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18ct Yellow Gold - Superb Quality Contemporary Designed Single Stone Diamond Ring. Fully Hallmarked to Interior of Shank for 750 - 18ct. The Modern Round Brilliant Cut Diamonds of Top Grade. Est Colour F - G, Est Clarity VSI, Est Diamond Weight 0.40 pts. Ring Size O. The Shank / Setting In Excellent Condition.
Ladies Attractive 9ct Gold Contemporary Designed 7 Stone Diamond Ring. Full Hallmark for 9.375. The Seven Round Brilliant Cut Diamonds of Top Colour and Clarity, Very Sharp - Nice Look, Well Matched. Est Diamond Weight 0.50 pts. Ring Size N - O. Low Estimate. Shank / Setting As New Condition.
18ct Gold - Superb Quality Ladies 3 Stone Diamond Set Ring. Full Hallmark for 18ct - 750. Contemporary Setting. The Three Modern Round Brilliant Cut Diamonds are Top Grade. Est Colour G - H, Est Clarity VSI, Cal Diamond Weight 0.50 pts Marked to Interior of Shank. Ring Size J ( small size ) Weight of Gold Shank 3.6 grams. Shank / Setting As New Condition - Please Confirm with Photo.
18ct Gold - Attractive 3 Stone Diamond Ring - Gallery Setting. Full Hallmark for 750 - 18ct to Interior of Shank. The Three old European Cut Diamonds of Excellent Colour and Clarity. Sharp Like Ice. Est Diamond Weight 1.10 ct, Centre Diamond 0.5 pts. Ring Size O. Excellent Condition In All Aspects, Including Shank / Setting.
Collection of Lilliput Lane Cottages, all with original boxes, to include: Anne Hathaway's Cottage; Yew Tree Farm; Kensington Gardens; Busman's Holiday; The Beach Hut; The Old Forge; Friskay Croft; Cobbler's Cottage; Stone Cottage; Old Post Office; Rose Cottage Skirsgill; Sussex Mill; The Ugly House; The House that Moved; Creel Cottage; Dale House; Clover Cottage; and The Croft. All in excellent condition, see images.
18ct Gold and Platinum Single Stone Diamond Ring. Full Hallmark for 750 - 18ct. The Round Brilliant Cut Diamond of Excellent Sparkle and Good Clarity. Drawing Colour, Diamond Weight 0.90 pts, Ring Size N - O. Excellent Condition Including Shank and Setting - Please Confirm with Photo. Low Estimate.
Amethyst Solitaire Style Statement Ring, an 11.5ct round cut amethyst, accented with four small diamonds set to the tips of four of the eight claws holding it in place; the large amethyst has a plethora of facets to the pavilion, aiding flashes of light and sparkle to emanate from the crown of this dramatically beautiful stone, set in rose gold vermeil, platinum vermeil and silver; size S/T
A Small Collection of Silver Items ( 7 ) In Total. Comprises 1/ Scottish Celtic Sterling Silver Stone Set Brooch ( Citrine ) Hallmark Glasgow 1888, Maker J.C, Of Circular Form. 1.75 Inches Diameter. 2/ Pair of Hallmarked Sterling Lidded Pill Boxes ( 2 ) 3/ Victorian Period Sterling Silver Caddy Spoon. Hallmark London 1898. 4/ Antique Sterling Silver Oval Shaped Hinged Locket. 5/ Large Gold on Sterling Silver ( Vermeil ) Open worked Heart Shaped Locket, Full Hallmark for Silver. 6/ Silver Cased Needle Holder. Hallmark Chester 1926.
Ladies 9ct Gold Attractive Bright Green Peridot Set Cluster Ring, With a Matching 9ct Gold Bright Green Peridot Set Pendant, Attached to a Green Stone Set Necklace with 9ct Gold Clasp. The Ring, Pendant and Necklace All Fully Hallmarked for 9.375. Length of Necklace 16 Inches - 40 cms. All Pieces are In Excellent Condition.
