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A Flat Link Necklace, with integral claw set wishbone design, stamped "925", a similar Celtic style, suspending teardrop collet set stone, stamped "925", and alternate rub over set necklace, stamped "925", another collet set necklace, of alternate design, stamped "925", a chain link necklace, with t-bar toggle style fastener stamped "925", together with a Millefoiri style bracelet, also to r-bar toggle style fastener, stamped "925".
A Large 9ct Gold Claw Set Ring, (finger size R), a 9ct gold cluster ring, of flowerhead design, between open work shoulders (finger size M), a 9ct gold illusion set three stone ring (finger size K½), and an illusion set single stone ring, between crossover shoulders, stamped "375" (finger size M½) (total weight 8 grams). (4).
AR * Anderson (Stanley, 1884-1966). The Stone Breaker, 1940, copper line engraving, on pale cream wove paper, a fine mpression, printing with great clarity and rich contrasts, clarity and tone, a proof aside from the published edition of 50, signed in pencil, titled ‘The Stone Breaker. (Line Engraving)’, by the artist in the lower margin, with margins, plate size 182 x 139 mm (7 1/4 x 5 1/2 ins), sheet size 322 x 255mm (12 3/4x 10 1/8 ins), in very good condition, unframed QTY: (1)NOTE:Literature: Meyrick & Heuser 226. The engraved verse is taken from a poem by the humourist Thomas Hood, entitled The Broken Dish.
* Manner of Giovanni Paolo Panini (1691-1765). Capriccio landscape, oil on canvas, re-lined, depicting a woman and small child seated on a stone floor, a robed old man standing before them, against a backdrop of classical ruins, including statues of a rider on horseback and a male nude, and corinthian columns, a stone sarcophagus lower left with inscription 'Pertinacis Imp In Hacurna O.SA Servantur', 64 x 49 cm (25 1/4 x 19 1/4 ins), gilt moulded frame (66.5 x 54 cm)QTY: (1)
* Fantin-Latour (Henri-Theodore, 1836-1904). Manfred et Astarté, lithograph on thin japan tissue, signed in the plate lower right, printed in an edition of only five trial proofs (after which the stone was cancelled), image size 154 x 119 mm, sheet size 39.5 x 55 cm (15.5 x 21 3/4 ins), together with Final de la Walkure (R. Wagner), 1879, uncoloured lithograph on wove paper, signed in the plate lower left, the 2nd state, with the publisher's name printed below the image imp. Lemercier et Cie, Paris, printed in an edition of 50 proofs (after which the stone was cancelled), signed in pencil to lower right, image size 225 x 275 mm, a few minor marks to margins, small tear with a little loss to left margin of the sheet edge, sheet size 26 x 31 cm (10 1/4 x 12 1/4 ins), corner mounted on old backing paper QTY: (2)NOTE:Hediard 24 & 188.
* Jobbins (William Henry, fl. 1872-1893). Venice, oil on wood panel, depicting a young man on a gondola talking to a woman in a red shawl and a small child standing on the steps of a pedimented doorway set into a wall with shuttered windows, stone ball finial topped balustrade, and 2 other doorways, signed and titled lower left, a few flecks of white to margins, 17.5 x 28.4 cm (6 7/8 x 11 1/8 ins)QTY: (1)
* Garaud (Gustave Césaire, 1844-1914). View on the Mediterranean coast, probably Nice, fine oil on canvas, depicting a sunlit bay, with classical portico and stone balustrade to the left, and pink blossom to the right, signed lower left, canvas with ink stamp of Blanchet, Paris, on verso, 24.2 x 37.5 cm (9 1/2 x 14 3/4 ins), attractive period gilt moulded frame (38.8 x 51.8 cm)QTY: (1)
* Roman School. The Virgin Mary and Child, with Mary Magdalene, Elizabeth and John the Baptist, circa 1560-75, pen and brown ink with brown wash on 16th century laid paper, heraldic shield watermark with fleur-de-lys, surmounted by a quatrefoil above and letters below (compare Briquet 1836-1843, circa 1560s to 1570s), depicting the Virgin Mary seated with the infant Jesus on her lap, flanked by Mary Magdalene on her left, and the infant John the Baptist holding a dove on her right, watched over by his mother Elizabeth, another woman beside and several small children and a dog, with the four Evangelists behind, set against large stone pillars and a coffered barrel vaulted archway, a few small marks to lower left-hand edge, laid down on 17th century paper with a brown ink single line border, with Dutch watermark of a foolscap wearing a 5 point collar, sheet size 21 x 30 cm (8 1/4 x 11 3/4 ins), mounted, framed and glazed (44.3 x 53.3 ins)QTY: (1)NOTE:Provenance: Private Collection, Monmouthshire.
SELECTION OF MOSTLY SILVER JEWELLERYincluding a marcasite and turquoise enamel set silver pendant on silver chain, a red lacquered pendant on silver chain, other pendants, a silver ball link neck chain, a silver heart locket pendant, a stone set unmarked silver ring, a silver gilt slider bracelet, various silver charms, a silver brooch decorated with an antelope, etc.
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400965 item(s)/page