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Lot 25
A Late 18th Century or Early 19th Century Printed and Hand-Coloured Fan, the double paper leaf mounted on wooden sticks, plain save for bone thumb guards. The recto shows a lady dressed in pink leaning out of a tower window, waving a white handkerchief to attract the attention of the gentleman playing an instrument under her window, a servant holding his master's horse under a stone archway to the side. Gilded foil shapes decorate the top border. At the foot of the tree to the left, printed letters are evident but not clear ''B II 1283''. The verso is plain cream. Guard length 10 inches or 25.5cm. Contained in an 18th century pink card fan tubeThe frame is sound, the leaf is grubby and most of the foil shapes are lost, and the leaf has some small damages at these points.
Lot 36
A Fine Mid-18th Century Ivory Fan, the monture minutely carved and pierced with cherubs and birds, the gorge particularly elaborate. The central carved ivory cartouche shows a hunter with his dog and gun. The side vignettes are carved with rabbits and game birds. The intricate lattice around them are carved with squirrels, birds, and game birds, many being picked out in colour. The gorge is extensively gilded. The velum leaf, mounted à l'Anglaise, depicts a charming scene of sleeping cherubs having their wings clipped and their bows and arrows spirited away, the Goddess Diana perched on a cloud in the sky above. The verso is painted with an autumnal scene of a bird and stone columns. Guard length 11.25 inches or 28.5cmVery good, the fan very slightly splayed when viewed closed.
Lot 53
A Large Late 19th Century White Mother-of-Pearl Fan, the monture shaped and delicately gilded, mainly with classical swags, the guards with the addition of painted portraits, a young man to the upper guard and his lady to the other. Centrally to the gorge is a delicate painting of a stone garden ornament with roses strewn at the base. The double silk leaf, painted with classical borders with gilt highlights, and powder blue panels, three painted features bordered with tiny gold sequins, and some tambour metal threads. Centrally, a lady is seated in the garden, holding an open fan coquettishly to her face, as a suitor leans on a stone balustrade trying to catch her attention. To each side of this scene are smaller vignettes each with a winged cherub in flight, one bearing a flaming torch, the other chasing white doves. Two swans feature below these vignettes. The verso is plain save for simple classical designs. Guard length 12.75 inches or 32.5cm. Together with a card fan box covered in paper featuring flowers and birds; and A Late 19th Century White Mother-of-Pearl Fan, the monture plain, the cream silk leaf painted with large cream flowers, possibly magnolia, surrounded by leaves in shade soft green and pink, smaller blossoms on slender branches, the whole close to a river bank. The verso is a plain cream cotton. Cream silk tassel, knotted and fringed. Guard length 12.5 inches or 32cm. Together with a large pale blue card fan box (2)Fan 1 - Humidity issues, mainly seen from the verso, which has split the silk and come through as brown staining to the recto in places. Fan 2 - Generally very good, pastel colours but strong, no noticeable staining to either recto or cream verso, foxing here and there but very very slight.
Lot 60
An Ivory Fan Dated 1887, mounted with a double velum leaf, depicting a Mediterranean stone balcony beside an ornate stone arch, with colourful woven rugs hanging over the balustrade, a panel carved with initials (KS?), the verso painted with scrolling, two vignettes containing the dates 1877 and 1887, a further larger vignette containing the initials MC. Guard length 13.75 inches or 35cm. Together with a cream card fan box, the inner lid bearing the adhesive label for Maison Ernest Kees, ParisGood strong colour, generally clean, the verso being lightly marked at the top end of at least seven folds. The box lid is defective at both ends.
Lot 59
Circa 1840's, An Unusual Mother-of-Pearl Fan, with pierced and brightly gilded sticks, the double chromolithograph leaf a dramatic depiction of boats of varying sizes and structures on the sea, occupied with all manner of people, cherubs with flower garlands flying overhead. To the right, a stone column incised with the words ''A La Vie A la Mort'', a lady clinging on in fear, a dog at her side, and the figure of The Grim Reaper with his sickle attempting to remove her from safety. The reserves feature cherubs in sailing boats, the sails impressed with the words ''Tout passe avec le temps, l'amitie ne passe pas'', the gold and floral border alternating with cherubs. The verso is a more relaxing countryside scene with rural people tending to their sheep and cattle. A thin acid green tassel adorns the gold metal loop. Guard length 10.5 inches or 27cmThe monture is bright and sound. Slight rubbing to some folds and the sides are very slightly crinkled.
Lot 122
A Ball at Saint Cyr, 22nd February 1908: A Commemorative Fan, mounted on stained wooden sticks with a paper leaf mounted à l'Anglaise, produced for the annual Ball held at the Saint Cyr Military Academy. Designed and signed by Michel Klecker, depicting the stone entrance to the Academy, and soldiers dressed in uniforms worn in both 1808 and 1908. The verso is stamped ''Bail Paris Cotillon''. Guard length 9.5 inches or 24cm See also lots….and Very good, crisp leaf.
