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Lot 189
Private purchase survival knife is the style of a US Ka Bar knife. 175mm long Bowie style blade with fuller. Blackened finish. Straight crossguard. Grip formed from compressed leather washers. Overall length 305mm. Complete with black leather scabbard with pouch containing a sharpening stone. Retaining strap with press stud closesure.
Lot 220
Two survival knives: Smith & Wesson "Search & Rescue CKSUR1" with black non reflective blade with clip point 145mm in length. 7Cr17MoV High Carbon Stainless Steel blade. Deep grooved black rubber wrapped handle. Overall length 262mm. Complete with ballistic polyester belt sheath with a storage pouch and sharpening stone: An Mtech USA knife with double edged blade in 440 Steel with 130mm in length. Grip formed from compressed leather washers. Overall length 228mm. Complete with black webbing scabbard with belt clip fastener. (2)
Lot 126
Service des IndesFrance, vers 1830Composé de 36 assiettes de différentes tailles, en faïence de Bordeaux, à deux décors différents en grisaille, le marli ourlé à larges grappes de raisin, à scène centrale inspirée des Indes. Marques au dos : Bosphorus Stone en noir (pour Marshall&Co, Ecosse) David Johnston & Co en creux et en noir. D. 21 et 23 cmA set of thirty-six plates, stamped David Johnston, France
Lot 1223
Auel, Jean M – The Shelters Of Stone, first edition, 8vo, hardback (dj present, minor tears to base border, otherwise good) Hodder & Stoughton, England, 2002.Byng, Georgia – Molly Moon Stops The World, first edition, 8vo, hardback, signed (dj present, wrapped in original sale plastic, stickered, unopened) MacMillan, London, 2003.Byng, Georgia – Molly Moon Stops The World, first edition, 8vo, hardback, unsigned (dj present, very minor creasing to top border) MacMillan, London, 2003.Byng, Georgia – Molly Moon’s Incredible Book of Hypnotism, first edition, 8vo, hardback, signed (dj present) MacMillan, London, 2002.
Lot 6
Steven Gregory (b.1952) School of the Said William, 2008 pen and ink on conserved antique vellum document 59 x 73 cm. Since 2002, the central theme to Steven Gregory’s work has featured human bones and skulls as a celebration of both life and death, which caught the eye of Damien Hirst in the same year. Hirst bought seven of the skulls for his personal collection and wrote a foreword for Gregory’s exhibition, Skulduggery, in 2005 at the Cass Sculpture Foundation. “Steven Gregory… creates art that prods and pokes, ignores and strokes and slaps and stuns us into submission. My own personal favourites are the real human skull and bone pieces where just as many humans and pre-humans have done before us for tens of thousands of years, he uses decoration to try to deal with the complexity of human death, a brave attempt to celebrate the unimaginable.” Born in South Africa, Steven Gregory studied sculpture at St Martin’s School of Art, London and went on to complete a stone mason’s apprenticeship, which led him to work on Westminster Abbey and other historic buildings. Committed to mastering traditional skills and materials, he works with a wide range of materials including precious metals, bronze, Perspex and mixed media, as well as human bones. Gregory has responded to cultural currents with a postmodern eye and often a dashing sense of satire. Fish on a Bicycle (1998) is a witty response to the feminist dictum ‘A woman without a man is like a fish without a bicycle’; the sinister Bag Men (1993) animate the humble paper bag as bogey men; and his Paparazzi (1996) are subsumed by their apparatus. Gregory has exhibited widely both in the UK and internationally, including in Germany, France, Italy, Iceland, USA and Czech Republic. His solo exhibitions include Skulduggery, at the Cass Sculpture Foundation (2005), and Bone Stone Bronze at the Nicholas Robinson Gallery in New York (2007). At the Serpentine Gallery, London (2006-7), Damien Hirst included skull works by Gregory as part of In the darkest hour there may be light, works from Hirst’s own Murderme Collection. Gregory has contributed to many other major exhibitions, including Thinking Big: Concepts for Twenty-first Century British Sculpture, at the Peggy Guggenheim Museum, Venice (2002-3), and Animal Fantastique at Les Amis du Doujon deVes, Paris (2002). Gregory is an Artist Friend of Jesus College, University of Cambridge. He now lives in Hastings.
