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Lot 37

DIAMOND SINGLE-STONE PENDANTSet with a brilliant-cut diamond, weighing 1.03cts, lengths: pendant 1.2cm, chain 46.0cmFootnotes:Accompanied by a report from IGI, stating that the diamond is D colour, SI2 clarity. Report number 314878789, dated 2 May 2018.Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 38

DIAMOND SINGLE-STONE RING; DIAMOND HALF ETERNITY RING1st: Set with a marquise-cut diamond between pear-shaped diamond shoulders, mounted in 18 carat white gold, 2nd: The V-shaped band, set with brilliant-cut diamonds, mounted in 18 carat white gold, principal diamond approx. 1.60cts, remaining diamonds approx. 0.80ct total, 1st: partial UK hallmark, 2nd: London hallmark, ring sizes approx. Q½ and P, case by Temprell, Nottingham (2)For further information on this lot please visit Bonhams.com

Lot 5

DIAMOND SINGLE-STONE PENDANT/NECKLACESet with a brilliant-cut diamond, on an 18 carat gold snake-link chain, diamond approx. 0.85ct, chain with partial UK hallmark, European convention mark, lengths: pendant 1.2cm, chain 40.0cmFor further information on this lot please visit Bonhams.com

Lot 56

DIAMOND THREE-STONE RING, 1996Set with three brilliant-cut diamonds, mounted in 18 carat white and yellow gold, diamonds approx. 1.00ct total, London hallmark, ring size approx. OFor further information on this lot please visit Bonhams.com

Lot 65

Bambo Lazy Susan With 4 Porcelain Dishes New In Box Kitchen Craft 12" Pizza Stone With Cutter New In Box

Lot 3

A Victorian 15ct gold and hardstone oval seal ring, size Q, maker C.G., Birmingham 1879, total gross weight approx 6.4gms; together with an 18ct gold Mizpah ring, size M, maker C.T.S., Birmingham 1948, weight approx 2.5gms (sized at reverse) (2)Condition report: stone intact, some tarnish and fine scratches, mizpah sized to reverse 

Lot 86

An Austro-Hungarian pearl, quartz and enamel gilt metal memorial pendant/locket, the oval central form set to the centre with a round foil backed quartz within borders of alternate half pearls and oval faceted foil backed stones, with black and white scrolled enamel decoration, hinged cover opening to reveal a glazed compartment set with a lock of hair, to a further ornate pierced border of enamel with round faceted stones, the bail also stone set, one dropper set with a pearl to the base four others missing, the back with engraved decoration, length approx. 80mm x 45mm, continental marks, total gross weight approx. 26.3gms; in an antique leather case    Condition report: some enamel loss, slight abrasions to stones, four missing droppers, wear and tear commensurate with age

Lot 76

A Victorian diamond set unmarked yellow metal brooch in the form of a cross motif, star set to the centre with a small old cut diamond weighing approx 0.07ct, size approx 30mm, unmarked assessed as 15ct gold, C clasp with later replacement base metal pin, total gross weight approx 9gms Condition report: stone intact, some tarnish and scratches to metal but no visible sign of damage 

Lot 94

A 19th century rock crystal and yellow metal ring, the cushion cut rock crystal set to a cut down backed setting, to a later shank, unmarked probably 15ct gold, approx size H, total gross weight approx 2.2gms Condition report: stone intact, replacement later shank which has been sized  wear and tear commensurate with age 

Lot 30

An 18ct gold and diamond three stone ring, comprising three old cut diamonds weighing a total approx 0.40ct, claw set, size L1/2, total gross weight approx 2gmsCondition report: all stones present, wear and tear to claws some missing

Lot 44

A 19th Century Indian Mughal yellow gold brooch, comprising an oval painted ivory miniature depicting a Mughal emperor, inset within a cannetille foliate border set with green and red stones, approx 50 x 45mm, pin and C clasp fittings, unmarked assessed 18ct gold, total gross weight approx 34gms Condition report: Good portrait intact, abrasions to stones, one replacement darker cabochon stone, possible replacement lower carat pin and fittings, some repairs, some slight tarnish in areas, cannetille work detached at one end

