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Lot 149
A pink sapphire and gold gold single stone ring, comprising a cushion cut stone approx 6mm, claw set in platinum, to a unmarked gold band, probably 18ct gold, size T, total gross weight approx 2gms along with a cultured pearl and 9ct gold ring, size M1/2, total gross weight approx 1.5gms wear and thinning to shanks to both Further details: some fine scratches wear and tear commensurate with age
Lot 156
An early 20th century citrine and pearl set 9ct gold brooch, comprising an oval form set to the centre with an oval mixed cut citrine approx. 17 x 13mm, within a border of half pearls, unmarked assessed as 9ct gold, total gross weight approx 8.3gms Further details: stone present, some modifications to reverse later clasp, some fine scratches wear and tear commensurate with age
Lot 52
A collection of silver flatware to include: two pairs of Victorian Christening spoon and forks, both ornate decoration, one pair hallmarked Thomas Hart Stone, Exeter, 1870, the other London together with mainly 19th Century Old English, Fiddle pattern teaspoons, mustard and egg spoons, Fiddle pattern caddy spoon, butter knife etc various dates and makers, approx weight 19.49 ozt (606.6 grams) and a set of twelve Continental 800 standard teaspoons, stamped 800, approx 87 grams (1 bag)
Lot 93
A Victorian diamond enamel 18ct gold serpent ring, comprising a coiled serpent decorated with blue and red enamel details, the head set with an old European cut diamond, weighing approx 0.15ct, width approx 18mm, size K1/2, unmarked yellow metal assessed gold 18ct gold, total gross weight approx 7gms Further details: stone present slight chip to girdle, enamel losses, wear and tear commensurate with age
Lot 98
An early 20th century garnet and 18ct gold ring, comprising an oval mixed cut garnet, approx 13 x 17mm, rub-over set in 18ct gold, the shoulders with engraved crest, hallmarked Chester 1912, finger size Q, total gross weight approx. 21gms, engraved "Confratres Oscotienses Episcopo L'amiensi" [Brethren of Oscot to the Bishop of Amiens] Further details: good stone present and intact, very slight abrasions to facet edges, minor fine scratches commensurate with wear and age
Lot 1193
No reserve - 18K Yellow gold English three stone ring. With green stone and two diamonds. In good condition. Hallmarks: 750 British mark, unknown maker's mark, date mark N. Ring size: 17.25 mm / 54 mm. Weight: 4.55 grams. This lot is being auctioned without a minimum price. This lot will be auctioned without reserve price.
Lot 1229
No reserve - Lot three-row pearl necklace and two pairs of ear studs with baroque pearl. Necklace with oval cut white stone and baroque pearls (Ø 7 to 8 mm) and two pairs of stud earrings with cultured pearls. In good condition. L: 42 cm. Total gross weight: 139.15 grams. This lot will be auctioned without reserve price.
Lot 1280
No reserve - 14K White gold ring with green synthetic stone set with approx. 0.15 ct. diamond. Stylized design of a snake, set with 15 diamonds of a total of approx. 0.15 ct. various cuts (SI-I / I-J) and a green synthetic stone (Ø 5.35 mm). In good condition. Hallmarks: 585 Dutch assay mark, unreadable maker's mark JH. Ring size: 19.25 mm / 60.5 mm. Weight: 4.89 grams. This lot will be auctioned without reserve price.
Lot 1291
No reserve - 14K Yellow gold vintage ring set with rose cut diamonds and a green stone. Set with rose cut diamonds (Ø approx. 1.0 - 1.3 mm) in silver settings. In good condition. Hallmarks: 585 and ZII 835 Dutch assay mark. Ring size: 19.5 mm / 61 mm. Weight: 4.06 grams. This lot is being auctioned without a minimum price. This lot will be auctioned without reserve price.
Lot 1295
No reserve - 14K Yellow gold entourage ring set with rose cut diamond and a green stone. Set with 12 rose cut diamonds (Ø approx. 2.0 - 2.2 mm). In reasonable condition, white gold centerpiece is low grade gold. Hallmarks: Dutch assay mark 585. Ring size: 18.5 mm / 58 mm. Centerpiece: 1.5 x 1.2 cm. Weight: 2.85 grams. This lot will be auctioned without reserve price.
