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Lot 18
The Rolling Stones; nine LP vinyl records including, no.1 selftitled, later pressing matrix 6A, no.2 mono LK4661 matrix 2A/2A, Out of Our Heads SKL4733 Stereo matrix 1W/1W, After-Math SLK4786 Stereo matric 2W/2W, No Stone Unturned, Metamorphon, Stone Age, Ron Wood - Grimme Someneck, Blue & Lonesome 2 vinyl set.
Lot 372
Fourteen Art Deco and other powder compacts including a rare compact with grater, a gold-plated square textured compact with inset of simulated jade, a polisged chrome compact with simulated stone inset, compacts with geometric designs, red, green and black compacts, a 50mm black and white octagonal compact with grater to base to shave powder from a solid cake, a Stratton reproduction deco compact in white and gilt as new and boxed, two Coty compacts, Yardley rectangular satin finish compact portait inset.
Lot 382
Seven 1930's lavaliere pendant necklaces, a white metal crystal and paste drop pendant, another similar with a rectangular scissor cut green stone, another with a garland of bright blue paste, a paler blue paste necklace, one multi coloured and another gilt metal, a larger pendant with pink glass cameo feature, probably all from Gablonz area of Czechoslovakia.
Lot 385
An Ermani Bulatti bronze colour link necklace 12mm wide with an Art Deco style accent to front set with a faceted black stone and white paste, a similar pair of 25mm square ear clips, a Christian Dior 40mm brooch and pair of 25mm earclips set with simulated pearls, marbled and brown paste stones, all stamped 1959, possibly by Grosse, a pair of Panetta 25mm gold-plated molten finish earclips set with simulated cabochon cut lapis lazuli, a yellow metal brooch depicting a soothsayer with 20mm glass ball, marked on reverse with a letter C.
Lot 386
Marcel Boucher - a pair of drop earrings set with a large emerald coloured pear shaped stone to each surrounded by white paste, 35mm drop, inventory number 7940, clip fittings, two white paste 40mm fur clips, number 3365, a small 800 standard clip marked MB set with blue cabochons and white brilliant into three flower heads.35mm,
Lot 50
Twenty-Two mostly Punk and Rock LP and 12" EP records; including Redskins - The Peel Sessions, Neither Washington nor Moscow, Burn it Up (DJ copy), Half Man Half Biscuit - Back in the D.H.S.S., The Stone Roses - Selftitles, One Love (limited edition), Elephant Stone, The Undertones - selftitled, The Meteors Live, The Clash - Cut the Crap, Return to Brixton, Sandinista!, Dean Kennedys - Holiday in Cambodia, Sham 69 - The First The Best and the Last, Wake Up - 6 track Miniers Benefit EP, Stiff Little Fingers - Now Then..., Skids - The Absolute Game, Primal Scream - Come Together, Imperial, New Model Army - Vengeance, No Rest for the Wicked, No Rest Heroin.
Lot 154
An 18ct gold emerald and diamond three stone ring, central diamond approximately 0.75 carat, size L CONDITION REPORT: The ring is in good condition. The diamond and emeralds are free of any major chips but do have slight abrasions when viewed under close magnification. Shank is in good condition and bears a full set of hallmarks for Sheffield 1990, with maker's mark E F Ltd. Weight 3.7g.
