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Lot 110
JO ARMSTEAD - 7" RARITIES. A super selection of 3 7" rarities by Jo Armstead. Titles include I Feel An Urge Coming On/ I Who Love You So (GT 701, Giant Records promo. Record Ex), Ride Out The Storm/ I Got The Vibes (GTA 1207, record is Ex+) & A Stone Good Lover/ The Urge Keeps Coming (GT 704, Ex).
Lot 141
SOUL - FEMALE/LED GROUPS - CD COLLECTION. Mega collection of around 95 x CDs focussing on classic Soul Female/Female led groups. With albums from the likes of Aretha Franklin, Inez & Charlie Foxx, Dusty Springfield, Erma Franklin, Timi Yuro, Candi Staton, Angie Stone, Tina Turner, Betty Everett, Nina Simone, Baby Washington, Barbara & The Browns, Diana Ross/Supremes, Betty Lavette, Barbara Lewis, Gwen Mcrae, Big Maybelle, Mary Wells, The Marvelettes, Barbara Randolph, Thelma Houston, Kim Weston and Tammi Terrell. Mainly official releases with some private. Whilst condition is still generally VG+ to Ex+, some may drop below and may require resurfacing.
Lot 87
UK ATLANTIC - 7" COLLECTION. A quality selection of around 82 7" singles, mostly 1970s UK releases on Atlantic Records. Artists/ titles include Margie Joseph - Let's Stay Together (K10313), Jackie Moore - Both Ends Against The Middle (K10481, promo), Frannie Golde - Save Me (K10737), Turley Richards - Stand By Me (K11485), The Beginning Of The End - Funky Nassau, Average White Band - A Star In The Ghetto, Ben E King - Happiness Is Where You Find It, Jackie De Shannon - Only Love Can Break Your Heart (K10241, promo), Kenny Lynch - We Can Be Friends (promo), Barnaby Bye - I Think I'm Gonna Like It (K10385, promo). Roberta Flack, Aretha Franklin, The James Gang, The Detroit Spinners, Sam & Dave, Arthur Conley, Booker T & The MGs, Sons Of Robin Stone, Jay Black, Cerrone, The Bar-Kays, The Drifters, Bettye Swann, Archie Bell. Condition is generally VG to Ex, some may drop below.
Lot 2459
Autographs, Harry Potter - Rowling (J.K.) Harry Potter and the Philosopher's Stone, hardback book with dust jacket, signed in black pen, notable signatures include Daniel RADCLIFFE, Emma WATSON, Joanne ROWLING (J.K. Rowling), Alan RICKMAN, Ralph FIENNES and Helana Bonham CARTER etcReputed to have been in the vendors possession since 2011, the book with autographs was purchased by the vendor who was told by the seller that they acquired the autographs at the film premiere.
