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Lot 034
A bag of mixed jewellery items to include a silver engraved bangle, silver abalone shell pendant, silver stone set ring, small silver ingot & a silver & gold plated open heart locket, total weight 1.007ozt and also the following un-hallmarked items, a silver & gold tone Chinese symbol bracelet, a silver & amber ring and two other dress rings, weight 2.115ozt, (9 items).
Lot 151
A group of gem set gold rings to include a 14ct gold ring set with three diamonds in a line, an 18ct gold and diamond ring, an illusion white stone set cluster gold ring, a 10ct gold pearl and ruby ring and a 9ct gold and silver ring set with amethyst coloured stones and seed pearls, two rings A/FLocation: Cab
Lot 422
A Chinese soapstone seal signed Wang Ti (1880-1960), dated the year of Yiyou (1945), of square section, the finial skilfully carved with a mythical beast with its head turned to its right, on one side of the seal inscribed and signed Wang Ti, a seal artist and founder of the renowned Xiling Seal Art Society which is one of Chinas most important stone seal engraving associations, the stone of light caramel tone, fitted fabric lined hardwood box, 3.5cm high x 3cm square 王禔（款）寿山石兽钮方印一枚Condition Report: in good condition, some wear to fabric and minor wear throughoutCondition Report Disclaimer
Lot 84
Atkinson (George Francklin, Captain Bengal Engineers). The Campaign in India 1857 - 58, From Drawings made during the Eventful Period of the Great Mutiny..., Illustrating the Military operations before Delhi and its neighbourhood, Day & Son, January 1st 1859, decorative title, dedication and contents list, 12 tint stone lithographs (only of 26), gutta-percha perished, contents shaken and loose, near-contemporary ownership signature to the front endpaper, publisher's red cloth with a martial gilt motive to the upper siding, boards worn and rubbed, upright folioQty: (1)NOTESSold as a collection of prints, not subject to return.
Lot 86
* Bauwens (Felice Lieven, died 1940). Design for a lunette, pencil and watercolour on paper laid down on card, depicting a number of female figures (2 with halos) and children, all singing or playing lyres, beneath a stone arcade through which is seen a landscape and further figures issuing forth from a building, pencil inscription on verso with artist's name and 'For Landseer [Prize] 1930', sheet size 52 x 79cm (21.25 x 31ins), some light dust-soiling and fraying to edges, together with another design by Bauwens, for a 3-light stained glass window, titled "Decoration for Concert Hall 'Music'", and a number of figure studies also by the same artist, consisting of 14 leaves of paper or card with pencil drawings to 18 sides, i.e. a few with drawings to rectos and versos, some sides with more than one study, comprising 4 with female nude studies, 8 with male nude studies, 2 with studies of classical nude sculptures (a female torso and a male nude carrying a lamb), 2 with full-length studies of a seated woman, 1 with studies of a female face, and 1 with sketches of a young female ballerina, some spotting, creasing, and edge-fraying, each approximately 56 x 39cm, plus other unrelated drawings and prints, including: an early-mid 19th century landscape, watercolour on paper, depicting red-tiled houses with green shutters nestling at the foot of a rocky escarpment, overlooking sailing ships on the sea, lightly toned, sheet size 19.5 x 41.5cm (7.5 x 16.25ins), mounted; 2 mounted watercolours of street scenes entitled 'Cloth Fair' by Evacustes A. Phipson; Nuit Douce by Henri Jules Guinier, lithograph on blue paper, image size 29 x 24.5cm (11.5 x 9.5ins), sheet size 31 x 26.5cm (12.5 x 10.5ins); several hand-coloured lithographic costume plates from Musée Cosmopolite published by Aubert, 1850; and some printed progammes and advertising material relating to Hilda Spencer Watson's Studio Theatre, various sizes and conditionQty: (a folder)NOTESFelice Lievin Bauwens, whose mother was also a painter, trained at the Royal Academy Schools in the late 1920s and early 1930s, and she exhibited at the New English Art Club, the Royal Society of British Artists, and the Royal Academy.