Lot 8
An Early 19th Century Wooden Fan, mounted with a sea green double paper leaf, completely plain save for a silver top border. Guard length 9 inches or 23cm; A Late 18th Century Carved And Pierced Wood Brisé Fan, the top half of all sticks carved and pierced with classical designs, some colour highlights. A central applied vignette of a gravure on paper shows a pensive lady in classical flowing robes, a dog at her feet. To each side, a rectangular vignette painted onto the sticks, containing stylised swags and flowers. The verso is plain. Bone thumb guards. Twenty-eight inner stick plus two guards. Guard length 9.5inches or 24cm; A Late 18th Century Wood Brisé Fan, carved and pierced throughout with roundels and a central shield containing initials. Twenty-seven inner sticks and two guards. Guard length 10.25 inches or 26cm; and A Late 18th Century Wood Brisé Fan, with Chinoiserie style decoration, the twenty four inner sticks and two guards carved and pierced and featuring 6 ovals. Centrally, the applied paper panel depicts a rural scene with rocks, stylised trees, a bridge spanning a river on which basic boats are travelling. A multi storey pagoda style building sits atop the rocks. To the left, however, is a much more European style building with a stone tower, and castellated walls behind. The verso is plain. Guard length 11 inches or 27.5cm (4)Fan 1 - Generally good, some rubbing to the folds. Fan 2 - The ribbon needs replacing. One stick is broken at the tip and repaired on the verso. Several of the stick tips have loss. Fan 3 - The upper guard has part of the next stick in stuck to it, and the guard itself has damage. The lower guard has 2 metal plate repairs. At least 3 of the inner sticks have losses. The ribbon needs replacing. Fan 4 - At least 2 sticks are missing, the large ovals are missing one stick at each side.
Lot 62
An Ivory Fan Circa 1830's, the ivory monture pierced, silvered and gilt, with mother-of-pearl thumb guards. The double leaf, printed and hand coloured, shows a country wedding procession, the bride seated on a mule, a piper leading the way together with a man already imbibing. A stone in the reserves to the left bears an indistinct signature. The verso shows a couple in the countryside, the man reading, the lady having collected flowers, a dog playing at their fee. To the left of the scene the leaf is signed, possibly Guy Andrez, the same as on the recto. Guard length 10.75 inches or 27.5cmSome flecks in the sticks so this could possibly be bone. Brown staining to the verso, probably humidity, some slight loss to the paper on the left of the recto.
Lot 30
The Judgement of Paris: A Final Quarter 18th Century Ivory Fan, the monture carved, pierced and painted in a very pale lilac, the gorge in intricate bands with chinoiserie figures to the centre, the velum leaf mounted à l'Anglaise and painted mainly in subtle grey and brown with touches of subdued green and purple. The recto depicts Paris offering to the apple to Venus, the reserves with further vignettes of rural scenes with ruins and other stone buildings, probably Italian. The verso depicts a lakeside scene with small boats, a larger town in the distance, again suggesting Italy. Guard length 11inches or 28cm. Together with a modern card fan boxGood, monture appears intact, the folds are slightly rubbed.
Lot 38
A Very Unusual Late 18th Century Ivory Fan, with carved and pierced, gilded and painted sticks, mounted à l'Anglaise with a velum leaf the recto painted in two panels (reminiscent of a cabriolet leaf) with Chinoiserie and European figures undertaking daily outdoor activities through the changing seasons, and illustrating different levels of society. The verso depicts a sailing boat approaching a stone tower perching on an isolated rock, further Chinoiserie figures to the reserves. The gorge is of particular note, with side panels colourfully painted with Chinoiserie figures, a central cartouche of bare ivory intricately carved with figures, all with gold borders, carved and painted in a different style, giving detail to the fan when viewed closed. Guard length 11 inches or 28cm. Together with a modern card fan box Exhibited in 2006 at Marble Hill House, Twickenham.Good. Colour strong. Some rubbing to the paint on the lower guards. Some rubbing to the folds.