Lot 21

A sapphire and diamond 18ct gold cluster ring, the centre set with a round brilliant cut diamond approx 0.25ct, within a border of round cut sapphires and a further border of small brilliant cut diamonds, total diamond weight including central stone approx 0.60ct, claw set throughout, setting diameter approx 15mm, size O, total gross weight 6.5gmsCondition report: good - all stones present and intact, some abrasions to facet edges 

Lot 46

A 20th century diamond and 18ct gold solitaire ring, comprising a round brilliant cut diamond weighing approx 0.50ct, claw set to tapered diamond set shoulders, size S1/2, total gross weight approx 2gms Condition report: Good- all stone present, some tarnish and wear and tear commensurate with age  

Lot 62

A three stone diamond and 18ct gold ring, comprising three round brilliant cut diamonds weighing a total approx 3 carats, assessed colours K,L,M, assessed clarities SI2-I1, white gold claw setting to a 18ct yellow gold shank, size L1/2, total gross weight approx 7.2gms Condition report: good- all stones present, some wear and tear scratches to shank

Lot 52

An emerald and diamond three stone 18ct gold ring, comprising an oval emerald approx 3.20 carats, with single old cut diamond set either side, total diamond weight approx 2 carats, assessed colours K/L, assessed clarities SI2 I1, claw set throughout, size M, total gross weight approx 7gms Condition report: good all stones and claws present and intact, minor wear and tear slight nibbles to diamond girdleCONDITION:emerald measures approx  - 11mm x 8.8mm x 5.86mm 

Lot 84

Two Victorian gilt metal propelling pencils, with seal terminals, one measuring approx. 12.5cm, blood stone shield shaped seal; along with a miniature gilt metal propelling pencil with round stone set terminal and suspended hard stone shield shaped floral intaglio seal; together with an early 20th Century silver version with twist decoration to barrel, length approx. 10cm, (damage to pencil tip)Condition report: wear and tear commensurate with age

Lot 37

An Art Deco diamond and platinum three stone ring, comprising a claw set old cut diamond set to the centre, approx 0.80ct, assessed colour H/I,  assessed clarity SI, with collet set single baguette cuts set either side, weighing a total approx 0.28ct, to a tapered platinum shank, size P, stamped Plat, total gross weight approx 2.8gms Condition report: good all stones present, wear and tear commensurate with age 

Lot 48

A diamond solitaire 18ct gold ring, comprising a round brilliant cut diamond weighing approx 3.9 carats, assessed clarity VVS1-2, assessed colour L/M, eight claw platinum setting, to a tapered 18ct yellow gold band, size K, total gross weight approx 4.6gms Condition report: good claws and stone intact, no visible sign of damageCONDITION:diamond measures - 10.40mm x 10.49mm x 5.80mm

Lot 87

A Victorian micro mosaic bar brooch, the centre decorated with a small fly, unmarked yellow metal assessed as 9ct gold, total gross weight approx. 2.9gms; together with a gilt metal thimble set with small turquoise set flowers, approx. 5.8gmsCondition report: micro mosaic good, some wear and tear to metal, thimble wear and tear some stone losses

Lot 45

A Victorian diamond crescent brooch, comprising graduated old cut diamonds, total diamond weight approx 2.3carats, cut down silver settings to a gold reverse, removable broch fittings, pin and later articulated clasp, diameter approx 27mm, unmarked, total gross weight approx 7.3gmsCondition report: good- all stones present, one larger stone with chips to girdle, others with slight abrasions girdle nibbles, some tarnish 

Lot 1216

A CHINESE YELLOW PORCELAIN INK STONE with calligraphy. 7.5ins high.

Lot 1482

A GOOD NEW CALEDONIAN AXE Circa 1880 - 1990 with stone, one head bound with string,axe head 6.25 x 4.25ins, 32ins long overall. Provenance: Donald Naylor.

