laer (1599-1642) - The horses - First state We see three horses on a pasture next to a lake, a peasant resting at left. From 'Various Animals, etched by van Laer in 1636. This is an early impression of the first state before number, still with square plate edges. Rare in this early state and condition. 12,80 x 17,70 cm Excellent early impression with good plate tone and full plate border and small margins. On watermarked laid paer (Eagle with spread wings). Excellent condition. Hollstein / German engravings, etchings and woodcuts c.1400-1700 (2.I ) Etching 1636 320

Lot 79

Printers mark used by female printer Yolande Bonhomme - 1499 / Description: This printer's mark by Thieleman Kerver (fl. 1497-1522) was used as early as 1499 and probably some years before. After he died, his widow Jolande Bonhomme took over his shop at the "Sign of the Unicorn" in the ue St. Jacques, and in 1526 she produced the first Bible printed by a woman. She became one of the most notable female printers of sixteenth-century France. Here an oldcoloured example of a publication by her with text "Parisijs ex officina libraria Jolande Bonhomme / Widue spectabilis viri Thielmanni Kerver / In sico Sancti Jacobus Unicorni". Source: Horae, Use of Rome. Hore beate Marie virginis ad usum fratres predicatorum, ordinis sancti dominici, 1542. The printing profession at this time was dominated by men who were printing books for other men to use. In sixteenth-century France, widows were the only women allowed to run or own businesses. They would do this until they re-married and their new husbands took over the business. --- Here a rare piece documenting the work of a rare female printer of the early 16th century. / Dimensions: 11,80 x 7,30 cm / Condition: Good impression on laid paper, old hand coloring, trimmed outside the image and mounted on a laid paper sheet. Small stain on the left unicorn. / Literature: Portland State University Portland State University: Kerver's Widow and Female Printers in Sixteenth-Century France / Medium: Metal cut (background criblé) /Circa: 1499 printed 1542 160

Lot 84

Hans Sebald Beham, Justitia, Justice / Description: Justitia, Justice from the series: Cognition and the seven virtues, Engraving made by German Small master Hans Sebald Beham (1500-1550) in Frankfurt am Main in 1539. References: Bartsch 132, Pauli (Hans Sebald Beham) 134-2(4), Hollstein German 134-2(4). Superb dark early impression with all the details. Miniature engraving, size of a stamp, in excellent condition , printed on thin laid paper on the margins, image complete (often missing at the right). Rare. / Dimensions: 3,95 cm x 2,55 cm / Condition: Superb dark early impression with all the details. Miniature engraving, size of a stamp, in excellent condition , printed on thin laid paper on the margins, image complete. Rare / Literature: Bartsch 132, Pauli (Hans Sebald Beham) 134-2(4), Hollstein German 134-2(4) / Medium: engraving /Circa: 1539 300

Lot 85

Hans Sebald Beham, Cognitia, cognition / Description: Cognitia, cognition from the series Cognition and the seven virtues, Engraving made by German Small master Hans Sebald Beham (1500-1550) in Frankfurt am Main in 1539. References: Bartsch VIII.167.129, Pauli (Hans Sebald Beham) 131-3(4), Hollstein German 131-3(4). Superb dark early impression with all the details. Miniature engraving, size of a stamp, in excellent condition , printed on thin laid paper on the margins an d just 1/2 mm in the right margin, image complete. Rare. / Dimensions: 3,9 cm x 2,5 cm / Condition: Superb dark early impression with all the details. Miniature engraving, size of a stamp, in excellent condition , printed on thin laid paper on the margins, image complete. Rare / Literature: Bartsch 129 III, Pauli (Hans Sebald Beham) 131 3(4), Hollstein German 131-3(4) / Medium: engraving /Circa: 1539 300

Lot 712

Edward Bawden, a rare hand blocked wall paper sample for Cole & Sons, 1938, 66cm x 52cm, unframed. Good condition.

Lot 136

David Hockney (b.1937) after.Ubu Roi, Poster for The Royal Court TheatreOffset lithograph printed in colours, 1966, printed by Echo Press Ltd., Loughborough, from the rare limited edition of unknown size, on wove paper, the full sheet printed to the edges, sheet 507 x 315mm (20 x 12 1/2in)Together with the accompanying theatre programme (2)David Hockney was head of design for this production at The Royal Court Theatre, London, 1966.

