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A 9-carat yellow gold opal and white stone bombé oval cluster ring to the 9-carat hallmarked yellow gold ring, ring size N½ (3.8g), together an oval abstract polychrome enamel brooch (maximum diameter 5.2cm) and a continental rectangular pietra dura hardstone brooch stamped '800' (diameter 2.2cm)
A ruby and diamond five stone ring, set with three circular-cut rubies and two brilliant-cut diamonds, the plain tapering shank stamped 'PLAT' and '18CT' for white gold (ring size M, 2.8g)Condition Report: Diamonds - one with chipped girdle, both with inclusions. Rubies - wear (abrasions and minor chips commensurate with age) particularly between table and crown facets. Shank stamped 'PLAT' and '18CT'.
A group of four comprising:an early elongated teardrop-shaped natural stone vessel with slightly flaring neck and two protruding lugs (natural striations) (13.5cm possibly Roman);a carved terracotta fragment depicting a vernacular flat face with two eyes, nose and mouth; an Egyptian blue stone half-fragment carved as a female torso (5 cm);a fragment of 1st or 2nd century AD decorated Roman or Greek terracotta. Provenance: acquired in the 1960s by the consignor's parents.
A collection of early 19th Century Derby Imari to include teapot and cover (AF - restorations to cover finial); three various helmet shaped cream jug, all red factory stamps together with a Derby oval serving dish; Spode Imperial pattern 4176 shaped plate; Spode New Stone pattern no: 3504 soup plate; Imari pattern no: 692 plate, Mason's Ironstone lunch plate and a pattern no: A348 dinner plate with impressed marks
A collection of silver stone set jewellery to include a silver and tanzanite ring set with two trillion cut tanzanite's within a marquise shaped border set with small diamonds, crossed open shoulders set with further tanzanite, size P1/2, along with a collar necklace rub-over set with alternate black/very dark blue and white cubic zirconia, width approx 5mm, length approx 18'' and two similar bangles, one set with alternate stones the other with alternate oval stones, internal diameter approx 56mm (1 bag)Further details: all stones present, minor wear ad tear commensurate with age
A Georgian stone citrine and gold ring, comprising an oval faceted mixed cut citrine in a closed back cut down setting, approx 11 x 8mm, split decorative shoulders, size R, unmarked rose metal, probably 15ct gold, total gross weight approx 3.3gms Further details: stone present, some abrasions to facet edges, setting worn, some marks to shank wear and tear commensurate with age
An amethyst and 9ct gold pendant, rectangular form claw set, stone size approx 13 x 18mm, on a fancy 9ct gold chain, length approx 25cm, total gross weight approx 11.8gms, along with a pair of amethyst drop earrings on pierced tops stamped 750, total gross weight approx 6.5gmsFurther details: good all stones present, fine scratches and tarnish in areas to metal minor wear and tear commensurate with age
A collection of gold rings to include a 9ct gold floral wedding band, weight approx 3.6gms size N, a 9ct gold three part diamond set ring set, size S and a 9ct gold stone set full eternity ring, size O, combined total gross weight approx 7.2gms Further details: good- all stones present, some wear and tear commensurate with age
A collection of rings to include a five stone garnet set 9ct gold ring, size N1/2, total gross weight approx 3.2gms along with a 9ct gold rope twist band, size L1/2, weight approx 1.7gms, two silver rings including one set with garnet, size M, the other with cubic zirconia and a stone set gold plated dress ring (1 bag)Further details: good some wear and tear commensurate with age,
A 9ct gold band, width approx 1.5mm, a three stone garnet ring, set with three oval garnets to a fancy split shoulder mount, size P, combined total gross weight approx 3.5gms along with a stick pin set with an opal in yellow metal with base metal pin (1 bag)Further details: all stones present, wear and tear commensurate with age
A collection of three gold rings to include a diamond set 18ct gold ring (af one stone missing) total gross weight approx 1.8gms along with a 22ct gold bang, weight approx 1.3gms and a 9ct gold white stone set and, total gross weight approx 2.3gms Further details: wear and tear commensurate with age