Lot 1642

AN 18CT GOLD, DIAMOND AND RED STONE RING.

Lot 1678

A SILVER AND AQUAMARINE FIVE STONE RING

Lot 1679

A SILVER AND AQUAMARINE FIVE STONE RING

Lot 1684

A CHINESE CARVED STONE ROUNDEL carved with leopard and bats

Lot 1264

A ROYAL BABY 1 OZ GOLD COMMEMORATIVE COIN. A 22ct 1oz gold commemorative coin, proof contained in a capsule, the obverse 'Magnae Britanniae', the reverse with a floral design set with a ruby, Prince George's birth stone, 34g, 38.61mm, number 84 from an edition of 95. In original case with certificates.

Lot 237

A 22ct wedding band, size O, approx 3 gms, and another 22ct wedding band, size P, approx. 1.2cms, together with a 18ct yellow gold three stone diamond ring (broken), approx. 3.1gms.

Lot 241

18ct white gold and cubic -zircon ring, size O+, approx 5.77 gms together with a white-metal cubic-zircon stone heart-shaped pendant. 

Lot 195

18ct yellow gold (tested) Belle Époque moonstone and seed pearl tassel brooch, approx 70 x 30 mm, approx 9.37 gms. Note: with some blue enamel evident to the central stone. 

Lot 235

18ct yellow gold three stone diamond ring, size N, approx 2.93 gms, set with approx 12 pts of old-cut dias together with another 18ct single stone diamond ring size M+ approx 3.55 gms set with 6 pts of dias. (2)

Lot 239

Three 9ct gold rings, including a ruby and diamond stone wish-bone ring size, set with rubies 2.3 x 1.6 mm (one missing) and 7 pts of dias, size O; a 9ct sapphire and diamond ring set with 1.1 x 1.8 mm sapphires and 11 x 2 pts of eight-cut dias, size N together with a 9ct cultured pearl ring size total weight 8.3 gms. (3)

Lot 395

Ladies 9ct white gold diamond & pink stone drop earrings, 1.7g

Lot 410

Ladies 9ct yellow gold purple stone and diamond ring 3.5g gross size I 1/2

Lot 278

A Pandora silver and white stone necklace, ring and pair of earrings

Lot 50

Ladies 9ct yellow gold 7 stone princess cut garnet ring 1.7g gross size L

Lot 49

Ladies 9ct yellow gold heart shaped blue stone ring 2.2g gross size L

Lot 408

Ladies 9ct yellow gold three stone diamond ring 2g gross size O

Lot 814

A selection of Chinese and other resin and carved stone figures and other items

Lot 711

Five Oriental carved bone napkin rings - sold with a carved stone box containing Chinese hardstone toggle and three studio pottery animal form money boxes.

Lot 1870

G. Stone: a gilt framed acrylic depicting extensive rural landscape - signed

Lot 1492

Two Mexican silver and black stone set bird ornaments with inset malachite decoration

Lot 642

A box containing a quantity of carved wood, stone and resin figurines

Lot 867

Four domino sets comprising boxed wooden examples, Empire domino tin and carved stone