Lot 102

* MURIEL BARCLAY, LIGADO watercolour on paper, signed, titled label versomounted, framed and under glass (slipped in the mount)image size 71cm x 51cm, overall size 102cm x 79cm Label verso: C. R. M. F Art ExhibitionNote: In the inaugural Scottish Contemporary Art Auction staged by McTear's on 22nd November 2008, "Pink Tutu Tune" by Muriel Barclay sold for £7475 (premium) which was widely reported to be a record price for any maiden painting at public auction by a Scottish artist (past or present). Muriel Barclay is one of Scotland's most successful living artists and her exhibiting history is impressive. Her paintings are enthusiastically collected around the UK and auction appearances of her larger paintings, such as "Leg Pulling", are extremely rare. Collections include: Sir Arnold Clark, Lord Harris, The Sultan of Brunei, Alex McLeish, Sir Jack Harvey, HBOS, Biggart Baillie, Arisaig Partners, Ernie Els (golfer) and numerous other prestigious corporate and private collections worldwide. In The Scottish Contemporary Art Auction of 13th December 2020 "Peace Delegation" (a 77 x 87cm oil, lot 612) by Barclay, sold for £5500 (hammer) and in The Scottish Contemporary Art Auction of 24th October 2021 lot 836 "Venice" by Muriel Barclay sold for £6000 (hammer).

Lot 103

* MURIEL BARCLAY, MELODY watercolour on paper, signed, titled label versomounted, framed and under glass image size 71cm x 51cm, overall size 101cm x 78cm Label verso: C. R. M. F. Art Exhibition.Note: In the inaugural Scottish Contemporary Art Auction staged by McTear's on 22nd November 2008, "Pink Tutu Tune" by Muriel Barclay sold for £7475 (premium) which was widely reported to be a record price for any maiden painting at public auction by a Scottish artist (past or present). Muriel Barclay is one of Scotland's most successful living artists and her exhibiting history is impressive. Her paintings are enthusiastically collected around the UK and auction appearances of her larger paintings, such as "Leg Pulling", are extremely rare. Collections include: Sir Arnold Clark, Lord Harris, The Sultan of Brunei, Alex McLeish, Sir Jack Harvey, HBOS, Biggart Baillie, Arisaig Partners, Ernie Els (golfer) and numerous other prestigious corporate and private collections worldwide. In The Scottish Contemporary Art Auction of 13th December 2020 "Peace Delegation" (a 77 x 87cm oil, lot 612) by Barclay, sold for £5500 (hammer) and in The Scottish Contemporary Art Auction of 24th October 2021 lot 836 "Venice" by Muriel Barclay sold for £6000 (hammer).

Lot 133

* HANNAH FRANK (SCOTTISH 1908 - 2008), GARDEN (1932) lithograph on paper, signed in pencilmounted, framed and under glassimage size 32cm x 28cm, overall size 53cm x 43cm Note: "Garden (1932)" is one of the rarest Hannah Frank signed prints. A previous example of this print was sold (by McTear's) for £650 (lot 526 The Scottish Contemporary Art Auction 27th September 2020). Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).

Lot 14

* HANNAH FRANK (SCOTTISH 1908 - 2008), FLIGHT (1939) lithograph on paper, signed in inkframed and under glassimage size 35.5cm x 28cm, overall size 47cm x 38cmProvenance: HFDS Plate 16 page 97. The original pen and ink work was exhibited at the RGI in 1942. Flight (1939) is also the largest and most prominent photograph shown on the front cover of "Hannah Frank, A Glasgow Artist, Drawings & Sculpture" second edition, Revised and updated by Fiona Frank.Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 but beaten in January 2023 in Edinburgh by a single print achieving £900 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).