Lot 8
Bernard McGuigan (b.1956) Communication/Conversation Piece, 2014-15 limestone on hardwood base 45 x 20 x 20 cm. British sculptor Bernard McGuigan began making sculpture at the age of 16, inspired by a Modigliani work at the Tate. He has continued to carve his contemplative, often tender, forms and figures directly by hand from stone ever since – from alabaster, limestone, slate and sandstone. His poetic, allusive titles invite personal readings of, for instance, the work here made of sandstone from the Forest of Dean. McGuigan has a clear affinity with major 20th-century artists including Gill, Hepworth and Moore, writes Dr Sally Dormer, medieval art historian at the Victoria and Albert Museum. She goes on to note that “his work is indebted equally to the traditions of the more distant past. The spare clarity of Archaic Greek Korai and Kouroi informs his figurative compositions, together with an expressive linearity reminiscent of Romanesque historiated capitals and portals.” McGuigan has exhibited widely and his work features in private and public collections, including the Forbes Foundation, USA; University College Hospital, London; Sir Christopher Ondaatje; Sheila Hancock; the Bank of India, London. Current projects include Songs Set in Stone, a museum-based project with singer-songwriter Bev Lee Harling. He lives and works in Hastings
Lot 325
COLLECTION OF GOLD AND OTHER JEWELLERY, including a nine carat gold bangle, 6.1g, nine carat gold locket, 3.9g, six signet rings, four marked for nine carat gold, 9.4g gross, one covered with solder and one marked 9CT, SIL LINED, two white gem set rings, one in nine carat gold, 4g, the other in eighteen carat gold, 3g three gem set rings and a cameo ring, each marked for nine carat gold, 14.4g gross, and an opal five stone ring, in eighteen carat gold, 3.8g (15)
Lot 10
Harry Potter and the Philosopher’s Stone 1999 by J K Rowling, Deluxe British Edition, only 4000 printed, an unopened sealed copy with red covers and gilt lettering on the spine and covers, no dust jacket as issued, published by Bloomsbury in London, all page edges gilt, ISBN 0-7475-4572-3 and £18 on the bar code,, the book measures 9 1/2 x 6 1/4 in. wide; for Harry Potter enthusiasts, the first edition actually came out in 1997, but only 500 copies were printed, and of those, 300 went to libraries and 200 were available to the public, which made them extremely rare and very pricey, and the 1999 edition was issued to meet the public demand and considered a first edition as well. Size: 9 1/2 x 6 1/4 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 11
Harry Potter and the Philosopher’s Stone 1999 by J K Rowling, Deluxe British Edition, only 4000 printed, an unopened sealed copy with red covers and gilt lettering on the spine and covers, no dust jacket as issued, published by Bloomsbury in London, all page edges gilt, ISBN 0-7475-4572-3 and £18 on the bar code, the book measures 9 1/2 x 6 1/4 in. wide; for Harry Potter enthusiasts, the first edition actually came out in 1997, but only 500 copies were printed, and of those, 300 went to libraries and 200 were available to the public, which made them extremely rare and very pricey, and the 1999 edition was issued to meet the public demand and considered a first edition as well. Size 9 1/2 x 6 1/4 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 12
Harry Potter and the Philosopher’s Stone 1999 by J K Rowling, Deluxe British Edition, only 4000 printed, an unopened sealed copy with red covers and gilt lettering on the spine and covers, no dust jacket as issued, published by Bloomsbury in London, all page edges gilt, ISBN 0-7475-4572-3 and £18 on the bar code, the book measures 9 1/2 x 6 1/4 in. wide; for Harry Potter enthusiasts, the first edition actually came out in 1997, but only 500 copies were printed, and of those, 300 went to libraries and 200 were available to the public, which made them extremely rare and very pricey, and the 1999 edition was issued to meet the public demand and considered a first edition as well. Size: 9 1/2 x 6 1/4 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 13
Harry Potter and the Philosopher’s Stone 1999 by J K Rowling, Deluxe British Edition, only 4000 printed, the plastic seal has been opened, but the plastic retains the bar code information on the back side of the plastic, with red covers and gilt lettering on the spine and covers, no dust jacket as issued, published by Bloomsbury in London, all page edges gilt, ISBN 0-7475-4572-3 and £18 on the bar code, the book measures 9 1/2 x 6 1/4 in. wide; for Harry Potter enthusiasts, the first edition actually came out in 1997, but only 500 copies were printed, and of those, 300 went to libraries and 200 were available to the public, which made them extremely rare and very pricey, and the 1999 edition was issued to meet the public demand and considered a first edition as well. Size: 9 1/2 x 6 1/4 in. Please note that all sales are final. No refunds will be given under any circumstances.
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400965 item(s)/page