A STONE COMPOSITION POND SURROUND AND TRIPLE TIERED FOUNTAIN ATTRIBUTED TO AUSTIN AND SEELEY, LATE 19TH CENTURY Of circular form, central triple stylised circular shell fountain The fountain approximately 198cm high, the surround approximately 36cm high, 446cm diameter Condition Report: Central section not mortared- currently stacked in separate pieces- some losses to mouldings between sections.Surround is in twelve sections, unmortared, weathered and with mosses/lichen- some large chips, uneven breaks and chips between junction points of the surround- visible externally and internally- some old mortar to underside. There is no liner, pumping equipment or pipes with the lot. The whole will require assembly, mortaring, liners, plumbing before domestic use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
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AFTER THE ANTIQUE- A RARE TERRACOTTA STATUE OF THE CAPITOLINE FLORA BY THE PULHAM POTTERY, LATE 19TH CENTURY On associated Blashfield pedestal base, figure stamped PULHAM BROXBOURNE, pedestal hand inscribed J M Blashfield, Stamford Figure 167cm high, approximately 255cm high overall, base 69 by 69cm This rare Pulham figure of the Capitoline Flora, goddess of flowers and the season of spring and fertility, does not appear in either of the early 20th century Pulham catalogues, suggesting that it was a one off commission, perhaps in emulation of earlier examples such as the Coade figure held at Basildon Park, Berkshire or Filippo della Valle's version in marble commissioned by the Adam brothers for Syon House. The Capitoline Flora was discovered in 1744 in the Pecile of Villa Adriana and was placed in the Capitoline Museum in Rome. In 1797 it was ceded to the French under the terms of the Treaty of Tolento and put on display in the Musee Centrale des Arts in Paris before being returned to the refurbished Capitoline Museum in 1816 where she still stands in the Palazzo Nuovo. The Pulham company was established in 1820 and in 1845 James Pulham & Son set up a manufactory in Broxbourne making terracotta and cast stone garden ornaments. From this base the firm expanded into landscape design, creating beautiful artificial landscapes with rustic waterways, rocky streams, grottoes and tunnels. The Pulhams are known to have produced work for at least 170 sites around the UK, from public parks and gardens to large private gardens and received two royal warrants, the first in 1895 for work at Sandringham for HRH The Prince of Wales, the second for work at Buckingham Palace in 1903. Condition Report: The figure: Restorations to base edges, the hands/arms and possibly neck and areas of raised detailing. Some later washes of colour. Old cracks visible to reverse. Base: with cracks and weathering edge and corner losses and wear Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A RARE PAIR OF GEORGE III COADE STONE FIGURAL CANDELABRA BY ELEANOR COADE, LAMBETH, LATE 18TH CENTURY The design attributed to John Bacon, one modelled as a Vestal the other as a Sibyl, each holding a candle branch socket, on circular plinth, both stamped 'COADE LAMBETH" to plinths, stamped Coade to the undersides, monogrammed with an 'R' inside the torsos approximately 140cm high to top of lights, bases 43.5cm diameter Eleanor Coade (d.1821) opened her Lambeth Manufactory for ceramic artificial stone in 1769 and appointed the sculptor John Bacon as its manager two years later. With proven durability of her product (other makers work was seen to disintegrate within a few frosts) she was soon employed by a large number of the leading late 18th century architects. From about 1777 she began her engraved designs, which were published in 1784 in a catalogue of over 700 items entitled "A Descriptive Catalogue of Coade's Artificial Stone Manufactory". The design for this rare pair of figures feature twice- firstly as numbers 4 and 5- a Vestal and "Sybil" and subsequently and with the addition of candle branches as "Statues to hold Light" and depicted in the 1784 catalogue as numbers 34 and 35, £16.6.0 each. By the time of the 1799 publication "Coade's Gallery, or, Exhibition in artificial stone" the descriptions were expanded to reflect the growing taste for Neoclassicism. Where possible the sculptor's names were indicated and the Sybil is referred to as being inspired or derived from the one "in the Barbarini collection" (Mrs Coade's spelling). These two figures were among the successful designs of the Lambeth artificial stone manufacture and similar pairs of figures (with and without candle branches) adorn both interiors and exterior settings such as the main gate posts of Malvern Hall, Solihull. Condition Report: As is not uncommon with these type of Coade figures these have both been restored- predominately to bases- one to neck, toes and raised details, urn etc - with scattered other spot fills and repairs. The repairs are largely skilled professional with tinted wash to accord with colourway and obscure repairs. Under UV the wash hides most of the remedial work- some signs of a prior painted surface visible to crevices and recesses. There are also indications of other perhaps less skilled repairs- notably to reverse of one figure's gown area. The branches are later, chips and losses to base edges. Figure with left arm up has crack to crook of arm. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
