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Silver wares, comprising; a twin handled circular sweet dish, Birmingham 1922, a sugar bowl, Sheffield 1896, a pair of sugar tongs, a napkin ring, a butter knife with a green stone handle, two teaspoons with scallop shaped bowls, a cigarette case, Birmingham 1927 and a set of six pastry forks, Sheffield 1946, cased.
A 9ct gold ring, mounted with a small central diamond on an oval blue enamelled panel, a gold and pale blue stained rectangular chalcedony single stone ring, a blue gem set single stone ring, an 18ct gold ring mount, Chester 1902, a rose diamond set ring mount, a gold cufflink formed as kidney beans and a swivel fitting.
A pair of gold and diamond set single stone earrings, a pair of gold earrings, with spherical drops, two further pairs of earrings, an agate set heart shaped padlock clasp, an oval agate set brooch, a neckchain, a smoky quartz pendant fob, two pendant lockets and a silver ring with floral decoration.
A 9ct gold and ruby set ring, mounted with circular cut rubies in a serpentine design, a similar 9ct gold and sapphire set ring, a 9ct gold and ruby set ring, cast and pierced in a multi section design, a similar 9ct gold and sapphire set ring and a 9ct gold and sapphire set nine stone cluster ring.
A diamond set single stone bar brooch, mounted with a cushion shaped diamond within an engraved surround, a gold bar brooch, mounted with an oval cut sapphire at the centre, within a white enameled surround and between two pairs of half pearls, another sapphire and half pearl set bar brooch and sixteen further mostly gold and gem set bar brooches, in a variety of designs.
A Victorian large oval brooch, mounted with a brown agate panel, a Victorian filigree mounted oval amethyst set single stone brooch, a gem set brooch as converted from a Victorian earring, a Victorian brooch in an interwoven design, a smaller Victorian brooch, in an interwoven design and with a tassel drop and three bone brooches.
A gold and platinum ring, claw set with a circular cut amethyst at the centre, between rose diamond set single stone shoulders, a gold and platinum, diamond set three stone ring, mounted with circular cut diamonds, in a crossover design and a gold, back and front heart shaped pendant locket.
A good collection of jewellery, to include: A gold and diamond five stone ring, size 'M' uk; A set of 4 Art Nouveau design silver buttons, Birmingham, c1900, cased; Two silver cased pocket watches; 1 silver and 1 epns belt buckle; a Victorian silver bar brooch and a hinged bracelet; A Victorian pinchbeck and black enamel memoriam brooch; a cameo brooch; a Victorian gold and seed pearl set bar brooch and further items.
A good collection of 7 necklaces, two with matched pairs of earrings. To include: A pink hard stone and silver gilt mounted multi-strand necklet; An ivory bead and silver gilt necklace; a purple hard stone and silver gilt necklace; a lapis and pearl bead necklace; a lapis bead necklace; a lapis bead and 18k gold mounted necklace by Ketcham McDougall, with a pair of matched lapis and 18ct gold ear clips (af); a hematite and an 18ct gold mounted necklace by Ketcham McDougall, with a matched pair of 9ct gold and hematite ear clips, (11).
English School circa 1920- Standing female nude; pencil, 38x23.2cm: Circle of Francis Ernest Jackson RA 1872-1945- Standing female nude, bears inscription, (recto); Circle of Joan Hassal b.1906, (verso)- Studies of cats; pencil, bears inscription, mounted in a double-sided glazed frame, 229x22.3cm: Italian School late 20th century- Female nude; red crayon/chalk, signed with monogram and inscribed 'Firenze' and dated LXXIII, 41x34cm: together with one other life drawing in red chalk by the same hand, similarly signed: James Hamilton Hay 1874-1916- Village street scene; etching, signed and dated 1913 within the plate, 17.5x26cm: William Henry Simmons 1811-1882- "The Duet", after Frank Stone, publ 25th March 1851 by E Gambart & Co, London; engraving, 66x81cm: together with a hand-coloured print of a cat with a mouse, 10x13.5cm., (a lot)
Sandhurst, British Colonial school, late 19th/early 20th century- Figure and mule on a stone bridge in a mountain landscape; pencil, signed, 12x17cm: Thomas Rowlandson 1756-1827- "Doctor Syntax, Made Free of the Cellar"; published 1817, etching with aquatint; together with seven other examples from the same series and others by different hands, (part unframed)
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400830 item(s)/page