Lot 1634

A marked 750 yellow metal three stone diamond ring

Lot 1

Finely carved after a Western Han Dynasty form jade ‘ear’ cup, ‘Jian Guangzhi’, carved with a three column archaic inscription in bronze script to the base, the translucent horn of rich honey and dark-chocolate brown, emanating around the base Applied paper label dated 20th June 1930 來源 : H.G. Beasley 私人珍藏 1930年6月20日 標籤 Height: 5cm Length: 13cm Width: 8.5cm Weight: 127g The inscriptions reads: ‘in the year of the Ram, stone fire, star fire, copy of Han dynasty Jade Jianguang Zhi’. 篆書刻文:“葵末秋日,石火星火土,倣漢玉建光巵” It is rare to find a dated Rhinoceros horn ear-cup and only six appear to have previously been recorded. The ‘Jian Guangzhi’ cup (fig.1) is recorded in the Gujin Tushu Jicheng’, known as the Imperial Encyclopedia, written during the reign of the Kangxi and Yongzheng Emperors, begun in 1700 and completed in 1725. Three signed examples are known by the famous Yangzhou carver, Bao Tiancheng: two from the Angela Chua Collection, both illustrated by T.Fok, Connoisseurship of Rhinoceros Horn Carving in China, Hong Kong, 1999, p.106. no.58 and the third from the Fowler Museum, Los Angeles, was sold at Christie’s London, 7th November 2006, lot 53 for £120,000. In addition to the three noted above, only two others appear to be published: see T.Fok, ibid., pp.99 and 102, not 51 and 54. The first from the Harvard University Art Museums, dated 16th century, with an inscription which translates as ‘modelled after Han style jades in mid-spring in the cyclical year renshen, with seals Jiyu Gushi; the second dated 17th century, signed You Kan and with a further inscription and another sold at Poly Auction, Beijing, 06/12/2011, lot 520, signed You Kan Gong. The H.G. Beasley cup adds a seventh to this small and interesting group of archaistic cups, (the only one recorded in bronze script) with their wish to emulate the perceived virtues of antiquity, underscored in the inscription. Condition ReportThe ‘Jian Guangzhi’ cup has developed a beautiful patina over the years and sits well in the hand. There are two small ‘dents’ to one side, one to the ear itself, and slightly to the left of it, each approx. 3mm. It would appear that one end of the cup has been slightly reduced, where the patina is a slightly lighter colour, however it was done many years ago and the area is well patinated too. The other ear has a few small ‘dents’ too, but nothing significant. The interior with a few minor dents, and some fine age lines to the base.

Lot 11

The horn of a rich striated walnut tone, finely carved in the form of a recumbent billy-goat or deer-like creature, with finely incised fur to its beard, mane and bushy tail terminating in three cloud-like scrolls, its front claws neatly folded one upon the other, the horns resting on its back, its spine clearly visibleHeight: 7cmLength: 7cmWidth: 4.5cmWeight: 65gThis extremely rare small cup is one of the finest examples of a small group of libation cups modelled in the form of billy-goat or deer-like creatures, dating to the 17th and 18th centuries. Three examples are illustrated by Jan Chapman, The Art of Rhinoceros Horn Carving in China, London, 1999, p.83-84, cat. no. 56 & 58. The first, from The Water, Pine and Stone Retreat Collection, previously sold at Sotheby’s Hong Kong, 25 November 1987, lot 490, is of particular interest as it bears both a Wanli reign mark and Bao Tiancheng seal mark, which helps date this group. The present example bears a strong resemblance to the cup in the Dr. Ip. Yee Collection, illustrated by Chapman. Two other examples of this group include a cup sold at Sotheby’s New York, 20th November 1973, lot 48 and another cup in the A & J Speelman Collection, sold at Beijing Poly Auction, 5.6.2011, lot 7139. Another similar shaped cup is illustrated on the Palace Museum website, 8.7-9cm., diameter., which is similarly designed as a dual-purpose piece.此拍品極其稀有罕見,是H.G. Beasley私人收藏中最為精巧的一隻。目前僅有極少傳世之作,是以雕刻羊形或鹿形犀角杯為主,年代考證為17或18世紀。三件相似獸形犀角杯見Jan Chapman《中國的犀牛角雕刻藝術》倫敦,1999年,圖 56,58, 頁 83-84.。其中一件鹿形犀角杯為 水松石山房舊藏,售於1987年11月蘇富比秋拍,拍品號 490。落款萬曆年製,鮑天成印,流傳有序且有助於年代考證其餘類似獸形犀角杯。另一件極其相似獸形犀角杯,為葉義醫生收藏,著錄於Jan Chapman《中國的犀牛角雕刻藝術》倫敦,1999年。另有兩件相似犀角杯,其中一件見1973年11月20日紐約蘇富比秋拍拍品48號,另一件為A & J Speelman 舊藏,見2011年6月5日北京保利拍品7139號。同時北京故宮博物院館藏一件相似獸形犀角杯,直徑8.7-9cm。此類型獸形犀角杯既可作為文房賞器,同時又可用於飲酒,是不可多得的稀品珍藏。此拍品極其稀有罕見,是H.G. Beasley私人收藏中最為精巧的一隻。目前僅有極少傳世之作,是以雕刻羊形或鹿形犀角杯為主,年代考證為17或18世紀。Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, rhinoceros horn and tortoiseshell. Accordingly, prospective purchasers should familiarise themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.Please note that an export licence will only be granted for rhinoceros horn objects providing the hammer price meets or exceeds the value of $100 per gram of the items weight.有意購買者請注意,由於若干國家禁止進口包含瀕危物種材料的物品,包括但不限於珊瑚、象牙、犀牛角和玳瑁的物品。因此,準買家如果打算將這批商品進口到另一個國家,則應在投標前熟悉相關的海關規定。請注意,犀牛角拍品的出口許可證只有當落槌價格達到或超過每克100美元的價值時,才會頒發。Condition ReportThe ‘Billy Goat’ libation cup presents well, and sits nicely in the hand. The natural striations of the horn have been superbly used by the carver to accentuate the fur of animal, with particular fine detail being visible on its mane, tail and back. There is a small repair to one ear, where the material used is darker than the original horn, approx 3mm. which has been done a long time ago. There are a few minor ‘dents' around the lower body (the largest 5mm) and one to the interior/underside.Viewing in person is recommended as it is a particularly beautiful example of the carvers art.

