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Lot 2752
An 18ct yellow and white gold, diamond single stone pendant, featuring a round brilliant cut diamond in a four-claw setting, with solid bale, attached to a snake link chain with bolt ring clasp, diamond dimensions approx 4.42 x 2.75mm, weight estimated as 0.32 carats, assessed mounted colour I to J and clarity SI1 to SI2, chain length 460mm, width 1.1mm, gross weight 5.5g, pendant hallmarked 18ct, London importThe chain is not gold.
Lot 2760
An Art Deco white metal mounted carved celadon jade pendant on lozenge bale, height 38mm, and on fine link white metal neck chain, and with further cabochon jade stone, in probably original leather box retailed by PJ Hirdarmani, ColumboThe extra pictures were taken in natural light.Jade measures 38 x 15mm.Jade is good, no chips or damage but some minor age/handling wear.Gross weight to include chain 5.5g.
Lot 2806
A pair of yellow and white metal Victorian diamond and paste drop earrings each featuring an old mine cut diamond with an oval green paste stone suspended below, all in cut down grain settings with post and scroll fittings. Diamond dimensions 3.39x3.5x2.25mm each approx. Total weight estimated as 0.4ct. Assessed mounted collectively colour I to J, clarity SI1-SI2. Green paste dimensions each 10.9x8.3x5.6mm. Earring length 25mm. Gross weight 3.6g. Not marked, tested as 15ct and silver.Some abrasions to facet edges of paste stones
Lot 2808
A white metal diamond three-stone ring featuring three graduated old cushion cut diamonds in claw settings, Diamond dimensions between 3.4x3.1x3.5mm and 3.95x3.65x1.85mm approx. Total weight estimated as 0.61ct. Assessed mounted collectively, colour K to M, clarity SI1 to SI2, finger size O½, gross weight 3.6g, stamped and tested as platinum
Lot 2810
An 18ct white gold diamond single stone ring comprising a round brilliant cut diamond in a six-claw setting. Dimond dimensions 5.75x3.8mm approx. Weight estimated as 0.76ct, assessed mounted colour H to I, clarity I2 to I3, gross weight 4g, hallmarked 18ct Sheffield, sponsor MEF, finger size R
Lot 131
Damien Flood Stone Riddle, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About My work is grounded in early writings on philosophy, theology, alchemy and the natural sciences and explores the mutability of 'reality' and language. Education MFA, National College of Art and Design, Dublin Select Exhibitions/Awards Selected Solo Shows : Tilt, Royal Hibernian Academy, Dublin, Shape of Things, Diane Rosenstein Gallery, LA, 2019, The Figure in the Carpet, Green On Red Gallery, Dublin, 2018, Theory of Two Centres, Stephane Simoens, Knokke, 2017, Infinite Plane, Grey Noise, Dubai, 2015 Selected Group Shows: DF/HW, Thomas Rehbein Gallery, Cologne, 2018, Known Unknowns, Limerick City Gallery, Wouldn't it be nice if we could dream together? Diane Rosenstein Gallery, LA (both 2017), The Studio Chronicles at RH Contemporary, New York. Island: New Art From Ireland in Galleria Civica diModena, Italy. I've been selected for the John Moores Contemporary Painting Prize in 2008 and 2010. In 2014 I was the recipient of the Elizabeth Fitzpatrick Travel Bursary administered by the Royal Hibernian Academy and in 2015 was awarded the DLR Lexicon 2016 Commission. Most recently I've been awarded the Eigse Hotron Award 2017. Gallery Representation Green On Red Gallery, Ireland. Stephane Simoens, Belgium Statement about AOAP Submitted Artwork My paintings create a re-imaging of the world by merging the stories, experiences and memories through the medium of paint. Puzzles, mysteries and questions are presented, through a mixing of different languages and view points, to create a place for meditative reflection. The images I produce mix the universal and the personal, the grand and the absurd. They try to communicate something that escapes written word; something that is experienced and felt. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 16