Lot 1304
No reserve - 18K Yellow gold 5-stone ring set with approx. 0.25 ct. old European cut diamonds. Set with five old European cut diamonds of approx. 0.25 ct. in total (VS-SI / G-H). In good condition. Hallmarks: 750 Dutch assay mark. Ring size: 17 mm / 53.5 mm. Weight: 2.35 grams. This lot will be auctioned without reserve price.
Lot 1340
No reserve - Lot of silver jewellery with marcasite and cultured pearl. Silver eagle brooch with marcasite, openwork brooch with flower basket, metal brooch with cultured pearl and pink simili, 4 pairs of earrings, including silver filigree studs, cultured pearl (Ø 5 mm), 1 pair with baroque pearls (Ø 7.5 mm) and marcasite and pair clips with pink stone. In good condition. Weight: 59.04 grams. This lot will be auctioned without reserve price.
Lot 1356
No reserve - Silver parure with blue stone. Parure consisting of a necklace with a silver ball clasp, a pair of silver ear studs and a silver ring. Composite stone with pyrite. in good condition. Hallmarks: 925 Dutch assay mark, the ring with maker's marks AT and JR. Ring size: 18 mm / 57 mm. Total gross weight: 90.13 grams. This lot will be auctioned without reserve price.
Lot 1422
No reserve - Lot of 22K and 18K yellow gold tie pins. 22K tie pin of a snake with red stone and 18K tie pin with cultured pearl of Ø 2.3 mm. In good condition. Hallmarks: 916 and 750 Dutch assay mark. L: 6 cm. Weight: 4.25 grams. This lot will be auctioned without a reserve price. This lot will be auctioned without reserve price.
Lot 1428
No reserve - 18K Yellow gold 3-stone ring with synthetic sapphire and diamond. Set with three synthetic sapphires of approx. 4.46 x 4.26 x 2.49 mm and four old European cut diamonds of approx. 0.015 ct. each (SI-I / I-J). In good condition. Hallmarks: 18, anchor: Birmingham, year mark P (1864). Ring size: 17.75 mm / 56 mm. Weight: 3.44 grams. This lot will be auctioned without reserve price.
Lot 1432
No reserve - Antique 18K yellow gold English commemorative ring from 1854. Openwork shin with the text on the outside 'In memory of' and on the inside 'Jsuac Marchall, OB July 10, 1854, AE 75'. The black enamel has largely worn off. Set with nine half pearls (Ø 2.5 mm) and a purple stone. In reasonable condition. Hallmarks: 750 British assay mark, Birmingham, year letter F 1854, maker's mark James Walker. Ring size: 18 mm / 57 mm. Weight: 3.90 grams. This lot will be auctioned without reserve price.
Lot 1462
No reserve - 14K White gold / silver Art Nouveau necklace set with diamonds. Set with rose cut diamonds. In reasonable condition, stone fracture and largest stone skew in setting. Hallmarks: 585 Dutch assay mark. L: 44 cm. Weight: 4.14 grams. This lot will be auctioned without reserve price.
Lot 1472
No reserve - White gold Art Deco ring set with synthetic spinel and diamond. Set with a scissor cut synthetic spinel (approx. 8.40 x 6.92 x 4.37 mm) and 14 rose cut diamonds (Ø approx. 1.7 mm). In fair condition with superficial signs of wear on stone. Centerpiece is base metal, shank tests as 73% gold. Ring size: 15.75 mm / 50 mm. Weight: 4.17 grams. This lot is being auctioned without a minimum price. This lot will be auctioned without reserve price.
Lot 1478
No reserve - Lot of two certified natural sapphires of 1.04 and 4.62 ct. Round faceted stone untreated of 1.04 ct. with chip. Cushion cut sapphire is semi-transparent and treated at 4.62 ct. We add two synthetic yellow sapphires and one synthetic blue spinel. This lot will be auctioned without reserve price.