Lot 144

* ANDREW HAY (SCOTTISH b. 1944), PADDY'S MARKET oil on board, signedframedimage size 112cm x 160cm, overall size 135cm x  180cmComment: A rare auction appearance for a major painting by Andrew Hay and unquestionably the largest and most impressive example to be offered at auction, anywhere.Note: Having started to paint at the age of 39, within a year the People's Palace Museum, Glasgow had purchased ten paintings and had given Hay his first solo exhibition. Since then his works have been included in numerous public and private collections. His work deals with both narrative and nature, sometimes subverting one or the other in order to advance his artistic practise. His insistence on invention, freedom and risk affirms continuity in his aesthetic spirit. He uses a network of codes, symbols and expressive techniques which play off his collective memory and familiarity of everyday objects and culture from his childhood and juxtaposes them with present day reality. In so doing he embodies them with a new philosophical discourse. Andrew’s work now features in many significant public and private collections and is in the permanent collections of Glasgow's Kelvingrove, Gallery of Modern Art and The People's Palace.

Lot 153

* HANNAH FRANK (SCOTTISH 1908 - 2008), COME LOVELY AND SOOTHING DEATH lithograph on paper, signed in pencilmounted, framed and under glassimage 44cm x 31cm, overall 62cm x 48.5cmNote: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).

Lot 374

Hornby 0 Gauge group of SR Goods wagons consisting of Early Brake van, Good/Plus in Good box. Unboxed Breakdown van & crane 2, Rare No. 2 Timber wagon (Couplings refixed) and 5 * No.0/1 Open wagons. Good. (9)

Lot 7151

REVISED ESTIMATE- Autographs: Isle of Man TT Races, 1929-1931, To include Stanley Woods and rare photos. An autograph album containing 45 pasted down sepia tone, black and white photographs and related newspaper cuttings, ink ownership name of Bernado Ansaldi on front patterned endpaper. Thirteen of the photographs with the riders autograph on small pieces of paper cut out and pasted down to either the top edge of the photograph or on the album page, many with printed and handwritten captions and handwritten detailed statistics on facing pages, includes the riders names and dates they had competed in Junior, Lightweight, and Senior T.T. races, the riders speeds, positions, lap records and finishing times within individual races, and details of the dates and at times fatal crashes a rider had incurred, bound in soft burgundy leather, gilt, all edges gilt, 16.5 x 10cm.

Lot 7196

Marvel Comics: 15 Rare and hard to find Silver and Bronze age Minor Key issues from one of Marvels most popular & sought-after eras of publishing featuring 1st appearances, iconic covers and more. Mostly Mid-grade.The Man called Nova No. 1. Pence copy (1976) The 1st Appearance of Nova! Written by Marv Wolfman. Pencils by John Buscema. Inks Joe Sinnott.G/VG Condition (3.0)Astonishing Tales No. 29 Featuring Guardians of the Galaxy. Pence copy (1975) Reprints the Guardians of the Galaxy origin issue. Condition: VG (4.0)Uncanny X-Men No. 134. Pence copy (1980) The 1st Appearance of Black Queen Phoenix! Story by Chris Claremont and John Byrne. Art by John Byrne and Terry Austin. Condition: VF (7.0)Adventure into Fear No. 24. Pence copy (1974) The 1st meeting between Marvel Icons Blade and Morbius! Script by Steve Gerber, pencils by Craig Russell, inks by Jack Abel. Condition: FN (5.5)Peter Porker The Spectacular Spider-Ham No. 1. Cents copy (1983) The 1st Appearace of Peter Porker: Spider-Ham! Making his present known in the recent hit film Spider-Man: Into the Spider-Verse Peter Porker is absolutely here to stay. Condition: VF (8.0)Man-Thing No. 1. Pence copy (1979 2nd series) Written by Michael Fleisher. Art by Jim Mooney and Bob Wiacek. Condition: VF (8.0)Amazing Adventures no. 5 featuring the Inhumans and the Black Widow. Cents copy (1971) Cover pencils by John Buscema, inks by John Verpoorten.Interior art by Neal Adams. Condition: Gd (2.5)Sub-Mariner No. 7. Cents copy (1968) An Iconic use of an early photo cover in Marvel publishing. Always sought-after. Condition: VG (4.0)Power-Man and Iron Fist No. 66. Pence copy (1980) The 2nd appearance of Sabretooth! Wolverines biggest adversary gets an early 2nd appearance in this fantastic issue. Condition: VF- (7.5)Champions No. 1. Pence Copy (1975) 1st Appearance of the Champions. Story by Tony Isabella. Art by Don Heck and Mike Esposito. Cover by Gil Kane and Dan Adkins. Condition: FN- (5.5)Marvel Spotlight No. 6 Spotlight on Starlord! Pence Copy (1980) Origin and 1st Comic Book Appearance of Starlord. Condition: FN (6.0)Marvel Presents: No. 10 Presenting Guardians of the Galaxy! Cents copy (1977) Star Hawk origin issue. Condition: VF (8.0)Marvel Presents No. 1 Bloodstone. Pence Copy (1975). Origin and 1st appearance of Bloodstone. Script by John Warner, pencils by Mike Vosburg, inks by Bob McLeod. Condition: VG (4.0)Captain Britain No. 1 (1976). This British issue features the legendary 1st Appearance of Captain Britain. Magazine size weekly British edition comic published weekly by Marvel Comics International. Cover and 13 interior pages in full color, rest black and white. Condition: FN- (5.5) Free Mask Gift missing.Marvel Preview Presents No. 11 Starlord (1977) 2nd Appearance of Starlord! Magazine size edition. Condition: VG/FN (5.0) (15)Condition Report: Mostly Mid-grade. All issues complete, unrestored, untrimmed and unclipped. Full condition breakdowns for each issue in catalogue description.