AFTER ANTONIO CANOVA (1757-1822) A MARBLE FIGURE OF HEBE MID 19TH CENTURY Set on original stone pedestal Figure 163.5cm high, 250cm high overall Hebe is among Antonio Canova's most successful and recognisable models. From its conception in 1795 it was praised for its originality with the composition and depiction of a classical subject not based on an antique model but invented by Canova himself. Canova let Hebe glide down from the clouds, pouring the wine she served to the gods. It is possible that in its original state- this figure may have been holding a ewer in her right hand and cup in her left. The presence of the tree trunk indicates it is taken from the third state onwards of Canova's composition- akin to the Chatsworth example from 1808. However the presence of the necklace and diadem indicates the sculptor has knowledge of the fourth version executed for the Countess Veronica Guarini di Forli in 1816/1817. The quality of this example would suggest that it was made not long after the sculptor's death and it still bears the marble strengtheners between the fingers which would normally be filed off after transport from Italy to the U.K. RELATED LITERATUREG.C. Argan, Canova all'Ermitage. Le sculture del museo di San Pietroburgo, exh. cat. Palazzo Ruspoli, Rome, 1992, pp. 92-94; O. Stefani, Antonio Canova. La statuaria, Milan, 1999, pp. 84-88, no. 7 Condition Report: Weathering with some sugaring and loss of detailing to surface. Colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some natural flaws, inclusions. patches of lichen growth and small darker flaws scattered throughout. Webbing still between fingers- hole to inside of right arm that would have anchored urn she carried- both urn and cup missing. Edge chips to base and scuffing wear to base Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A LARGE WILLIAM IV COTSWOLD STONE LION GARGOYLE DATED 1833 In the form of a mythical winged lion, mouth drilled for water, signed and dated H. Blazer 1833 Aug 9 78cm high, 77cm wide, 84cm deep Provenance: The Rocks, Marshfield, Gloucestershire. The Rocks was a 17th century house situated on level ground with a steep sided valley that was the inspiration for the 18th century "romantic" gardens. The house was "Gothicised" in the 1830s and it is this period that this magnificent gargoyle dates to. The sculptor or mason H. Blazer does not seem to be recorded.
A LARGE PORTLAND STONE BENCH OF CURVED FORM LATE 18TH/EARLY 19TH CENTURY The exedra form seat in four sections supported by five bases with acanthus leaf decoration MEASUREMENTS REVISED- approximately 58cm high, seat 45.5cm deep, 519cm wide at the widest point, 140cm deep overall Saleroom Notice- please note measurement has been revised and differs from printed catalogue Condition Report: Saleroom Notice- please note measurement has been revised and differs from printed catalogue approximately 58cm high, seat 45.5cm deep, 519cm wide at the widest point, 140cm deep overall Currently not mortared, seat in 4 curved sections, some remnants of prior footing to bases and with some edge wear to bases- weathering and lichen build up Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A LARGE 'ADAM VASE' ON PEDESTAL BY JAMES PULHAM AND SON LATE 19TH/EARLY 20TH CENTURY With ram heads flanking sides, swag and ribbon bands and decorative rim with flower carvings, unstamped 164.5cm high overall, base 61cm wide, 61cm deep This model of vase was illustrated by Pulham & Son in their 1925 Garden Ornament catalogue, section I, page 13 No. 35 "Adam Vase, height 3'2", ... price £14.10. Pedestal No. 200". James Pulham and Son was founded in the late 1700s by James Pulham and continued through four generations of of the family until 1939. They were best known for their skill and robust construction methods, using natural stone and their own Pulhamite and terracotta to create follies, grottoes, rock gardens and garden ornaments. They were granted a Royal Warrant in 1895 with their works residing in Sandringham and Buckingham Palace. Condition Report: Weathering - colour variance from exposure- some edge wear and losses to minor details notably one ram ear and some raised edges, the whole with later metal stem through top and pedestal base and with glue fixing to ensure stability. Base with some edge and corner losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A COLLECTION OF COSTUME JEWELLERY including a fringe necklace; a square rhinestone brooch; a large concentric white stone brooch; a cognac and grey tone rhinestone spray brooch; a greyhound brooch in silver; a fancy link bracelet with engine turned detailing; a pair of faceted green stone drop earrings, a stylised rhinestone and imitation pearl bracelet, 17.0cm; a blue paste cocktail ring in base metal
A Collection of Period Costume Jewellery to include Copper and White Metal Rectangular Brooch/Pendant in the René Mackintosh Style, Unsigned, a Pair of Gold PLated Wedgwood Jasperware Cufflinks, a Silver and Marcasite Brooch of Floral Design and a Silver, Marcasite and Green Stone Cabochon Fur Clip
ALT/ GRUNGE - LP PACK (INC LIMITED EDITION REISSUES). A fine selection of 5 alt/ grunge LPs. All modern reissue pressings. Artists/ titles include Green Day - 39/ Smooth (517708-1, inc 7"), Mother Love Bone - S/T (MOVLP800, Limited Edition No: 000042), Stone Temple Pilots - Core (MOVLP833, Limited Edition No: 002152), Killing Joke - Feat Dave Grohl (MOVLP 2301, Limited Edition No: 001529), Crash Test Dummies - God Shuffled His Feet (MOVLP496). Condition is generally Ex to Ex+.
