We found 209761 price guide item(s) matching your search
There are 209761 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
209761 item(s)/page
Lot 1399
Rare Australian Token Penny’s & Halfpenny, to include:- Hide & De Carle, Melbourne grocers & wine merchants 1857 & 1858. Iredale & Co, Sydney Iron merchants & general iron mongers, established 1820. Peace & Plenty, Melbourne 1858. R. Parker, Moorabool Street, Geelong, Ironmonger. Halfpenny, Holloway’s Pills & Ointment 1857. Smith . Peate & Co, 258 & 260 George Street Sydney, Grocers tea dealers & wine merchant.
Lot 153
Medieval Pilgrims Badge.Circa 15th century AD. Copper-alloy, 2.21 grams. 23.27 mm. An open-work pilgrims badge depicting St Roche or Rocco, a pilgrim who carries a staff and is accompanied by a dog jumping to his right and an angel representing a supplicant to his left. The saint is robed and bareheaded with a circular disc (halo) behind. He lifts his robe to reveal his right leg where he suffers from a wound. The reverse of the badge flat and there is the remains of a wire attachment loop in the centre.St. Roche is the patron saint of dogs and accused people and was often evoked against the plague. According to tradition he was expelled from the town of Piacenza in Italy after falling ill and upon finding shelter in the wood a local nobleman's dog tended to his wounds and brought him bread.Ref: A similar, but incomplete pilgrim badge, has been recorded from Dordrecht in the Netherlands (van Beuningen and Koldeweij 1993, 1990, no. 327). They appear to be very rare in Britain with only four recorded on the PAS database.
Lot 165
A rare Medieval inlaid bronze medieval sword pommel, Circa 13th-15th century. Almost oval if viewing face on but is actually octagonal with shallow faces. Each of the five faces on each side are detailed with inlaid silvered lozenge panels within enamel frames, between each face and down each side is a series off incised line decorations forming chevrons. The base has a small sub-rectangular hole with the top hole being larger to receive the swords tang. Size: 46.48 mm, Weight: 140.16 grams.Reference: similar in form to, London Museum Medieval Catalogue; 22-29, fig 1.Ex A. Smith Collection.
Lot 182
Medieval Cinque Port Heraldic Mount. Circa, 12th - 14th century AD. Copper-alloy, 13.40 grams. 36.99 mm. A rare medieval heraldic mount displaying the arms of the Cinque Port at Romney in Kent. The round mount displays the dexter halves of the three lions of England with the tail halves being the sterns of wooden ships. Vertically divided in two halves with enamel, right being red for England and left blue (Azure) representing the sea.Cinque Ports: Prior to the 15th Century, England had no permanent navy to defend it from sea-borne aggression. Instead five ports in the South East - the region most vulnerable to invasion - contracted with the Crown to provide a defensive fleet when required. King Edward the Confessor had contracted the five most important Channel ports of that day to provide ships and men “for the service of the monarch” and although this was frequently as a “cross-Channel ferry service”, it was not exclusively so. Under the Norman kings this became the essential means of keeping the two halves of their realm together, but after the loss of Normandy in 1205, their ships (the fore-runners of the Royal Navy) suddenly became England’s first line of defence against the French.These ports – Hastings, Sandwich, Dover, Romney and Hythe – became known as the Cinque Ports (from the French word five, but always pronounced ‘sink’ not ‘sank’). They were granted many freedoms (for example from militia service, from market and port tolls) and privileges, the most prized being the right to carry the canopy over the King at the Coronation and the very profitable, the running of the international Herring Fair on Yarmouth strand.The earliest charter still existing dates from 1278. However, there may have existed charters granted by sovereigns to some - or all - of the Cinque Ports going back to the time of Edward the Confessor (1042-66).The towns of Winchelsea and Rye were added tot he five original Cinque Ports - probably prior to 1210 - and to these were later added corporate and non-corporate members (or limbs), being other smaller ports. The heyday of the Cinque Ports was in medieval times when they provided a vital navy for the protection of the realm. Today, the Cinque Ports, and their charters, still exist. This Confederation of Cinque Ports (cinque is the French for five) was formed in the early 11th century. Its ‘head of state’ was the Lord Warden. The founding Members (‘head ports') were Hastings, New Romney, Hythe, Dover and Sandwich.