Lot 275
* CDs. A collection of 115 rock and blues CDs, the 1970s to the present day, rock and blues albums including artists such as Supertramp, Elton John, Bryan Ferry, Scissor Sisters, Eagles, James Blunt, Genesis, INXS, Dire Straits, Eurythmics, Aretha Franklin, Buddy Guy, Ray Charles, John Lee Hooker, Nina Simone, Joss Stone, U2, Bob Marley, Mike and the Mechanics, Rod Stewart. Lighthouse Family, Mike Oldfield, Bryan Adams, Electric Light Orchestra, David Gray, Bruce Springsteen, R. E. M., Coldplay, KT Tunstall, Fleetwood Mac, Robert Plant & Alison Krauss, Steely Dan, Robbie Williams and Dido, together with several classical albumsQty: (115)
Lot 306
* The Rolling Stones. Collection of vinyl records / LPs by The Rolling Stones, including Sticky Fingers, Rolling Stone Records COC 59100 Stereo, original 1971 pressing with top-opening non-gatefold sleeve design by Andy Warhol with working zipper, Warhol credit behind the zip, original insert included in good condition, matrix numbers COC 59100 A4 and COC 59100 B3 with 'T.M.L. Rolling Stones Records' in run-out grooves, vinyl EXC, The Rolling Stones (debut studio album), Decca LK 4605, original 1964 mono pressing, grooved red/silver label with large unboxed Decca logo and 'ear' logo at 2 o'clock, sleeve in poor condition, matrix numbers XARL-6271-2A and XARL-6272-3A, The Rolling Stones No 2, Decca LK 4661, UK 1964 first mono pressing, grooved red/silver label with large unboxed Decca logo and 'ear' logo at 2 o'clock, James Upton sleeve with 'Blind Man ...' text on the rear, matrix numbers XARL-6619-1A and XARL-6620-2A, Around and Around, 1964 French pressing, Decca 158.012, sleeve dated 12-64 on the rear, After-Math, Decca LK 4786, UK 1966 mono pressing, grooved red/silver label with large unboxed Decca logo and 'ear' logo at 2 o'clock, matrix numbers XARL-7209-6B and XARL-7210-3A, Gimme Shelter, Decca SKL 5101, UK 1971 first stereo pressing, blue/silver ffss Decca label, matrix numbers XZAL-10820-P-1W and XZAL-10821P-1W, Milestones, Decca SKL 5098, UK 1972 first stereo pressing, blue/silver ffss Decca label, matrix numbers XZAL-10776.P-1W and XZAL-10777.P-1WQty: (7)
Lot 544
Circle of Pieter Codde Portrait of a gentleman, aged 44, bust-length, in a pleated ruff; Portrait of a lady, aged 43, bust-length, in a mill-stone ruff and lace cap A pair, the former inscribed and dated ÆTATIS 44./A 1631. (centre right); the latter inscribed and dated ÆTATIS 43./A* 1631. (upper right) Both oil on panel, oval Each 21.9 x 18.2cm; 8½ x 7¼in (2) Provenance: Samuel Cartwright (1815-1891), 32 Old Burlington Street, London; His posthumous sale, Christie, Manson and Woods, London, 26 February 1892, lot 105; Where purchased by Thos. Agnew & Sons, no. 6263; Where purchased by Sir William Agnew, 1st Bt. (1825-1910), 31 May 1893; By descent to Charles Morland Agnew (1855-1931), Durrants, Herts, where hung by the fireplace in the hall (his hand-written label to verso of 'Portrait of a lady', with attribution to Thomas de Keyser); By decent and gifted by his children to the previous owner, 21 July 1932; And by descent
Lot 623
John Paul (c.1830-c.1890) A view of the Thames with Old London Bridge Oil on canvas 76.1 x 127cm; 30 x 50 Provenance: The collection of Alfred Morrison (1821-1897); And by descent to Lord Margadale of Islay, at Fonthill House, Tisbury, Wiltshire The present work shows Old London Bridge from the east as it appeared in the mid 18th Century. At the southern end is the Great Stone Gateway, Nonesuch House in the middle, and at the northern end a block of ten houses that George Dance designed in 1745. At one point the longest habitable bridge ever built, it comprised nearly 140 houses and shops, rising up through four stories. The houses were eventually removed in the 1760s, but even then the bridge was too narrow for the 90,000 people a day who used it, and it was eventually replaced in 1832.
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