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Lot 500
A Carved Gothic stone Pulpit. Dated 1897. Petersfield Church. Pale stone (not really suitable for exterior use). Dismantled and on 3 pallets. Please see pics of pulpit insitu and now dismantled. Each piece is numbered to aid reconstruction. Please note specialist delivery/collection needed and we will need notice/agree a collection time as forklift will be required.
Lot 360
A Victorian Sapphire, Diamond and Pearl Cluster Ring, the central pearl within a border of rose cut diamonds alternating with round cut sapphires, in white claw and rubbed over settings, to a yellow tapered shoulder plain polished shank, finger size I1/2; A Sapphire and Diamond Three Stone Twist Ring, the round cut sapphire in a yellow millegrain setting, flanked by old cut diamonds in white millegrain settings, to a yellow twist shoulder plain polished shank, finger size I; and A Sapphire and Diamond Five Stone Ring, two round cut sapphires spaced by a trio of old cut diamonds aligned diagonally, in yellow claw settings, to a plain polished shank, finger size KCluster ring - stamped '18CT&PT', 2.1 grams. Twist - stamped '18CT&PLAT', 3.1 grams. Sapphire and diamond - 2.8 grams.
Lot 378
An 18 Carat Gold Sapphire and Diamond Ring, three graduated sapphires alternate with pairs of old cut diamonds in yellow claw settings, to a tapered shoulder plain polished shank, finger size Q; An 18 Carat Gold Split Pearl and Sapphire Three Stone Ring, the split pearl flanked by round cut sapphires, in yellow square settings, to a plain polished shank, finger size N1/2; and A Sapphire and Seed Pearl Cluster Ring, the navette form set throughout with round and oval cut sapphires, spaced by seed pearls, in yellow claw settings, to a tapered shoulder plain polished shank, finger size O1/2Sapphire and diamond - 3.1 grams. Split pearl and sapphire three stone- 4.3 grams. Navette - 3.7 grams.
Lot 385
A Diamond Five Stone Ring, the graduated old cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.85 carat approximately, finger size O1/2 (a.f.)The ring is in poor condition with a split to the setting. It bears no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the diamonds are; colour J/K/L, clarity I1/I2/I3. Gross weight 2.2 grams.
Lot 453
A Small Quantity of Jewellery, including a 9 carat gold synthetic spinel eternity ring, finger size M; a cultured pearl ring; a cubic zirconia ring; a green stone ring; together with four gem-set pendantsEternity ring - 2.9 grams. Three other rings - indistinctly marked 6.4 grams. Four pendants - 2.9 grams.
Lot 477
A Diamond Three Stone Twist Ring, stamped '9CT PLAT', finger size O1/2; A 9 Carat Gold Cultured Pearl and Diamond Ring, finger size M1/2; A 9 Carat Gold Two Row Cubic Zirconia Ring, finger size M; Another 9 Carat Gold Double Cluster Ring, finger size L1/2; and A Synthetic Sapphire Ring, finger size RGross weight 12.6 grams.
Lot 507
A 9 Carat Gold Amethyst and Cubic Zirconia Three Stone Ring, finger size N; A 9 Carat Gold Smoky Quartz Ring, finger size N; A 9 Carat Gold Citrine Ring, finger size O; A 9 Carat Gold Amethyst and Diamond Cluster Ring, finger size M; and A 9 Carat Gold Citrine and Garnet Spray Ring, finger size N1/2Gross weight 13.8 grams.
Lot 524
Five Various Silver of Silver-Gilt Propelling Pens or Pencils, in the manner of Sampson Mordan, variously engraved with foliage, each with stone finialOne marked for Chester, the others apparently unmarked. There is some surface scratching and wear, consistent with age and use. The propelling mechanism seems to function properly.