Lot 991
No reserve - 3-piece lot miniatures, silver. Lot consisting of a bird with sard (stone) belly, filigree car and a mother-of-pearl sled pulled by two buffaloes. Indonesia / Brazil / ?, 20th century, hallmarks: various hallmarks - various signs of wear. 91 grams, 925/1000. Dim. L 6.5 cm, W 2.3 cm, H 6.2 cm. This lot will be auctioned without reserve price.
Lot 151
Freddie Mercury: An Autographed Polaroid of Freddie in London Taken By Robert Rosen,1980,colour Polaroid of Freddie in a head and shoulders pose, signed by Freddie in green ink along the lower half, signed and dated by the photographer on the reverse, 3 1/2in x 4 1/2in (7.5cm x 10cm)Footnotes:Provenance:Offered by Australian photographer Robert Rosen. This photograph was taken by Robert in London between 1975-1985 when he worked freelance for Rolling Stone, NME and other music papers. He was also a society, portrait and catwalk photographer for Ritz Newspaper, Avant Garde Magazine, Root, Fashion Weekly & POL and freelanced for daily newspapers during this time. Robert returned to Australia in 1985 and continued his work with Harper's Bazaar, Vogue, Mode & Elle and the Sunday Telegraph, Sydney.For more information, please see footnote to Lot 214This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 214
Robert Rosen: A Large Group of Vintage Polaroids Taken by Rosen and Signed by Various Film/Music/TV Stars,1980s-00s,approximately 340 colour Polaroids, each signed in various inks by the celebrity featured in the images, notable people include; David Bowie, Bill Wyman, Cliff Richard, Grace Jones, Donovan, Elton John, Sting, Zandra Rhodes, Mary Quant, Sylvester Stallone, Terence Stamp, Vera Lynn, Marianne Faithful, Pete Townsend, Charlie Watts (unsigned), Shirley Bassey, Audrey Hepburn, Stevie Knicks, Andrew Ridgeley, Rudolf Nureyev, Luciano Pavarotti, BB King, Joan Rivers, Jackie Collins, Ronnie Barker, Rowan Atkinson, Whoopie Goldberg, Diana Rigg, Tom Selleck, Mel Gibson, Kylie Minogue, Olivia Newton-John, Nicole Kidman, Ru Paul, Cate Blanchette, Yoko Ono, David Essex, Phil Lynott, Phil Collins, The Village People, David Hockney, Andrew Logan, Karl Lagerfeld, Joe Cocker, John Hurt, Edward Bell, Duggie Fields, Patrick Hughes, Naomi Campbell, Ossie Clark, Malcolm McLaren, Celia Birtwell, Grayson Perry, Peter Blake, Thierry Mugler, David Bailey, Martin Sharp, Paloma Picasso, Jean Shrimpton, Diana Ross, Ella Fitzgerald, Etta James, Issey Miyake, Marcel Marceau, Francis Bacon, Dean Martin, Bob Geldof, Michael York, Helmut Newton, Herb Ritts, Joan Collins, Carrie Fisher, Tom Stoppard, Lewis Morley, Anita Ekberg, Bill Gibb, David Attenborough, Kenny Rogers, Kenny Everett, Christopher Reeve, Jean Paul Gautier, Ronnie Corbett, Diana Dors, Tony Curtis, Joanna Lumley, Geraldine Chaplin, Omar Sharif, Ian McKellen, Michael Caine, Penelope Keith, Muhammad Ali, Les Dawson, Jane Asher, Janet Street-Porter, Bette Midler, Bonnie Tyler, Jerry Hall, Boy George, Quentin Crisp, William Burroughs, Andrew Lloyd-Webber, Deborah Kerr, Nina Simone, Leo Sayer, Lulu, David Hemmings, Barry Lategan, Nico, Vanessa Redgrave, among many others, all signed and dated on the reverse by the photographer, split across two leather-bound albums, sold without copyright or any reproduction rights, each 3 1/2in x 4in (9cm x 10cm), (Qty)Footnotes:Provenance:Offered by Australian photographer Robert Rosen.During 1975-1985 Rosen worked as a freelance photographer in London for Rolling Stone, NME and other music papers. He was also a society, portrait and catwalk photographer for Ritz Newspaper, Avant Garde Magazine, Root, Fashion Weekly & POL and freelanced for daily newspapers during this time. In 1985 Robert returned to Australia and continued his work with Harper's Bazaar, Vogue, Mode & Elle and the Sunday Telegraph, Sydney.Robert Rosen is one of Australia's foremost social photographers and an astute observer of Sydney and London society. He has covered social events for the past 30 years and through his lens brings us tantalizing shots of global celebrities. These are not the stiff poses and uncomfortable smiles captured by most social photographers. It is clear Rosen's subjects are willing