A collection of 9ct gold stone set jewellery to include an emerald three stone ring, size R, a emerald and diamond set ring, with baguette cut emerald within diamond set borders, size O, along with an oval amethyst set ring, size N, a pair of emerald set studs combined total gross weight approx 6gms and a 9ct gold band, size R, weight approx 2gms Further details: good all stones present, some abrasions to stones, wear and tear commensurate with age
A sapphire and diamond 18ct gold cluster ring, comprising an oval cut sapphire within a border of 14 eight-cut diamonds, size O, together with an 18ct sapphire and diamond three stone ring, size L, combined total weight gross weight approx 3.9 grams (2) Further details: all stones present, wear and tear commensurate with age
A collection of jewellery to include a Victorian 18ct ruby and diamond ring, ( stone missing ) size P, total gross weight approx 2.5gms, a paste set 9ct gold along with a white stone set 9ct gold half eternity and weighable gold ring, Victorian 9ct gold brooch (base pin) combined total gross weight approx 6.7gms, together with a Charles Horner enamel and silver pendant ( AF ) damage to enamel, silver ring, bangle and costume jewellery etc (1 bag)Further details: wear and tear commensurate with age
A collection of costume jewellery to include a 9ct gold rope twistchain, length approx 20'', weight approx 6.4gms silver pendant and chain in the Mackintosh style, a 24ct gold plated orchid brooch by Pompador, a silver flower stone set pendant and chain gilt farthing pendant, gilt and white metal pendants some with crystal or enamel decoration, Calibri pocket watch and a ladies Rotary wristwatch etc (1 bag)
A collection of costume jewellery and watches to include a vintage silver enamel and stone set heron brooch, a gold plated cameo brooch, two gold plated chains with glass accents, various costume watches, along with ladies vintage watches including an Art Deco Lagoon marcasite set watch, various other dress watches including Fossil, Seiko, etc (1 bag0
A large collection of costume jewellery to include silver stone set pendant and chain, 9ct gold crystal drop earrings, faux pearl necklace, paste set jewellery to include rings, brooches, gilt metal earrings, bead jewellery, along with various vintage dress watches including Sekonda Limit etc and commemorative coins (1 bag)
A Waltham silver open faced pocket watch with roman numerals and subsidiary dial, case approx 55mm, along with a ladies silver 935 open faced pocket watch with roman numerals, case approx 35mm, (modified) along wiith silver stone set dress rings and a silver and white metal charm bracelet (1 bag) Further details: wear and tear commensurate with age watches wind but movements very good, little sign of wear
A collection of jewellery and watches to include an amethyst and diamond 9ct gold cluster ring, size K, a sapphire and cubic zirconia 9ct gold seven stone ring, size J, along with a 9ct gold band, size I, combined total gross weight approx 10gms, a diamond set silver band along with three gents watches including Seiko etc and two ladies dress watches including Timex and Pulsar and a brass ring (1 bag)Further details: movements untested, wear and tear commensurate with age
Rachel Hunter signature piece featuring a signed white card in black marker pen plus a 10x8colour photograph. Rachel Hunter (born 8 September 1969)is a New Zealand model, actress and the host of Imagination Television's Rachel Hunter's Tour of Beauty. She has appeared on several magazine covers, including Vogue, Elle, Rolling Stone, Sports Illustrated, Playboy, Cosmopolitan and Harper's Bazaar. She has been on the cover of the Sports Illustrated Swimsuit Issue twice; in 1994 (alongside Kathy Ireland and Elle Macpherson) and in 2006 (alongside six other models). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