Lot 541
A Diamond Three Stone Twist Ring, the graduated round brilliant cut diamonds in white claw settings, to a twist shoulder plain polished shank, total estimated diamond weight 0.65 carat approximately, finger size I1/2The ring is in good condition however one diamond is chipped. It is stamped 'PLAT' and in our opinion would test as platinum. The central diamond measures 4.15mm x 4.20mm x 2.40mm approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity I1/I2/I3. Gross weight 2.8 grams. CR made 25.11.22.
Lot 98
A Tray of Collectables, including a porcupine quill propelling pencil, small Victorian tortoiseshell box, agate desk seal, other seals, sealing wax, an Evans family seal, gun metal vesta case, silver demi hunter pocket watch etc (one tray)The tortoiseshell box with some loss to the tortoiseshell veneer. The cover somewhat warped/loose so does not close tightly. The watch face signed for Reid & Sons, Newcastle. The case with some scratches and minor bruising. Some losses to the enamel. The movement has not been tested to see if it functions properly. The vesta-case with some corrosion overall. The body of the spider was originally an applied stone which is now lacking, leaving a hole. The propelling pencil with some scratches overall. The three pencils each propel properly by pushing the button on each side. Each tip stamped lead size 'VS'. The remains of an old stickly label on one barrel.
Lot 145
ZHU RUINING (ACTIVE CA. QING DYNASTY, 18TH-19TH CENTURY) INK PAINTING OF TWO LADIES WRITING CALLIGRAPHY 清 朱瑞凝 仕女練字圖 紙本設淡色 木框款識: 朱瑞凝鈐印: 瑞、凝 ink and colour on paper, depicting two ladies writing calligraphy at a rock-form table within a garden setting with dense plantains, the table with various calligraphy materials atop, including an ink stone, brush washer and a brush pot filled with paper scrolls and brushes, signed and sealed Dimensions:85cm x 30.7cm Provenance:Provenance: Private English collection, London; acquired from Galeri Gerard Levy, 17 Rue de Beaune, 75007 Paris, about 30 years ago, with a certificat d'authenticite issued and signed by Gerard Levy. Note: Note: Zhu Ruining, style name Ji Tang, was from Shanyin, Zhejiang, known for depicting figures, especially ladies.
Lot 185
WHITE JADE WITH RUSSET INCLUSION 'TIGER' SEAL 白玉帶沁虎鈕長方章印文：曲周侯印 景 carved with a crawling tiger on a rectangular podium as a knob, the seal carved with a five-character inscription, the stone of white colour in origin and with russet inclusion overall Dimensions:5cm wide Provenance:Provenance: Formerly in an English collection
Lot 193
TWO WHITE JADE CARVINGS OF PENDANTS QING DYNASTY, 19TH CENTURY 清 白玉雕螭龍吊墜（共兩件） one carved in high relief with a chi-dragon holding a branch of lingzhi fungus in its mouth while crawling on a circular disc, the reverse engraved with four pairs of leiwen, the stone of even white colour; the other carved reticulated with a large sinuous chi-dragon holding its coiled tail with front paws, whilst a mouse clinching on its lower body, the stone of uneven white colour with yellowish tone and brown inclusions Dimensions:heights: 5cm and 7cm
Lot 195
PALE CELADON 'DRAGON' DISC, BI 青白玉雕雙龍玉璧 帶木座 one side of the circular disc carved in high relief with two three-clawed dragons chasing each other, the other side carved with raised dots, the stone of pale celadon hue with white marks Dimensions:8.2cm diameter Provenance:Provenance: Formerly in a private English collection
Lot 196
GROUP OF THREE JADE CARVINGS OF ANIMALS QING DYNASTY, 18TH-19TH CENTURY 清 各式玉雕動物擺件（共三件） comprising: one carved with two frogs hiding underneath a large lotus leaf, 4.3cm wide; one carved with a mother tiger and her cub, 5.5cm wide; and one carved with a mother cat with her cub, 3.6cm wide; each stone of pale celadon colour with russet inclusions and patches Dimensions:largest: 5.5cm wide