Michael Slusakowicz Luisa, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Michael Slusakowicz works predominantly in painting, drawing and video. Specifically, in painting, Michael produces work in sequential series. His work confronts us with a paranormal mystery in each painting. He wishes to capture the intimate moments of time, like the flicker of the candlelit flame. Michael's supernatural figures and esoteric objects almost seem invisible from the choice of an analogous colour palette, but with careful investigation, one can reveal their embodied cognition. The imagery often penetrates a veiled side of contemporary society; it searches for the pure core of humanity with its dark and bright aspects, its needs and desires, and its braveness and fears. Education Camberwell College of Arts / UAL Select Exhibitions/Awards Royal Society of Portrait Painter Annual Exhibition 2022, Huesos Impíos - The Gallery at Green & Stone 2022, Royal Society of Portrait Painter Annual Exhibition 2021, Summer Exhibition 2021 at Gallery at Green & Stone Gallery Representation The Gallery at Green & Stone, London, UK / Materna Y Herencia Galería de Arte, Madrid, Spain. Statement about AOAP Submitted Artwork My latest collection of paintings, enigmatically called in Spanish "HUESOS IMPÍOS" further explores my continuous interest in colour and mood. I believe in the purity of creativity in the moment and I follow it without questioning. Random images come to my mind in the process, that I can only describe as a channelling. Through working in this way I tap into this subconscious dream world both familiar and removed from reality. These spontaneously composed paintings interact with each other through key, tonality, colour and repeated imagery, allowing the viewer to create their own interpretation and interwoven narrative. As a result, there becomes a lot of space for the viewer to insert their own histories and ideas when appreciating these works, leading to a more personal experience. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Lot 17
Michael Slusakowicz Ecstatic Movements, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Michael Slusakowicz works predominantly in painting, drawing and video. Specifically, in painting, Michael produces work in sequential series. His work confronts us with a paranormal mystery in each painting. He wishes to capture the intimate moments of time, like the flicker of the candlelit flame. Michael's supernatural figures and esoteric objects almost seem invisible from the choice of an analogous colour palette, but with careful investigation, one can reveal their embodied cognition. The imagery often penetrates a veiled side of contemporary society; it searches for the pure core of humanity with its dark and bright aspects, its needs and desires, and its braveness and fears. Education Camberwell College of Arts / UAL Select Exhibitions/Awards Royal Society of Portrait Painter Annual Exhibition 2022, Huesos Impíos - The Gallery at Green & Stone 2022, Royal Society of Portrait Painter Annual Exhibition 2021, Summer Exhibition 2021 at Gallery at Green & Stone Gallery Representation The Gallery at Green & Stone, London, UK / Materna Y Herencia Galería de Arte, Madrid, Spain. Statement about AOAP Submitted Artwork My latest collection of paintings, enigmatically called in Spanish "HUESOS IMPÍOS" further explores my continuous interest in colour and mood. I believe in the purity of creativity in the moment and I follow it without questioning. Random images come to my mind in the process, that I can only describe as a channelling. Through working in this way I tap into this subconscious dream world both familiar and removed from reality. These spontaneously composed paintings interact with each other through key, tonality, colour and repeated imagery, allowing the viewer to create their own interpretation and interwoven narrative. As a result, there becomes a lot of space for the viewer to insert their own histories and ideas when appreciating these works, leading to a more personal experience. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Lot 18
Michael Slusakowicz Michael Slusakowicz Lady Plant, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Michael Slusakowicz works predominantly in painting, drawing and video. Specifically, in painting, Michael produces work in sequential series. His work confronts us with a paranormal mystery in each painting. He wishes to capture the intimate moments of time, like the flicker of the candlelit flame. Michael's supernatural figures and esoteric objects almost seem invisible from the choice of an analogous colour palette, but with careful investigation, one can reveal their embodied cognition. The imagery often penetrates a veiled side of contemporary society; it searches for the pure core of humanity with its dark and bright aspects, its needs and desires, and its braveness and fears. Education Camberwell College of Arts / UAL Select Exhibitions/Awards Royal Society of Portrait Painter Annual Exhibition 2022, Huesos Impíos - The Gallery at Green & Stone 2022, Royal Society of Portrait Painter Annual Exhibition 2021, Summer Exhibition 2021 at Gallery