Lot 219
Hayling Wreath gold quarter stater attributed to the Belgae of Hampshire. An excessively rare type with only two others known (both plated), this being the first recorded example in gold. Circa 50BC-20BC. Obv. Cruciform motif around a central rosette, leaf motif in each angle. Rev. Horse right with beaded mane, floral motif in front. 10mm, 0.92g.ABC 812; VA -; BMC -Found near Portsmouth, Hampshire and recorded with the Celtic Coin Index CCI. 20.0614Dr John Sills (pers. comm.) An interesting and important coin, not just for being the first non-plated Hayling Wreath Right quarter that I'm aware of. It's a definite overstrike as you say, probably over a Danebury Scrolls quarter, my nos 273 and 274. Although I didn't mention it the Scrolls Right quarter illustrated, no. 274, is an overstrike, hence the ladder mane at the base of the horse's neck, and the second known coin, Chris Rudd 172, lot 9, appears to be overstruck on the same undertype. On your coin the back-to-back crescents near the edge on the obverse, not part of the Haying Wreath design, match part of the swirling curls and fronds design on the Danebury Scrolls Right type, and the clinching feature is part of a frond a bit further round, which also shouldn't be there but is in the right place to be one of the fronds on the Scrolls obverse. There are traces of the undertype on the reverse as well, notably the pellet on the horse's breast.Your coin is significantly lighter than the Danebury Scrolls quarters, which suggests that it was filed to reduce the weight before being restruck as a Hayling Wreath type. Although there are several overstrikes now known in the southern region, yours is the first one where the undertype can be recognised with reasonable certainty. It shows beyond doubt that the Hayling Wreath issues are later than the Danebury Scrolls fractions, which is useful to know - these small local issues can be very difficult to sequence. It also gives support what had previously only been suspected, which is that one reason for striking a new type over an old one in this part of the country was to make a profit for the mint by filing gold off earlier coins. No doubt there were other reasons as well, chiefly the wish for a small group to establish its own identity by issuing coins, but profit can now be shown to have been one of the motives.
Lot 242
Carausius Silver Denarius. AD 286-293. Silver, 19.45 mm. 4.11 grams. Obverse: Radiate and draped bust right, IMP C CARAVSIVS P F AV. Reverse: FORTVNA AVG, Fortuna seated left on wheel, holding rudder and cornucopiae. RSR in ex. London, AD 286-7. Ref: RIC v, ii, p 511. RSC 66. RCV 13518. Crack on either side but stable. Rare.
Lot 304
Harold II Type 1 Penny. AD 1066. Silver, 1.21 grams. 19.00 mm. Obverse: Crowned bust left, sceptre in front. +HAROLD REX ANGL. Reverse: PAX across field between two lines. +PVLFPI ON GRANTI. Moneyer Wulfwi at the Cambridge mint. Ref: North 836, Spink 1186. Recorded with the Early Medieval Coins Corpus as: EMC 2020.0237. This coin is the first coin recorded for Harold II by the moneyer Wulfwi, and only the second coin recorded for Harold II minted in Cambridge. Rare.
Lot 312
Henry I Type VI Norman Penny.AD 1100-1135. Silver, 1.31 grams, 19.39 mm. Type 6. Obverse: +HENRI REX, crowned bust three-quarters right, holding sceptre in right hand and pointing with left; in field right, three stars. Obverse: Cross pattee over saltire with four annulets at the end of each limb; in each angle, a star. +SIGAR ON LVN, moneyer Sigar at the London mint. Ref: North 862, Spink 1267. Rare. Recorded with the Early Medieval Coin Corpus as: EMC 2020.0316. Found Essex 2020. As found and uncleaned, slight curve to flan.
Lot 314A
Henry Of Anjou Penny.Circa, 1139-48 AD. Silver, 0.9 grams. 18 mm. Obverse: Bust right with sceptre wearing round cap, +HENRICVS [R]EX. Reverse: Quadrilateral over cross fleury, +ROBERTVS ON WI [ ]. Moneyer Robertus at the Wallingford mint. This is the first coin recorded that names Robertus as a moneyer at Wallingford. Recorded with the Early Medieval Coin Corpus as: EMC 2020.0301. Ref: North 940/2. Excessively rare. Only 9 other examples of Henry's 'round cap' type are recorded on the EMC: two cut halfpennies, five incomplete coins and two full pennies. Of these, this is the only example where both mint and moneyer can be read from the coin.