Lot 7197

Marvel Comics: 7 Rare and hard to find Silver Age Avengers issues from one of Marvels most popular & sought-after eras of publishing featuring stories by Stan Lee, early character appearances, minor Keys, sought-after covers and more. Mostly Mid-grade.Featuring Avengers No. 15 Cents Copy (1965) Featuring the Death of Baron Zemo. Condition: VG (3.5)Avengers No. 27 Pence Copy (1966) 1st Appearance of Attuma. Script by Stan Lee, pencils by Don Heck, inks by Frank Giacoia (as Frankie Ray). Condition: VG+ (4.5)Avengers No. 34 Cents Copy (1966) 1st Appearance of the Living Lazer. Script by Stan Lee, art and cover by Don Heck. Condition: GD (3.0)Avengers No. 59 Cents Copy (1968) 1st Appearance of Major Ant Man villain Yellow-Jacket. Condition: FN- (5.5)Avengers No. 78 Pence Copy (1970) 1st Appearance of Lethal Legion. Condition: FN- (5.5)Avengers No. 87 Pence Copy (1971) Huge Marvel Back story issue. This Iconic issue and cover contain the Origin tale of the Black Panther! Absolutely not to be missed for Black Panther fans. Script by Roy Thomas. Pencils by Frank Giacoia. Inks by Sal Buscema. Cover by John Buscema and John Verpoorten. Condition: VG/VG+ (4.5)The Mighty Avengers No. 63 Cents Copy (1969) 1st Clint Barton (Hawkeye) as Goliath. Condition: VG/FN (5.0) Condition Report: Mostly Mid Grade:Avengers No. 15 VG (3.5)Avengers No. 27 VG+ (4.5)Avengers No. 34 GD (3.0)Avengers No. 59 FN- (5.5)Avengers No. 78 FN- (5.5)Avengers No. 87 VG/VG+ (4.5)The Mighty Avengers No. 63 VG/FN (5.0)

Lot 7221

Manchester City Football Club, Silva (No.21) Season rare 3rd kit shirt 2011-2012. S/S. Match Worn during season. Provenance Man City kitman.

Lot 288

Carl Toms for Wedgwood, a rare commemorative mug for The Investiture of HRH Charles Prince of Wales at Caernarvon Castle, 1st July 1969; together with two further mugs, Silver Jubilee and One Thousand Years of English Monarchy, all approx. 12cmH

Lot 335

John Maltby (1936-2020), a rare early studio pottery sculpture form, signed and dated Maltby '68, 21cm high, provenance confirmed by MaltbyProvenance: From a private collection, West Dorset

Lot 613

VINYL LPS: TRAFFIC: 'Mr Fantasy' MONO ILP-961 (1st pressing?); gatefold in very nice condition. Disc looks at least VG; 'The Low Spark of High-Heeled Boys' ILPS-9180, Island, 1971; at least VG/VG; 'Shoot Out at the Fantasy Factory', Island ILPS 9224, 1973, again VG/VG or possibly better. A rather rare trio especially in this condition.