at Green & Stone Gallery Representation The Gallery at Green & Stone, London, UK / Materna Y Herencia Galería de Arte, Madrid, Spain. Statement about AOAP Submitted Artwork My latest collection of paintings, enigmatically called in Spanish "HUESOS IMPÍOS" further explores my continuous interest in colour and mood. I believe in the purity of creativity in the moment and I follow it without questioning. Random images come to my mind in the process, that I can only describe as a channelling. Through working in this way I tap into this subconscious dream world both familiar and removed from reality. These spontaneously composed paintings interact with each other through key, tonality, colour and repeated imagery, allowing the viewer to create their own interpretation and interwoven narrative. As a result, there becomes a lot of space for the viewer to insert their own histories and ideas when appreciating these works, leading to a more personal experience. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Lot 10
An 18K gold key wind open face pocket watchDate: London Hallmark for 1828Movement: Gilt full plate, plain 3-arm balance, diamond end stone, No.7048Dial: Engine turned gilt, applied gilt Roman numerals, outer dot minute divisions, applied three colour foliate decoration to border, winding aperture below 12, blued steel spade handsCase: Engine turned consular, foliate engraved bezel and bow, No.7048Signed: Case stamped CMSize: 44mm Accompaniments: KeyFor further information on this lot please visit Bonhams.com
Lot 11
An 18K gold key wind open face pocket watchDate: Birmingham Hallmark for 1837Movement: Gilt full plate lever, plain 3-arm balance, diamond end stone, No.3889Dial: Engine turned gilt with foliate centre, applied gilt Roman numerals, outer dot minute divisions, applied three colour foliate decoration to border, blued steel spade handsCase: Engine turned consular, foliate engraved bezel and bowSigned: Case stamped VR BSize: 44mmFor further information on this lot please visit Bonhams.com
Lot 12
Mar. Storr, London. An 18K gold key wind quarter repeating pair case pocket watchDate: Circa 1710Movement: Gilt full plate fusee, pierced and engraved balance cock, diamond end stone, silver regulation, two polished hammers striking on a bell secured to inner caseDial: White, black Roman numerals, black outer minute track, gilt spade handsCase: Pierced and engraved inner, engine turned outer, signed cap numbered 10025Signed: Inner cap, stamped DA beneath bellSize: 47mm Accompaniments: Fitted LeRoy & Fils caseFootnotes:Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com
Lot 13
J & W Howden, Edinburgh. An 18K gold key wind open face pocket watchDate: London Hallmark for 1823Movement: Gilt full plate English lever, 3-arm balance, diamond end stone, No.2085Dial: Engine turned gilt, applied gilt Roman numerals, outer gilt dot minute divisions, applied three colour foliate decoration to border, gilt spade handsCase: Engine turned consular, foliate engraved band and bow, inner cap numbered 2085, case numbered 5883Signed: Movement & inner cap, case stamped LCSize: 47mmFootnotes:Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com
Lot 14
Thomas Hamlet, Princes Street, Leicester Square. An 18K gold key wind open face pocket watchDate: Circa 1810Movement: Cylinder, 3-arm balance with compensation curb, diamond end stone, two polished hammers striking on two gongsDial: Guilloche engraved gilt, black Roman numerals to brushed surround, offset subsidiary seconds at 3, blued steel Breguet style handsCase: Engine turned hinged round, No.4149Signed: Case stamped NSize: 47mm Accompaniments: Fitted original box with M of L monogram and coronetFootnotes:The accompanying box is monogrammed M of L in relation to the Marjoribanks family of Lees near Coldstream in the Scottish borders. The Hon Alicia Marjoribanks was the youngest daughter of David Robertson MP (of Ladykirk) and married Sir Henry Day Ingilby of Ripley Castle and Harrington Hall (Lincs) on 26th June 1862. Her father was the Lord Lieutenant of Berwickshire and his portrait can still be found at Ripley. Alicias uncle Edward Robertson was appointed as a partner of Coutts Bank by Thomas Coutts in 1797. He remained partner until his death in 1836 and similarly a portrait of him also hangs at Ripley, presently in the dining room. Alicia and Henry had two children, Henry and Mary: tragically in the space of just 14 months in 1872/3 both children died of meningitis aged four and nine respectively. Shortly after this Alicias father was run over by a horse drawn bus just 7 days after being ennobled as Lord Marjoribanks of Lees. The M or L on this original box is thus very unique as it was commissioned just before his untimely passing which also saw the extinction of the title. Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com