Lot 326A
Extremely Rare Queen Mary Half Angel. Circa, 1553-4, mint mark Pomegranate. Obverse: St Michael slaying dragon, MARIA DG ANG FRA Z HIB REGINA. Reverse: Shield of arms over ship, M and rose either side of mast. A DNO FACTU EST ISTUD Z EST MIRA IN OCUL NRIS. Ref: Spink 2491. Note: professionally straightened.
Lot 44
Iron Age Celtic Mount.Circa 100 BC. Copper-alloy, 7.81 grams. 31.18 mm. A rare and beautiful piece of Celtic metal work. Most likely a Phalera (harness ornament) that would have adorned a warriors horse. Formed of a domed copper-alloy disk decorated with six stylised human heads around a ring of six thick annulets enclosing a central circular opening. Between each head is another annulet. Very well preserved with a smooth green patina. Ref: V. Kruta. Celts, History And Civilisation. p. 36-37. Property of a private collector.
Lot 7
Iron Age Brooch. Circa, 3rd century AD. Copper-alloy, 21.72 grams. 33.33 mm. A rare Celtic brooch of La Tene type 1. Formed of a single piece of copper the brooch has a large bulbous body with a curled catch plate decorated with a circular terminal. The body is detailed with a central eye motif enclosed by ten pellet in ring motifs. Unfortunately the pin is missing but part of the integral spring survives. Ref: Hattatt 2012 page 288, fig. 147, no 725. Property of a private UK collector.
Lot 81
Viking Mount.Circa 9th-10th century AD. Copper-alloy, 6.38 grams. 29.08 mm. A Viking mount depicting two opposed horse-like creatures, positioned head to tails with rear legs bent back over the body and heads facing the rump. Between the front legs is an open-work oval connecting panel. Each beast is decorated with pellet in annulet motifs, one at the head to represent the eye and another on the shoulder and rump. A rare piece. Ref: for similar design, see. Graham-Campbell & Kidd, The Vikings. p. 162. From a private UK collection.
Lot 336
A rare pearlware jug commemorating the Peace of Amiens, c.1802, probably Swansea Pottery, 17cmCONDITION: Attempts at old repairs around pouring lip clearly evident with some re-painting; chip to neck rim, approximately 4x4mm. , with downward crack issuing from this chip, approximately 3cm. - quite close to handle; considerable scuffs and wear at broadest point of jug's diameter; handle discoloured; hairline crack at lower handle joint, not serious; underside with star-cracks, not too serious.
Lot 1511
Artist: David Hockney (British, b.1937). Title: "White Porcelain [David Hockney/Preventive Intervention/Tyler Graphics exhibition]". Medium: Color offset lithograph. Date: Composed 1988. Dimensions: Overall size: 33 1/2 x 24 1/2 in. (851 x 622 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Baggot/Hockney Posters. Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): A scarce/rare poster with the signature. Published by the Preventive Intervention Research Center for Child Health, Albert Einstein College of Medicine/Montefiore Medical Center, for the exhibition opening June 5, 1988. Features Hockney's print "White Porcelain," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23684-6-100]
![Artist: Roy Lichtenstein (American, 1923-1997). Title: "Whaam! [1996 - diptych - 2 original prints - lifetime printing]". Med](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/35907e6f-c983-4eec-9f8b-ac4e01811e8f/468x382.jpg)
Lot 1516
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Whaam! [1996 - diptych - 2 original prints - lifetime printing]". Medium: Original color offset lithographs. Date: Composed 1996. Dimensions: Overall size: (two panels together) 31 1/2 x 47 1/4 in. (800 x 1200 mm). Image size: (two panels together) 19 3/8 x 45 1/2 in. (492 x 1156 mm).Lot Note(s): Signed in pencil, lower right, second panel. Edition unknown, presumed very small. Very light cream wove paper. The full sheets. Fine impressions with fresh colors. Very good condition. Literature/catalogue raisonne: Doering/Von Osten 162. Our example unknown to Corlett - thus cf. Corlett App.7. Comment(s): Rare. Although published by the Tate during Lichtenstein's lifetime in 1996, we have found only one auction record since its printing. The complete text underneath the image reads: "Published by Tate Publishing, Millbank, London SW1P 4RG. © Tate Publishing 1996. Roy Lichtenstein 'Whaam!' 1963. Acrylic on canvas. 172.7 x 406.4 cm (68 x 160 in). © Roy Lichtenstein/DACS 1996. Printed in Great Britain for the Trustees of the Tate Gallery by Westerham Press. 3M0296. T4095". Image copyright © Estate of Roy Lichtenstein. [28642-6-2400]
