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A selection of silver jewellery to include a stamped 835 silver bangle bracelet with bark effect panels to the exterior, a sunburst pendant set with a red stone, a figaro link necklace, a hallmarked heart lock bracelet and a hallmarked pendant set with a Millefiori glass panel on a fine curb link chain. Total weight 51g.
A selection of stamped 925 silver rings to include a cushion cut white stone ring with white accent stones, a mystic topaz ring set with white accent stones to the shoulders, a split shank ring set with an oval cut pink stone and white accent stones, an Art Deco style panel ring set with blue and white accent stones, a ring in the form of an owl etc. Together with an unmarked yellow metal fashion ring. Silver rings weight 19g.
A selection of silver and white metal jewellery to include a stamped 925 ring set with a smokey coloured stone, a white metal ring set with a pearl, a stamped 925 hammered ring with knot design borders, a shell pendant with silver filigree mount, a pair of knot design stud earrings, along with a selection of other stud earrings, mostly silver etc.
A selection of silver and silver white metal jewellery to include a stamped 925 pendant necklace having a red stone pendant with a halo of white accent stones, a stamped 925 pendant necklace having a twist design pendant set with a blue stone, a stamped 925 necklace chain with a cameo brooch / pendant featuring a carved conch shell panel depicting a maiden with marcasites set to the mount, a white metal charm bracelet, two white metal brooches and a precious stone bracelet.
A selection of silver jewellery to include a stamped 925 silver flat link bracelet chain, a stamped 925 snake chain necklace with black stone pendant drop, a stamped 925 beaded necklace with alternating silver beads, a stamped 925 silver beaded necklace with floral pendants, a heart pendant and a rope twist necklace. All marked silver. Weight 132g.
‡AN INDIAN JADE-HILTED DAGGER, LATE 19TH CENTURY with straight blade formed with a central fuller, wavy edges, decorated with gold koftgari at the tip and the ricasso on each face, the latter incorporating a brief Kufic inscription, pale green stone hilt (small chips) applied with a decorative silver band studded with red pastes, in its original scabbard encased in silver chased with scrolls and decorated en suite at the mouth 28.2 cm; 11 1/8 in blade
ARCHITECTURESMEATON (JOHN) A Narrative of the Building and a Description of the Construction of the Edystone Lighthouse with Stone, FIRST EDITION, engraved vignette on title, 23 engraved plates and plans (one folding, one plan trimmed within platemark but not affecting neatline), light toning mostly at edges, a few faint spots, modern red morocco gilt, g.e. [Skempton 1338], folio (520 x 350mm.), for the Author, by H. Hughes, 1791This lot is subject to the following lot symbols: •
COOPER (THOMAS)Some Information Respecting America, folding engraved map of 'the Middle States of America', upper joint weakened [Goldsmiths 15910; Sabin 16615], Dublin, P. Wogan, 1794--MIRABEAU (GABRIEL-HONORÉ DE RIQUETTI, Comte de) Considerations on the Order of Cincinnatus... as Also a Letter from the Late M. Turgot, Comptroller of the Finances in France, to Dr. Price, on the Constitution of America, [Sabin 49394], J. Johnson, 1785, contemporary half calf, joints slightly weakened--[JOHNSON (SAMUEL)] Political Tracts. Containing, The False Alarm. Falkland's Islands.... And, Taxation and Tyranny, half-title, contemporary speckled calf, spine gilt, Dublin, W. Whitestone, 1777--HOYLE (EDMOND) A Short Treatise on the Game of Whist... Sixth Edition, WITH AUTHOR'S SIGNATURE of authentication on verso of title, 1746; A Short Treatise on the Game of Quadrille, 1745; A Short Treatise on the Game of Piquet, 1745; A Short Treatise on the Game of Back-Gammon, 1745, 4 vol. bound in 1, contemporary calf, upper cover detached, T. Osborne--An Abstract of the Act... for Granting His Majesty Certain Duties upon Glass Wares, Stone and Earthen Bottles..., modern boards [ESTC R478777], Charles Bill, 1695, 8vo; and a mixed edition of 'The London-Spy' (7)This lot is subject to the following lot symbols: •