Lot 9
CHEMA MADOZ (Madrid, 1958)Untitled, 2000.Positive bromide virado. Copy 3/15.With the label of the Galería Moriarty (Madrid) on the back.Signed, dated and justified on the back.Provenance: private collection conceived since the 70s between London and Madrid.Measurements: 60 x 50 cm; 81 x 71,5 cm (frame).The Patio Herreriano Museum in Valladolid has the first copy of this series. In its cataloguing the museum states "In 1995 Madoz took a photograph of a real cactus planted in a sewing thimble. The association of the spiky plant with the thimble triggered in the observer the hypothetical effect of a finger entering the thimble. In this photograph the cactus has become stone. Madoz has replaced the fleshiness of the plant with the inert hardness of the boulders. He composes his objects, but never disguises the nature of each one. That thimble was perfectly legible as a thimble; in this photograph the pot and the stones are also fully identifiable. This play with the recognisable makes the effect of surprise provoked by the union of disparate and even antithetical elements even more intense, because it places us before concrete and familiar fragments of reality. The artist proposes a certain distancing from the motif captured, which generally appears with a carefully prepared mise-en-scène. This scenographic distancing is not objective, because it seeks to provoke subjective reactions from the gaze that the photographer and the camera have decided to fix on paper".Visual paradox is the fertile ground in which Chema Madoz moves. The way he interprets art through photography and his poetic vision make Madoz one of the most interesting, influential and recognisable creators on the contemporary art scene. Emphasising the irony that underlies the objects and the hidden relationships between them. In a surrealistic search for new meanings, through which to let the imagination wander towards new paths. Playing with the everyday, generating associations, metamorphoses, in a playful background, he generates a singular strangeness. His artistic work has been described as "analytical photography or visual trope" and his visual style as "surreal rationality or the logic of the oneiric", to refer to the compositions of objects that are the protagonists of his works - in the words of the philosopher and art historian Luis Arenas. Madoz manipulates, invents and photographs objects. Defined as a visual poet, the associations he develops from objects as commonplace as a key, a stone or a ladder lead to a torrent of creativity. In 1999 the Museo Nacional Centro de Arte Reina Sofía presented the exhibition Madoz. Objects 1990-1999, the first solo exhibition that the museum dedicated to a living Spanish photographer. Internationally, he has exhibited at institutions such as the Centre Pompidou in Paris, the Nederlands Fotomuseum in Rotterdam, the Fondazione M. Marangoni in Florence, the Museo de Bellas Artes in Caracas and the Multimedia Art Museum in Moscow. He has received the National Photography Prize and the PHotoEspaña Prize in 2000, and the Culture Prize of the Community of Madrid in the category of Photography in 2012, among others.
Lot 1
19th century Spanish school."Escena galante" (Gallant scene)Oil on canvas.Signed with anagram "RM" on the left side.Provenance: private collection conceived since the 70's between London and Madrid.Measurements: 41 x 34 cm; 56 x 48 cm (frame).The present work shows an idealised landscape with tall trees and a series of stone elements (bench, vase on pedestal) which suggest a park. On the bench sits a lady, dressed in a shawl and long skirt, drinking a beverage. Next to her, a humbly dressed gentleman is accompanied by a water jug and another element alluding to his profession as a water carrier or seller of drinks or refreshments, a common figure in parks.Stylistically, and except for the figures' dress, the idealisation and composition are slightly reminiscent of 18th-century rococo scenes of the gallant (also due to the lack of transcendental subject matter).
Lot 10
CHEMA MADOZ (Madrid, 1958)Untitled (Árbol Piedras), 2000.Positive bromide virado. Copy 3/15.With label on the back of the Galería Moriarty (Madrid).Signed, dated and justified on the back. Provenance: private collection conceived since the 70s between London and Madrid.Size: 60 x 50 cm; 81 x 71 cm (frame).The Telefónica Foundation dedicated an exhibition to the artist, called Telos. It brought together a selection of works from 2000 to 2004, dedicated to nature. This "Tree Stones" belonged to the aforementioned group of which the artist commented: "I have chosen a series of images with common interests: their axis is nature and for this reason they are more distant from other series of objects from everyday life. I also make use of matter that comes from nature itself and lacks that objectual character, be it grass, water or sand, in an attempt to access the idea of landscape in other images".The way he interprets art through photography and his poetic vision make Chema Madoz one of the most interesting, influential and recognisable creators on the contemporary art scene. Emphasising the irony that underlies the objects and the hidden relationships between them. In a surrealistic search for new meanings, through which to let the imagination wander towards new paths, there is always an undercurrent of play. Playing with the everyday, generating associations, metamorphoses, in a playful background he generates a singular strangeness. His artistic work has been described as "analytical photography or visual trope" and his visual style as "surreal rationality or the logic of the oneiric", to refer to the compositions of objects that are the protagonists of his works - in the words of the philosopher and art historian Luis Arenas. Madoz manipulates, invents and photographs objects. Defined as a visual poet, the associations he develops from objects as commonplace as a key, a stone or a ladder lead to a torrent of creativity. In 1999 the Museo Nacional Centro de Arte Reina Sofía presented the exhibition Madoz. Objects 1990-1999, the first solo exhibition that the museum dedicated to a living Spanish photographer. Internationally, he has exhibited at institutions such as the Centre Pompidou in Paris, the Nederlands Fotomuseum in Rotterdam, the Fondazione M. Marangoni in Florence, the Museo de Bellas Artes in Caracas and the Multimedia Art Museum in Moscow. He has received the National Photography Prize and the PHotoEspaña Prize in 2000, and the Culture Prize of the Community of Madrid in the category of Photography in 2012, among others.