Lot 114

Including a mythical beast on matched wooden stand, and three others (4) The largest 10cmCondition ReportSRN: Please note the largest animal in this lot, attached to a box wood base is soapstone and not jade as catalogued.Chips and scratches to the soapstone animal, matched boxwood baseLion dog with gold string attached: brown inclusions to the stone, celadon in colour, chips to one side, natural flaws and striations to the other two

Lot 115

In the Ming style, the stone with brown inclusions, wooden stand (2) Length: 8cmCondition ReportThe stone of celadon and amber/brown inclusions, a natural flaw runs between the two front legs and one hoof, overall with a slightly ‘waxy’ patina

Lot 117

In the Ming style, the stone of mottled green with brown inclusions, wooden stand (2)Length: 5cmCondition ReportThe stone with a good variety of greens, greys and russet striations. The polish slightly waxy, with a good mid sheen. There is a chip to the animals front left hoof, approx 3mm

Lot 118

In the Ming style, the stone with brownish-grey flecked inclusions, the darker side used to skilfully delineate both animals, wooden standLength: 6cmCondition ReportThe jade group overall in good condition. With a good soft ‘waxy’ polish. The hardwood stand chipped

Lot 130

The crisply carved Lohan with a benevolent expression and a wry smile, his ear lobes long and protruding, meditating or deep in thoughtHeight: 36cmThe Eighteen Arhats are lohans depicted in Mahayana Buddhism as the original followers of the Buddha who have followed the Eightfold Path and attained the highest state of peace and enlightenment.大乘佛教中,十八羅漢為佛陀的原始追隨者,他們因遵循八正道並獲得了最高的覺醒。他們肩負著保護佛教信仰的使命,並在人間繼續傳播佛教信仰,等待未來佛彌勒的到來。在中國,十八羅漢是佛教藝術中的熱門題材,例如中國著名的河北義縣琉璃羅漢群。Condition ReportThe whitish stone is quite hard, and is probably more of a limestone rather than a soft sandstone. Traces of mud, which in places have been removed. Chip to edge of neck rear of the head. Provenance: by repute acquired in Hong Kong, early 2000’s, from Empyrean Fine Chinese Antiques, 70 Hollywood Road.

Lot 18

In the Ming style, the stone of russet and green, carved with two geese side by side, clutching a peach branch in their beaks, applied paper labelHeight: 4cmLength: 6.5cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所,由於對藝術的熱愛 她致力於收藏藝術品、寫作,以及熱 愛旅行和家庭。作為一名藝術家,她周遊世界,將所見所藏珍寶融入她的畫作中,同時也對非西方文化特別感興趣,尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe stone with many natural inclusions, natural fissures and an original ‘waxy’ polish. The larger goose has an indented natural flaw to its breast.

