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Lot 252
A collection of British Art Glass, including a Martin Andrews Stone Series vase, with etched mark dated 2004, 15.5 cm high, another Martin Andrews vase in yellow marble effect, with etched mark, 12 cm high, two beaker form vases by Martin Yeates, with etched marks, largest 13 cm high, Karlin Rushbrooke blue spiral design vase, 19 cm high, a Jack in the Pulpit vase, 27 cm high, and other ornamental glassware including Caithness and other paperweights
Lot 80
Attributed to John Sell Cotman (1782-1842), ''Old Abbey & River Scene', ink and wash on paper, 12.5 cm x 18 cm, in card mount (lacking backing card), together with Miles Edmund Cotman (1810-1858), 'Stone Cross & Monument, at Mileham, Norfolk', 1839, watercolour, 22.5 cm x 15 cm and attributed to John Joseph Cotman (1814-1878), 'Caister Castle, Norfolk', 1867, pencil on paper, 13.5 cm x 20 cm, the latter two in card mounts.Private collection, retained by descendants of John Sell Cotman (1782-1842), from the family collection.
Lot 233
An Egyptian basalt-type Shabti with a hieroglyphic panel to the torso mounted in an old museum-type wooden plinth together with two Egyptian faience glazed Shabti and a Greek seated votive figure of Artemis. 12 cm high the stone element of the lead items.Our client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.
Lot 109
Sharon Stone signed 12x8 inch colour photo. Sharon Yvonne Stone (born March 10, 1958) is an American actress. Known for primarily playing femme fatales and women of mystery on film and television, she became one of the most popular sex symbols of the 1990s. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 3129
FREEMASONRY. - A. LEWIS (publisher). 'Emulation Working'. The Lectures of the Three Degrees in Craft Masonry. London: Privately Printed for A. Lewis, 1880. Small 8vo (133 x 99mm.) 3 folding plates. (Toning.) Original green blind-stamped cloth (light rubbing). Note: scarce. The name, or rather term, 'Lewis' has some meaning in freemasonry. It originated in stonemasonry where a 'lewis' was a tool that helped lift heavy blocks of stone. It then evolved into meaning the son of a freemason, someone whose strength could do some of the heavy lifting. The publisher's name has evolved, too. It's gone from 'A. Lewis' to 'Lewis Masonic', and still publishes books today.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 3172
FOLIO SOCIETY (publisher). - Susan COOPER. Over Sea, Under Stone. London: Folio Society, 2011. 8vo (221 x 149mm.) Illustrations by Laura Carlin. Original turquoise cloth-backed boards, slipcase (some fading). - And a further forty-three volumes published by The Folio Society (including Marcus Aurelius' 'Meditations', 2002, 8vo) (44).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 3120
DICKENS, Charles. Our Mutual Friend. London: Chapman and Hall, 1865. 2 vols. in 1, first edition in book form, early issue, 8vo (210 x 131mm.) Half-titles, 40 wood-engraved plates after Marcus Stone, includes the 3-line slip addressed to the reader bound-in at p.1. (Lacking the publisher's catalogues, light spotting to preliminaries and some plate margins.) Near contemporary green half calf (lacking a lettering piece to the spine, extremities heavily rubbed).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 388
A five stone diamond and split pearl ring, the alternating old cut diamonds and split pearls, total weight of diamonds estimated approx. 0.62cts, all claw mounted to an unmarked band of yellow metal (tests as approx. 18ct gold), size K, 3.1gDiamonds are bright, lively & well reasonably well matched.Center stone - natural to collet/lower pavillion with surface rising inclusion extending rom under side claw, through crown and just up into table. Side stone - one ok; the other has a natural/scrape from just under one claw along facet edge to along crown to table.Claws good & secure, overall light wear & in good condition.
Lot 392
A diamond flowerhead cluster ring, comprised of round old cut diamonds, total estimated approx. 0.96cts, in millegrain mounts of white metal with yellow metal gallery and plain unmarked band (tests as approx. 18ct gold), size K, 4.3gSome variance in quality of cut and colour in diamonds but not overly eye visible.Solid black inclusion to centre stone when viewed with x10 loupe / not eye visible.Mounts all good and secure.Light wear throughout but overall good condition.