participants, resulting in images that exude warmth and wit. This fascinating series of Polaroid photographs records the glamour, the personalities, the drama and the fun of London, Paris and Sydney social events. The images are also important social documents, recording key personalities among the world's social set‚ a mix of actors, rockstars, stage and screen stars and creatives. A visual history of his work appears in his latest book Glitterati. David Bowie Polaroid, London, 1981.'This polaroid was taken at a party at Regine's nightclub on top of a building in Kensington London. I spotted Bowie in the garden and nervously went up to him and asked if I could take his photo and do a Polaroid of him. He agreed but wanted us to go somewhere a little more secluded. I took the Polaroid and all the while I'm thinking, he's going to remember me as the photographer who'd taken his photo at the Blitz Club without his permission about six months before. He was asking me questions about my attire, especially the Andrew Logan mirror bowtie I was wearing. He then said ' Ahh, Robert Rosen with the looking glass bowtie.' I smiled and showed him the Polaroid that by now had fully developed. But it had my fingerprints across the top of it as I'd been nervously holding it too hard whilst talking to David. I suggested we take another one, but he said 'No I like it, it's art' and he signed it.'- Robert RosenThe Charlie Watts Polaroid is the only unsigned photograph in the collection. When Rosen asked Watts to sign it, his excuse for not doing so was because John Lennon had passed away that day.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 259
Pearl Jam: An Autographed Hyde Park Concert Poster,2022,Double-sided Pearl Jam poster from BST Hyde Park 2022 signed in black pen by Eddie Vedder, Stone Gossard, Jeff Ament, Mike McCready, and Matt Cameron, poster artwork by John Townshend, the reverse with design, text, and holographic sticker, 18in x 24in (45.5cm x 61cm)Footnotes:Provenance:Generously donated to the vendor by Pearl Jam and sale proceeds will be donated to Children With Cancer UK.As part of the vendor's fundraising campaign, they completed the London Marathon, a skydive, the National Three Peaks Challenge and cycled from Land's End to John O'Groats for Children With Cancer UK - the charity helps fund life-saving research and support for children and their families through cancer treatment and beyond.For more information, please visit: www.childrenwithcancer.org.ukFor further information on this lot please visit Bonhams.com
Lot 294
Paul & Linda McCartney: Three Autographed Polaroids of Paul & Linda in London Taken By Robert Rosen,1982,three colour Polaroid photographs; the first of Paul holding his Champagne glass in front of his face, signed by Paul in blue ink to the lower half; the second of Paul and Linda kissing (unsigned); the third of Linda holding the Polaroid taken previously, signed by Linda in red ink to the lower half, each signed and dated by the photographer on the reverse, 3 1/2in x 4 1/2in (7.5cm x 10cm) each, (3)Footnotes:'There was a Music Awards Party at Abbey Road, the famous recording studio. It was 1982 and I crashed it. Paparazzi were outside, it was snowing and they were there freezing with their zoom lenses. My snappy was in my pocket, the security guy saw me and because I always liked to dress well must have mistaken me for a pop star. He said, 'Hurry up inside the awards are starting,' and whisked me through the doors. Next thing I know I am inside standing next to Paul and Linda McCartney. We began a conversation and I asked to take a shot, they were in a joyous mood and most accommodating as you can see. On the third click they kissed - I got it! That photo went worldwide and I sent them a print to say thank you. Six months later I bumped into them again, but didn't assume they would remember me; however Linda called to me, 'Darling are you ignoring us? Come on, give me a hug.' It meant so much to me, maybe more than anything, that she loved that photograph.'- Robert RosenProvenance:Offered by Australian photographer Robert Rosen. This photograph was taken by Robert in London between 1975-1985 when he worked freelance for Rolling Stone, NME and other music papers. He was also a society, portrait and catwalk photographer for Ritz Newspaper, Avant Garde Magazine, Root, Fashion Weekly & POL and freelanced for daily newspapers during this time. Robert returned to Australia in 1985 and continued his work with Harper's Bazaar, Vogue, Mode & Elle and the Sunday Telegraph, Sydney.For more information, please see footnote to Lot 214.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 58