Lot 197
GROUP OF THREE YELLOW JADE CARVINGS QING DYNASTY, 19TH CENTURY 清 黃玉雕臥犬、荷塘蟹趣及古琴型玉牌（共三件） comprising: a reclining dog, 6.5cm wide; a pendant carved with a crab in lotus pond, 5.5cm wide; a qin-formed pendant carved with orchid and a literati reading by a shore on either side, 7.3cm high; all stone of yellowish-celadon colour with russet inclusions Dimensions:largest: 7.3cm high
Lot 198
CELADON JADE CARVING OF 'CHI-DRAGON' DOUBLE-DISC QING DYNASTY, 19TH CENTURY 清 青玉雕螭龍雙環型飾 carved in the form of two circular jade bi-discs with three chi-dragons crawling on one side, the other side incised with grain and sinuous dragon patterns, the stone of yellowish-celadon hue with brown patches Dimensions:17.3cm high Provenance:Provenance: Formerly in a private English collection
Lot 202
PALE CELADON JADE CARVING OF A MAGPIE WITH POMEGRANATES QING DYNASTY, 18TH CENTURY 清 青白玉雕鵲鳥銜石榴擺件 the magpie carved grasping with its beak a branch of fruiting pomegranates with leaves resting on its back, its wings and long tail finely incised with details, the stone has an even pale celadon colour with a slightly yellowish tone on the bird's head Dimensions:13cm wide Provenance:Provenance: Private Scottish collection, Edinburgh; acquired from Spink & Son Ltd. on 23 Jan 1973 for £375, with an original receipt and valuation document issued by the gallery and signed by Roger Keverne; thence by descent.
Lot 203
PALE CELADON JADE CARVING OF A CHIMAERA QING DYNASTY, 18TH CENTURY 清 青白玉雕瑞獸把件 finely carved in seated position with legs tucked beneath the body, head looking forward with back arched in alerted expression, body delicately incised with ruyi-cloud-formed wings and flame-like patterns near thighs, the bushy tail curling around the hind, the stone of creamy pale celadon colour with variegated white inclusions on the base Dimensions:6cm wide Provenance:Provenance: Private Scottish collection, Edinburgh; acquired from Spink & Son Ltd. on 13 Dec 1973 for £465, with an original receipt and valuation document issued by the gallery and signed by Roger Keverne; thence by descent.
Lot 206
GROUP OF THREE JADE FIGURES QING DYNASTY, 19TH CENTURY 清 各式玉雕人物把件（共三件） comprising: one celadon jade foreign figure wearing a turban and large cap, the stone of yellowish tone, 8cm high; one pale celadon literati figure holding a ruyi-sceptre in his right hand, the stone with russet inclusion, 8cm high; and one boy deity with celestial ribbon around his body and his hands in meditation mudra, the stone with russet inclusion, 6.3cm high Dimensions:the largest: 8cm high
Lot 207
PALE CELADON JADE 'DOUBLE-GOURD' BRUSH WASHER QING DYNASTY, 19TH CENTURY 清 青白玉雕葫蘆型筆洗 naturalistically carved in the form of a large double-gourd entangled in gnarled branches, issuing large serrated leaves, entwining tendrils and further smaller gourds, the stone of pale celadon colour with white vein inclusions Dimensions:17cm wide Provenance:Provenance: Formerly in a private French diplomat's family collection (by repute)
Lot 209
PALE CELADON JADE CARVING OF 'HEHE ERXIAN TWINS' FIGURAL GROUP MING DYNASTY, 17TH-18TH CENTURY 明 青白玉雕和合二仙把件 carved as the mythical immortal twins, the right one holding a round wicker box, the other holding a lotus spray in his right hand issuing a large leaf and blossom behind his shoulder, both figures depicted with playful faces, the stone of pale celadon hue with russet inclusions Dimensions:8cm high
Lot 210