![Artist: David Hockney (British, b.1937). Title: "Views of Hotel Well III [David Hockney/Moving Focus Prints exhibition]". Med](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/d80654b0-7dae-48e9-816c-ac4e01814932/468x382.jpg)
Lot 1526
Artist: David Hockney (British, b.1937). Title: "Views of Hotel Well III [David Hockney/Moving Focus Prints exhibition]". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 32 x 22 in. (813 x 559 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Baggot/Hockney Posters 124 (1987); Baggot/Hockney Posters 157 (1994). Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): This poster (unsigned) sold for US$2,064 at Christie's South Kensingston, 03/25/1999, lot 124. Scarce/rare with the signature. Published by the Tate Gallery for the "Moving Focus Prints from Tyler Graphics, Ltd." exhibition, March to May, 1986. Features Hockney's print "Views of Hotel Well III," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23683-5-125]
Lot 1559
Artist: Diane Arbus (American, 1923-1971). Title: "Two Boys Smoking in Central Park, N.Y.C". Medium: Original photogravure. Date: Composed 1963. Printed later. Dimensions: Overall size: 8 3/8 x 8 1/4 in. (213 x 210 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): A very rare print. “Gordon’s” locates only two sales in the past 35+ years, the highest price at Phillips, New York, 10/4/2018, lot #34, realizing $62,500. Image copyright © The Estate of Diane Arbus, LLC. [29609-2-600]
![Artist: Roy Lichtenstein (American, 1923-1997). Title: "Tintin Reading I (a) [from: Tintin in the New World]". Medium: Color](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/527bd673-87de-4ae8-b465-ac4e01822063/468x382.jpg)
Lot 1572
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Tintin Reading I (a) [from: Tintin in the New World]". Medium: Color offset lithograph. Date: Composed 1993. Dimensions: Image size: 8 9/16 x 5 1/4 in. (217 x 133 mm).Lot Note(s): Signed in black marker, upper left. Edition of 12,500. Paper: 80# Simpson over board. The full sheet; untrimmed. Fine impression. Very good condition, on board as issued. Literature/catalogue raisonne: Corlett III.16. Comment(s): Cover illustration for "Tintin in the New World." The image depicts Tintin reading a newspaper with Snowy at his feet. Corlett writes: "Lichtenstein created this image specifically for use on the cover of Frederic Tuten's "Tintin in the New World" (New York: William Morrow and Company, Inc.,1993). The cover is protected by a transparent plastic book-jacket overlay, on which the title of the book and the author's name are printed. A Lichtenstein drawing, 'Interior with Painting of Tintin,' (1992), also designed specifically for use in the book, appears as the frontispiece (see cat. no. III.17)." Printed by Coral Graphics, Plainview, New York. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [24520-3-400]
Lot 1584
Artist: Roy Lichtenstein (American, 1923-1997). Title: "The River". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 7 1/2 x 10 in. (190 x 254 mm). Image size: 3 9/16 x 5 1/8 in. (90 x 130 mm).Lot Note(s): Signed in pencil, lower right. A proof (?) aside from the edition of 100. White wove Coronado opaque SST cover stock paper. Full margins. Fine impression. Very good condition. Literature/catalogue raisonne: Corlett App.10.11. Provenance: Private collection, Dranesville, Virginia. Comment(s): From the portfolio "Roy Lichtenstein: Landscape Sketches 1984-1985" printed by the Meriden-Stinehour Press. A trade edition of 2,500 was also issued. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [25213-2-300]
Lot 1588
Artist: Roy Lichtenstein (American, 1923-1997). Title: "The Gun in America". Medium: Color offset lithograph. Date: Composed 1968. Dimensions: Image size: 11 1/16 x 8 1/4 in. (281 x 210 mm).Lot Note(s): Signed lower right. Edition unknown. Smooth white coated paper. Ample margins. Fine impression. Good to very good condition with the expected minor handling blemishes. Literature/catalogue raisonne: Corlett III.8. Comment(s): Cover illustration for "Time". Corlett writes: "This image was commissioned by Time magazine for the cover of the June 21, 1968, issue." Rare when signed. Image copyright © Estate of Roy Lichtenstein. [24513-2-300]
![Artist: Andy Warhol (American, 1928 - 1987). Title: "Texan [Robert Rauschenberg]". Medium: Original color letterpress print.](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/8e2a4fcf-da31-4cf8-9345-ac4e0182aa66/468x382.jpg)