MANOLO HUGUÉ (Barcelona, 1872 - Caldas de Montbui, Barcelona, 1945)."Oxen in the stable, 1922.Ceiling in terracotta.Wooden frame.Model catalogued in: Montserrat Blanch, "Manolo", Barcelona, Polígrafa, 1972, p. 115, nº197.Size: 33.5 x 32.5 x 5 cm (terracotta); 42.5 x 42.5 x 6 cm (frame).In the catalogue raisonné on Manolo Hugué written by Montserrat Blanch, several works are reproduced (preparatory drawings, bas-reliefs in terracotta, but also in stone) whose subject matter are oxen (generally represented in pairs), of which the piece in question forms part. It is a production made between 1917 and 1923, a period when the sculptor was breathing new thematic and formal suggestions into terracotta. On his return to Ceret, after his Parisian period, he devoted himself to the study of cadences, rhythms, archaic-inspired essentialism... a series of strategies to escape from all stagnation and to renew the language of sculpture while continuing to dialogue with the classics. In this relief, a serene energy pulsates like an invisible force through the bodies, through the rounded profiles and alternating with geometric incisions. The front legs of the recumbent ox are bent to adapt to the angle, seeking a certain conceptual tension between the volumes and their confinement within a precise quadrangular limit. In doing so, he emulated the Greek art developed in the metopes. The spatial indication is brief and synthetic: a few schematic elements outline the idea of a stable.Manuel Martínez Hugué, Manolo Hugué, trained at the Escuela de la Lonja in Barcelona. A regular participant in the gatherings at Els Quatre Gats, he became friends with Picasso, Rusiñol, Mir and Nonell. In 1900 he moved to Paris, where he lived for ten years. There he resumed his relationship with Picasso, and became friends with other avant-garde theoreticians such as Apollinaire, Modigliani, Braque and Derain. In the French capital he worked on the design of jewellery and small sculptures, influenced by the work of his friend, the sculptor and goldsmith Paco Durrio. In 1892 he worked with Torcuato Tasso on decorative works for the celebrations of the centenary of the Discovery of America. Between 1910 and 1917, devoted entirely to sculpture, he worked in Ceret, where he brought together a heterogeneous group of artists including Juan Gris, Joaquín Sunyer and, once again, Picasso. During these years he held exhibitions in Barcelona, Paris and New York. In 1932 he was appointed a member of the Royal Academy of Fine Arts of San Jorge in Barcelona. In Hugué's work, what is essential is the relationship with nature, taking into account the human figure as an integrated element in it. This is a characteristic of Noucentista classicism, but in Hugué's hands it goes beyond its limited origins. He usually depicted peasants, although he also depicted bullfighters and dancers - as can be seen on this occasion - always portrayed with a level of detail and an appreciation of textures that reveal his early training as a goldsmith. In his artistic production, Mediterranean tradition, Greek classicism and archaism, and the art of ancient Egypt and Mesopotamia coexist with the European avant-garde, which he assimilated and knew at first hand, specifically Matisse's Fauvism and Cubism. Works by Hugué are housed in the MACBA, the Georges Pompidou Centre in Paris, the Museo Nacional de Arte de Cataluña and the Museo Nacional Centro de Arte Reina Sofía, among many others.
Jewellery to include a gold plated set carved stone pendant on a 9ct gold chain necklace, necklace approx 3g, a gold plated pendant set with a single white stone, on an 18ct gold Balestea chain necklace, necklace approx 1.8g, and a gold coloured and turquoise pendant on a rope necklace with gold plated catchLocation:
A Minton Pottery plate designed by A W N Pugin, printed to the rim with stylised flowers and inscribed Who deceived me once shame on him if he deceives me twice shame on me, in puce and green, a New Stone Gothic platter, a 'Brighton' pattern jug after a design by Dr Christopher Dresser, and a collection of ceramics mainly nineteenth century including blue and white impressed marks, 23cm. diam. (a lot) Provenance The Douglas Johnson collection.
λClaire Jeanne Roberte Colinet (1880-1950)Towards the Unknown (Valkyrie) patinated and gilded bronze and ivory on textured stone base signed in the stone base Cl J R Colinet, 68.5cm high 70cm. wide Provenance From the collection of Richard Hollins Murray, Dinmore Estate, thence by descent. Literature Bryan Catley Art Deco & Other Figures, ACC Books, page 111 for this and the smaller size illustrated. Ivory declaration reference CXSQQX5K
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400830 item(s)/page