Doctor Who: An Original Weapon Box From The Keeper Of Traken,BBC, 1981,the box covered with blue/purple velvet lining, with metal fittings, a clear polyhedral resin crystal with decorated surround to the top of the lid, the front with two latches and a green faux-stone, 7 1/2in x 3 1/2in x 9 1/2in (19cm x 9cm x 24cm) overallFootnotes:Provenance:Acquired by the current owner from the Peter Logan collection. Logan joined the BBC Visual Effects department in July 1967, working on many episodes as a design assistant and prop maker.The present box is understood to have been used by the Fourth Doctor's (Tom Baker) companion Nyssa (Sarah Sutton), in part three of the serial The Keeper Of Traken, broadcast on 14th February 1981. In this episode, Nyssa is seen using the box to conceal an ion bonder weapon inside, while trying to gain access to her imprisoned father.For further information on this lot please visit Bonhams.com
Lot 68
Chris Wood/Traffic: A 'Granny Takes A Trip' Jacket Owned By Chris Wood,circa 1969,the gold coloured jacket with green and pink embroidered flower motifs, Nehru collar, single-breasted with plastic buttons, fully lined with a green geometric silk fabric with a GRANNY TAKES A TRIP, THE WORLD'S END, CHELSEA' label on the inside, with letter of provenance,Footnotes:Provenance:Property from the Estate of Chris Wood (1944-1983).Literature:Chris Wood: Evening Blue, 2017, pp. 162-163 (illustrated).Exhibited:The Rock And Roll Hall Of Fame, Cleveland, after the induction of Traffic to the Hall of Fame in 2004.Chris Wood (1944-1983) was a British rock musician, best known as a founding member of the rock band Traffic, along with Steve Winwood, Jim Capaldi and Dave Mason. Chris's younger sister Stephanie designed clothes for the Spencer Davis Group, based in Birmingham, and it was through her that Wood was first introduced to fellow Birmingham native Steve Winwood.At the age of 18, Winwood abandoned the Spencer Davis Group at the height of their popularity and, along with Wood, Capaldi and Dave Mason, formed Traffic. Wood played with Jimi Hendrix in 1968, appearing on the Electric Ladyland album. In 1969, Wood also appeared on the eponymous second album of Free and the Small Faces' The Autumn Stone In 1970, Wood and his wife, along with Steve Winwood, joined Ginger Baker's Air Force, releasing one album before reforming Traffic. Wood remained with Traffic from the time of its 1970 reformation until its 1974 breakup.The present jacket is believed to be the only surviving article of stage clothing from Chris Wood's days with Traffic, and would have first been worn during Traffic's 1970 US tour, ahead of the release of John Barleycorn Must Die.For further information on this lot please visit Bonhams.com
Lot 177
Kate Nicholson (British, 1929-2019)Torhouse Stone Circle signed, dated and inscribed 'stone circle in cumbria/Kate Nicholson 1940' (to backboard)oil on board42 x 63.5cm (16 9/16 x 25in).Footnotes:LiteratureJ. Nicholson, Kate Nicholson, Philip Wilson Publishers, London, 2019, p. 32, illustrated'That was a nice holiday up in Cumberland and Scotland. It is lovely to be able to find places that are real and unspoilt. I thought that almost the most beautiful part was the drive back along the Solway. But it is v much dependent on having just the right light. There is a lot of painting to be done at Whithorn so I hope you can manage to go back someday and finish all those schemes.' - Kate Nicholson, Letter to Winifred Nicholson, circa 1959 (J. Nicholson, Kate Nicholson, Philip Wilson Publishers, London, 2019, p. 32)We are grateful to Jovan Nicholson for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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