TROLLOPE (ANTHONY)Barchester Towers, 3 vol., without half-titles and advertisements, Longman, 1857; The Last Chronicle of Barset, 2 vol., 32 wood-engraved plates by George H. Thomas, contemporary half green morocco gilt by Winstanley of Manchester, Smith, Elder, 1867; He Knew He Was Right, 2 vol., 64 plates and illustrations by Marcus Stone, Strahan, 1869, first editions in book form; Ralph the Heir, first illustrated edition, wood-engraved plates by F.B. Fraser, Strahan, 1871; The Chronicles of Barsetshire, 8 vol., Chapman and Hall, 1879; A Small House at Allington, 2 vol., second edition, 18 wood-engraved plates by John Millais, Smith, Elder, 1864, contemporary half morocco, t.e.g.; [The Works], 28 vol. bound in 14, contemporary blue half calf gilt with red and brown morocco spine labels, Ward, Lock, [c.1900]; Miss Mackenzie, 1872; Rachel Ray, 1873; Castle Richmond, 1873; The Eustace Diamonds, 1874; The Kellys and the O'Kellys, 1873; The Macdermots of Ballcloran, 1874; Tales of All Countries, 1875, contemporary half calf gilt (the last 7 mentioned uniform) unless otherwise stated, 8vo; and 33 others, including 21 by Trollope, 5 by George Eliot, all half calf or morocco (72)This lot is subject to the following lot symbols: •
SASSOON (SIEGRIED)Vigils, NUMBER 9 OF 272 COPIES SIGNED BY THE AUTHOR, engraved throughout, frontispiece by Stephen Gooden, original morocco by John P. Gray, [Bristol], 1934--RAINE (KATHLEEN) Six Dreams and Other Poems, LIMITED TO 450 COPIES SIGNED, frontispiece by Cecil Collins, 1968; Ninfa Revisited, LIMITED TO 350 COPIES SIGNED, 1968, Enitharmon Press--WHISTLER (LAURENCE) Triad, LIMITED TO 150 COPIES SIGNED, slipcase, 1991--STEPHENS (JAMES) Green Branches, LIMITED TO 500 COPIES, Dublin, Maunsell, 1916--REDGROVE (PETER) An Explanation of the Two Visions, LIMITED TO 56 COPIES SIGNED, [Rampant Lions Press] for Sixth Chambers Press, 1985--SPARROW (JOHN) Grave Epigrams, LIMITED TO 200 COPIES, woodcut ornament by Reynolds Stone, [Simon Rendell, 1974], publisher's wrappers--NUTTALL (JEFF) Poems 1962-69, LIMITED TO 100 COPIES SIGNED, Fulcrum Press, 1970--BETJEMAN (JOHN) An Exhibition of Works by Sir John Betjeman from the Collection of Ray Carter, NUMBER 47 OF 80 COPIES SIGNED BY THE COLLABORATORS (Betjeman, John Piper and Glynn Boyd Harte, and Phillida Gili), publisher's quarter cloth, dust-jacket, Warren Editions, 1983--Women. Joseph Addison's Translation of a Poem by Semonides of Amorgos, NUMBER 14 OF 30 COPIES SIGNED BY THE ILLUSTRATOR, 13 etchings by Mona Ryder, publisher's cloth, dust-jacket, Brisbane, Lock's Press, 1983--HAMBURGER (MICHAEL) In Suffolk, LIMITED T0 150 COPIES, signed by the author and artist, etched frontispiece by Derek Southall, publisher's cloth, slipcase, Hereford, Five Seasons Press, 1982--WATKINS (VERNON) Uncollected Poems. With an Introduction by Kathleen Raine, ONE OF 26 COPIES ON SWEDISH VELLUM, signed by the author and Raine, from an overall edition of 326, publisher's cloth-backed boards, Enitharmon Press, 1969--ROTA (ANTHONY) Apart from the Text, NUMBER 49 OF 150 SPECIALLY BOUND COPIES SIGNED, rexine-backed cloth, Oak Knoll Press, 1998--POWELL (ANTHONY) The Empire Revisited, AUTHOR'S PRESENTATION COPY inscribed 'Peter... Did Travel, Will do it again. Anthony' on front free endpaper, additionally signed on title-page, publisher's cloth, dust-jacket, Cleveland Press, 1985, 8vo and 4to; and 55 others, mostly poetry, many limited editions from small presses, including Turret Books, Cygnet Press, Enitharmon Press, Fulcrum Press (69)This lot is subject to the following lot symbols: •
STONE (REYNOLDS)CLARK (KENNETH) The Other Side of the Alde, LIMITED TO 125 COPIES, PRESENTATION COPY INSCRIBED BY STONE TO JOHN CARTER 'Easter 68. the gift of Reynolds Stone' on front free endpaper, with additional note loosely inserted, publisher's wrappers, [Martino Mardersteig of the Stamperia Valdonega, Verona] for Litton Cheney Press, 1968--THOMAS (R.S.) The Mountains, ONE OF 110 COPIES SIGNED BY THE AUTHOR, ARTIST AND ENGRAVER, with an extra set of engravings (tipped-in as issued), from an overall edition of 350, 10 woodcut plates engraved by Stone after John Piper, publisher's half morocco, slipcase, New York, Chilmark Press, [1968]; idem, another copy, NUMBER 102 OF 240 COPIES, 10 woodcut plates, prospectus loosely inserted, publisher's cloth, slipcase [1968]--MURDOCH (IRIS) A Year of Birds. Poems, 2 vol., NUMBER 50 OF 50 COPIES, signed by author and illustrator Reynolds Stone, 12 plates, extra suit of plates, each initialled by Stone, loose in window-mounts within solander box, together in slipcase, Tisbury, Compton Press, 1978--HODGSON (RALPH) The Skylark, NUMBER 234 OF 350 COPIES, signed, publisher's cloth, Colin Fenton, 1958--Boxwood. 