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Lot 619
A DIAMOND CLUSTER RING, the central round old-cut diamond surrounded by a border of rose-cut diamonds, in a tapering yellow gold (unmarked) shank, together with a Victorian pearl half-hoop eternity band, a Victorian three stone pearl dress ring with an inscription to the shank and another similar (4)
Lot 698
A BELLE ÉPOQUE DIAMOND PENDANT, the central round old-cut stone of approximately 1.25cts surrounded by a cluster border of rose-cut diamonds, two trains of round old-cut diamonds suspended from the central cluster, each train staggered, terminating in a four stone cluster of round old-cut diamonds, the white metal chain with four mille grain-set diamonds linking the chain to the central flowerhead motif, in a gold setting, 20", in a fitted case.
Lot 730
A DIAMOND AND EMERALD CLUSTER RING, the central round brilliant-cut diamond surrounded by a border of round-cut emeralds and a further border of round brilliant-cut diamonds, in a raised open coronet claw setting, on an 18ct yellow gold shank, together with a large quantity of diamond and semi-precious stone rings and costume jewellery (a lot)
Lot 399
THREE ITEMS OF 9CT GOLD VICTORIAN JEWELLERY, including a pearl and diamond brooch set to the centre with a single Old European cut stone raised against a pierced rosette set with seed pearls, approximate diameter 24mm; an oval mother-of-pearl set pendant with scroll top and twisted wire decoration,and a small brooch fashioned a Dachshund carved in full relief
Lot 178
A small collection of nine blade and bar brooches comprising: a 9ct gold blade brooch mounted with a circular turquoise decorated flowerhead, 52mm; another, unmarked with cabochon amethyst with diamond to each shoulder, 60mm; another 15ct gold wavy blade brooch mounted with a ruby set flower, 42mm; another 15ct straight blade brooch set with five garnets, 50mm; a 9ct blade brooch with blue stone and two seed pearls, 60mm; a 9ct miniture stock pin with seed pearl hoseshoe and crop, 40mm; a 15ct gold triple blade brooch decorated with a knot, 42mm; a 9ct blade brooch with disc and tendril decoration, 47mm and a Victorian 15ct gold brooch in the Etruscan style, 44mm (9)
Lot 269
A late 19th century Russian silver glass holder bearing the mark of Fabergé, St Petersberg circa 1896, maker's mark S.W, on a circular beaded foot, the hammered body set with a single tear drop shaped lapis lazuli stone, the handle formed by two entwined snakes, 7.25cm diameter, 190gm, 6oz (approx)
Lot 525
General Peter Nicholas (Nikolaevich) Krasnoff (Russian, 1869-1947) The Auberge d'Aragon, Malta signed lower right "N Krasnoff" watercolour 14 x 22cm The Church of Our Lady of Victory, Malta signed lower left "N Krasnoff" watercolour 11 x 17cm The Tip of Valletta, Malta signed lower left "Krasnoff" watercolour 9 x 14cm three (3) Provenance: Captain Rapkin, RN, who was stationed in Malta with the Royal Navy at period between 1890 and 1930; a gift to his daughter, who grew up in Malta, and by descent with the family Nicholas Krasnoff studied art at the Petersburg Academy and became President of the Moscow Chamber of Architects. Krasnoff came to Malta as a refugee in 1919. He was a watercolour artist of great accomplishment. Princess Nathalie Poutintine wrote of him: "Nicholas Krasnoff was a well-known and talented artist; he had designed the beautiful new palace for the Imperial Family in Yalta. He was asked to give me lessons so as not to interrupt the tuition I was receiving in that art in Russia and for which I had an aptitude. I did greatly enjoy his lessons, sitting under a shady arch of military buildings in open air overlooking the blue sea. He explained to me the importance of light and shade and its techniques in watercolour. He found the light on the Malta stone most effective against the deep cobalt blue of the sea and sky. Puffing his pipe he always spoke to me of the pure colours, which had to be used without hesitation on the paper, and never to be retouched again, having first well understood their mutual effects in life around us. I greatly enjoyed these hours immersed in natural loveliness I was to reproduce."
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