Lot 1607
Artist: Andy Warhol (American, 1928 - 1987). Title: "Texan [Robert Rauschenberg]". Medium: Original color letterpress print. Date: Printed 1970. Dimensions: Overall size: 9 1/2 x 9 7/8 in. (241 x 251 mm).Lot Note(s): Signed in white marker, center right. Edition of c200. Medium weight light cream uncoated wove paper. The full sheet. Fine impression. Fine condition. Comment(s): This rare letterpress print was published as part of the Warhol portfolio of eight prints which was included in the publication/portfolio "Artists & Photographs" published by Multiples, Inc., New York City, in association with Colorcraft Inc., NYC in 1970. The publication consists of a cardboard box containing artist's publications, multiples, artist's books, etc. by Warhol, Rauschenberg, Ruscha, Nauman, Gormley, Christo, Lewitt, and others. The stated edition size was 1,200 but as Peter Gidal indicates "…rumors abound that the art-box never got made in more than 800 copies, but even the origination gallery can no longer verify it. What is certain is that no "extra" copies of any of the multiples were made, and that the Gormley was in an edition of 200 and the Rauschenberg in an edition of 400. This substantiated the fact that complete boxes could never have been more than 200." Warhol's contributions were printed in different sizes, scales, and mediums. Our example is stamped verso "File Copy - Colorcraft Inc. - Please Return" indicating that it came from the Colorcraft archives. No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28842-2-300]
![Artist: David Hockney (British, b.1937). Title: "Table Flowable [David Hockney exhibition]". Medium: Color offset lithograph.](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/d0668636-796f-4c53-911f-ac4e0182d4b1/468x382.jpg)
Lot 1614
Artist: David Hockney (British, b.1937). Title: "Table Flowable [David Hockney exhibition]". Medium: Color offset lithograph. Date: Composed 1991. Dimensions: Overall size: 28 1/2 x 20 1/4 in. (724 x 514 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Baggot/Hockney Posters. Comment(s): A scarce/rare poster with the signature. Published by the Petit Musee, Japan. Features Hockney's print "Table Flowable," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23686-5-300]
![Artist: Roy Lichtenstein (American, 1923-1997). Title: "Sweet Dreams Baby! [postcard edition]". Medium: Color offset lithogra](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/ee663f85-e989-490d-97c9-ac4e0182e587/468x382.jpg)
Lot 1616
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Sweet Dreams Baby! [postcard edition]". Medium: Color offset lithograph. Date: Composed 1965. Printed 1994. Dimensions: Overall size: 5 7/8 x 4 1/8 in. (149 x 105 mm). Image size: 5 1/16 x 3 5/8 in. (129 x 92 mm).Lot Note(s): Initialed in black marker, lower right; signed verso. Edition unknown, presumed small. White thick coated paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Corlett 39 for the full-size, editioned screenprint. Provenance: Through the McEvoy family, San Francisco, California; Private collection, Bethesda, Maryland. Comment(s): Postcard published on the occasion of the exhibition "The Prints of Roy Lichtenstein" at the National Gallery of Art, Washington, D.C., 1994. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [25209-1-225]
Lot 1657
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Sketch for Greene Street Mural". Medium: Color offset lthograph. Date: Composed 1983. Dimensions: Overall size: 9 x 28 3/4 in. (229 x 730 mm). Image size: 5 x 26 1/2 in. (127 x 673 mm).Lot Note(s): Signed in pencil, lower right. Edition of 500. Heavy white wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Doering/ Von der Osten. Provenance: Private collection, Toledo, Ohio. Comment(s): Published on the occasion of the exhibition "Lichtenstein" held at the Leo Castelli Gallery, December 3, 1983 - January 14, 1984. Rare when signed. Design by Smatt Florence, Inc. Printed by Rapaport Printing Corporation. Image copyright © Estate of Roy Lichtenstein. [25305-5-400]
![Artist: Roy Lichtenstein (American, 1923-1997). Title: "Shipboard Girl [postcard edition]". Medium: Color offset lithograph.](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/f642fdc6-28cd-4a9a-b4e6-ac4e0183d6c0/468x382.jpg)
Lot 1669