Lot 245D

A bottle of Hine Rare & Delicate Fine Champagne Cognac, in original box 100cl, 40%

Lot 378

A rare Great War Period French formal tunic, and a Second War Royal Navy jacket dated 1944 (2)

Lot 56

A rare 19th century Tunbridge Ware combination drum-shaped box, with parquetry inlaid ends and 6 combination barrels, diameter 6cm, height 5.5cm, together with a Tunbridge Ware yoyo, diameter 7.5cmBox is in good original condition, dials slightly discoloured, no damage or repairs, combination is Albert, yoyo is slightly rubbed and varnish is chipped through light use

Lot 952

1 bt Berisford Pemartin Solera 1914 Rare Amontillado Sherry ullaged (50%) stl, signs of seepage 1 bt Domecq Double Century Cream Sherry 1 bt Domecq Double Century Original Oloroso Sherry 1 bt Harveys Bristol Cream Sherry 1 bt Yeoman Cream British Sherry ullaged (1/3) signs of seepage Above five bottles

Lot 956

2 75-cl bts Bells Specially Selected Blended Scotch Whisky Wade Decanters 40%, 1 oc 1 75-cl bt Bells Extra Special Blended Scotch Whisky Wade Decanter 43% oc 1 litre bt Bells Finest Extra Special Old Scotch Whisky 40% 1 litre bt Bells 8YO Extra Special Old Scotch Whisky 43% 1 75-cl bt Bells Extra Special Old Scotch Whisky 40% 1 75-cl bt Bells 21YO Very Rare Scotch Whisky 43% oc (sl damaged) Above seven various sized bottles

Lot 971

1 75-cl bt Chivas Brothers Royal Salute Blended Scotch Whisky Green Ceramic Flagon with pull string bag oc 1 75-cl bt Chivas Regal 12YO Scotch Whisky 40% original tin 1 75-cl bt Johnnie Walker Swing Whisky 43% oc 1 70-cl bt King of Scots Proclamation Rare Extra Old Scotch Whisky Ceramic Flagon with stopper Above four various sized bottles

Lot 190

Vinyl - 10 David Bowie foreign pressing albums to include: Pinups (original French issue + insert RS 1003), The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (German gatefold sleeve with printed inner, LSP 4702), Chameleon (1979 Australian pressing, STAR 1), Scary Monsters (1980 Holland, PL-13647), Ziggy Stardust - The Motion Picture (1983 German double, PK 84862(2)), Christiane F. Wir Kinder Vom Bahnhof Zoo (original soundtrack) (1983 german, BL 43606), Rare (1982 German, PL 45406), Golden Years (1983 Italian, PL 14792), The Best Of Bowie (New Zealand, NA 580), Starman (Russian, C60 26469 001). Condition at least VG+ overall

Lot 278

Vinyl - David Bowie / Tin Machine 2 rare Argentina Promo albums to include: Tin Machine II (Argentina 1991 Demo Promo album, London Records, 828272-1) VG+ / EX. Tin Machine (Argentina 1989 Demo Promo album, EMI Records, 56807) VG+ / EX

Lot 323

CLASSICAL BOX SETS - 2 RARE UK ED1 HIS MASTERS VOICE / EMI BOX SETS. 1. HMV / EMI RLS 702 - Furtwangler - Der Ring des Nibelungen - Wagner - 18 LP boxed set, ALL VINYL is EX+++ / NEAR MINT (UNPLAYED), BOX SET is EX+/ EX++, plus BOOK + ALL INNERS !!! 2. HMV / EMI, SAN 195-197 / SLS 930-933, Bach: Mass in B Minor KLEMPERER W/Angel, Ed.1, 3LP STEREO BOX SET, ALL VINYL is EX+++ / NEAR MINT, BOX is EX++/ EX+++, + BOOK in NEAR MINT condition

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