Lot 25
S. Lasker, Cape Town. An 18K gold key wind full hunter pocket watchDate: London Hallmark for 1864Movement: Gilt full plate cylinder, 3-arm balance, diamond end stone, No.51651Dial: Guilloche engraved centre, applied gilt Roman numerals, blued steel fleur de lys handsCase: Engraved round, small cartouche to front with initials 'McK', No.51651Signed: Dial & movement, case stamped JVSize: 40mmFor further information on this lot please visit Bonhams.com
Lot 27
Charles Frodsham. A silver key wind open face pocket watchDate: London Hallmark for 1853Movement: Gilt full plate English lever, cut and compensated bi-metallic balance, diamond end stone, No.01025, AD FmszDial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, blued steel spade hands, No.01025 AD F.m.a.zCase: Polished consular, signed inner cap, case and cap numbered 01025Signed: Case, dial & movement, case also stamped J.T.WSize: 54mmFootnotes:Since 1852, Frodsham's best watches have been distinguished by the code AD Fmsz. By substituting numbers for the letters spelling Frodsham, the code translates to AD 1850, the year the firm introduced a new watch calibre and commenced making high quality watches. Their position among the first rank of English watchmakers has been recognized ever since.For further information on this lot please visit Bonhams.com
Lot 28
Thomas Earnshaw, London. A silver key wind open face chronometer pocket watchDate: London Hallmark for 1799Movement: Gilt full plate, cut and compensated bi-metallic over sized Z balance with large compensation weights, helical balance spring, diamond end stone, No.3346 and 757Dial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, blued steel spade hands, No.757Case: Polished consular, No.757Signed: Dial & movement, case stamped RJOSize: 58mmFor further information on this lot please visit Bonhams.com
Lot 29
Army & Navy, Cooperative Society Ltd. 105 Victoria Street, London. An 18K gold keyless wind half hunter pocket watchDate: London Hallmark for 1911Movement: Gilt full plate, cut and compensated bi-metallic balance, diamond end stone, No.9767Dial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, blued steel double spade hands, No.9767Case: Polished hinged, blue Roman numeral chapter to front, No.9767Signed: Movement, case stamped F.T. LondonSize: 48mmFor further information on this lot please visit Bonhams.com
Lot 38
W. Ehrhardt, London. An 18K gold keyless wind full hunter pocket watch with dead secondsDate: Birmingham Hallmark for 1884Movement: Gilt 3/4 plate English lever, cut and compensated bi-metallic balance, diamond end stone, No.110507Dial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, gilt spade hands, centre dead seconds, No.110507Case: Engine turned hinged round, cartouche to front, start/stop button in the band at 12, No.110507Signed: Movement, case stamped JRSize: 52mmFor further information on this lot please visit Bonhams.com
Lot 7
Peter Desmarais, St Martins Court, Leister Square. An 18K gold key wind open face pocket watchDate: London Hallmark for 1803Movement: Gilt full plate cylinder, pierced and engraved balance cock, diamond end stone, silver regulationDial: White, offset Roman numeral hour markers, black outer minute and 1/5th second divisions, gilt hands, No.1298Case: Polished inner and outer, signed inner cap numbered 1324Signed: Dial and inner cap, case stamped IWSize: 56mmFootnotes:Peter Desmarais is recorded as working from 1794 to the early 19th Century in London.For further information on this lot please visit Bonhams.com
Lot 9
Ann Heywood, Moss Side. A gilt metal key wind open face pair case pocket watchDate: Circa 1810Movement: Gilt full plate lever, 3-arm balance, diamond end stone, engraved balance cock, No.1808Dial: Cream, black Roman numerals, black outer minute track, gilt spade handsCase: Polished inner and outerSigned: Movement, outer case stamped ILSize: 54mmFor further information on this lot please visit Bonhams.com
Lot 288
BÜCH, B. Zingbaar water. (c. 1980). Typoscript on 19 loose leaves on light blue printed paper of 'De Arbeiderspers' for Sub Signo Libelli. -- Added: XEROXED POEMS. (1978). 16 lvs. -- And: M. INNEMEE. "Büch 'n Rolling Stone". 2008. Silkscreen print. 283 x 283 mm. Annotated 2/25 and titled, signed & dated in pencil. Framed, glazed and under passepartout.
