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A small quantity of white metal and silver costume jewellery to include enamelled bangles, two ladies' dress rings, a Smiths ladies' yellow metal cocktail watch with heart link bracelet strap, a Bulova white metal cocktail watch, inset into bark-effect bracelet strap, the dial set with baton numerals, a hallmarked silver award for St Johns Ambulance Association with two bars, 1909 and 1911, a 9ct yellow gold ring set with black onyx stone, and a yellow metal dress ring with green stone. CONDITION REPORT Weight of gold ring approx 2.2g
A 9CT GOLD OPAL CLUSTER RING AND A WIDE BAND, the cluster designed with a central oval cabochon opal within a circular cut paste surround (missing a stone), tapered shoulders, hallmarked 9ct gold London, ring size N, together with a rose gold, rubbed foliate designed wide band, hallmarked 9ct gold Birmingham, ring size O, approximate gross weight 5.3 grams (Condition Report:- overall condition good, general light wear, rubbed decoration to the band)
TWO 9CT GOLD RINGS, the first a graduated three stone oval cut garnet ring, within a scroll detailed gallery, hallmarked 9ct gold London, together with an oval mount (missing stone) engraved shoulders, hallmarked 9ct gold Birmingham, ring size O½, approximate gross weight 4.5 grams (Condition Report:- overall condition good, general light wear)
A 9CT GOLD THREE STONE AMETHYST RING, three claw set oval cut amethysts, within a raised openwork heart detailed gallery, hallmarked 9ct gold Birmingham, ring size O, approximate gross weight 2.9 grams (condition report:- overall condition good, one amethyst has a chip to the crown, some general light wear to the facet edges on all three stones)
A GROUP OF CERAMICS, GLASSWARE, METALWARE, etc, including a Spode Stone China blue and white printed warming plate, a gong striker, a Caithness amethyst glass 40th Anniversary vase, height 13cm, a Wedgwood dark blue jasperware tobacco jar, lacks cover and chipped to the top and underside rims, a red glazed vase impressed 'GOPSALL', various figurines, trinket boxes, etc, many pieces with damage
A SMALL PARCEL OF SILVER/WHITE METAL SPOONS, to include a foliate engraved soup spoon, hallmarked Sheffield 1944, a foliate and vacant shield handled teaspoon, hallmarked Birmingham 1932, an openwork thistle designed mustard, hallmarked Edinburgh 1962, approximate gross weight 50.5 grams, together with an arts and craft spoon set with a green stone cabochon and a detailed handle, stamped 'sterling silver, Israel' and a gilded bowl, white metal soup spoon, approximate gross weight 30.4 grams
A SELECTION OF ITEMS, to include a silver teaspoon, with an engraved picture of Kirkstall abbey, Leeds to the bowl, hallmarked Birmingham, a silver charm bracelet suspending seven charms such as a wishing well, cat, church, etc, fitted with a heart clasp, hallmarked Birmingham, a white metal teaspoon 'Michigan' to the stem and a coat of arms design, stamped 'Sterling' a foliate engraved white metal child's bangle, stamped 'Silver', a white metal brown stone brooch, stamped 925, two white metal pendant necklaces together with a small quantity of coins, etc
A BOX OF ITEMS, to include a silver gilded medal 'Founder 1917 Maguncor, lodge 3906, assistant, on a light blue ribbon, approximate gross weight 36.1 grams, a carved wooden bangle with yellow metal panel and circular dot detailing all round, a quantity of 'Gaunt London' buttons and collar badges, a yellow tone, stone set line bracelet, a white metal line bracelet with black velvet strip panels, various beaded necklaces, a colourless paste set necklace, a carved wooden bird, a ladies 'lava' flexi link bracelet, a ladies 'Accurist' wristwatch, etc
THREE BROOCHES, A PENDANT AND A MONEY CLIP, the first brooch designed with a large oval cabochon green stone, within an openwork scallop surround, hallmarked Birmingham, a white metal Celtic brooch of oval form, with a micro mosaic wooden centre, stamped 925, a small floral and animal embossed scent bottle with suspension chain, fitted to a bar brooch pin, a white metal ammonite pendant and a white metal Celtic designed money clip, stamped 925
TWO 18CT GOLD GEM SET RINGS, to include a three stone single cut diamond ring, tapered shoulders, hallmarked 18ct Sheffield, date letter unclear, together with a three stone ring set with a ruby and a colourless paste (missing one ruby), hallmarked 18ct gold Birmingham, ring size K, approximate gross weight 6.6 grams (Condition Report:- overall condition good, general light wear)
A Victorian 15ct gold, garnet and seed pearl cluster dress ring, size N, gross 1.8 grams, an Edwardian 18ct gold, sapphire and diamond ring, size P, gross 2.1 grams and a yellow metal, sapphire and diamond set bar brooch, gross 3.7 grams.CONDITION: Garnet ring- One or two stones have most likely been replaced and may be paste?? One stone very worn, another is chipped. One seed pearl chipped. Shank misshapen.Sapphire very worn on other ring. Diamond chip missing from bar brooch.