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Shipboard Girl [postcard edition]". Medium: Color offset lithograph. Date: Composed 1965. Printed 1994. Dimensions: Overall size: 5 7/8 x 4 1/8 in. (149 x 105 mm). Image size: 4 7/8 x 3 5/8 in. (124 x 92 mm).Lot Note(s): Initialed in black marker, lower right; signed in black marker, verso. Edition unknown, presumed small. White thick coated paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Corlett II.6 & Doering/Von der Osten 12, both for the full-size print. Provenance: Through the McEvoy family, San Francisco, California; Private collection, Bethesda, Maryland. Comment(s): Postcard published on the occasion of the exhibition "The Prints of Roy Lichtenstein" at the National Gallery of Art, Washington, D.C., 1994. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [25205-1-225]
Lot 1673
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Separation of the "K"". Medium: Color offset lithograph. Date: Composed 1982. Printed 1984. Dimensions: Overall size: 8 9/16 x 7 1/2 in. (217 x 190 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Institute of Contemporary Arts, London (the exhibition ran from December 14th, 1984 to January 27th, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. This work was titled “K” at the exhibition. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28990-1-600]
![Artist: Diego Rivera (Mexican, 1886 - 1957). Title: "Self-portrait [Time magazine]". Medium: Color offset lithograph. Date: C](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/28777286-0fc7-4a92-b550-ac4e0183fd69/468x382.jpg)
Lot 1678
Artist: Diego Rivera (Mexican, 1886 - 1957). Title: "Self-portrait [Time magazine]". Medium: Color offset lithograph. Date: Composed 1949. Dimensions: Overall size: 11 x 8 in. (279 x 203 mm).Lot Note(s): Signed in pencil, lower left; signed in the image. Edition unknown. Thin coated smooth wove paper. Wide margins. Fine impression. Good condition. Provenance: Acquired directly from the artist, then descended in the family, Mexico City. Comment(s): Scarce to find in good condition, as ours; rare when signed. The cover of "Time Magazine" April 4, 1949, Volume LIII, Number 14. Image copyright © The Estate of Diego Rivera. [28798-2-300]
Lot 1696
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Sailboats through the Trees". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 7 1/2 x 10 in. (190 x 254 mm). Image size: 4 1/8 x 4 5/8 in. (105 x 117 mm).Lot Note(s): Signed in pencil, lower right. A proof (?) aside from the edition of 100. White wove Coronado opaque SST cover stock paper. Wide margins. Fine impression. Very good condition. Literature/catalogue raisonne: Corlett App.10.12. Provenance: Private collection, Dranesville, Virginia. Comment(s): From the portfolio "Roy Lichtenstein: Landscape Sketches 1984-1985" printed by the Meriden-Stinehour Press. A trade edition of 2,500 was also issued. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [28214-2-225]
Lot 1719
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Reclining Figure in Landscape". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 7 1/2 x 10 in. (190 x 254 mm). Image size: 4 1/8 x 4 11/16 in. (105 x 119 mm).Lot Note(s): Signed in pencil, lower right. A proof (?) aside from the edition of 100. White wove Coronado opaque SST cover stock paper. Full margins. Fine impression. Very good condition. Literature/catalogue raisonne: Corlett App.10.02. Provenance: Private collection, Dranesville, Virginia. Comment(s): From the portfolio "Roy Lichtenstein: Landscape Sketches 1984-1985" printed by the Meriden-Stinehour Press. A trade edition of 2,500 was also issued. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [25212-2-400]
Lot 1734
Artist: Andy Warhol (American, 1928 - 1987). Title: "Queen Beatrix (#3)". Medium: Color offset lithograph. Date: Composed 1985. Dimensions: Image size: 7 x 5 9/16 in. (178 x 141 mm).Lot Note(s): Signed in black felt tip pen, upper left. Edition unknown, presumed very small. Light cream wove paper. Printed to the edge of the sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.340. Comment(s): Very scarce, and rare signed. Issued to promote the portfolio "Reigning Queens" published by George Mulder, Amsterdam. The portfolio consists of 16 separate images of each of four reigning queens: Queen Elizabeth II, Queen Beatrix, Queen Margrethe II, and Queen Ntombi Twala, all printed by Rupert Jasen Smith, New York. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The reception was held in the late afternoon of September 20th, 1985 at Castelli Uptown and the exhibition ran from September 21st to October 12th. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28662-1-400]