Lot 382
A four stone diamond bar brooch, the four old mine cut diamonds, total estimated approx. 3.50cts, each claw mounted to a plain bar of unmarked white metal, (tests as approx. 18ct white gold), 7.7cm long, 6.6g, cased by Carrington & Co.Overall diamonds are bright, lively & well matched. Quality factors all estimated approx. within the confines of their settings:Overall colour approx: I-JOverall clarity approx. SI - SI1Some variance in the cut, as to be expected. Claws all sound and secure. Would benefit from a light clean. Overall good condition.
Lot 378
A late 19th/early 20th century diamond heart brooch, the open diamond set heart shaped frame set to centre with a dimond flowerhead, surmounted by a diamond set ribbon and three small hearts, total weight of diamonds estimated approx. 4.11cts, all collet and set in unmarked white metal to a plain backing of unmarked yellow metal, 3.6cm wide, 8.4g, in original fitted caseColour & clarity: centre stone is raised slighlty above the level of the other stones & given the surrounding settings and mounts an accurate colour & clarity comparison is inaccessible.
Lot 390
An 18ct three stone diamond ring, the three old mine cut diamonds, total estimated approx. 0.85cts, all claw mounted to a plain band stamped 18ct, size N, 2.9g Side stone - surface reaching inclusion; centre stone - girdle very variable with naturals and possible bearding; side stone - more included than other stones.Within the confines of their settings: Colour estimated approx. L-M; Clarity estimated approx. SI1-SI2 (both may alter after a professional clean)Mounts all sound and secure. Light wear throughout.
Lot 360
A 19th century diamond cluster ring, the central oval old European cut diamond, estimated approx. 1.68cts, surrounded by old mine cut diamonds and one old European cut diamond, overall gross weight of diamonds estimated approx. 5.36cts, all set with deep collet and claw mounts in unmarked white metal to a plain band of unmarked yellow metal (tests as approx. 18ct gold), size J, 8g, in later Tessiers boxhttps://www.youtube.com/shorts/xMlUf-MEkeI Diamonds are bright, lively & well matched. Colour: overall approx. H-I, Clarity: overall approx. VS2-SI (graded within the limitations of their settings)Some wear to mounts and a couple of tiny holes to collets, mainly where the white and yellow metals meet (possibly original). All stones sound and secure. Overall condition good.Head size approx. 17 x 19mmCentre stone approx. 8.5 x 7.6 x 4.2mmSmallest approx. 4.6 x 3.2mmFluorescence: centre stone & 12 o'clock stone with medium fluorescence; surrounding stones inert-faint.
Lot 362
A Victorian shell and stone cameo necklace, set with 9 graduated blue/grey and white oval cameos, carved with figures of cherubs, all collet mounted with open backs and seperated by a double row of chain spacers, (centre cameo missing), with two smaller cameos suspended from centre, with unmarked yellow metal clasp, (tests as approx. 14ct gold or better), approx. 41cm long, 33.8gOne cameo next to clasp with minor chip. Two others with very small chips to outer edges. Chain broken in one place. Centre cameo missing. Clasp ok.
Lot 376
A three stone diamond ring, the three round old mine cut diamonds, set with diamond highlights, total weight of diamonds estimated approx. 1.40cts, claw mounted in white metal to a plain band of unmarked yellow metal (tests as approx. 18ct gold), size K-L, 4.1gSettings are very limiting to colour & clarity grades, within these limitations grades are as follows:Colour estimated approx. F-G; clarity estimated approx. VS - VS2 One side stone has a more noticeable inclusion when viewed directly down through the table.Claws sound & secure. Light wear throughout, very slightly more so to one side than the other.
Lot 389
A three stone sapphire and diamond ring, the central off-round cut sapphire, approx. 6.7 x 6.8 x 3.5mm, set to either side with an old mine cut diamond, with diamond highlights, total weight of diamonds estimated approx. 1.46cts, all claw mounted to a plain band of unmarked yellow metal (tests as approx. 18ct gold), size I, 3.0gDiamonds: colour estimated approx. SI1-SI2; clarity estimated approx. L-MSapphire: horizontal banding seen through the table with good light underneath; almost horizontal feather sitting below table and running down at a slight angle towards the lower pavillion, additional feather/inclusion under one claw although difficult to see due to good positioning under the claw, minor abrasions throughout.Would benefit from a light clean, overall good.
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400965 item(s)/page