CELADON JADE CARVING OF A MOUNTAIN WITH IMMORTALS AND RABBITS MING DYNASTY, 17TH CENTURY 明 青玉雕仙人玉兔山子 carved reticulated on one side in high relief with an immortal, his attendant and a crouching deer beneath pine trees among mountains, the other side with two rabbits underneath ruyi-head clouds, the stone of celadon colour with greyish hue Dimensions:10.5cm high
Lot 212
TWO JADE CARVINGS OF RELIGIOUS FIGURES MING TO QING DYNASTY 明至清 青白玉雕迦樓羅 及 青玉雕坐佛 （共兩件） one pale celadon carving of a squatted garuda in double-abhaya mudra, wearing a five-pointed crown and with its large wings tucked behind, the stone of pale celadon colour with russet inclusions; one Buddha seated on a double-lotus throne with his right hand half-raised, the stone has a brownish-celadon hue with white calcification Dimensions:heights: 4.6cm and 5.6cm
Lot 213
WHITE JADE CARVING OF A QILIN QING DYNASTY, 18TH-19TH CENTURY 清 白玉雕麒麟把件 the mythical animal in seated position above ruyi-head clouds, with its horns and bushy manes well defined, the stone with creamy white colour with russet patches Dimensions:6.1cm high Provenance:Provenance: Formerly in a private English collection
Lot 214
WHITE JADE WITH RUSSET SKIN CARVING OF FINGER CITRUS AND BUTTERFLY QING DYNASTY, 18TH-19TH CENTURY 清 白玉帶皮巧雕佛手蝴蝶擺件 realistically carved with one large and one small finger citrus emanating from a leafy gnarled branch, the stone of translucent white colour with a dark brown russet skin patch, which is cleverly carved as a butterfly Dimensions:10.6cm wide
Lot 215
TWO JADE WATER DROPPERS 19TH-20TH CENTURY 十九至二十世紀 碧玉雕包袱式水滴 及 翡翠雕靈芝長方形水滴 one of spinach jade, carved in the form of a squatted circular vase with coins and cloth wrapped on either side, flanked by two tubular handles on the shoulder, the stone of dark green colour with black dot inclusions; the other jadeite water dropper carved in the form of a tapering rectangular vessel supported on short foot, one side carved in relief with a branch of lingzhi fungus, the stone of translucent white colour with bright green highlight Dimensions:width: 5.5cm each
Lot 219
WHITE JADE 'LITERATI AND GOOSE' PLAQUE QING DYNASTY, 19TH CENTURY 清 白玉雕羲之愛鵝玉牌 carved with an elder literatus holding a fan in hand, with a goose close to his body looking up, his face minutely worked with jolly expression, alluding to Wang Xizhi and his admiration of geese, the stone of pale white colour Dimensions:6cm high
Lot 220
PALE CELADON JADE 'MOTH AND SPANISH COIN' PAPERWEIGHT QING DYNASTY, 18TH-19TH CENTURY 清 青白玉雕飛蛾及西班牙銀元圖鎮紙 of near square form, the dome top carved in relief with a large moth spreading its wings, the flat reverse carved with one side of a Spanish coin, including a laureate and armoured bust of King Charles III of Spain, encircled by characters reading 'CAROLUS·III·DEI·GRATIA·1786', the stone of even pale celadon colour Dimensions:4.3cm wide Note: Note: It is extremely unusual to have Chinese jade carved with foreign currency, in this case a Spanish currency with a portrait of King Charles III of Spain (r. 1759-1788), which reflects the wide spread of Spanish coins in Qing China. During most of the Qing dynasty, period silver circulated in China in two forms, that of silver sycees and foreign silver dollars, primarily Spanish dollars from Spanish Philippines. Silver was used more in interregional trade and was more often used to pay for large transactions, furthermore it wasn't counted by denomination but by weight.Under the reign of King Charles III, the design was changed as the Spanish coat-of-arms were superseded by his portrait. The Chinese referred to the Latin numeral "I" as "工" causing the silver coins of Charles III to be known as Sangong (三工). Additionally, the depiction of the reigning Spanish monarch inspired the Chinese people to refer to these Carolus dollars as Fotou Yang (佛頭洋, "Buddha-head dollar").