Lot 11
CHEMA MADOZ (Madrid, 1958)Untitled, 2000.Positive bromide virado. Copy 3/15.With label of the Galería Moriarty (Madrid) on the back.Signed, dated and justified on the back.Provenance: private collection conceived since the 70s between London and Madrid.Measurements: 60 x 50 cm; 81 x 71,5 cm (frame):Naturgy's Spanish Contemporary Art collection owns the first copy of this same photograph. Visual paradox is the fertile ground in which Chema Madoz moves. The way he interprets art through photography and his poetic vision make Madoz one of the most interesting, influential and recognisable creators on the contemporary art scene. Emphasising the irony that underlies the objects and the hidden relationships between them. In a surrealistic search for new meanings, through which to let the imagination wander towards new paths. Playing with the everyday, generating associations, metamorphoses, in a playful background, he generates a singular strangeness. His artistic work has been described as "analytical photography or visual trope" and his visual style as "surreal rationality or the logic of the oneiric", to refer to the compositions of objects that are the protagonists of his works - in the words of the philosopher and art historian Luis Arenas. Madoz manipulates, invents and photographs objects. Defined as a visual poet, the associations he develops from objects as commonplace as a key, a stone or a ladder lead to a torrent of creativity. In 1999 the Museo Nacional Centro de Arte Reina Sofía presented the exhibition Madoz. Objects 1990-1999, the first solo exhibition that the museum dedicated to a living Spanish photographer. Internationally, he has exhibited at institutions such as the Centre Pompidou in Paris, the Nederlands Fotomuseum in Rotterdam, the Fondazione M. Marangoni in Florence, the Museo de Bellas Artes in Caracas and the Multimedia Art Museum in Moscow. He has received the National Photography Prize and the PHotoEspaña Prize in 2000, and the Culture Prize of the Community of Madrid in the category of Photography in 2012, among others.
Lot 907
A modern Parkhouse 18ct gold wedding set, comprising a graduated ten stone diamond chip set half hoop band and an Isabella solitaire diamond ring, the latter with accompanying GIA report dated 4/12/2014, stating the stone to weight 0.46ct, with a colour and clarity of F and SI1, gross weight 4.6 grams, with original box etc.