Lot 318
Art Deco marcasite and paste silver brooch of stepped form, the central square cut blue paste stone with applied marcasite decoration, black paste set to sides, full set marcasite surround; an Art Deco blue and white paste silver panel bracelet, each panel set with rectangular blue paste and round mixed cut diamante, millegrain detailing, width approximately 20mm; together with a blue paste filigree white metal hinged bangle, width approximately 23mm (3)
Lot 328
Three brooched comprising Sapphire and seed pearl 9ct yellow gold brooch of open circular form, small small round mixed cut blue sapphire alternate set with two small white cultured pearls, diameter of brooch approximately 23mm; a Victorian chalcedony and turquoise yellow metal brooch, the large oval chalcedony stone with applied turquoise set floral sprig, open scrolling border surround, hinged pin and simple loop brooch fittings, dimensions approximately 39mm x 46mm together with a Victorian seed pearl and paste gold plated oval brooch (3)
Lot 383
Silver bookmark with a butterfly to the terminal, makers mark indistinct, hallmarked Birmingham 1996, length approximately 8cm; a miniature silver photograph frame, designed as a faerie holding onto a flower, hallmarked London, height approximately 3.5cm; a white metal pencil lead holder and an Edwardian silver pickle fork with thistle terminal set with paste stone, hallmarked Birmingham 1905 (4)
Lot 418
Pair of Victorian fiddle pattern silver serving spoons, initalled finials, makers John Stone, Exeter 1859, length approximately 22.5cm, together with two Georgian fiddle pattern silver serving spoons, initialled finials, makers John Legg, Exeter 1811 and John Langdon, Exeter 1834, length approximately 22cm (4)
Lot 99
Four gem set pendants to include a red spinel 9ct yellow gold flower shaped pendant, five oval red spinel forming the petals, claw settings, three small eight cut white stones set to bale, total length approximately 17mm; a citrine and diamond 9ct yellow gold pendant, the oval mixed cut citrine measuring approximately 11m x 9mm, four claw setting, small round eight cut diamonds set to circular bale, bead settings, total length approximately 18mm; a morganite 9ct white gold pendant, the pear shaped mixed cut morganite measuring approximately 15mm x 8mm, three claw setting, small eight cut white stone border surround and bale, total length approximately 28mm; together with a peridot silver pendant (4)
Lot 10
Victorian ruby five stone 18ct yellow gold ring, five graduated cushion cut rubies, the largest measuring approximately 4.5mm x 4.5mm, claw and rub over settings, scroll mount and openwork scroll shoulders, ring size T Natural untreated rubies, possibly of Burmese origin due to the presence of short iridescent rutile needles in a dense zoned cloud. Classical of interior of natural unheated Burmese ruby. Ref: PhotoAtlas volume 2
Lot 120
Citrine and white stone 9ct yellow gold cluster pendant, the oval mixed cut citrine measuring approximately 14mm x 10mm, four claw setting, small white stone border surround, flared bale together with a pale yellow fire opal and white sapphire 9ct yellow gold cluster ring, the central fire oval mixed cut fire opal measuring approximately 14mm x 10mm, round brilliant white sapphire surround, size of head approximately 19mm x 15mm, ring size N (2)
Lot 134
Victorian seed pearl and black stone gold plated tassel necklace, the central rectangular faceted black stone set with seed pearl, rub over setting with millegrain edging, applied scroll decoration and suspended long tubular bars, length of pendant approximately 5cm, on 9ct rose gold belcher link chain, tongue and barrel clasp
Lot 165
9ct yellow gold textured necklace, length approximately 40cm, CZ solitaire 9ct yellow gold wishbone ring, ring size P, 9ct yellow gold cross pendant, Victorian/ Edwardian foiled stone and seed pearl lace pin (two seed pearls deficient and missing brooch loop) dimensions approximately 12mm by 16mm and a yellow metal wire-wound colourless sphere pendant (5)
Lot 171
Victorian (unmarked) silver tiered target brooch, diameter approximately 4cm, hinged pin and simple loop brooch fittings, together with a pair of diamond white metal earrings, post and butterfly ear fittings; a pair of 9ct yellow gold stud earrings; 9ct gold textured cross pendant; tanzanite and diamond three stone earrings etc
Lot 172
Edwardian turquoise, seed pearl and pink composite stone unmarked yellow gold pendant modelled as a wreath, seed pearl set ribbon and bow motif with suspended pear shaped pink composite stone (replacement), claw settings, alternate round cabochon turquoise and seed pearl set wreath with knife edge spacers, collet settings with millegrain detailing, seed pearl set bale, length excluding bale approximately 28mm, on 9ct yellow gold fancy link chain
Lot 183
Sapphire and diamond three stone platinum ring, the central cushion shaped mixed cut royal blue sapphire measuring approximately 9.5mm x 9.5mm x 5mm, weighing over 4 carats, claw settings with heart detailing to mount, flanked by a marquise cut diamond either side, each weighing approximately 0.20 carat, total diamond weight approximately 0.40 carat, capped points setting, ring size N, assessed as unmarked platinum
Lot 198
Pink sapphire and diamond 9ct yellow gold ring, the oval mixed cut pink sapphire measuring approximately 5mm x 3mm, four claw setting, small round brilliant cut diamond either side, claw settings, crossover shoulders, ring size Q together with a white stone set 9ct yellow gold eternity ring, ring size O½ (2)
Lot 202
Diamond three stone 18ct yellow gold and platinum ring, three graduated round brilliant cut diamonds, the centre stone weighing approximately 0.15 carat, total diamond weight approximately 0.30 carat, claw settings, tapered shoulders, ring size M together with a diamond 18ct gold and platinum set dress ring, five small eight cut diamonds, illusion settings, ring size R (2)
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400830 item(s)/page