Lot 192
Mike Knight : An Arched Stone Bridge Spanning a River with White-washed House Beyond, acrylic on board, signed, dated '81, with labels verso, 22 cm x 22 cm, together with an oil painting on canvas depicting mixed flowers in a bowl and signed "Matekwick", an indistinctly signed colour print depicting a ballet dancer in a long pink skirt and numbered 40/500, a colour print after Vincent Van Gogh "Irises" and finally a needlework panel depicting a young girl holding flowers and walking a white dog, all parts framed. (5)
Lot 262
Bernstein-Halskette und Bernstein-Armband. Nepal a) Halskette mit großen Bergsteinsegmenten und anderen, kleineren Farbsteinen, b) Armband mit Bernsteinen und drei kleinen Amulettbehältern aus Silberblech und Kupfer. (2)L a) ca. 48 cm; b) 11 cmProvenienzSammlung Gerda Sökeland (1931-2019), Ruhrgebiet, erworben in den 1970er/80er-Jahren in Tibet, seitdem in Familienbesitz A Nepalese necklace and bracelet a) With large beads of amber and at intervals by other smaller hard stone beads; b) with amber beads and three small silver and copper amulet boxes. (2)Length a) ca. 48 cm; b) 11 cmProvenanceCollection Gerda Sökeland (1931-March 2019), Ruhr, Germany, acquired in the 1970s/80s in Tibet, and thence by descent
Lot 100
Stele des Krishna Venugopala. Grauer Stein. Nepal. 17. Jh. Durchbrochen gearbeitetes Relief mit Krishna als göttlicher Hirte mit überkreuzten Beinen auf einem Lotos unter einer Gloriole stehend, die Flöte in den Händen zum Spiel erhoben, begleitet von zwei tanzenden Gopis zu seinen Seiten und Garuda zu seinen Füßen. Reste roter Kultfarbe. Holzsockel.H 26 cmProvenienzPrivatsammlung, Aachen, erworben bei Lempertz, Köln, 31.5/1.6.1988, Lot 653, seitdem in Familienbesitz. Alte Rechnung vorhanden. A Nepalese grey stone stele of Krishna Venugopala, carved in openwork. 17th century Krishna in the form of Venugopala, the cowherd, grasping a flute and standing in his distinctive pose on a lotus base, backed by a halo and aureole, flanked by two dancing gopis and with Garuda at his feet. Remains of red pigments. Wooden base.Height 26 cmProvenancePrivate collection, Aachen, Germany, acquired at Lempertz, Cologne, 31.5/1.6.1988, lot 653, and thence by descent. With old incoice.
Lot 271
Zwei Köpfe von luohan. Stein. Song-Zeit oder später Beide Köpfe vom indischen Typus, kahlgeschoren, mit faltenreichem Gesicht, großen Ohren und wie zum Schreien geöffnetem Mund. a) Dunkelgrauer Stein mit Lehm?resten, b) Auf dem Schädel geschlungenes Band mit Kreisen. Hellgrauer Stein mit lehmigen Verkrustungen. (2)H a) 10 cm; b) 12,5 cm Two stone heads of luohan. Song dynasty or later Both heads of the Indian type, with numerous wrinkles to the face, large ears and an open mouth, a) of dark grey stone with remains of lime? and b) with a strange ornament to the bald head, and heavy lime incrustations. (2)Height a) 10 cm; b) 12.5 cm
Lot 152
Gelehrtenstein Hellgrauer, stark durchlöcherter Stein. Geschnitzter Holzsockel auf fünf geschwungenen Beinen, verbunden durch Streben.Gesamthöhe 27,3 cm; B 24,5 cm A scholar's rock A light grey stone with numerous perforations, the carved wooden stand on five cabriole legs joined by stretchers.Overall height 27.3 cm; width 24.5 cm
Lot 224