Lot 656
ITALY -- HARDING, James Duffield (1798-1863). "Monaco Coast of Genoa". 1824. Tinted lithogr. w. hand colouring. 265 x 370 mm. Monogrammed on the stone. -- Added: "VENETIA". (Amst.), N. Visscher, n.d. (c. 1700). Cold. engr. view by P.H. Schut. 210 x 273 mm. (Laid down). V.d. Krogt IV, 4613. -- (2).
Lot 256
McGRAIL, S. Boats of the world from the Stone Age to medieval times. (2001). 4°. Ocl. w. dust-j. -- S. WACHSMANN. Seagoing ships & seamanship in the Bronze Age Levant. (1998). 4°. Ocl. w. dust-j. -- P. CLARK, ed. The Dover Bronze Age boat. - The Dover Bronze Age boat in context. - Bronze Age connections. - (2004-09). 3 vols. 4°. Owrps. -- And 9 o. (14).
Lot 549
ESCHER, M.C. Regelmatige vlakverdeling. Utr., De Roos, 1958. 45 pp., (3) lvs. W. 6 or. woodcuts in black & white, 4 ill., 1 dec. initial & 1 extra set of 6 or. woodcuts printed in red, loosely inserted at rear under yellow cloth band fastener. (Spine slightly faded and mildly foxed, sides slightly browned towards the edges, the black & white woodcuts in pristine condition, first 2 red woodcuts w. tiny crease in the lower left corner, but a very desirable copy). NOTE:"The regular division drawings of M.C. Escher are considered an important part of his artistic work. He made about 150 basic drawings of regular divisions, some of which were used later in his prints. In almost all of these drawings, it is the tile, the motif, that plays the leading role. However, there are a few exceptions. In his own definition of regular division of the plane, given in Regelmatige vlakverdeling Escher says that the tiles should fit tightly together on all sides, so that there is no space between them. In other words, the joint, the grout, the layer of mortar used by bricklayers to cement each stone to an adjacent stone, separates them in practice, but can theoretically be reduced to nothing. Mathematicians would call these joints “edges” of the tiling; edges are never considered to have any width." (Abstract from R. Roelofs 'Not the Tiles, but the Joints: A little Bridge Between M.C. Escher and Leonardo da Vinci'. In: 'M.C. Escher's legacy', (2003). - Printed in a limited and numbered edition of 175 copies, this copy being nr. 82. - St. De Roos 45; Bool 416-421.
Lot 141
JUDAICA - HEBRAICA -- SAFRAI, S. & M. STERN, ed. The Jewish people in the first century. 1974-76. 2 vols. - M.E. STONE, ed. Jewish writings of the Second Temple Period. 1984. - S. SAFRAI, ed. The literature of the Sages. 1st part. 1987. - M.J. MULDER, ed. Mikra. Text, transl., reading and interpretation of the Hebrew Bible in ancient Judaism and early Christianity. 1988. - 5 vols. Ocl. w. dust-j. (Compendia Rerum Iudaicarum ad NT). -- M. HENGEL. Judentum und Hellenismus. 1969. Owrps. -- (6).
Lot 462
ROLAND HOLST, R.N. Original lithography stone w. 2 mirror image designs drawn in black ink on the surface of the stone: 1° a circular ex libris for his nephew Adriaan Roland Holst and 2° a rectangular ex libris for P.H. Burgers, the latter monogrammed 'RNRH'. (1916-1917). Ø 65 mm and 45 x 94 mm. The size of the stone being 320 x 250 x 50 mm. NOTE:Cf. Braches, Bouwstoffen, 1698 and 1704.
Lot 752
A large modern Scottish castle dolls' house, MDF covered with stone effect finished, tilled roof, front and back magnetic opening, six rooms and tower with room, fully furnished in a 16th Century style with paintings by John Collins, nineteen handmade dolls, banqueting table, bench and two chairs made by Ron Crayston --52in. (132cm.) high x 37in. (94cm.) wide x 35in. (89cm.) deep - this castle was specially commissioned in 1996 completed in 2001 and is modelled on Wester Kames Castle on the Isle of Bute. Made by Brian Rumble of Rudeign Beag, Dundee. The castle is known as Beinn Na Rhude, Cross Hill, and comes with documentation detailing construction and also featured in Dolls' House World magazine April 2004
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