Lot 10
A 9CT GOLD SINGLE STONE DIAMOND RING, a round brilliant cut diamond, approximate total diamond weight 0.25ct, set in a six prong setting, leading on to a pinched shoulder yellow gold shank, hallmarked 9ct Sheffield 2003, ring size O, approximate gross weight 2.2 grams, (condition report: general moderate wear, overall condition good)
Lot 11
A 18CT GOLD SINGLE STONE DIAMOND RING, a round brilliant cut diamond, approximate total diamond weight 0.15ct, set with a white metal illusion setting leading on to a pinched shoulder yellow gold shank, hallmarked 18ct Birmingham 1960, ring size F 1/2, approximate gross weight 1.9 grams, (condition report: general moderate wear, split to mount, requires attention)
Lot 14
A FIVE STONE DIAMOND RING, five round brilliant cut diamonds prong set in a white metal band, approximate total diamond weight 0.50ct, unmarked, ring size N, approximate gross weight 2.5 grams, (condition report: general moderate wear, all stones currently intact, wear to rhodium plating on prongs)
Lot 16
A 9CT GOLD THREE STONE DIAMOND RING, three round brilliant cut diamonds, approximate total diamond weight 0.50ct, leading on to a twisted yellow gold mount, hallmarked 9ct Birmingham, ring size O, approximate gross weight 2.5 grams, (condition report: general moderate wear, all stones currently intact, overall condition good)
Lot 31
TWO YELLOW METAL DIAMOND SET RINGS, the first a single stone diamond ring, six claw set, round brilliant cut diamond, estimated diamond weight 0.10cts, pinched shoulders leading onto a polished band, stamped 18ct & PT, ring size O, the second a two stone diamond crossover ring, two claw set round brilliant cut diamonds, estimated total diamond weight 0.14cts, in a white metal cross over mount to the yellow metal polished band, stamped '18ct & Plat', ring size N 1/2, approximate gross weight 3.9 grams, together with an antique fitted ring box signed 'W.G.Hyde, Dorchester' (condition report: general light wear, would benefit from a gentle clean and polish)
Lot 344
A GROUP OF ORIENTAL LACQUERED BOXES, comprising a wooden decorative panel with a carved blossom flower stand, a set of three graduated boxes with mother of pearl and coloured stone inlay, two hand painted lacquered boxes and a desk top pen tray, two circular lidded pots, a Royal Worcester 'Purple Vine' pattern tea cup and saucer, a brass pedestal lidded pot decorated with vine leaves and flowers, a Shelley crested ware 'Chasetown' dog kennel (tiny chip)(10) (Condition Report: the Oriental lacquered boxes have wear commensurate with age and use)
Lot 40
A 9CT GOLD GEM SET RING, designed with a row of channel set, graduating square cut green tourmalines, to a polished band, hallmarked 9ct Sheffield, ring size U, approximate gross weight 4.0 grams (condition report: would benefit from a gentle clean, one stone has a chip, overall condition good)
Lot 42
A PLATINUM SINGLE STONE DIAMOND RING, four claw set, round brilliant cut diamond, estimated diamond weight 0.10cts, wrap around shoulders leading onto a polished band, stamped 950 plat, ring size J 1/2, approximate gross weight 6.7 grams (condition report: general light wear, diamond secure and in good condition, overall condition good)
Lot 447
TWO BOXES OF TEXTILES AND GENTLEMEN'S VINTAGE CLOTHING, to include a grey leather 'Bomber' jacket, a green suede mid length jacket, a Stone Island canvas hooded jacket, a grey jacket (all jackets size L), a ladies red velvet skirt suit and a cream silk blouse, four pairs of canvas shoes, two pairs of black leather shoes, men's vanity set, two insulated bags, a set of floral tapestry style curtains and a pair of mid-century red, white and blue curtains, boxed Prestige ice-cream maker (2 boxes + loose+ 9 items on rail)
Lot 5
AN 18CT YELLOW GOLD, SINGLE STONE DIAMOND RING, round brilliant cut diamond in an eight claw setting, estimated diamond weight 1.00ct, colour assessed as H/I, clarity assessed as I1, openwork gallery, pinched shoulders leading onto a polished band, hallmarked 18ct Birmingham, ring size L 1/2, approximate gross weight 2.4 grams (condition report: general light wear, nice bright diamond, central dark mineral inclusions and feather inclusions, overall condition good)
Lot 8
A FIVE STONE DIAMOND RING, early 20th century ring, five old cut graduated diamonds prong set in a yellow metal marquise shaped mount, leading on to a domed tapered shank, stamped 18ct, ring size O 1/2, approximate gross weight 3 grams, (condition report: general moderate wear, all stones currently intact, overall condition good)
Lot 9
A 18CT GOLD SINGLE STONE DIAMOND RING, a round brilliant cut diamond, approximate total diamond weight 0.25ct, set with a white gold four prong setting leading on to a pinched shoulder and polished shank, hallmarked 18ct London 2015, ring size J, approximate gross weight 2.4 grams, (condition report: general light wear, overall condition good)
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400830 item(s)/page