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A citrine set bracelet together with a citrine swivel fob and a 'Fumsup' WWI good luck charm, the bracelet composed of four larger citrine set links, each oval cut stone claw set in an open mount of trailing stems and flowers, alternating via short chain connections with four cushion shaped pierced links, each with a flowerhead in a linear outline, hidden box clasp, integral safety chain, white metal tests for silver, length 18cm; together with a swivel fob designed as two entwined snakes holding between their heads the three-sided oval citrine, length 3.3cm; and a charm in the form of a standing infant, with wooden head and inset glass eyes and a four-leafed clover impressed on the forehead, a white metal body (tests for silver) with winged ankles and movable arms, the hands with the 'thumbs up' from which its name derives, and 'Fumsup' written across its chest, registered serial number 636612 on its back, length with suspensory loop 3.5cm (3) These 'Fumsup' charms became popular in the late 19th century, reaching a peak in the First World War 1914-18, with wood to touch for good luck, Mercury's winged heels to speed the bearer from danger, a four-leafed clover and the thumbs up sign for 'good luck' and 'all's well'
A fine 18th century painted carved wood chimney piece to a design by Robert Adam, with replacement stone slips 166 x 214.50cm (65 x 84in) Other Notes: The current chimneypiece is comparable in design and size to two drawings of chimneypieces executed by Robert Adam for the Adelphi project. The Adelphi buildings were a block of unified neo-classical terrace houses occupying the land between the Strand and the River Thames in the parish of St Martin-in-the Fields built by Robert Adam between 1768-72. They were demolished in the early 1930s.
A contemporary diamond ring and a diamond and aquamarine three stone ring both set in 18ct white gold, the first with a round brilliant cut diamond in a hexagonal collet to shoulders set with lines of smaller round brilliants, plain shank size N, set in 18ct white gold, Sheffield hallmarks 2007; and also a three stone ring claw set with a round cut aquamarine between two round brilliant cut diamonds to a plain tapered shank size M, also hallmarked 18ct white gold, London 2004 (2)
A single stone rectangular cut aquamarine ring, the mixed cut aquamarine held by four double claws at the cardinal points, to a pierced gallery and shoulders decorated with incised and stamped motifs, and plain shank unmarked white metal tests for 9-14ct white gold, size K 1/2 Provenance: Ennismore Gardens, Knightsbridge, London SW7
Two antique diamond mourning rings, the first a single stone diamond ring with an old oval cut tinted diamond in a flying claw setting to moulded shoulders with tiny remnants of black enamel, diamond estimated weight approximately half a carat, size M; the second with diaper and square black enamel fields set to the centres with old round cut diamonds and separated by lines of rose cut diamonds, the band with alternating navette and rectangular recesses holding plaited hairwork, with bright cut foliate decoration between with the remnants of black enamel, London hallmarks for 18ct gold 1902, ring size N (2)
An 18th century Iberian pendant cross set with rock crystals together with four later Russian pendant crosses, the first of pierced filigree design with the five principal rock crystals closed back set in raised bosses, with a central round cut stone and larger round cut stones for the three upper arms of the cross, the lower one formed by a suspended pear cut stone, highlighted throughout with small round cut white stones possibly pastes, white metal assumed silver, oval mark of a swan struck twice on suspensory loop, length 9.1cm; all the Russian crosses of pierced and embossed form with orthodox crosses and cyrillic letters, the largest set with a red paste and four freshwater pearls, three of them with partial gilt finish, two with remnants of matt green enamel, all with engraved decoration on the backs and fixed suspensory loops, lengths 5.5 - 8.2cm (5) The Russian Orthodox cross has three cross bars - a short upper one upon which rests the cyrillic form of the label INRI (Iesus Nazarenus Rex Iudaerum - Jesus of Nazareth, King of the Jews), and a lower one representing the footrest, usually angled possibly to suggest the forthcoming ascent to heaven. The cyrillic letters on either end of the principal crossbar represent IC XC, the Greek abbreviation for Jesus Christ, and at his feet NIKA meaning 'conquers'.