Lot 222
WHITE JADE PLAQUE 白玉雕地支八卦紋牌 of rectangular form flanked by a chi-dragon on either side, reticulated carved in the middle with a boy holding taichi ball in hands, surrounding on one side in relief with twelve Chinese characters of the Terrestrial Branch (Dizhi), the other side with Eight Diagrams, the stone of even white tone Dimensions:9cm high Provenance:Provenance: Formerly in a private French collection
Lot 230
JADE EARRING HAN DYNASTY 漢 雞骨白玉玦 thinly carved as a slit ring, the stone of milky white tone with black and russet spots Dimensions:5cm diameter Provenance:Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years. Acquired from Capital Gallery, Hong Kong, 2 Feb 2001, with a photocopied receipt.
Lot 298
FINE PAIR OF INSCRIBED BLUE AND WHITE TEA TRAYS QING DYNASTY, JIAQING MARK AND OF THE PERIOD 清嘉慶 青花「大清嘉慶年製」六字篆書款 青花開光御製詩海棠式茶托 each with shallow lobed sides of quatrefoil section, supported on four short bracket feet, the interior inscribed with an imperial poem pertaining to the preparation of tea and dated to the dingsi year of the Jiaqing reign (corresponding to 1797), surrounded by a band of scrolling lotus and florets repeated on the interior and exterior walls with a variation on the central bloom, the base inscribed with a six-character Jiaqing seal mark in underglaze blue and surrounded by spur-marks, with fitted wooden stand Dimensions:16.1cm wide each Provenance:Provenance: Private Scottish collection; inherited from the family who worked and travelled extensively in Asia during the 1920s-1940s. Note: Note: The poem on these small dishes, composed by the Jiaqing Emperor, praises the pleasure of drinking tea and appears on tea trays and teapots of different palettes. S.W. Bushell translates the poem in Oriental Ceramic Art, London, 1981, p. 239, as: 'Finest tribute tea of the first picking. And a bright full moon prompts a line of verse. A lively fire glows in the bamboo stove, The water is boiling in the stone griddle, Small bubbles rise like ears of fish or crab. Of rare Chi'i-ch'iang tea, rolled into tiny balls, One cup is enough to lighten the heart, And dissipate the early winter chill.' A similar blue and white tray is illustrated by H.A. Van Oort, Chinese Porcelain of the 19th and 20th Centuries, The Netherlands, 1977, p. 19, pl. 2. Closely comparable pairs of dishes of this pattern and date were sold at Christie's London,15 May 2012, lot 395 and Sotheby's Hong Kong, 9 October 2012, lot 3081.
Lot 5
PARCEL-GILT SILVER REPOUSSÉ CIRULAR BOX AND COVER BHUTAN, 18TH-19TH CENTURY 不丹 十八至十九世紀 銀局部鎏金鏨刻龍紋圓蓋盒 the hinged box decorated with Buddhist animals alternating with auspicious emblems in quatrefoil cartouches reserved on a floral ground, the cover similarly worked, with a dragon on a densely foliated ground with lotus flower heads encircling a high petalled finial crowned with a green-coloured stone, the base incised with a wheel of vajra, flanked with a floral catch Dimensions:18.6cm diameter; 614g Provenance:Provenance: Sotheby's, 2004 (according to collector's inventory).Dr. Kenneth P. Lawley's inventory number: M.33. Note: Note: Compare to a slightly larger Bhutanese silver repoussé and turquoise-inlaid box and cover, 19th century or earlier, sold at Bonham's London, 7 Nov 2016, lot 565.Please note this lot will be offered with no reserve. 本拍品不設底價
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