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A mixed lot to include a 9ct gold brooch set with an amber coloured stone, 4.7g, together with mixed costume jewellery to include brooches, a pearl and stone necklace, a ladies seiko watch, a Girard Perregaux gold plated mechanical watch, a Dupont gold plated lighter and a modern silver fronted clockLocation:
A PAIR OF GILT ORMOLU MOUNTED GRANITE VASES IN THE LOUIS XVI STYLE FRENCH, 19TH CENTURY Each ovoid granite body surmounted by foliate handles 30cm high, base 15cm wide Provenance: Sotheby's Monaco, where purchased by Count Manfredi della Gherardesca, 18 June 1999, lot 104 Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both with rubbing to gilding- notably to tops and base sections, some replacement bolts to underside and one is currently not sitting completely true/square in its base- may benefit from disassembly and correct reassembly- stone with natural flaws and several small knocks to surface Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection Condition Report Disclaimer
A FRENCH LEATHER CASED BOX 'LAVES DU VESUVE' 19TH CENTURY AND LATER Hinged case embossed with title to the lid, now containing 16 loose Specimen Marbles and Lava Stone from Vesuvius, inside of lid with plaque inscribed 'Angelica e Medoro' possibly after Aegidius Sadeler box 21cm square Provenance: Sotheby's London 14 April 2011, part lot , where purchased by Count Manfredi della Gherardesca Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The case probably originally containing panels of carved lave- as per the remaining example to lid interior- now with associated sections of specimen stone. Case with edge and base wear and around the corner fixing studs, stones with edge losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A RARE CARVED ROSSO ANTICO MASK IN THE MANNER OF BENEDETTO BOSCHETTI (1820-1860) ITALIAN, LATE 19TH CENTURY The mask or 'mascaron' of Greek theatrical form, set on a polished black marble base overall height 56cm, base 18cm wide, 13.5cm deep Provenance: Daniel Katz Ltd. London, where purchased by Count Manfredi della Gherardesca Benedetto Boschetti (active c.1820-1870) exhibited at the Crystal Palace Exhibition 1851 where he won a medal for a pair of mosaic tables in the Byzantine style, representing the Triumph of Love and the Blessed Soul. The Boschetti workshop at 74 Via Condotti, Rome, was renowned for the exceptional quality of its copies, mostly in marble of Antique vases and objects, for example a rosso antico reduction of the Warwick vase in the Toledo Museum, Ohio (A. Gonzalez-Palacios, Il Tempo del Gusto, Roma e il Regno delle Duo Sicilie, Milan, 1984, Vol II, fig.286). F.S. Bonfigli noted in 1856 that 'The Establishment is particularly conspicuous for its great variety of marble works, bronzes, etc.' (A. Gonzalez-Palacios, The Art of Mosaics, 1982, p.166). Pieces by Boschetti are in many public and private collections, including that of Mario Praz, the famous Italian critic and connoisseur (now held in the Museo Mario Praz, Rome). In Greek theatre of the third and second century BC, all performers, except musicians, wore masks. A full-face character mask would probably originally have been in painted, starched linen when worn on the stage. Much admired- these masks were often reproduced in stone, terracotta or, occasionally as here, in more expensive marbles. Perhaps the best known collection, now housed in the Cortile del Belvedere, Vatican Museums, adorned the odeon (theatre) at Hadrian's Villa. The Grand Tour saw a considerable rise in interest and use of the mask as a decorative device- reaching its apogee in the work of Thomas Hope. In part the interest was driven with the publication in the mid-18th century of "Le Maschere Sceniche e le Figure Comiche d'Antichi Romani" by Francesco de' Ficoroni (1664-1747). Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. There has been discussion as to whether this may be slightly later in date (early 20th century) but no consensus of opinion. Some natural flaws to stone- notably to his left temple. Glue residues around plinth to base attachment underneath. Some mile base edge wear Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Two boxes containing various modern drinking glasses, a small quantity of brass and copper wares to include a 1916 Souvenir de Verdun engraved shell case, three brass trivets, a copper embossed tea caddy by J S & S Sankey, a brass handled copper mug, pair of miniature brass bellows, shoe horn, an Alpine pipe, stoneware stein, Swiss aluminium and painted flask and blue and white transfer decorated cheese dish and a wet stone holder, together with a box containing a stainless steel 72 piece canteen of cutlery and a turned mahogany ashtray holder (3 plus holder)
Three vintage Jim Beam 100 months old whisky decanters including "Stone Mountain", "Anniversary Fiji Independence" and "Donkey carrying the globe", a Grants whisky three piece decanter set in leather pouch, a QE2 highland malt scotch whisky flagon (full) (boxes) and a Stuart Crystal silver Jubilee HM Queen Elizabeth II cut glass goblet, limited edition 239/750 (boxed)
A box containing assorted china ware to include Continental floral decorated dessert service with comports, a pair of Sampson style candlesticks, a Chinese ginger jar with polychrome decoration and a stone Coquerel et LeGros transfer decorated plate etc together with a box containing a Scandinavian wooden lidded storage bucket, THOMAS ARCHER "Our Sovereign Lady Queen Victoria, her life and Jubilee" volumes 1 to 4, bound as two etc (2 boxes)
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400830 item(s)/page