A charm bracelet stamped '15ct' with some 9ct gold charms, the curb link bracelet with heart locket clasp and fixed safety chain, suspending a vintage car and a wishbone both of hallmarked 9ct gold, and an unmarked dolphin and a miniature seal (lacks stone); length 18.5cm, gross weight 14.14g
An Ashworth 'Real Stone China' part Imari dinner service, printed and painted with flowering prunus and fanciful birds, comprising, twelve dinner plates, twelve bowls, eleven pudding plates, vegetable tureen and cover, two smaller tureens and covers and three graduated shaped oval dishes; a stone china 'Amherst Japan pattern' Imari part dinner service, comprising six dinner plates, five pudding plates, shaped oval plate and a serving dish (57)
Two diamond five stone rings and a similar ruby ring with diamond highlights, the first with graduated old round to cushion cut diamonds in a flying claw setting to carved shoulders, in hallmarked 18ct gold, London 1932; the other diamond ring set with graduated old round brilliant cut diamonds to a carved and scrolling gallery and shoulders, stamped '18ct '; the third ring with similar Edwardian style mount and set with five graduated oval cut rubies with rose cut diamond highlights in the interstices, also stamped '18ct'; ring sizes respectively R, L½ and M (3)
A Victorian gemset fly brooch together with a small collection of other Victorian jewellery, the fly, set with a pale lilac pink hardstone and seed pearls (one lacking), alighting on a pin shaft whose head is set with another similar pink stone; together with a pendant set with an oval cabochon garnet in a ropetwist embellished mount (collet tests for 14ct gold, outer mount for 18ct gold) to an associated curblink chain; an oval flower brooch set with three deep pink hardstones; a lacepin set with five amethysts; and three earrings (a pair and a spare) made from the foliate engraved oval convex plaques originally cufflinks, stamped '15ct', now with screwback earring fittings (5)
A single stone diamond pendant slider necklace and chain by Giovanni Balestra & Figli, the round brilliant cut diamond of approximately 0.50ct rubover set in a hexagonal mount with run-through snake link chain, white metal stamped on pendant, clasp and chain '750' to indicate 18ct white gold, and with maker's cartouche and Vicenza assay stamp; width of pendant 7.3mm, length of chain 39cm, gross weight 6.8g
A pair of amethyst and diamond earrings and a small collection of other amethyst jewellery, the first earstuds with a large oval cut pale amethyst in a border of small single cut diamonds, set in hallmarked 9ct gold, Birmingham 1990, length 1.5cm; also a pair of single stone amethyst earstuds, with round cut amethysts set in hallmarked gold, Birmingham 1972, diameter 1.3cm; a bracelet composed of slightly flattened faceted amethyst beads with two more pendant by the clasp, length 20cm; and a pair of briolette faceted amethyst earpendants, length 4.4cm (4)
A collection of Georgian lacepins and other similar brooches, four of the lacepins of typical Georgian form, being rectangular with a central stone or panel in a border, all in closed back mounts: the first with an amethyst in a cast foliate border with four turquoises at the cardinal points, later bar pin fitting; one of purple paste stones, one with simulated seed pearls in a cast and black enamel border, one with a central glazed panel containing a lock of hair in a mid-blue enamel border inscribed in gothic lettering 'Forget Me Not'; together with an oval lacepin with central blister pearl panel in a double border of round turquoises; and a larger oval brooch with central glazed panel containing a mother-of-pearl plaque with seed pearl, cut hairwork and painted decoration as a wreath of flowers and trailing foliage with ribbon around the initial W or M, within a black enamel border also decorated with flowers and ribbons, lengths variable 1.7- 3.6cm (6)
A sapphire and diamond half hoop ring, a diamond crossover ring and a sapphire and diamond three stone ring, the first set with four round brilliant cut diamonds separated by three marquise cut sapphires set horizontally to make a smooth narrow line of stones, to a plain shank size N, 18ct white gold, Birmingham common control mark; also a diamond two stone crossover ring with two round brilliant cut diamonds and further single cut diamonds set into the shoulders, size L, 18ct gold, London 1989; and a three stone ring claw set with an oval cut sapphire between round brilliant cut diamonds, to a plain tapered shank, size N½, yellow metal stamped '750' to indicate 18ct gold (3)
A 1960s synthetic sapphire dress ring, the circular cut sapphire within a lobed gold coloured setting, finger size Q; together with a 9 carat gold white stone set cross pendant, 4.1cm long; a two coloured necklace, stamped with 9 carat gold import marks; a gold coloured band ring; and a St Christopher medal; 24.9g gross
An Indian colonial silver presentation beaker, unmarked, Madras circa 1885, with a chased Swami band, an applied coiled snake, a lobed flattened knob to the foot, on a circular base with a foliate band, presentation engraved for Madras Gymkhana 1885, the interior gilt, 12cm (4 3/4in) high; and a presentation trowel by D. & J. Wellby, London 1903, engraved The Foundation Stone of the Imperial College of Tropical Agriculture was laid on January 14th 1924 by His Excellency the Governor of Trinidad and Tobago, Sir Samuel Wilson, KCMG, KBE, CB, 17cm (6 3/4in) long (2)
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400965 item(s)/page