![Artist: Roy Lichtenstein (American, 1923-1997). Title: "Portrait of Holly Solomon [detail of the 1966 painting]". Medium: Col](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/c6c817a3-7d97-424b-a456-ac4e0184b9e0/468x382.jpg)
Lot 1745
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Portrait of Holly Solomon [detail of the 1966 painting]". Medium: Color offset lithograph. Date: Composed 1966. Printed 1976. Dimensions: Overall size: 11 x 8 3/16 in. (279 x 208 mm). Image size: 11 x 8 3/16 in. (279 x 208 mm).Lot Note(s): Signed lower center. Edition unknown. Smooth coated white wove paper. The full sheet; untrimmed. Fine impression. Good condition. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Cover illustration for "ARTnews," Vol.75, No.8 (October, 1976). Very scarce and rare signed. Image copyright © Estate of Roy Lichtenstein. [25304-2-400]
Lot 1752
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Pork". Medium: Color offset lithograph. Date: Composed 1981. Printed 1987. Dimensions: Overall size: 9 13/16 x 4 in. (249 x 102 mm).Lot Note(s): Signed in black marker, lower margin. Edition unknown, presumed very small. Very light cream smooth wove paper. Ample margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the PS Gallery, Tokyo, Japan (the exhibition ran from October 8th to December 4th, 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the PS Gallery. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29488-1-800]
Lot 1753
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Pop!". Medium: Color offset lithograph. Date: Composed 1966. Dimensions: Overall size: 11 x 8 1/8 in. (279 x 206 mm). Image size: 11 x 8 1/8 in. (279 x 206 mm).Lot Note(s): Signed lower center. Edition unknown, presumed large. White coated paper. The full sheet image. Fine impression. Overall good to very good condition; mailing label affixed. Literature/catalogue raisonne: Corlett III.5. Comment(s): Cover illustration for "Newsweek". Corlett writes: "This image was commissioned by Newsweek to mark its special report 'The Story of Pop: What It Is and How It Came To Be,' April 25, 1966, 56-6." Rare when signed. Image copyright © Estate of Roy Lichtenstein. [24511-2-400]
Lot 1781
Artist: Lucian Freud (German/English, 1922-2011). Title: "Painter Working, Reflection". Medium: Color offset lithograph. Date: Composed 1993. Printed 1993. Dimensions: Overall size: 11 9/16 x 9 in. (294 x 229 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29165-2-700]
Lot 1853
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "MP". Medium: Color offset lithograph. Date: Composed 1984. Printed 1985. Dimensions: Overall size: 10 5/8 x 8 9/16 in. (270 x 217 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream smooth wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat: Paintings" at the Akira Ikeda Gallery, Tokyo, Japan (the exhibition ran from December 2nd to December 25th, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Akira Ikeda Gallery and printed by the Takada Printing Co. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29530-2-800]
Lot 1861
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Molasses". Medium: Color offset lithograph. Date: Composed 1983. Printed 1986. Dimensions: Overall size: 8 1/16 x 7 11/16 in. (205 x 195 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29059-1-400]
Lot 1862
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Mojo". Medium: Color offset lithograph. Date: Composed 1984. Printed 1987. Dimensions: Overall size: 8 x 6 13/16 in. (203 x 173 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the PS Gallery, Tokyo, Japan (the exhibition ran from October 8th to December 4th, 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the PS Gallery. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29220-1-800]
Lot 1965
Artist: Joel-Peter Witkin (America, b.1939). Title: "Journeys of the Mask: A Prince in Hell". Medium: Original vintage photogravure. Date: Composed 1983. Printed 1985. Dimensions: Overall size: 10 13/16 x 11 in. (275 x 279 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Witkin’s controversial and carefully constructed photographs frequently depict macabre, often grotesque scenes, with images including torture, cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. Image copyright © Joel-Peter Witkin Rare. “Gordon’s” locates only one sale of this image, a silver print which realized $6,953 (£3,840) at Christie's, South Kensington, 6/29/2006, lot #155. Witkin’s controversial and carefully constructed photographs depict macabre, often grotesque scenes, with images including torture, cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. Image copyright © Joel-Peter Witkin. [29678-2-300]