24 Engravings by Reynolds Stone, NUMBER 22 OF 75 COPIES, 24 woodcut illustrations on Japanese Hosho paper, each window-mounted, loose in publisher's solander box, Warren Editions, [1982]--HUDSON (W.H.) A Shepherd's Life, NUMBER 95 OF 100 COPIES, 10 wood-engraved illustrations by Stone, additional suite of 10 tipped-in proof plates, each signed and numbered in pencil, publisher's half morocco, slipcase, Tisbury, Compton Press, 1977, 8vo and small 4to: and 11 others, Reynolds Stone interest (18)This lot is subject to the following lot symbols: •
WAUGH (EVELYN)Men at Arms, FIRST EDITION, AUTHOR'S PRESENTATION COPY, inscribed 'For Janet Stone/Souvenir of Stinchcombe/Ascension 1954 from Evelyn Waugh' on the front free endpaper, publisher's cloth, dust-jacket (frayed, 2 old tears repaired), 8vo, Chapman & Hall, 1952This lot is subject to the following lot symbols: •
ITALY - PHOTOGRAPHYMACPHERSON (ROBERT TURNBULL) A collection of eight large views of Rome comprising: Arch of Titus; Horse of Marcus Aurelius; Temple of Antonius and Faustina; 'Fresco on the Roof of a Church'; Church, and Museum of St. John Lateran; Column & Forum of Trajan; Cloaca Maxima; Stone Pines in the Garden of the Villa Pamphili, blindstamped signature (pencil number, and caption) on mount, approximately 300 x 400mm. or similar, [c.1860]--ALINARI (LEOPOLDO) Giotto's Bell Tower at Florence, Fratelli Alinari, blindstamp on the mount, image 432 x 322mm., [c.1860]--Cathedral of Santa Maria Assunta and the leaning Tower at Pisa (attribution by Camfield Wills), image 262 x 340mm., [c.1860], all mounted on original card--LOMBARDI PAOLO) A good group of 28 views of Siena (street scenes and churches with several fine interiors), together with architectural details, each with the blindstamp of Paolo Lombardi (1827-1890), images ranging from 340 x 258mm. to 248 x 198mm., 1860s and later--LUNGHI (P.) Seven views of churches, and two larger images of the Giotto fresco at Assisi, most with the stamp of Lunghi of Assisi on versos, images mostly 260 x 200mm., [c.1880], albumen prints; and approximately 83 other albumen prints, including views in Venice (21), Verona (30), Rome, Naples, Florence, Pavia, Milan, Monza, and others, most loose (a few on mounts), varying tones, various sizes (large group)
Baotou-Suiyuan carpet, north west China, circa 1920s-30s, 11ft. 6in. X 8ft. 11in. 3.50m. X 2.72m. Overall even wear; slightly heavier in some places; slight loss to ends; glue to edges in places verso. Pale stone coloured field with central jewelled floral medallion; floral sprays in the field; pink border of various vases and jardinieres. Pretty carpet in a soft palette; soft handle.
Decorative Kashmir carpet, north India, last quarter 20th century, 10ft. 4in. x 8ft. 3in. 3.15m. x 2.51m. Few surface marks and small areas of old moth damage top end of field. Light stone coloured field with mid-gold flowerheads; scrolling foliage within an all over dark gold trellis; soft red scrolling floral main border and ivory guards. Soft handle and soft palette.
Grotius, Hugo De Jure Belli Ac Pacis Libri Tres. Amsterdam: Joan Blaeu, 1650. 8vo, archival binding, paper label on spine; pp. [24], 618, [45]; title printed in red and black, floriated initials and decorative tail-pieces. New edition, with annotations by the author. The book which made Grotius famous throughout Europe was first published in 1625. Grotius was living in Paris, having made a daring escape from Dutch prison - where he had fallen foul of intra-Calvinist dispute - in a chest of books. The work is widely regarded as the foundation stone of modern political philosophy through its anticipation of the political theorists of the 18th century. It argued for a 'natural law', based on the social contract, in opposition to theocratic revelation or monarchical edict, and as such paved the way for modern international law.
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400830 item(s)/page