Lot 19

Modelled kneeling holding a pierced branchLength: 2.2cmProvenance: Purchased from Honeychurch Antiques Ltd, Hong Kong, 19th March 1987, invoice available來源:於1987年3月19日購自香港古董商HoneychurchPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所,由於對藝術的熱愛 她致力於收藏藝術品、寫作,以及熱 愛旅行和家庭。作為一名藝術家,她周遊世界,將所見所藏珍寶融入她的畫作中,同時也對非西方文化特別感興趣,尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe whitish jade boy in good condition. A small brownish striation to the stone on his left foot.

Lot 194

The whitish stone carved with three mushroom caps springing from lingzhiLength: 5cmProvenance: The Canterbury Auction Galleries, 22nd May 2012, lot 153來源:售於坎特伯雷拍賣行2012年五月22日拍品號153Condition ReportA small ‘nick’ to the rim of the largest cap mushroom at 10 o’clock. Five small ‘nicks’ to stalks to other side, partially discoloured

Lot 195

The recumbent mythical beast with his head resting on his paws holding a tasselled lotus sprig in its mouth, the celadon stone with russet striationsLength: 9.6cmWidth: 4.5cmProvenance: The Canterbury Auction Galleries, 23rd October 2012, lot 676來源:售於坎特伯雷拍賣2012年10月23日拍品號676Condition ReportThe jade of celadon tone overall with several nice russet striations and ‘crushed ice’ inclusions to its spine and a soft ‘waxy’ polish. There are two tiny ‘nicks’ to the protruding left ear, the largest 1mm. approx

Lot 21

The stone with crushed ice inclusions, finely carved with three carp swimming amongst three clam shells and pierced wave scrollsLength: 3.5cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所,由於對藝術的熱愛 她致力於收藏藝術品、寫作,以及熱 愛旅行和家庭。作為一名藝術家,她周遊世界,將所見所藏珍寶融入她的畫作中,同時也對非西方文化特別感興趣,尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe stone of whitish tone, in good condition

Lot 22

The russet brown stone used skilfully to accentuate the two mischievous monkeys pulling on the stalk of a double gourd, the celadon stone used to highlight the shape of the double-gourdLength: 5cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所,由於對藝術的熱愛 她致力於收藏藝術品、寫作,以及熱 愛旅行和家庭。作為一名藝術家,她周遊世界,將所見所藏珍寶融入她的畫作中,同時也對非西方文化特別感興趣,尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe stone with a browner shade than the catalogue photos suggest. The carving in good condition, a natural flaw through the right hand leg of the lower monkey. The carving overall has a soft natural polish. See the additional day light photos for guidance on the actual colour of the stone.

Lot 23

The speckled stone with dark grey inclusions, carved with a sprig of lingzhi fungus issuing from two mushrooms, all beneath a sprig of bamboo, pierced for hanging, applied paper labelsLength: 5cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所,由於對藝術的熱愛 她致力於收藏藝術品、寫作,以及熱 愛旅行和家庭。作為一名藝術家,她周遊世界,將所見所藏珍寶融入她的畫作中,同時也對非西方文化特別感興趣,尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe jade with a nice ‘waxy’ polish and good signs of wear. The larger mushroom cap with with two small indentations, possibly intended to be part of the overall design. Otherwise in good condition.

Lot 24

The stone of greyish tone with natural fissures cleverly chosen to accentuate the elephants skin wrinkled skin, pierced for hanging between its front legsLength: 4cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所,由於對藝術的熱愛 她致力於收藏藝術品、寫作,以及熱 愛旅行和家庭。作為一名藝術家,她周遊世界,將所見所藏珍寶融入她的畫作中,同時也對非西方文化特別感興趣,尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe jade elephant with a particularly nice waxy worn patina. In good condition.

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