Lot 1974
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Interior with Painting of Tintin (Tintin in the New World)". Medium: Color offset lithograph. Date: Composed 1993. Dimensions: Overall size: 8 3/16 x 5 7/16 in. (208 x 138 mm). Image size: 6 1/8 x 4 1/2 in. (156 x 114 mm).Lot Note(s): Signed in pencil, lower right. Edition of 12,500. Glossy, smooth, white wove paper. The full sheet; untrimmed. Fine impression. Fine condition. Literature/catalogue raisonne: Corlett III.17. Comment(s): Rare when signed. Frontispiece for "Tintin in the New World." Corlett writes: "Lichtenstein created this image specifically for the frontispiece of Frederic Tuten's 'Tintin in the New World' (New York: William Morrow and Company, Inc., 1993). He also created the cover illustration (see cat. no. III.16)." Printed by Coral Graphics, Plainview, New York. Image copyright © Estate of Roy Lichtenstein. [24521-1-300]
Lot 1978
Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: With Hat (04)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, center right; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.315c. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,248 at Pierre Cornette de Saint Cyr, Paris, June 25, 2012, lot #420. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, one of the "trial proof unique prints," is based on a movie still from "Casablanca." Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28162-2-400]
Lot 1979
Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: With Hat (03)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, lower center; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.315b. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,248 at Pierre Cornette de Saint Cyr, Paris, June 25, 2012, lot #420. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, one of the "trial proof unique prints," is based on a movie still from "Casablanca." Published by Galerie Borjeson AB, Malmo. Image copyright © 2001 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28161-2-400]
Lot 1981
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "In Italian". Medium: Color offset lithograph. Date: Composed 1983. Printed 1984. Dimensions: Overall size: 8 1/2 x 7 3/4 in. (216 x 197 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Institute of Contemporary Arts, London (the exhibition ran from December 14th, 1984 to January 27th, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28988-1-800]
Lot 1982
Artist: Erwin Blumenfeld (German-American, 1897-1969). Title: "In Hoc Signo Vinces". Medium: Original photogravure. Date: Composed 1955. Printed later. Dimensions: Overall size: 15 3/4 x 11 13/16 in. (400 x 300 mm). Image size: 11 15/16 x 8 11/16 in. (303 x 221 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed very small. High-grade archival paper. Wide margins. Fine, quality printing. Very good to fine condition. Comment(s): Rare. “Gordon’s” does not locate an auction record for this image. "In hoc signo vinces" is a Latin phrase conventionally translated into English as "In this sign thou shalt conquer". Image © The Estate of Erwin Blumenfeld. [25368-3-300]
Lot 1983
Artist: Jean-Michel Basquiat & Andy Warhol & Francesco Clemente (20th Century). Title: "In Bianco". Medium: Color offset lithograph. Date: Composed 1984. Printed 1986. Dimensions: Overall size: 8 1/16 x 7 11/16 in. (205 x 195 mm).Lot Note(s): Signed in black marker by Basquiat, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Basquiat, Andy Warhol, and Francesco Clemente collaborated on a series of paintings under the aegis of Bruno Bischofberger between 1983 and 1985. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York and © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York and © Francesco Clemente. [29077-1-400]
Lot 2000
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Hoax". Medium: Color offset lithograph. Date: Composed 1983. Printed 1987. Dimensions: Overall size: 7 3/8 x 6 11/16 in. (187 x 170 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the PS Gallery, Tokyo, Japan (the exhibition ran from October 8th to December 4th, 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the PS Gallery. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29221-1-800]
Loading...-
209761 item(s)/page