Nach Yi Lantai . 20th century Die Palastgartenanlage Xiyang Lou (Westliche Gebäude) im Alten Sommerpalast. Sechzehn Radierungen auf Velinpapier mit Darstellung von Pavillons, Palastgeländen und Gärten, darunter das HaiyanTang (Halle der ruhigen See), das Hua Yuan (Blumengarten) mit dem Labyrinth Wanhua Zhen (Irrgarten der zehntausend Blüten) und das größte Wasserspiel des Gartens, das Da Shuifa (Großes Wasserkunstwerk). (16)Kaiser Qianlong (1735-1796) beauftragte den Jesuiten und Maler Guiseppe Castiglione (1688-1766) neben Arbeiten für seine Kunstsammlung auch damit, innerhalb des Alten Sommerpalastes Yu Yuan nördlich von Beijing Garten und Paläste nach europäischem Vorbild zu entwerfen und anzulegen. Die Gartenanlage mit dem Namen Xiyang Lou (Westliche Bauten) wurde nach seinem Entwurf 1737 bis 1766 erbaut und vereinte Baustile des italienischen Rokoko mit klassischer chinesischer Architektur, das verwendete Baumaterial war nicht Holz (wie im Yu Yuan), sondern Stein, die Dächer waren in chinesischer Form gestaltet. Das Haiyan Tang (Halle der ruhigen See) war das größte Gebäude mit der bekannten und eindrucksvollen sog. „Wasser-Uhr“ mit zwölf Figuren menschlicher Gestalt und Tierköpfen, die den Zwölf Tierkreiszeichen entsprachen. Die ursprünglichen Kupferstiche, die diese Gebäude, Gärten und Palastanlagen darstellen, entstanden nach den Vorlagen von Yi Lantai, der ein Schüler von Castiglione war und sich die Technik der Zentralperspektive angeeignet hatte. Er hatte 1781 damit begonnen, den im Bau befindlichen Xiyang Yuan zu dokumentieren. Das Gesamtwerk umfasste zwanzig Blätter und war 1786 abgeschlossen. Die Originale befinden sich heute in der Chinesischen Nationalbibliothek in Peking.51 x 88 cm After Yi Lantai . 20th century Sixteen etchings on wove paper depicting palaces, pavilions and gardens created by Giuseppe Castiglione in the Xiyang Lou (Western mansions) on the imperial grounds of the Old Summer Palace in Beijing, including the HaiyanTang (Hall of the Peaceful Ocean), the Hua Yuan (Flower Garden) with the labyrinth Wanhua Zhen (The Ten Thousand Flower Maze) and the largest ater feature of the garden Da Shuifa (Big Water Method). (16)Emperor Qianlong (1735-1796) commissioned the Jesuit and painter Guiseppe Castiglione (1688-1766) to design and lay out gardens and palaces according to the European model within the old Summer Palace Yu Yuan north of Beijing. The garden with the name Xiyang Lou (Western Buildings) after Castiglione's design was built from 1737 to 1766 and combined architectural styles of the Italian rococo with classical Chinese architecture. The building material used was not wood (as in the Yu Yuan) but stone, the roofs were designed in Chinese style. The Haiyan Tang (Hall of the Calm Sea) was the largest building with the famous and impressive so-called "Water Clock" with twelve figures of human form and animal heads corresponding to the twelve signs of the zodiac. The original copper engravings depicting these buildings, gardens and palaces were made according to the designs of Yi Lantai, who was a student of Castiglione and had acquired the technique of central perspective. He had begun in 1781 to document the Xiyang Yuan, which was under construction. The complete work comprised twenty sheets and was completed in 1786. Today the originals are kept in the National Library of China in Beijing.51 x 88 cm
Lot 132
Pinselwascher. Weiß-graue Jade. 18. Jh. Auf niedrigem Fußring flaches rundes Gefäß mit nach oben ausladendem Rand, die Wandung dekoriert in flachem Relief mit Gelehrten und einem Hirsch in einer felsigen Landschaft mit Bambus, Pinien- und blühenden Pflaumenbäumen. Am Boden im versenkten Quadrat eine Vier-Zeichen- Marke: Li Minhe Shang. Der polierte Stein mit vereinzelten rostbraunen venenartigen Einschlüssen.D 12,5 cmProvenienzPrivatsammlung, Nordrhein-Westfalen A greyish-white jade brush washer. 18th century Of compressed rounded shape, on a short foot rim, the sides in shallow relief with scholars amidst a rocky landscape with bamboo, pine trees, and blooming plum trees. At the base a four-character mark in a sunken square reading: Li Minhe Shang. The highly polished stone of greyish-white tone with few inclusions of russet veines.Diameter 12.5 cmProvenancePrivate collection, North Rhine-Westphalia
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