THE STONE ROSES - LP/12" COLLECTION (PLUS SEALED AUSTRALIAN 7" PACK). Expert collection of 12 x LPs/12" plus 1 x limited edition 7" releases from The Stone Roses. Titles are Live At Walsall Junction (private release), Empire Ballroom (private release), Second Coming (private release picture disc), Elephant Stone (limited edition Australian poster pack - Mint and sealed), Ten Storey Love Song (GFST 87, ltd edition number 01633), I Wanna Be Adored (ORE T 31), Fools God (inc. 9.53, US 1315-1-JD and '95, ORE T 71), One Love (complete with print), She Bangs The Drums, She Bangs The Drums (ORE T 6), Made Of Stone (ORE T 2, black cat. number), Love Spreads and Remixes EP1 (S12DJ193). Condition is generally VG+ to Ex+.
PUNK / WAVE - LP / 7" PACK. A pack of 8 x 7", 1 x LP and 1 x magazine. Artists/ Titles include Billy Wizard - Nazi Love (SS-100, original pressing, clear vinyl, Ex), The Clash inc Gates Of The West (AE7 1178, promo), Train In Vain/ Bankrobber, Radio Clash (A1797), The Cost Of Living EP, This Is England, Remote Control and The Prisoner, Joan Jett - Beyond Redemption (Ex records/ Ex+ sleeve). Also includes Depeche Mode - Ghosts Again 7" and a Rolling Stone Magazine. The condition is generally VG+ to Ex+.
STONE ROSES - COMPILATION LPs (ORIGINAL PRESSINGS). Ace selection of 4 x deleted original UK pressing LP comps from The Stone Roses. Titles are The Complete Stone Roses (1995 double, ORE LP 535 - Ex+ very clean records showing few marks/with clean printed inners without splits/VG+ sleeve a few creases, no rips/tears or seam splits with a sharp and fully legible spine), Garage Flower (GARAGE LP1 - Ex minor paper scuffs/printed inner bottom edge partially split, with print in Ex+ condition/VG+ some scuffing), The Very Best Of The Stone Roses (9260371 - Ex+ condition records sides 1/2/4 VG+ side 3/VG+ some minor creasing) and The Remixes (9260151 - Ex+ condition records/clean printed inners without splits/VG+ some edgewear).
THE STONE ROSES - SELF TITLED/SECOND COMING LPs COLLECTORS' BUNDLE. Wicked bundle of 3 x copies of the 2 studio albums from The Roses. Titles are The Stone Roses (2 copies including early UK reissue, ORE LP 502, white design labels, no embossed sleeve - VG+ record a few surface scuffs/with Ex+ condition printed inner no splits/Ex+ lovely condition sleeve still in shrink, also limited edition picture disc ORE LP 502 P - appearing in Ex condition) and Second Coming (GEF 24503 UK original STERLING machine stamped all four sides - glossy VG+ records a few surface scuffs/Ex original gatefold sleeve, some light edgewear, spine sharp and fully legible).
MODERN HEAVY ROCK & METAL - LP PACK. A super selection of 5 LPs. Artists/ titles include Slash - Apocalyptic Love (RRCAR 7678-1), Nickleback inc Dark Horse (RR 8028-1), Silver Side Up (S160001), The State (S160002). Queens Of The Stone Age inc Era Vulgaris (IPC91, 10") & Like Clockwork (OLE-1040-1). Condition is Ex to Ex+.
Pearl Drop Necklace - Single pearl drop on a silver chain, by Danbury Mint, boxed, Costume Jewellery Brooch - (3 semi precious stones) necklace (Dark stone, white metal chain) plus a smart looking make up bag (German), Collapsible pen - very neat well made West Germany, red enamel collapsible ball point pen and one other, chain and Wrist Watches - Ladies Vellacio Snap Band Wrist Watch, red enamel working order
A German Imperial Officer's sabre, having crossed cannon of the langets, with lion head pommel with red stone eyes, wire and fish skin grip, shaped guard, with 82cm long curved blade, having etched floral design, complete with scabbard, no postage for this lot, we can supply pack only at a cost, the buyer to organise own collection as soon after the sale as possible
J. K. Rowling - Collection of thirteen Harry Potter hardback and softback books to include two Bloomsbury Harry Potter and the Philosopher's Stone, one Harry Potter and the Goblet of Fire, three first editions of the Order of the Phoenix, two first editions of the Deathly Hallows and a collection of 1999 / 2000 Bloomsbury hardback deluxe editions of the first four books. Together with Harry Potter and the Cursed Child parts one and two.
Two 20th Century wooden Chinese asian jewellery boxes. One having doors to front opening to reveal three drawers with red padded material to the interior; also having decorative brass mounts and inlaid carved stone door panels. Together with a lidded box having brass clasp to front and inlaid mother of pearl oriental dragon design, with cushioned red interior. Largest measuring approximately 18cm x 15cm x 10.5cm.
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