WWII Second World War Interest - an original 20th century Royal Navy rating's uniform cap, with original tally ' HMS Ganges '. The hat with maker's marks for Sanders & Brightman of Luton, size 6 7/8. HMS Ganges was a training ship and later stone frigate of the Royal Navy. She was established as a boys' training establishment in 1865, and was based aboard a number of hulks before moving ashore. She was based alternately in Falmouth, Harwich (from 1899) and Shotley (from 1905). She remained in service at RNTE Shotley until October 1976.
Star Wars 14x12 multi signed colour photo signed by 13 stars from the epic saga includes Trevor Butterfield, Michael Henbury, John Coppinger, Paul Bazely, Eileen Roberts, Daniela Tlumacova, Mitos Yerolemou, Chris Bunn, David Stone, Robert Nairne, Kamay Lau, John Altman and Tim Dry. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
John YoungCharles Duke saluting the U.S. flag, Apollo 1616-27 April 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), [NASA photo no. AS16-113-18342], with A KODAK PAPER watermarks on the verso Footnotes:One of the iconic photographs of the Apollo programme. Duke and Young both took pictures of each other next to the flag. Stone Mountain forms the skyline in the background.
1) Charles DukeA photograph from a panoramic sequence featuring the magnetometer21 April 1972 (1st EVA)Vintage chromogenic print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), RED NUMBERED AS16-113-18350, with A KODAK PAPER watermark on verso2) John YoungLunar Roving Vehicle parked in a lunar depression on a slope of Stone Mountain, a sample collection bag in the foreground 22 April 1972 (2nd EVA) Vintage chromogenic print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), RED NUMBERED AS16-107-17473, with A KODAK PAPER watermark on verso3) John YoungCharles Duke scoops up lunar soil at the base of a small boulder at Station No. 9 22 April 1972 (2nd EVA) Vintage chromogenic print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), RED NUMBERED AS16-107-17561, with A KODAK PAPER watermark on verso4) John Young Charles Duke examines closely the surface of a boulder at North Ray23 April 1972 (3rd EVA)Vintage chromogenic print on resin coated paper, 25.3 x 20.5 cm (10 x 8 in), photo no AS16-116-18649, with A KODAK PAPER watermark and NASA KSC caption on versoCondition Report: Very goodCondition Report Disclaimer
John Young and Charles DukeTwo images of Stone Mountain's station 4: Charles Duke near the Rover admiring the spectacular view; John Young working at the Rover in the barren moonscape16-27 April 1972One vintage chromogenic prints on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), RED NUMBERED NASA AS16-107-17446, with A KODAK PAPER watermarks on the verso (NASA Manned Spacecraft Center), and one vintage gelatin silver print on fibre-based paper, 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED NASA AS16-110-17960, with NASA Manned Spacecraft Center caption on the versoFootnotes:Station 4 was 4 km south of the LM, near a cluster of five craters, the Cinco Crater, and marked the highest point reached on the steep slopes of Stone Mountain from where the crew had a spectacular view. 'The first place we parked, I tried to get out of the rover, and I was going to roll down the hill, it was really steep. The rover could actually climb a steeper slope than we could walk on. We were five to seven hundred feet above the valley floor. This was one of the most incredible stops we made.' Charles Duke Condition Report: Three punch holes to the edge of the photo AS16-107-17446 Some creasing to the right edge and bottom right corner of the photo AS16-110-17960Condition Report Disclaimer
Harrison SchmittPortrait of astronaut Eugene Cernan, the last explorer of another world, pictured with the U.S. flag and Lunar Rover during the last EVA on the lunar surface14 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), NASA photo no AS17-140-21388, with THIS PAPER MANUFACTURED BY KODAK watermarks and NASA Kennedy Space Center caption on the versoFootnotes:A fantastic portrait of Cernan. His gold-plated visor reflects the photographer Harrison Schmitt, the Lunar Module, and the South Massif. Cernan is standing between the US flag and the Lunar Rover whose high-gain antenna is pointed at Earth. Wessex Cleft forms the skyline in the background. "Another hundred years may pass before we understand the true significance of Apollo. Lunar exploration was not the equivalent of an American pyramid, some idle monument to technology, but more of a Rosetta Stone, a key to unlocking dreams as yet undreamed." Eugene CernanCondition Report: Very good (mint)Condition Report Disclaimer
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