Brian Sanders (British, B. 1937) "Battle of Java Sea - Sinking of the de Ruyter" Artist notes in margins. Oil on Canvas. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood First Day Cover of the Republic of the Marshall Islands 29c Battle of the Java Sea 1942 stamp issued February 27, 1992. After a triumphant sweep through Malaya and Burma, the Japanese imperial war machine turned its sights toward Java, a Dutch East Indies island rich in manganese and oil. On February 27, 1942, a massive Japanese task force engaged the Allied Combined Striking Force commanded by Dutch Admiral Kar Koorman. Hampered by language and communication problems, the hastily-organized Allied effort lacked air support -- a fatal error. Doorman and his flagship were lost almost immediately. The rest of the strike force struggled to withstand the Japanese juggernaut, but the battle was over in two days. The enemy destroyed all but five of the 15 Allied warships, securing for Japan a resounding victory and another island stepping stone toward Australia. Image Size: 13.25 x 16.5 in. Overall Size: 17.25 x 20.25 in. Unframed. (B13567)
David K. Stone (American, 1922 - 2001) "HMS Buxton" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Republic of the Marshall Islands 45c HMS Buxton ex-USS Edwards stamp issued September 3, 1990. Great Britain's Prime Minister Winston S. Churchill had been at his post only a few days when he made an urgent request to the United States for military aid. Thus was born the agreement which would send some fifty older U.S. destroyers to help fight the swelling Nazi empire. Several months after Churchill's request, the first of the ships made its way across the Atlantic into British hands. The USS Edwards was transferred on October 4, 1940 and renamed the HMS Buxton. Shown here flying the White Ensign of the British Royal Navy, the HMS Buxton was used primarily as a training ship for Canadian sailors. She also escorted convoys of troop and cargo ships to protect them from enemy attack, especially by the dreaded German U-boats. She survived the war to be scrapped in 1945. Image Size: 14.75 x 23.75 in. Overall Size: 23.75 x 27 in. Unframed. (B12586)
David K. Stone (American, 1922 - 2001) "Battle of the Bulge - Abrams and McAuliffe" Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Republic of the Marshall Islands 50c Battle of the Bulge 1944 - Lt. Col. Creighton W. Abrams and Brig. Gen. Anthony C. McAuliffe stamp issued December 16, 1994. At 11:30 a.m. on December 22, 1944, Lieutenant Hellmuth Henke and four other Germans approached the beleaguered Allied lines at Bastogne under a flag of truce. Word spread among the Americans that the Germans were surrendering. When Brigadier General Anthony C. McAuliffe realized the Germans were asking him to surrender, his disappointed comment was "Aw, nuts!" In preparing his written reply, the same words seemed appropriate. When the Germans asked for an explanation, the response was even more salty. McAuliffe's confidence inspired the men of the 101st Airborne Division, who held Bastogne until General George Patton's tanks arrived. By December 26, the tide of battle had turned. McAuliffe earned the Distinguished Service Cross for his conduct at Bastogne. The 101st Airborne Division received the rarely awarded Presidential Unit Citation for their heroic defense. Brigadier General Anthony C. McAuliffe is pictured here with Lieutenant Colonel Creighton W. Abrams. Image Size: 24 x 14.5 in. Overall Size: 27 x 23.75 in. Unframed. (B14902)
David K. Stone (American, 1922 - 2001) "Michael Collins" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood Michael Collins Commemorative Cover postmarked October 31, 1980. In 1969, Michael Collins was the pilot of the command module, Columbia, on the epic voyage of Apollo XI to the Moon. As Astronauts Armstrong and Aldrin walked on the Moon's surface, Collins flew the Columbia alone, maintaining a precise lunar orbit overhead. His perfection and skill during the mission were credited as being vital to the success of the entire flight. His dedication to every undertaking began well before the Apollo mission. Collins was graduated from the United States Military Academy in 1952. After completing test pilot training with the Air Force Flight Test Center, he entered the Astronaut Corps in 1963. Colonel Collins was backup pilot for Gemini 7 and pilot for the 1966 Gemini X mission. He performed a successful rendezvous and docking with an Agean spacecraft and two extravehicular space walks. Collins resigned from NASA and the Air Force with the rank of Major General, United States Air Force Reserves, to assume the appointment of Assistant Secretary of State for Public Affairs in 1969. Image Size: 17.75 x 21 in. Overall Size: 22.25 x 25.25 in. Unframed. (B06520)
David K. Stone (American, 1922 - 2001) "First Men on the Moon" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. On July 20, 1969, America's Apollo 11 mission achieved the goal which had driven the U.S. space program almost from the start. With the words, "Houston, Tranquility Base here, the Eagle has landed," a small module carrying astronauts Neil Armstrong and Buzz Aldrin gracefully touched down on the moon. An estimated five hundred million persons -- one of every seven people on earth -- listened as Neil Armstrong emerged from the module and climbed down the ladder towards the lunar surface. And all the world shared the sense of pride when Armstrong stepped off carefully and remarked, "That's one small step for a man, one giant leap for mankind." For with Armstrong's small step, mankind's long dream of standing on a world other than his own had been fulfilled. Some nineteen minutes later, Aldrin climbed out of the module and the two Americans explored the strange, empty world around them before returning home. This artwork honors these two astronauts' courageous achievement -- along with the American ingenuity, industry and know-how that made it all possible. Image Size: 17.75 x 20.75 in. Overall Size: 23.75 x 27 in. Unframed. (B12005)
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400965 item(s)/page